Tumgik
#shakespeare & sons
jasontoddsguns · 2 years
Text
Black Adam: The gods won’t be able to save you now, son of cur!
Shazam, under his breath: Solomon, I need a classy old-timey insult for this guy. Okay- got it-
Shazam: OH YEAH? VILLAIN, I HAVE DONE THY MOTHER!
4K notes · View notes
adhd-merlin · 2 months
Text
hey you!! yes, you!
do you want to watch Colin Morgan in All My Sons (legally and for free)?
do you want to celebrate the Ides of March by watching an excellent production of Julius Caesar with Ben Whishaw? (of course you do??)
as well as other plays?
you can use the code SORTEDATHOME to get free access to National Theatre at Home for 1 month! (also access to some "recipe packs" if you're into that)
More info here. I've just done it and it's very straightforward (you need to provide the details of an active credit card though, there's a card check). Just remember to cancel your subscription before it renews :)
ETA: Offer available until 18 March, while stocks last (from the NTL newsletter)
Tumblr media
136 notes · View notes
thehamletdiaries · 7 months
Text
I am currently on my second go round binge watching Prodigal Son and I would love to see Tom Payne play Hamlet he is so Hamlet coded as Malcolm.
Tumblr media Tumblr media Tumblr media
Also:
Tumblr media
156 notes · View notes
fallimentiquotidiani · 5 months
Text
Tumblr media
Sons of Anarchy
95 notes · View notes
getting emotional about the last issue of sandman again (cw for major comic spoilers, discussion of suicidal thoughts)
because like. so we learn pretty early on what dream's deal with shakespeare was, allowing him better access to his creative potential in return for two plays, and we know this because we get midsummer night's dream, which was commissioned by dream for the actual titania as a parting gift before the faeries left earth forever
but we don't learn the second play until right at the end, after dream is dead, after the funeral, after sunday mourning and exiles, both of which make really beautiful endings to the story in their own right
the second play is the tempest. and there's a lot of the play that neil gaiman quotes in this issue, but i'll focus on the specific two that shakespeare reads aloud
the first is our obvious one - prospero's address at his daughter's wedding.
Be cheerful, sir. Our revels now are ended. These our actors, as I foretold you, were all spirits and are melted into air, into thin air. And like the baseless fabric of this vision, the cloud-capped towers, the gorgeous palaces, the solemn temples, the great globe itself, ye all which it inherit, shall dissolve, and like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little life is rounded with a sleep.
it's a beautiful passage, and exactly what to put at the end of this story - prospero is reminding everyone that stories are just stories, they aren't real and can't hurt anyone, but also they are the one thing that lives forever. humans are shaped and formed by our dreams, by our stories, we come from them, and in the end, we return to them.
now, prospero is the character we focus on in this issue. because there's a three-way parallel here between dream and prospero and shakespeare himself.
dream and shakespeare have both lost their sons, were both irreparably changed by that. both regret decisions they've made in their lives, and wish to leave the path they've found for themselves, but don't feel they can - their responsibilities are too great, they have no choice but to be what they were born to be. both wonder what might have happened in a world where things were different, but they know that could never have been
and prospero is the balm to that. prospero has made mistakes in his life, he's in several ways the antagonist of this story, but at the end, he gets to put it all aside. his daughter lives, and is happy. he gives up his magic - the source of his power, but also his suffering - and abandons his role, leaves the island he'd been ruling for decades. and this is his happy ending.
when shakespeare asks dream why this play, why he wanted that ending, instead of some great tragedy or drama, something more fit for a king, dream responds "because i will never leave my island."
and we see throughout the issue that that was personal to shakespeare too, it was a wish fullfilment for both of them.
but then we get to the epilogue, the second quote i'm focusing on. because shakespeare doesn't know how to end the play, until he has that conversation with dream.
this is the tempest's epilogue, in full:
Now my charms are all o'erthrown/And what strength I have’s mine own/Which is most faint. Now, ’tis true/I must be here confined by you/Or sent to Naples. Let me not/Since I have my dukedom got/And pardoned the deceiver, dwell/In this bare island by your spell/But release me from my bands/With the help of your good hands.
Gentle breath of yours my sails/Must fill, or else my project fails/Which was to please. Now I want/Spirits to enforce, art to enchant/And my ending is despair/Unless I be relieved by prayer/Which pierces so that it assaults/Mercy itself and frees all faults.
As you from crimes would pardoned be/Let your indulgence set me free.
like most shakespeare epilogues, it's a direct address to the audience, talking about the play. prospero is asking forgiveness from the audience for all he did wrong, but then reminding them that he's only human, don't we all want to be forgiven? and after all, all of this was just a story. he only wanted to create something for you. so applaud the ending, tell him it was worth it, and only with your permission can he finish the story, and finally leave.
and that's the thing, about dream's particular brand of suicidal thoughts. being dream of the endless has been weighing on him for centuries, if not millenia, he longs for an escape, but he knows he can't. when they see it's breaking him his siblings try and convince him to leave, like destruction did, but it's not in him to abandon the dreaming like that.
and that amount of responsibility, of staying alive because you owe it to other people - it's a relief, then, when a battle comes along that's too great for you to face, but there's also a lot of guilt in it. because he gave up. and he knows he did. letting the kindly ones win was the most selfish decision he's ever made
and you might say, well, he's dead, he doesn't have to face it, but that's not wholly true. because all three of the last issues deal with some version of dream after death.
there's the dream of him hob has in sunday mourning, which isn't the true dream, he's dead, except of course it is dream, because he was only ever made of dreams anyway, so does it really matter whether it's real or not?
in exiles the protagonist talks to both morpheus and daniel in the desert, and for dream this was two very different time periods, but to the man crossing the desert, they happened simultaneously, so if time can be warped like that in dreams, who's to say that the ripples of morpheus won't continue long into the future?
and then we have the tempest. dream has appeared after death as a dream, as a mirage, and finally, in perhaps his truest form, as a story.
when dream said he will never leave his island, shakespeare reminds him that all men can change. and this is the fatal flaw of dream - he doesn't see himself as a man, as a person, as anything but the entity which must fulfill his function. he tells shakespeare that men have stories, men change - he does not
and when we end this entire 75 issue run with the epilogue from the tempest, dream is prospero. even after death he's still reckoning with the guilt of making that decision. even now, he won't allow himself that freedom.
and that's the reminder, that all of this was just a story - dream's story. the reader is a character in sandman, all of this was created for us. did he manage to create something beautiful enough, despite the pain? can he be forgiven for the decisions he made along the way? if eventually he gave up, does that make all the time he fought so hard for meaningless?
and he can't be free of the story until we answer that all important question - was it worth it?
to which the answer can only be of course it was.
540 notes · View notes
aintinacage · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Uh… Shakespeare in the park.
William Shakespeare’s Avengers (Part 17/?)
74 notes · View notes
relatableblorbopoll · 4 months
Text
Round 1 of preliminaries, group 17
Tumblr media
The first two places get a place on the bracket
Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket
Propaganda under the cut
Berdly (Deltarune)
"he's a bird and all birds are autistic (to me)"
Hamlet (Hamlet)
"My brain doesn't have the capacity to elaborate right now but he's so emo and dramatic. Just a weird fucking guy."
Squidward Tentacles (Spongebob)
"fast food worker who hates his job but keeps working there because they need to make money. just like me fr"
Hunter (The Owl House)
No Propaganda
Szeth-son-son-Vallano (The Stormlight Archive)
"He struggles to know himself and his own desires, and often relies on others to guide him. He is secretly just a silly little guy. He once said "I don't want to study. I want to be dead.""
Nami (One Piece)
"fucked up situation... but FRIENDSHIP"
50 notes · View notes
bedlemboy · 9 months
Text
Worf the Spy
Shortly after realizing the position of ambassador and envoy to the Klingon Empire was going to require a tad more subtlety than even he was anticipating; Worf, son of Mogh, Bane of the House of Duras and Slayer of Gowron sent a back channels message to his ex-wife, who passed it along to her husband, who passed it along to his boyfriend, and in short order found himself on Cardassia across a cafe table from Elim Garak.
Garak's anti-surveillance devices are excellent, and Worf refuses to talk about it, so no one knows exactly what was said that caused both to end up in the medical clinic twenty minutes later with six broken bones, three phaser burns and two kinds of poison ingested between them. Garak says they were "practicing."
From their clinic beds, they agree to meet next month, settling on chamomile tea as a reasonable compromise and agreeing to leave their phasers behind.
The next month, its is eleven broken bones, three poisons, two phaser burns and a knife wound. From their clinic beds, Garak gives Worf pointers on concealing weapons from hand-held sensors for next time. Worf grumbles the Garak stabs 'like a Hom Ha'DIbaH.'
Thirty years later, they still meet every month; discussing opera, theater and their mutual loathing of the Third Taylor Swift Renaissance more than spy-craft these days. They have long since moved on from concealed phasers to subspace micro-explosives, sometimes planted up to a month in advance (Garak was very impressed). They've finished their chamomile tea exactly twice.
Worf is basically immune to poisons, and can lie like a Tal Shiar. Garak has several genial contacts in the Klingon Empire (which he has leveraged into a prosperous post-occupation Cardassia), and is a member of House Martok whether he likes it or not.
They are best friends.
Julian still has the scars from the time he pointed that out.
64 notes · View notes
tmedic · 2 years
Text
Tumblr media
“ Dear old world. You are very lovely and I am glad to be alive in you ’’ - Anne Shirley 🍄🌻🧡
437 notes · View notes
nvskyprospekt · 1 year
Text
Tumblr media
something is rotten…
178 notes · View notes
sonnet20 · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
too late to apologise
king lear act V, 3, william shakespeare // pietà, michelangelo // act V, 3 // ivan the terrible and his son ivan on 16 november 1551, ilya repin // act V, 3 // the death of barbara radziwiłł, józef simmler // act V, 3 // national theatre live: king lear
201 notes · View notes
p4nishers · 10 months
Text
i KNEW he reminded me of someone
Tumblr media Tumblr media
39 notes · View notes
theoscarsproject · 6 months
Text
Tumblr media
Ran (1985). In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.
King Lear adaptations, my beloved. This is genuinely such a staggering feat of cinema - visually sublime and full of tension, texture and complexity. The use of colour and the environment just sings, and I really wish I'd gotten to see it on the big screen. Magic stuff. 8.5/10.
20 notes · View notes
blackcatarts · 6 months
Note
Banquo and Fleance for drawing recs 🥺
Tumblr media
he is. little
30 notes · View notes
polonius-counsels · 8 months
Text
Ophelia informs me that Laertes has a "toxic masculinity issue". The concept is not familiar, but I surmise that it is a side product of his rebellion against my words.
28 notes · View notes
sail-away-to-space · 4 months
Text
Tumblr media
10 notes · View notes