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#sewing a wound
stygicniron · 1 year
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@batcrested || [ cont. ]
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Gods above and below, Nico thinks, eyes flicking from the knife in the other's side to his face. It's not the first time he's seen someone injured as seriously as this, unfortunately not by a long shot, but this is definitely the first time it's been someone who wasn't a demigod. And as dangerous as nectar and ambrosia are if someone takes in too much, it works in a pinch, or in this case a knife in the side, to save someone's life. He doesn't want to even try to imagine what would happen to the hero if he tried to give him some, nor does he want to watch the other's animus as it clings desperately to his body. Hold on, hold on, Nico wills it, knowing that he doesn't have that particular power.
"You have the wrong demigod for this," he mutters, pulling the bag closer as he tries to remember all the first aid Will taught him. Tugging out the disinfectant, the bandages, wads of gauze, and finally the needle and suture kit, he carefully arranges them around him before turning back to the knife. "Ready when you are."
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raepliica · 1 year
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(content warning: blood)
Sewed Up Heart
[ID: A Trigun comic done in grayscale with red accents. First, an anatomical heart gushes blood, forming a puddle which shifts into Vash's coat. Vash's gloved hands can be seen sewing up a tear at the hem.
Vash raises his hands, which are now bare and covered in blood. He looks sweaty and distressed, and he raises his coat to his face and cries into it. His clenched hands rip the sewed portion apart, and the red thread leads to a heart whose own stitches are tearing apart. The background gets darker and darker, and the red looks brighter and starker against it.
Then the background returns to white, and brown-skinned hands using embroidery scissors snip a red thread. Wolfwood holds up Vash's repaired coat, grinning proudly, and does a happy thumbs-up in Vash's direction. Vash lifts his head, seeming distant.
Wolfwood holds out the coat. As Vash puts out his hand to take it, the cloth is replaced so Wolfwood is dropping a sewed-up heart in Vash's hand. Vash rubs the coat against his face with a teary smile. End ID] ID CREDITS
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1ncend1ary · 3 months
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inconsolable.
au where after the netherbrain fight, durge demands to go back for gortash's body (and uses a scroll of revival bc idc its d&d)
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melit0n · 4 months
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It came to me in a dream
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alister312 · 1 year
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christophe owning a giraffe plushie as a child my beloved headcanon
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ohnonotthehorrors · 2 months
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but what if Double Life Pearl was bare foot? First to better feel the cold, and cause more damage to Scott, then because her feet were so numb she just... forgot. Cuts and scrapes start to build up- the frost bite starts to set in. By the end her feet are mangled and more scar tissue than skin.
To the others its just one more sign she's going insane- that she's becoming a Witch. As wild and dangerous as her wolves.
(And what if... what if the Mounders made her shoes? At the very beginning, when hers broke or tore or something. What if Bdubs and Mumbo pooled their resources and made her nice boots that are a bit clunky and sad looking, but that she refuses to take off for the rest of the series)
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levmada · 9 months
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this might be obvious and just me, but i never really absorbed the extent of levi’s injuries after the thunderspear because that one frame in the anime is straight up traumatizing.
like he looks dead. no light in his colorless eyes, barely opened but seeing nothing. that frame more than ANY other before or after screams how tired levi is the loudest. the space around his eyes is shaded and just. heavy.
plus of course he’s covered in blood. the wounds are superficial but head wounds bleed. a lot.
but there’s a lot of blood around his mouth as well which is part of my belief that the explosion (like explosions tend to do to a person) caused internal bleeding. he also coughs up blood later.
so like Levi is not okay. but this time i looked at the frame and noticed just how much wood shrapnel is in his face. one side is just lambasted with it. it’s just😭😭
POOR LEVI😭😭😭😭😭😭
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gortthe1rst · 1 day
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this is how 4th grade me felt after preforming surgery on my math book with my pencil
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laidenbreecatchall · 2 months
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Sitting in your boxers, waiting for paint to dry.
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teatitty · 1 month
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I love writing Dandelion because he's a performer. An unreliable narrator of his own life. He exaggerates and lies through his teeth and will dig and dig and dig into the backstory of a friend but clam up the second you ask him anything about his own and find ways to deflect and demure. He's hyperaware of how people view him and just doesn't seem to care. If you think he's a silly bard without a brain that's how he'll act for you and if you only see him as a flirt who makes terrible jokes that's how he'll act for you, he puts on whatever mask he thinks people want most from him which is why it's so compelling that his bestest friend in the whole wide world is Geralt - a Witcher who can effortlessly see through it all and strip him down to his bones if he wants to
Truly the mortifying ordeal of being Known
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haii2u · 19 days
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2024 -> 2021 -> 2016 Evolution of my Hagatha, my first D&D character from back when I was in high school. The campaign she was in was short lived and didn't even really qualify as D&D but I had fun
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stackslip · 6 months
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"you're doing really great" hhhhhhhhhhhhhh
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blanketsarecozy · 1 year
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the scariest thing about the last of us is the medical malpractice every episode i am yelling at the screen telling the characters to stop doing something oh my god
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melit0n · 3 months
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EUCLID ANALYSIS.
Part one -> Title and meaning
Part two -> Line by line analysis part one
Part three -> You're already here!
Part four -> Musical/instrumental notes
Part five -> The Night in Sleep Token
Part six -> Conclusion
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“I play along with the life signs anyways” → ‘Play along’ implies acting or participating in something that may not be entirely genuine, it's almost childish; playing along with life like it's a joke.
Finishing the line with ‘anyways’ adds a sense of nonchalance to it all. It paints the image that Vessel is going through the motions of life, however, he hasn’t fully accepted it all yet. He’s in this middle zone, the twilight zone, of experiencing it all but through a dissociated state.
“But hope to God you don’t know this feeling” → This one can be interpreted as a direct message to us, as the listener. While Vessel has gone through mass amounts of distress in his lifetime, before he was Vessel and as he is now, he has taken the last option he has left; Sleep. He’s both hoping we don’t follow in his steps and hoping to the Dear God we have never experienced what he has been through and never will.
“Yet in reverse, you are all my symmetry” → And here is the first reference to Euclid of Alexandria and his symmetry.
The lyric, as a whole, expresses an intimately complex sentiment about the nature of Vessel’s relationship with Sleep or his partner. Even when viewed in reverse, the person holds a profound sense of balance (through the metaphor of symmetry) for Vessel; they completed each other perfectly despite their large differences, which eventually drove them apart.
I would like to mention this can also be seen as a response to the message Vessel received that stated he had ‘saved’ the writer. Vessel reflected on this in a speech, concluding that whilst the message is true, it is in an inverse sense. We saved Vessel. We are his symmetry even though we are so utterly different from him. It’s a wonderfully profound lyric, whichever way you decide to interpret it.
“A parallel I would lay my life on” → Symmetry again!
Despite it all, Vessel would lay his life in this relationship, this person; that’s how much trust he has. However, the reference to parallels presents the concept of parallel lines, which never meet. This suggests a distance or separation, which emphasises the unique and individual paths each person is on, whether that be because of fate or free will. Then, the statement that Vessel makes, saying he’d lay his life down for this parallel, indicates a deep and soulful commitment (or sacrifice) for the sake of symmetry. He’s saying he has full willingness to trust this person, even if their stars won't align again. Even if their paths won’t converge, he’d still have some sort of trust in them.
It could also be a callback to the main topic in Acensionism.
“So if your wings won't find you Heaven, I will bring it down like an ancient bygone” → The line calls back to TNDNBTG’s "and the night comes down like Heaven". This is Vessel willing himself to bring down Heaven for someone who deserves it, but cannot bring themselves to reach it, as a gift for them. A thank you.
Plus, the comparison to an ‘ancient bygone’ adds a layer of nostalgia or reference to the past, which suggests Vessel is drawing upon ancient or timeless methods to accomplish this; using the past to his advantage, for once in his life, which then links into the later lyric of "for me, it’s still the autumn leaves".
“Call me when you have the time” → A repeat of the previous refrain, but with changed words. It feels less like a cry for help, but more of a light-hearted question. A ‘Hey! I don’t need you right now, but call me when you’re free, yeah? I’ve got something to talk about’.
“I just need to leave this part of me behind” → Vessel has accepted his walls have closed in on him and have fallen down, and he’s realised he needs to move on. Yet again, it presents Euclid as a eulogy; a closing chapter for Vessel and maybe Sleep Token as a band itself.
“Do you remember me, when the rain gathers?” → Vessel’s past is coming back to him again, he’s finally accepting it all but he’s still clinging on, asking his partner, or Sleep, if they still remember it all.
Further, rain often carries symbolic meanings, such as renewal, cleansing, as well as melancholy. The question is more of a ‘Will you remember me now that I’ve changed? Am I still good enough for you?’
“And do you still believe nothing else matters?” → This line is a callback to Bloodsport’s "tangled with what I never said, and you say it doesn’t matter".
It also brings up change again. At the start of the song, Vessel is afraid of change, changing out of the mindset he’s been in for so long, but now he’s asking his partner if they’re still the same as before. If loving them is still a blood sport.
“For me, it’s still the autumn leaves” → Autumn symbolises change and is the in-between of summer and winter. The middle of constant sunlight and constant darkness; it’s twilight. It displays a long-awaited change and finally, the acceptance of it.
“These ancient canopies that we used to lay beneath” → As autumn arrives, the canopies of the trees change yet again. The trees Vessel his partner used to lay beneath become ancient with all the autumns that have passed. Eventually, his partner becomes an ancient bygone to him.
“No, by now, the night belongs to you” → Direct callback to TNDNBTG from Sundowning. The Night, lore-wise, is presented as something holy. It is their duty, as Vessels of Sleep, to constantly stay awake because the night belongs to Sleep; no one else. Vessel is rebuking against Sleep, stating that the night no longer comes down like Heaven, like he once believed, and belongs to someone entirely human now. It belongs to him. It belongs to us.
“This bough has broken through” → Direct callback to WTBB from One. When the bough breaks is an idiom meaning ‘when a situation has reached the point of no return’. In WTBB, this is in reference to how Vessel and his partner ignore how toxic their relationship has gone because neither of them wants to be alone in their suffering. The bough has broken through because Vessel has left this person, and he has changed. He has overcome the fear of being alone and has changed for the better.
“I must be someone new” → This is a direct statement of how Vessel must change if he wants to continue on. He must find a way to become human again while being a Vessel of Sleep. He has to get over his past.
The bridge then repeats the previous two verses, almost as if Vessel is trying to nail in his final point. He hasn’t got anything more to say, so he’s repeating all he’s said.
Finally, the fourth and final verse is a repetition of the second verse of TNDNBTG. The produced album trilogy, the loop, finishes here. As the listener, we are sent right back to where we first began; in a state of suffering and struggling to accept our new form, to accept our humanity. But, if you run it back, listen to albums again, you’ll be right back at Euclid. You’ll be back to facing the fact of change and guess what? Time has passed again. Could be a couple of hours. Could be a couple of days. Could be a month! But time has passed as you have revisited the past on an empty ceiling and you, as the listener, are faced with change again.
Euclid, in the end, lyrically, becomes the question of have you accepted it yet? Will you allow time to sew your wounds shut, or do you need to go back one more time? Go back to where your atoms stopped fusing, to where it was blue light over murder, or, do you want to face the inevitable?
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theshiaxartist · 1 year
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How many times did Daxter have to patch his buddy up over the years?
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anglerflsh · 1 year
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Be careful with your cheek scar, who knows if an undead puritan will try to use your wound to possess you
Ah but I have a secret weapon. I simply don't hurt my fingers when I use my sewing machine
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