the thing about people writing tim as insecure is like yeah he is insecure and a little desperate and the cockiness is partly a defense mechanism. but he would NEVER actually let on that he is even remotely insecure. he's an unreliable narrator because he doesn't even let the reader know he's insecure most of the time. tim would rather disembowel himself with a grapefruit spoon than have even his closest loved ones know that he's a little insecure sometimes
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on twitter here and here, forayuarchive has been talking about how LLH & FDB really act like an old married couple, and i couldn't stop thinking about it too. as a native chinese speaker, the level of informality, familiarity and bickering, in how FDB and LLH speak to one another (especially in the later episodes) are reminiscent of how bickering old married chinese couples are often depicted.
when FDB is angry/upset at LLH, he calls him "死莲花" - "Damn Lotus/Damn Lianhua". the way FDB says it is in a manner where you might imagine old spouses scolding one another when nagging/bickering (to clarify, it's not romantic per se, but it's extremely informal & familiar).
for example, in ep 35, FDB calls him Damn Lotus in the note he left LLH when he went to look for the styx flower. CN fanghua fans on weibo managed to painstakingly transcribe the note (see forayuarchive's tweet about it here with the eng translation) - it's extremely informal and reads like a short note a spouse/partner would write when leaving their shared home in a hurry.
i also still can't believe LLH calls FDB "xiaobao", it speaks for itself. 小宝 Xiao Bao (literal meaning is "little treasure") is usually something you call literal babies/children AND is FDB's family nickname for him so if you're calling a grown man that in front of his parents and his colleagues and strangers and literally everyone, then he's either your biological family or he's your bf/partner. (it's a level of intimacy that would make me feel embarrassed as a third party hearing LLH call FDB that in front of everyone😭)
and not to mention the deleted line of FDB calling a sick/unconscious LLH "xiaohua'er". (see video & meta of the deleted line by forayuarchive here, translation of the deleted line by ttiesanjiao here). xiaohua'er is so intimate, definitely something one might call a lover 😭
(*for more name meta, see forayuarchive's twitter thread meta about all the names that FDB and LLH call one another, and in what situations each particular name is used)
in any case these are NOT what a disciple calls his shifu or a son calls his dad. these nicknames are far too informal and familiar - no son talks to his father like that and no disciple talks to his shifu like that. (now, an angry spouse however...)
(there's also the fact that FDB explicitly rejects their relationship as being anything other than that between 2 adult equals - when LLH jokes that FDB should bow to him as disciple, FDB immediately rejects the idea, saying that he was only joking about wanting to be LLH's disciple, that FDB is too old now. he firmly sees himself as an adult equal to LLH.)
tl;dr within months of knowing each other, LLH & FDB act as familiar as an old couple 10 years married, skipping the entire courtship stage 😭
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Bakugo hot take: his character would have been better if he was a girl. This would also make him even more controversial. I will not elaborate.
Oh god this makes me wonder if. Okay so. I’m about to say something cursed. And I know I’m going to get hatemail about it (or at least very passionate explanations about why I’m wrong).
is bakudeku just yaoi reylo
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The brainrot has finally won I’m talking about the journalist now-
Because like… Bugsnax has so many interesting characters and it’s so weird to say they’re my favorite but I’m just so impressed by the way they were characterized-
They’re just??? I’m forever gonna be in love with how the devs nailed that line between “character that represents you” and “character with a distinct personality and goal” because that’s so hard to do correctly and they nailed it.
They’re a blank slate at their core. A character to project on. Nameless, voiceless, faceless… you can turn them into whatever you want (both in and outside game) and chances are it’ll fit perfectly into the rest of the puzzle that is “canon.” You get a few guidelines and nothing else because the bottom line is that they’re the player. There’s a whole tag related to ocs of this sort and each one is beautifully unique.
And yet they’re still the journalist. The fandom recognizes them as their own character with their own relationships. They’re sarcastic and dorky when they do speak. They’ve got opinions and goals and so much personality that shows through the little things.
They’re kind of a pushover. Impulsive. A foil to Filbo and a parallel to Lizbert. They doodle in their journal and believe in cryptids. They’re ridiculously tough and can survive jumping off the side of a mountain and being set on fire for half a minute. They’re a character just like the rest of the town, even with that blank slate core.
I could write an entire essay about this creature. I just love it. It’s a huge relief for people like me who struggle with having multiple sonas cause it lets me relate to a pre-established character without mischaracterizing them entirely. It’s a window of connection that lets people get sucked in while also keeping a distance if they want to. All of my favorite games manage to do this sort of thing and god damn I wanna play more that do.
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i like to think of ascension in rain world as both good and bad. it is- potentially- a final rest in a world where death is not forever, melting one away so completely that no cycle can take them back. and for some, this is good!
but also, theres something so beautiful about looking death in the eye and choosing to walk past it, even as tempting as it may be. instead continuing to adventure, to make friends, to survive, to be alive.
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if i met shallan i would tell her im here to kill her and give her some type of terrifying riddle to solve to keep her enriched. if i met kaladin id give him a cigarette and a blanket. if i met adolin i would. um. hm.
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I come bearing random fic asks! 1) tell us about your current wip(s)! 2) what's your writing process like? 3) I think you mentioned you have a background in psychology — how much does that influence your writing?
Hello my beautiful friend!!
Thank you so much for sending me these! I have been sitting on this for days because I wanted to banish 'thought that i was young' from my WIPs before answering lol
1.) Now that THAT'S published (and taken most of my WIP wordcount with it *sad violin noises*) there's 3 fics I'm actively poking at, the chunkiest is a Sam-and-Jamie-BFFS-agenda-6-conversations-they-might-have-had-and-one-they-definitely-didn't which I'm pretty sure I've posted a snip of SOMEWHERE before whoops. The working title was too long for me to cope with, to the extent that it managed to override my inability to make my mind up about anything, and is now called 'i said, maybe' - a line I've gleefully pinched from Wonderwall by Oasis! I like it for this fic because *gestures at working title* BUT ALSO Wonderwall is the song Sam sings at karaoke in 1x07 'Make Rebecca Great Again' and the Manchester connection tickles me greatly!
There's a non-angsty, short-ish (I'm honestly shocked) fic that fell out of my brain nearly fully formed a couple of weeks ago (because almost everyone I knew was either talking about or having birthdays) which ALSO has a title 'because he had no say in it (no say in it at all)', which is almost definitely going to be posted next (and hopefully a LOT sooner than the time-space between 'i learned to walk while he was away' and 'thought that i was young').
The only other thing I'm actively poking at right now is in the outline stage, it is also short-ish (please PLEASE stay that way) but is back to the angst-fest that is apparently all my brain wants to spit out. It's Jamie-centric. It involves a cat :)
2.) Honestly at this point my writing process is best described as:
(sound warning)
ANYWAY
(My actual answer about my writing process is that I love planning. Very much. Stretching the dough into spaghetti is where the problem lies 🫠)
3.) I do indeed have a background in Psychology! Like any undiagnosed-in-denial-17-year-old-DUMBASS, I studied Psych right out of high school due to a combined and truly harebrained motivation of 'what IS going on up there' and 'wow I love systematically studying, analysing and mimicking human behaviour [no underlying NOTHING going on up there no siree]' and wound up with a four year degree. NOW, my background is purely theoretical, I have never been registered as/worked as a Psychologist, so I'm not violating any ethical codes by using my knowledge for evil applying my Psych training to fictional stories/characters. Because the answer to 'how much does that influence your writing' is. SO MUCH. Not necessarily intentionally, there's only one fic in the extended-mountainous-WIP-pile that's explicit about Psych stuff (I'm giving Dani Seasonal Affective Disorder whoops), but psychology is one of those fields that once you're trained in it you can't really ever un-know it. Unfortunately for me, and everyone that I meet, there's forever a predisposing/precipitating/perpetuating/protective biopsychosocial model being drawn up in my head whenever someone exhibits any kind of behaviour my forebrain finds moderately interesting. (This doesn't happen with online friends DON'T WORRY [in truth it's only because I can't physically see you all- I AM SO SORRY- I am not in control of this]).
Honestly, I think a big part of it is just that my particular brand of pattern-recognition-AuDHD has been granted auto-inserted citations and gone mad with power.
Take Jamie, beloved stress ball that he is, he has so much psycho-analysis potential that I'm forever torn between wanting to write a dissertation on the various comorbidities that could be floating around in that guy's head, having a Watsonian v Doylist argument with myself about ~artistic intentions~, having to suspend disbelief for the sake of storytelling because I've been cursed with knowledge (gleefully and enthusiastically sought out and paid for knowledge) and just wanting to enjoy the story/character as they're presented/as I'm writing it.
Applying actual Psychology to fictional characters is like trying to tie a balloon to a moving rollercoaster, for the simple fact that they're not real; their actions and motivations and reactions are scripted and rehearsed and performed.
I'm doing it anyway :)
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i finished Some Desperate Glory and it's an ABSOLUTE banger. recommended if you like stories about people clawing their way through several layers of character development, people discarding their forcibly assigned purpose, and tangled relationships + begrudging friendships. i could say more but i don't want to spoil too much of the delightful journey i've had, so here's the official blurb:
(the audiobook came with content warnings, i don't remember word for word but heads up for: SA and grooming, cult environment, forced pregnancies, eugenics, genocide, suicide, in-universe homophobia and transphobia)
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