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#she got in her cute family moments and her shippy moments
hopeymchope · 3 months
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"Monarch: Legacy of Monsters" might've had a lot less kaiju action than the previous attempt to translate Godzilla into a TV series, but it more than made up for that in quality storytelling!
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My sundry observations, gripes, praises and questions:
They really went out of their way to honor the Japanese roots of the source material, didn't they? We're in Japan for a ton of the show, dealing with Japanese and/or Japanese-descended characters for the majority of it, and have a surprising amount of Japanese dialogue throughout — it's nice.
I know Wyatt Russell is a Nepo Baby, but he's honestly still very good at what he does. I don't think the series has any bad acting... but the two Russells (because Kurt Russell is, ofc, amazing), Mari Yamamota (Keiko Miura) and Joe Tippett (Tim) are still the absolute highlights for most of the run, IMO. The Russells and Yamamota do the emotional heavy lifting with aplomb, whereas Tippett is so naturalistic and likable that it's hard not to find him engaging.
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Cate starts off the series being such an asshole who doesn't show any empathy for people going through the EXACT SAME SHIT that she is, but I think the later reveal of her trauma on "G-Day" somewhat explains her attitude problem. She then manages to pivot to being much more likable JUUUUST in time for the episode where we get the flashbacks revealing she was a shitty person even BEFORE G-Day. LOL.
May ALSO swings between being likable and being a total ass, and while that sounds like a complaint, I actually sort of appreciate it. We're seeing the main female characters get the kind of nuance and depth to them that they aren't often afforde in mass-market media, and that's cool.
On the flip side, there's Kentaro. The fact that both Cate and May get to act both likable and dickishreally me expect the same thing for Kentaro. They're the trio of young people who make up the titular "Legacy," right? (Well, I guess that's mostly meant to refer to Cate/Kentaro.) So... I was shocked when Kentaro's chance to be a total prick never came around. He's pretty likable and understandable throughout! Even when he's being SUPER harsh on Hiroshi, I still understand it in light of what Hiroshi's done to their families. I feel like maybe Kentaro got something of a short shrift on this front. He gets adequate backstory, mind you, but he also never gets either A) as much focus time as May and Cate, nor B) a chance to come off like kind of a dick like May and Cate sometimes do? It's a little tempting to say that making him the more "pure" of the trio comes off as sexist, but... the way that he gradually is shoved into the background of the story's focus and doesn't even get to go on the big final adventure makes it pretty clear that this ISN'T because the producers favor Kentaro. More like the opposite....
In fact, take particular note of how nobody really gives him credit for how he was the ENTIRE REASON THEY SURVIVED Episode 4. They diss him and don't believe him, and when he's ultimately proven right in a way that saves all their asses? May gives the credit for her survival to Cate for some inexplicable reason. (Except for ONE later moment when neither Kentaro or Cate can know or hear her admit Kentaro saved them.) WTF. I found that frustrating.
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That episode was the start of Cate and May becoming incredibly tight-knight with one another, and I'm still not clear on how/why that happened. Is it just because they both vascillate between being chlidish assholes and likable adults?? By the halfway point of the show, I was really getting strong shippy vibes off them. Which would be super cute and sweet if it wasn't also, y'know... kinda shitty. Because May used to be with her brother? Who clearly still had feelings for her when the series starts, just a few days prior? MMM.... not cool, May. To be fair, however, not always caring about their own hurtful/sketchy behavior is actually pretty in-character for them both, so maybe it works. And I suppose you gotta take that happiness where you can get it in this crazy, now-kaiju-laden world.
The character who shows up at the end of Episode 9 completely shocked me. They got me there. And in light of that twist — that character who disappears near the end of the finale? Perhaps this goes without saying, but there's no way we've seen the last of them. ZERO chance... unless the person portraying them doesn't renew their contract for season 2 or something. :P
This is, of course, a "Monsterverse" series. But the logic of how the Hollow Earth works in this show doesn't seem to REMOTELY align with how it was portrayed in Godzilla vs Kong, does it? Not even KIND OF. I wonder if Godzilla x Kong will get that disconnect to retroactively make sense.
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At least one returning actor from the Monsterverse films shows up to provide a link... for one scene.
And speaking of the Monsterverse, that's hardly the only Continuity Sketchiness going on here! Serizawa only gets name-dropped ONCE in this series despite the fact that he's still presumably the HEAD DUDE IN CHARGE over there. They keep calling Verdugo the Deputy Director because Serizawa is the director, right?? Though Verdugo sure does make unilateral decisions about the whole-ass organizations multiple times in this show.
All of my prior point is especially goofy when the idea of HELPING Godzilla is treated as this shocking, bizarre concept ..... despite the fact that it's Serizawa's entire fucking philosophy since BEFORE this takes place???
Okay, let's shift back to positives: Takehiro Hira doesn't get as much screen time as many cast members, but his performances over the last two episodes are friggin' emotionally devastating. Fantastic.
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The lack of more Toho monsters in the Monsterverse has been something of a downer for me personally, but they still do pull out some really cool original designs. That Frost Vark is pretty badass.
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zahri-melitor · 4 months
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All the discussion of the guts of the video
This has been floating around my head for months now, particularly a few of the sequences. I had the shape of the pacing of the verses, particularly the Barbara introduction very early on, as well as knowing what issues I was going to rely heavily on for material.
I really wanted to use Something Just Like This as it's both an excellent song to set a ship to, but it also of course allowed a bunch of massive ironic moments for various lyrics.
I wanted it to be set in a pre-Flashpoint universe, so that Barbara was still Oracle. Which made finding enough DickBabs panels for the opening verse somewhat of a challenge, as I was only allowing myself pre-1988 material, legitimate flashbacks, and dream sequences. Batgirl Year One, you will always be famous (and have a very useful kiss). But I succeeded and I didn't even give in to the impulse when I was one panel short to use a Barbara and Jason panel from Gotham Knights #43, even though I was really really tempted. Instead I went through Batman Family from the 1970s and found something I could shoehorn in that sounded shippy.
I did use Lil Gotham, even though it's technically a n52 comic AND an alternate universe. But it has a bunch of very cute DickBabs moments with her wheelchair in them, putting it firmly into the storyline I was trying to convey. That's why all of the Lil Gotham scenes (apart from the one flashback) went into the post-proposal section.
We'll just say in terms of the story told in the video, Dick and Babs actually got back together following the proposal instead of what actually happened, and then they had many cute moments together as a couple.
Stuff I really want to point you at and go 'did you see did you see' because I had too much fun with it:-
'Achilles and his gold' - Bruce is of course Achilles here, and his Achilles heel has always been Dick, the boy wearing a gold cape.
'Spider-Man's control and Batman with his fists' - this was another really really early scene I knew. I wanted the World's Finest circus scene with Dick on the trapeze and Bruce catching him. To have Batman's 'fists' in this scene not be punching, but be catching, with all of the imagery that surrounds Dick and his issues about catching people? Yeeeeessss.
'And clearly I don't see myself upon that list. But she said, where'd you wanna go?' - this came together when I was picking panels. I wanted a lovely ironic moment for Dick about how he doesn't see himself as Batman, so the costume transition panel looked SO GOOD for that. And then...I remembered Dick and Babs' first meeting in Robin Year One actually contains the line 'Dad! Are you ready to go yet?!'. And the panels line up so it looks like Dick is sprinting away from Bruce to Barbara, particularly given where the blank white space is.
And then we launch into Batgirl Year One, the main anchor of good DickBabs content prior to both of their costume changes. It's very important to me that I put the giggling panel AFTER the kiss as 'I want something just like this' - what they want is not just the romance but the comfort and trust around each other.
Despite using Batgirl Year One, I still wanted librarian!Barbara with her multiple degrees, so we got two panels of that.
I am SO PROUD to have got oath scenes for both Dick and Babs into this, and I find it amusing I put them on different lines for each of Dick and Barbara. Dick got "the legends and the myths" because his candle oath is such an important part of the mythology of Batman. But Barbara's is on "the testaments they told", because for her the important part of the legends and the myths was choosing to wear an urban legend's costume to the party, while swearing fit best with the testaments.
'The moon and its eclipse' - this was the anchor the entire video revolved around. I had to acknowledge TKJ to get to Oracle, and that line was absolutely perfect. I also went through a BUNCH of panels to decide which one I wanted for the scene, but ultimately picked Gail Simone's n52 retelling, because that one doesn't include imagery of Barbara being shot; it just has the threat.
'And Superman unrolls a suit before he lifts' - this gave me SO MUCH ANGST let me tell you. I actually wanted to use the scenes of Clark flying Barbara for medical treatment in BOP #71 and #85, because I've always loved that moment - Dinah calls Clark in and Clark officially doesn't even know who Babs is at that point, but she's got deadly Brainiac Virus so they're going to do everything they can. And it worked for storytelling as it would be 'Superman transports Barbara Gordon after being shot'. But the associated panels were far less clear than in my memory. So instead I gave 'Superman' to Jim Gordon, and then launched into Oracle Year One and Bruce being a creeper (as opposed to the time he's a creeper during Brainiac. He likes sneaking through the window to stare at Barbara when she's ill).
'But I'm not the kind of person that it fits' this was just perfect for Barbara, because from here on out she doesn't wear a costume. She's Oracle. But teaming it with Oracle Year One and the fact that Babs still learnt new self defense afterwards makes the point that she hasn't stopped fighting.
And then we launch into the extremely Oracle Green scenes, showing off her competency. Including the fun of the 'cover the eyes' moment after an eyes focused panel. I was really happy to find something that worked for Barbara as Oracle and also for 'some fairytale bliss', because a LOT of backlit green computer scenes have grumpy or annoyed Barbara.
'Somebody I can miss' had to be the reunion during Cataclysm. Dick fought his way into Gotham to check on Barbara. They'd both been working so hard not to worry about the other as they did their jobs. And, of course, it made the perfect platform to launch into the most sick!fic of all DickBabs issues - the pair during NML after he gets out of Blackgate.
Which then leads into Joker Last Laugh and the NICE bit of their celebratory roadtrip right before Barbara gets the call from Dinah that that plot started. I adore I managed to line it up so the view on the drive appears just as the music calms, relaxing you. So we can have a lovely dinner followed by the 'Dick and Babs totally had sex' sleepover issues.
Third verse actually was ALWAYS going to be Our Worlds at War, because I think the Nightwing issue of it is underrated in terms of how blatantly shippy it is. Also the narrative of the issue actually fits the verse lyrics pretty well. It's one of Barbara's more badass workout gear looks that she tends to have during the issues when she's got to do things in person.
And of course I wanted to end the third verse with the proposal. Because proposal! I didn't want it too early, because I wanted everything after it to look like DickBabs in a stable, loving, long term relationship. Which is why we get the two shippy flying scenes (with catching! gotta have Dick catching imagery, combined with Barbara letting go of control), then I use 'Happy Birthday' to draw them over to Lil Gotham and Dick about to hand Barbara a present.
Having Lil Gotham here was really fun actually, as it's a continuity that has both Oracle AND DickBabs as a stable background fact, and just a bunch of cute moments between the two.
Then finally... a massive compilation storyline where I pull scenes from all over. After running reasonably canonically through a bunch of earlier storylines, putting together one that's just about the comfort Babs finds in having Dick around was really fun for me (also my Barbara stan nature confirmed)
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demigodofhoolemere · 1 year
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Disenchanted thoughts
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So, not as bad as I feared it could be, but also not as good as I hoped it might be. There were definitely elements I enjoyed and will be cherry picking out of it but definitely also things where I was like… ehh, not sure how I feel about this. Overall, mixed bag.
Good:
- Edward and Nancy. Everything about them. It wasn’t as much as I wanted but I will take any freaking crumbs I can get. I’ve waited fifteen years to see this marriage, dang it. I loved every moment of their presence and getting to see them happily in love, and that Edward wasn’t portrayed as a total idiot that Nancy is embarrassed to be with, which I feel like totally could have happened these days. Not only did we get to see them as a healthy and loving royal couple (who sing together!!!!!) but we also got ANGST. Legit Edward/Nancy ANGST. They cared enough about them to give them a wonderfully fanfic-y, shippy angst scene. This movie was worth it for these things alone if nothing else.
- Giselle and Robert were adorable when we got to see them together. I wish there had been more but I’ll take what we have. I love that they’re just as in love and Robert is downright smitten, still after ten years together. The ending scene especially was precious perfection. And so so cute throughout with their little baby. Also, KIND OF A WEDDING FLASHBACK!
- Anything going more into the family dynamic. The memory tree scene got to me a lot in particular. I appreciated moments that were more grounded like stuff with Robert and Morgan or Giselle being called “Mom”.
- The music was of course never going to be as good or memorable as the original but I enjoyed it for what it was. Amy killed it, I liked seeing Morgan sing, I got my long awaited little tidbit of Robert singing, and Edward and Nancy are beautiful.
- As always, plenty of Disney references, some hidden and some not that hidden lol. And little blink-and-miss-it things like the Rachel Covey cameo and the adorable little Edward at the very beginning as it opens on Andalasia.
- Little scroll guy, my beloved.
Not So Good:
- Just not really here for the basic concept. Already by the end of the first movie Giselle fell in love with the groundedness of this world, didn’t particularly want to go home anymore, and wasn’t as naive or clueless as she started. In this one we have her pining for a perfect fairy tale for some reason (echoes of Steve Rogers randomly wanting the 40s back…) and not understanding things that she should absolutely understand by a decade later. I wasn’t comfortable with having Giselle make that wish and all of the drama that ensued. There was a lot of stuff throughout the movie that I was just… not comfortable about and felt awkward watching. Not a good sign if I’d change the basis for the whole plot lol.
- One of the things I was particularly uncomfortable watching was Pip. Having a different voice threw me off immediately (really, it can’t be hard to get a hold of Jeff Bennett, can it?) and it got worse from there. Everything with him as a cat and the way he spoke and was animated was just… a big no for me.
- WHY WAS THE ANDALASIA ANIMATION DIFFERENT. I want to be excited about finally having more animated sequences there but the experience felt very cheapened by how jarringly different it was. To go from beautiful, perfectly flowing James Baxter animation to a flat-feeling, low-budget-Netflix-cartoon type of animation that moves somewhat choppily and gives people exaggerated movements and expressions… why??? I don’t know if the department that did the original is still around, I know a lot of animation studios have gone out of business in recent years, but if they couldn’t still get the same as before then they could have at least tried better to emulate it. The Andalasia animation in the original is some of my very favorite animation in existence and I was so excited for more and just feel cheated instead.
- I wish there’d been more focus on the family dynamic. They were so embroiled in the drama of the plot that we don’t really get to see as much of them together. In particular I feel like Robert got the short end of the stick because he spent so much of his screen time under a spell so we got less of him just being him and less of his relationships. I love that the first movie has so much depth to the relationships between the characters and each of them individually, and while it’s not two dimensional here, it’s certainly not what it could be either. Like, we got to see more of them, but at the same time we didn’t really see more of them.
- No acknowledgment of Giselle’s business? It’s like it never existed and she had nothing to leave behind. Did she turn the company over to someone else to focus on the baby? (Speaking of forgotten things, I hope Nathaniel is doing well these days and wasn’t too scarred by suddenly beginning to die without explanation.)
- I know there are other things I’m not thinking of at the moment but there was just a general vibe of discomfort and “this isn’t right” peppered liberally throughout.
- On a lighter note, where was the moment from the trailer where Edward says the kingdom was once trapped inside a whale?!?! I need ANSWERS about that, Edward!!!!
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So, mixed bag. I’ll be taking away emotional moments, cool looking moments (shoutout to Robert trying to stop the clock with the sword), and literally anything of my beautiful ships returning to me, but probably gonna ignore the rest of it. I would like this much better as a fanfic.
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sanzoumon · 3 years
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FREE RICKORTY+ PROMPTS!:
Seriously, if you wanna write any of these just go for it and then let me know. Spoilers for S5E10. Some are more gen but could also be shippy, smut encouraged but optional. All of these are definitely bottom!Morty btw. Others are straight up smut.
Non-rickorty prompts (really just Morty x Summer) are are the bottom.
PROMPTS:
Trapped on what remains of the Citadel, Rick confesses that he recently realized he’s in love with Morty and that he wants to be by Morty’s side forever - in whatever way Morty wants (as in be it romantic, familial, platonic, whatever, it’s Morty’s choice). How does Morty feel and what will he decide?
After the whole Planetina thing Morty gets much needed comfort from Beth. Tho he feels better after that, Morty feels the overwhelming need to be with Rick. As it happens, after that whole ordeal with Daphne, Rick feels an overwhelming need to be with Morty. Bedsharing and comfort ensue.
Morty notices that ever since the Citadel was destroyed, Rick’s been way more physically affectionate. Little touches, petting his hair, hugging, casually rubbing soothing circles on him when they relax, wanting to cuddle, affectionate kisses, handholding, even nuzzling him. Morty likes it. A LOT.
In a rare moment of relaxation, Rick and Morty snuggling up together, they share a kiss. Both are shocked but then immediately begin an intense make-out session.
Rick wants to make up for his prior mistreatment of Morty. Morty asks for something be never expected: A kiss. And Morty means a full on kiss - tongue included. Who is Rick to deny him?
Rick and Morty have a rather intense incest kink. Lots of dirty talk.
Morty finds out that Rick has feelings for him. Rick freaks out, feels like a piece of shit, and tries to run away. Morty stops him, clings to him, begs Rick to calm down and to not leave him. Rick is practically hysterical, Morty gets him to shut up and calm down the only way he can - a kiss.
Morty preys on Rick’s guilt for having mistreated Morty in the past by guilting him into having sex. Morty knows Rick doesn’t want it, but he’ll do anything Morty wants. Morty feels like shit doing this but he can’t get about of how good Rick feels inside him.
Morty royally screws up on an adventure, almost getting himself killed, and Rick opts for a good ol fashioned punishment - a bare bottom spanking. Aftercare happens because Rick was terrified for Morty and needs him to understand this is why he spanked him.
Rick suffers from Domdrop after a really emotionally intense session with Morty. Morty provides Rick with the aftercare he needs.
The family finds out about Rick and Morty’s relationship. Shocking everyone, it’s Beth who attacks Rick square in a blind rage. The whole time Morty is begging her to stop hurting Rick, who doesn’t even try to defend himself, and it’s Jerry and Summer who have to hold her back so she’ll actually listen to Morty.
Rick and Morty get married at the alien equivalent of Las Vegas. Summer was a witness and recorded the whole thing.
In another dimension it’s considered a rite of passage for a boy to have sex with the household patriarch when he turns 14. Morty never felt the need to do that but then Rick comes along and says that’s because Jerry wasn’t man enough to do it, so Rick takes it upon himself to do so.
Morty is attracted to Rick specifically because Rick is a dirty old man.
On the Citadel, some Morty’s are bred purely to be sex slaves for Rick’s. Bred to be more compliant, submissive, and who love Rick’s unconditionally no matter how badly they mistreat them.
Rick and Morty have an emotionally incestuous relationship. Basically: “when a parent or caregiver relies on a child for the support that an adult partner would usually provide. They may also treat the child like a romantic partner.”
Morty deliberately gets himself into trouble on adventures because Rick will, out of worry and adrenaline pumping through him, fuck Morty afterward like an animal. Like a twisted version of “glad to be alive sex”.
Rick and Morty have to hide in a tight fitting enclosed space while facing each other. Awkward boners and grinding / dry humping ensue.
Omegavese. Morty goes into heat and Rick knocks him up. It wouldn’t be so bad if Rick wasn’t seriously turned on by Morty being pregnant with his baby.
Omegaverse. Unclaimed Omega’s have it rough and are constant targets for harassment. One day Morty gets assaulted by some Alpha’s at school and before they’re able to violate and claim him, Rick shows up and makes them wish they were never born. Morty knew right then that Rick was his Alpha and begs for Rick to claim him.
Rookie Cop Rick x Cop Morty. Rick likes how chubby Morty is.
Toxic Rick x Toxic Morty. They’re both made up of the irrational attachments they have for each other. Without their healthier selves to reign them in they can’t keep their hands off each other. Basically, in between all the science, Toxic Rick fucks Toxic Morty and Toxic Morty can’t get enough of just how much Rick loves him.
Evil Rick x Evil Morty. Sometimes Morty lets Rick have control of himself again just so Rick will rape him like he used to before Morty took control.
Morty’s fantasy is for Rick to fuck him against his will while Morty cries and begs Rick to stop. Rick can’t deny Morty his perverted fantasy.
Rick goes on a rampage to save Morty and, by the time all is said and done, Rick is mildly wounded and is practically drenched in the blood of his enemy. And it’s the hottest thing Morty has ever seen in his life. Morty wants Rick to fuck him right then and there, raw and primal, using the blood as lube.
Morty’s just so small and cute. Rick loves it a little too much.
Rick loves to degrade and humiliate Morty in bed. Morty loves it too.
Breeding kink. They like to pretend Morty can actually get pregnant when they have sex.
OTHER:
Summer asks Rick to shrink her giant space incest baby down to normal baby size. Everyone tries to talk her out of it because she’s young and not ready to raise a baby, but she knows she can’t live without him and that she wants this.
Morty x Summer. It may have been under very weird circumstances but fact is they have a baby together. Summer says she doesn’t expect anything from Morty and is cool with it, but Morty wants to be involved. Raising a kid together can make you feel things you never expected to feel.
Morty x Summer. Morty liked attractive redheads and Summer is no exception.
Morty x Summer. After everything they’ve seen and done, sex with each other to relieve stress isn’t that noteworthy.
Morty x Summer. Summer is humiliated that she actually enjoys being fucked by her little brother. Worse yet, Morty knows it and taunts her with it while fucking her. Worst of all, him doing that makes it even better for her.
Morty x Summer. Set during the time Rick was in prison. They’re always fighting lately, sometimes to the point of physical aggression. One thing leads to another.
Morty & Summer. After the whole Morty Jr. thing, Morty isn’t sure he wants to be a dad again. But Summer is worn ragged with school, taking care of their recently-shrunk-to-normal-size space baby, and their family giving her crap for raising him instead of leaving him in space. And, well, he is responsible for the kid existing in the first place. Basically they raise their baby together.
Summer sees Morty getting picked on at school and she ends up beating up his bully half to death.
Morty x Summer. Something happens and they end up bound together face to face with Morty’s head buried in Summer’s boobs. They’re so big and soft that he gets aroused in spite of himself. Summer feels it, insults him like expected, but tells him just to hurry up and get rid of it by grinding against her thigh so they can start pretending this whole thing never happened sooner.
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And that’s all I got for now, folks! I know it’s a long list and it’s all over the place but I have so many ideas in my head and the S5 finale just sent my imagination into overdrive.
So please, if you’re a writer, I hope these prompts inspire you. Let me know if you write anything, please!
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magnumdays · 3 years
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Magnum PI - 3.03 - No Way Out
So this week episode was...well, I don’t know.
I guess I enjoyed it and we got some fun moments. But over all I just... I just didn’t like anyone (weird because they’re my babies) . Everyone were just acting so not cool with each other. The bickering was annoying rather endearing. Seriously some of the most enjoyable bits were the Rick-being-worried-mother-hen ones.
Also where was the Miggy? There was barely any! (yes I’m saying that about the episode where we got this)
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and an end scene like this
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This little squint-y thing when she’s texting Ethan and smiling? We see you Magnum.
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(And how can Jay just get hotter and hotter? I mean, seriously, someone call the fire department already!)
Magnum “keeping tally” of her dates....because of “the over under” that was pretty great too! And him pulling her out of the elevator. And her giving him a ‘mmmm nice’ look when he was wearing the sexy black commando outfit...
IDK, maybe there was some Miggy crumbs and maybe my slight ‘meehewh’ experience was it was just because I was watching this at 5 am and the streaming site kept buffering (and I just got so spoiled with 3.01-2). But I don’t know. It did feel a little flat. Maybe low stakes because I didn’t feel like no one was actually in danger, which is really weird during a hostage situation. 
Plus point for the fact that they brought up / it caused problem that Higgy switched to TC for her Fake-Fiance! That was just so stupid I’m glad it actually came back to bite her. I would however have liked them all to be blaming themselves, rather than each other, because that just wasn’t cute. 
Still, I mean some of the biggest reasons I watch Magnum because of good (and oh so pretty) characters, friendship and brotherhood (and partnership), Miggy, beautiful scenery and cool cars. I didn’t get much of any of that other than a minute at the end. Like seriously, there was not even one shot of the Ferrari this week...*tears*
Having some almost-personal-experience (one of my best friends is currently appealing her work visa and was possibly going to have to leave right before Christmas) it’s really tough to not know what’s going to happen. My friend is really broken up about it and I’m really bummed out too. It’s real terrifying to be at the whim of some government person who don’t know you or your circumstances other than from a sheet of paper. A person, that have the power to separate you from your new family and home. 
So I kind of get why Juliet is upset and lashing out. She hates that she has no control. So I can forgive her.... for half of it. 
But these guys all did this illegal thing for you Juliet, because they wanted you to stay so bad!
Magnum is easily as upset as you Higgy and TC isn’t happy either. They love you! Try to remember that!
(I mean TC lied badly and awkwardly for you girl, come on!)
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Blaming them might be a cooping mechanism (and I actually love the fact that we got her fake crying about her ‘daddy issues’ because we all know that she probably got some. At least my head cannon Mr. Higgins isn’t winning dad of the year awards) but it’s also going backwards for her character (but when have they ever really cared about that?). 
I figure it’s for the drama but it could have been equally dramatic if Higgy had just gone ‘I guess that means I’m going home for good’ and started mentioning all the things she was going to miss and Magnum was being all, ‘I’m sorry I fudge it up’ (even though I’m not sure I actually think it’s more Magnum’s fault than anyone else’s...)
Or they could have kept it all the same, but at some point actually had Juliet admit that she said yes to the proposal, she’s at fault too and maybe that she really should just have married Magnum. I mean that would just have been the simplest and most likely to succeed thing to do to succeed with the fake visa. Her switching messed it up and even with the ‘I own a business’ visa it’s still causing problems.
This could also finally have given them a moment to talk about WHY she did that (because they would be less likely that things went wrong with TC? Wouldn’t he go to jail if they found out same as with Magnum? How did switching ever make any sense?), maybe we could even have gotten some Miggy feels hinted at - of course interrupted by Bad Guys coming to shoot them. 
I feel like this was maybe how it went in the original script - because of the whole “and I didn’t have to marry either one of you” comment at the end. I feel like that might have been meant to tie in with a scene like that. But that’s probably just my shippy sleepy brain making stuff up!
Despite this all I did enjoyed Magnum little speech about how it’s all his fault. It’s totally stupid and illogical for him to make it and if the immigration guy hadn’t been all ‘lets just forget about this because you saved my life, welcome to America’ it would maybe even have led to Magnum losing his license, them all getting arrested and Higgy deported. It’s still really cute and heartwarming and if Juliet keeps calling him immature man-child after this I’m gonna be annoyed.
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The “welcome home” at the end and generally good feeling of things being some what settled with the visa (or so I’m assuming) is really nice. Higgy is finally actually home and we got a lovely family dinner with the whole gang, Juliet saying thank you and some Miggy puppy dog eyes to finish it all up with. Over all it felt vaguely like this might have been meant to air around Thanksgiving or something originally.
I guess I can’t complain too much. Little sad we didn’t get any kind of Christmas feels (but with the filming scheduled weird due to corona I get why no one would even have considered it) but I really hope we get a X-mas themed episode in season 4!
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phynali · 3 years
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more spn discussions, just skip this post y’all
 @queerbluebird​ thanks so much for engaging with my post/reply! i really enjoyed reading your response and i have a long reply here.
i’m responding to your post/reply here rather than reblogging it because honestly that thread is - so long. so very long. 
so first - 
i agree there is a difference between entitlement and what i would call, not promise, but instead “narrative follow-through”. A story that completely lacks narrative follow-through does end up feeling disappointing, or frustrating, or rage-inducing, depending on what’s happened. to me there’s a fundamental difference between critiquing a story based on follow-through and bad storytelling (which your post aims to do), versus say, creating hashtag campaigns about a character being silenced because and spreading conspiracy theories about a bad dub (among other things honestly).
and also - queerbaiting totally sucks, we definitely do agree on that.
where we disagree, i think are these two core points:
i do not see the narrative build-up that demands a follow-through. i do not see supernatural as having built up to the story that many destiel shippers seem to think was there, and no one has ever been able to point out to me any actual textual reasons that do craft that narrative build-up  
i fundamentally do not believe that destiel was ever a queerbait. queerbait involves active intent on the part of creators to tease a ship or queer representation in order to draw in $ from queer audiences without ever making it canon, so as not to alienate straight audiences. so, refering to point 1., i do not see the canon text as having laid the groundwork for a queerbait and those romantic tropes, at least not at any point in the past 7 years. and beyond the canon, the writers and producers and jensen ackles all indicated dean was straight, and that they were not writing a romance. if anyone queerbaited the fans, it was misha collins who kept teasing the possibility, and personally i would argue that was irresponsible of him. but that’s a different discussion altogether and tends to piss people off when it’s framed as such, because misha means a lot to them and it hurts to see the man who validated their feelings get criticized for the manner in which he validated them. so i’m gonna leave that aside.
beyond that, I want to engage with some of your specific quotes:
Supernatural loves to say “wait for it.” And I don’t think it’s entitled to feel betrayed if an author uses their story to say “wait for it” in order to convince you to stick with their story and then delivers the opposite after you do.
May i ask, where was the “wait for it” with destiel? this ties in directly to the queerbaiting. i indicated in my post/reply that while i see it from cas, there’s been little to no hint of any reciprocation of feelings from dean, and if anything the past 7 or so years have driven the point home that it isn’t happening. i personally am not able to see the “Wait for it” and that was the point of my question. without the “Wait for it”, i also can’t see the queerbait. 
I asked for specifics and while i totally get not having the spoons, you provided a few:
(off the top of my head for Dean though, the mixtape, his response to Cas’ death at the end of 12, subsequent grief arc, and reaction to Cas’ return in the front half of 13 rank highly. His reaction to Lucifer’s prank call in 15x19 might rate, but maybe just because it’s so recent.)
not trying to be unkind here, but i quite genuinely don’t see any of these examples as framing cas and dean in a romantic light, or as hinting at a “what if”. the mixtape is like.... okay, maybe. i had read that as being symbolic of something else, but i can see wanting to read it from a shipping lens. (i don’t however think i’d read it as baiting or “what if” - it was quite textually not framed that way. shipping, 100%, but canon build-up, not for me).
for the other examples -- grieving for someone you consider family? and being happy when they come back? that’s not shippy to me. i mean - contrast the grief he showed over cas’s death compared to his grief over, say, mary? or, less extreme, charlie? and nothing compared to how off the rails he goes when sam is dead or he thinks sam is. so i -- i just can’t see those as creating a narrative that demands a follow-through. and when your friend who is dead calls your phone? of course you hop to the door - i don’t know what is romantic about that. sam would’ve hopped just as quick if “cass” had called his phone instead.
and look - i see what is fun to ship about all that. if i shipped it, i’d be happily collecting these moments with a smile and grinning to myself about how cute they are and much they mean. but shipping it vs. it being romantically framed in the canon are two fundamentally different things. shipping doesn’t imply narrative buy-in or deliberation from the creator.
moving on, you also spoke at length about 15x18:
15x18 made the sort of statement that drew back even people who did exactly what OP said they should do, turning off the TV years ago. It wasn’t a quiet “if you’re still watching, keep waiting,” so much as a shouted “hey we’re gonna do this thing, watch this!”
i guess destiel fans vs. those of us who don’t ship it really see this as fundamentally different. because you discuss that moment as one which requires follow-through, and say that if this were heteronormative m/f love declaration, there would be that expectation of follow-through. not necessarily reciprocity, but more - more conversation, more acknowledgment, more something.
(i mean - if there was more, but that more was “hey i love you too but only platonically, sorry man” would that be better?)
but no - i actually just... disagree with your point on that front. i can see why you feel the way you do and i acknowledge that it can be read as the start of a conversation. to me though -- and clearly, now that the finale is out, how the writers saw it -- that was actually the end of a conversation. the end of, like you pointed out, 12 years. a 12-year conversation that ends in a gorgeous declaration of love, and specifically how love isn’t about being together, it’s simply about being - it’s about the fact that you love someone, and that feeling alone is the most beautiful thing in existence.
to me, that declaration can only be written and interpreted as an ending.  a sacrifice, a declaration, and a goodbye. so - while i kind of expected seeing more people in episode 20 and realize that didn’t happen largely due to covid - i’m not disappointed we didn’t see cas, because that culmination of his narrative (and then knowing he was with jack, after, rebuilding the heaven that he rebelled against and finally completing his narrative circle by fixing all the problems with it alongside the good god he sought to find all along) is kind of perfect. 
and i genuinely don’t think if cas was in a female vessel this entire time that that would change. maybe some audience members would feel differently, but i think many of us would see it for the end it was nonetheless. there’s plenty of stories with m/f ships that are one-sided and that character sacrifices themselves for the person they love, so i don’t see why this would be any different (except the bury your gays issue, but that’s a whole other and very real conversation about media tropes).
moving on to the series finale.
As many people have pointed out in praise of 15x20, Sam is the absolute most important thing in Dean’s life, his priority above anything and everything… And yet there, at the actual end of the world, Dean ignores Sam’s call and instead cries over the loss of Castiel. Dean’s loss of Castiel plays in tandem with the loss of literally the whole world. But we’re not to take that as a promise that Castiel means more to this story, or to Dean, than a couple seconds of wistfulness after the dust settles?
I... yeah. i don’t see what this even is arguing. that dean taking a minute to himself to grieve his best friend, who just died in part because dean decided to go hunt down billie (who was literally dying anyway). he’s hurting. there’s nothing about this that’s a promise - it’s an end. it’s grief. it’s the horror of losing someone you care about, and the silence that comes after. it’s fundamentally human in it’s pain. and we, the audience, are invited to grieve with dean.
so I mean - of course cas means more to this story. of course he’s meant more than a few seconds of grief, after 12 years. but just because that’s the last time we see him on screen doesn’t mean we don’t value his story, and celebrate how it too came full circle.
You mention cas as a sort of avatar for a different potential ending for the brothers, and highlight him representing:
An ending where higher powers stop yanking them around and they get to actually live in the life they’ve built for themselves.
So while i never considered cas an avatar for that, i do think we all wanted the brothers to have their freedom. “finally free.” so we can agree on wanting that end. but we disagree on whether it was delivered, i guess? because i feel it was.
you also talk about what you and many other fans conceivably wanted a happier ending to look like. can i -- i’m going to be totally honest. i have not seen a single person who’s critiquing the end saying “i just wanted sam and dean to grow old hunting together with their dog until they retire together and die of old age.”
would that be satisfying to those who are mad about the end? i personally don’t think so, but maybe my opinion is being coloured by the most vitriolic fans i’ve seen. if sam and dean got to have the life they wanted free of chuck, and dean didn’t die, and they kept going (or retired and opened a bar together!). maybe sam still had a kid, but again because romance wasn’t the point, the wife wasn’t important and they left her blurry still so we could interpret ourselves if she was a wife or a co-parent or a surrogate or what. maybe dean has a kid too, with a similar question-mark-wife. maybe we get a few images of them having a holiday with jodie and the girls. and then getting to heaven together in old age, greeting bobby with a beer, and going for a drive.
would that be an end that wouldn’t cause fandom uproar? i would enjoy it, soft an slightly discordant as it would be to me. i prefer the ending we got, bittersweet and heartbreaking though it was, but i wouldn’t be taking to social media to yell about it if we got a softer epilogue, so to speak.
on the other hand... would that still not be enough, at least not for so many of the angry fans? i’m genuinely unsure. it seems to me that so much of the ire is about destiel itself, even if people are pretending it’s about more and other things than that. not everyone, but like, a big portion of them. which leads me to believe that nothing short of dean and cas at least interpretable as together is what they wanted. if every other single thing about the existing finale was the same except that cas was the one to greet dean instead of bobby, and even with the same basic dialogue, without discussing the confession, but they have a lingering smile, and dean leaves to drive and wait for sam with the promise he’ll see cas later - 
if everything else stayed the same except who greeted dean, i genuinely don’t believe i’d be seeing almost any critique of the finale on my dash. maybe i’m cynical, but that’s where i’m at.
which is part of why i really struggle to believe that people are engaging in good faith when they critique the finale. because i feel like if it offered them either a) everything they’re purportedly asking for but still no cas and zero hint of destiel, vs. b) every other thing they claim to hate stays the same except there’s a wink and nod to destiel - i believe they would take the wink and nod. 
   On to some other things you raised:
But how can you know to walk away from a tragedy if the tragedy says “the end won’t be a tragedy, keep watching” right up until it ends in tragedy?
Oh i Get this. I hate thinking i’m consuming fun media only for it to rip my heart out at the end. i’ve literally - well, i’ve had a very unpleasant and distressing experience of this, actually. so i get it. also the opposite: i sometimes feel disappointed when i’m consuming media that is gripping and intense and painful, but then the end is too easy, too soft and happy?
BUT - supernatural never pretended it would have a happy end? the end was so. much. happier. than i ever expected. the Swan Song end was going to have Sam in hell being tortured by lucifer for eternity. according to something i read which i am fundamentally too lazy to link because who knows if it would have turned out this way but -- kripke was apparently going to have Dean jump in the cage with him at that end, if the series ended on S5? the ‘horror’ ending. completely devastating sacrifice for mankind (sam), and completely devastating sacrifice for his brother (dean). just -- oof. even if that wasn’t the plan and the series would’ve ended as the episode did - sam was still in the cage and cas was off waging war in heaven and dean was living every day knowing he was alive and his brother was being tortured.
i’m sorry if you thought you were watching a happier show. i know how much that hurts. that doesn’t mean the story was actually that happy though. sometimes, it’s on us as consumers to acknowledge we were misreading the media. i’ve had to do this. it’s hard, it hurts, but it helps you consume things healthier. i’ve had to do this growing recently, and i’m better off for it.
regarding the specific manner of dean’s death - that’s really not what my post was about and i’m not gonna address it here. i’ve talked about it elsewhere and so have others, and @lovetincture‘s original post spelled it out beautifully, in how human it was. i have feelings on how and why i loved dean’s death, and why it was the absolute opposite of what Chuck’s ending was and what he wanted (no blaze of glory), but i’ll leave those for another time.
They cast aside all the relationships they’ve built. [...] They lost/walked away from the life and home they built in the bunker. Dean got a season 1 death. Sam got a season 1 life.
I feel that there is a very huge difference between regression and progression when it comes to cyclical storytelling. And that difference seems to be missing from the ongoing discussions i’ve seen about this in fandom.
Coming full circle to season 1 does not at all mean that the development is ‘undone’ or that the story has regressed or that anything has been lost or destroyed. It can mean that, if the storyteller doesn’t know what the hell they’re doing, but in this case i don’t (personally) feel it’s a fair critique.
Dean’s death might parallel his s1 not-quite death from Faith, but the s15 result of that death is night and day. Dean is no longer alone. Dean does not go up to a lonely heaven filled with bittersweet memories, where even his canonical soulmate and him have wide gulfs between the memories they fill their shared heaven with. Dean dies a hunter, but he dies a hunter who literally saved earth and changed heaven and gets to spend eternity with his brother, side-by-side and together without all the pain and miscommunication, and he gets to see his family and loved ones too. he died having literally made the world so much better.
even without that though?
his story comes full circle, but dean’s character development isn’t about his death, it’s about the fact that in the first several seasons dean could hardly admit he cared without acting like his teeth were being pulled. he was too afraid of abandonment to ask for someone to be by his side. he was too afraid of rejection to let anyone in. and in the end? he asks sam to stay. he tells him that he loves him. he pours his heart out and says all the things that 15 years ago were stoppered in his throat, words trying and failing to claw their way free but his hurt and fears were too deep.
dean is free.
the point of dean’s story coming full circle to season 1 parallels was specifically to highlight this incredible development, not to undermine it. he is different. he is free. 
god it makes me tear up just thinking about how happy i am for him despite how gutted i was by that scene??
(i could write a similar analysis for sam, about how he left for stanford to escape his life and how his finale life montage bits were the opposite of that, but honestly this post is long enough already).
Destiel is loosely a part of that promise in the sense that Castiel is a part of that promise. The symbol of free will
You make a super interesting argument about Cas being a symbol of free will. I don’t have much to say about it, because I’m gonna mull it over, because I think it’s kinda cool and I’ve never thought about it.
That’s - all i’ve got. thanks again for engaging. i’m happy to continue the convo if you have questions or want to reblog/reply 
(though my followers might hate me omg, i’ve been spamming long spn meta posts for weeks now, it’s just been so confronting to see the ongoing fan reaction on twitter and how divided it is...)
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a-froger-epic · 3 years
Text
NASTALLY'S ❇️Q U E E N❇️ FIC
📝 = (semi-)regular updates
❓= will update eventually
🧊 = on ice
✅ = complete
Freddie Mercury/Roger Taylor
Froger - Love & Sex (18+):
Dawn of Aquarius [the epic] ✅ - Roger and Freddie meet in 1969 and change each other's lives. (romance, sexual awakening, coming of age, YA drama, period-typical homophobia, family drama, realism)
Good Company ✅ - collab with @quirkysubject The Queen boys accidentally on purpose watch porn together. (friends to... still friends but with interesting wanking habits, internalised homophobia, pining, humour)
Dreams of Tomorrow 📝- collab with @tikiniki A mad, medieval fantasy adventure with the Queen boys. (troubadour AU, adventure, fantasy, friendship, magic, origin stories, vikings, battles, a donkey called Tootsie)
Dawn of the Living Dead ❓ - It's the zombie apocalypse in 1971. (horror, dark comedy, blood & gore, insanity, friendship)
The Miracle ❓ - A slightly different take on the A/B/O trope. (mpreg, friends to lovers, kid!fic, parenthood, emotional realism, discrimination)
the eye of the beholder ✅ - Roger buys a video camera. (established relationship, script format, humour, light-hearted)
Time Waits for No One ✅ - collab with @bisexualroger Freddie and Roger's relationship through the years. (Christmas themed, sad, life has no happy endings, grief, acceptance, breakup, lovers to friends, death)
Sehnsucht 🧊 - Roger visits Freddie in Munich. They have a past. (Inspired by Dawn of Aquarius, pining, friendship, life has no happy endings, hurt/comfort, but mostly hurt)
Froger - Love:
A Kind of Magical Adventure (and the Spider from Mars) ❓ - collab with @plainxte​ The Doctor Who/Queen crossover nobody asked for! (friends to lovers, there was only one bed, fluffy Christmas space adventure)
The Only Exception ✅ - On a night out, something is rekindled between Roger and Freddie. (drug use, pining, past relationship, the one that got away, some humour)
Foxey ✅ - Freddie gives Roger an impromptu lapdance. (Dawn of Aquarius missing scene, fluff, humour, established relationship)
Secret ✅ - Brian is a good secret keeper. (Inspired by Dawn of Aquarius, handholding, angst and fluff, mostly fluff)
I put a spell on you (because you’re mine) ✅ - A Halloween special. (Dawn of Aquarius missing scene, breakup, angst, humour)
Incidentally Homosexual  ✅ - Roger wants to talk to Freddie about the Kinsey scale and sexuality.  (Dawn of Aquarius missing scene, internalised homophobia, pure fluff, soft boyfriends)
It’s Grim Up North (But There’s Light Up Ahead) ✅ - collab with @pumpkinlilyao3​ One time Roger saves Freddie, and one time Freddie saves Roger. (Friends to lovers, violence, slurs, angst, happy ending)
Promise ✅ - Roger and Freddie prepare for a special event in 2015. (Inspired by Dawn of Aquarius, Freddie lives, growing old together, pure fluff)
Tootsie’s Story ✅ - How Roger rescued a donkey. (Dreams of Tomorrow prequel, fantasy, adventure, troubadour AU, established relationship)
Ooh Love, ooh Loverboy… ✅ - Freddie through Roger's eyes. (established relationship, internal monologue, tooth-rotting fluff)
Romantic Drabbles ❓ - A mixed bag of Froger romance.
Froger - Porn Without Plot (18+):
A is for Amsterdam ✅ - Roger and Freddie walk into a sex shop. (Established relationship, bdsm, sex toys, dom!Roger, sub! Freddie, a bit of fluff and humour too)
B is for Bound ✅ - There's something Freddie would like to do. (Established relationship, bdsm, non-con play, dom!Roger, sub!Freddie)
C is for Control ✅ - There's something Roger would like to do. (Established relationship, mild bdsm dynamics, switching, top!Freddie, fluff)
D is for Discipline ✅ - Freddie turns a game into something a little more serious. (Spanking, bdsm, power dynamics, subspace, referenced cheating, guilt, dom drop)
Right until the ends of the Earth ✅ - Romantic piano sex. (Inspired by Dawn of Aquarius, mild bdsm dynamics, romance)
Tight Squeeze  ✅ - collab with @bambirexwrites fem!Queen; Regina and Freddie go shopping for shorts. Regina has some trouble fitting into them. Freddie helps her feel better. (Established relationship, body worship, semi-public sex)
One Fine Morning  ✅ - Freddie is trapped between two primal urges. (Established relationship, mild omorashi, morning sex)
Smutty Drabbles ❓- A mixed bag of Froger sexytimes.
Froger - Gen/shippy Gen:
Good Times (Better Times) ✅ - How Freddie met Roger, a Dawn of Aquarius prequel. (internal monologue, the Kensington pub, art student Freddie)
that special brew ✅ - That time Freddie accidentally drank marrijuana tea. (humour, Roger being a very sweet friend, light-hearted)
a joke nobody tells ✅ - Newly formed Queen dynamics or: not even Roger knows what is going on in Freddie's head. (group dynamics, insecurities, fear of failure, hurt/comfort)
Ghosts ✅ - Freddie’s arrival in Australia awakens some memories he would rather forget. (angst, referenced past sexual assault, friendship, hurt/comfort)
Including Love ✅ - Freddie and Roger love each other. But perhaps, not in that way. Or do they? (Roger-centric, character study, period-typical attitudes, male friendship, bromance)
Freddie Mercury
that which is good ❓ - Freddie meets Kenny. Two gay men struggling to find themselves, find comfort in each other’s friendship. (Angst, internalised homophobia, male friendship, hurt/comfort) 
Moments ❓ - A collection of moments in Freddie’s life. (Vignettes, angst, fluff, death, life, everything)
with my trust like a child ❓ - collab with @aboutnothingness A look at several of Freddie’s birthdays throughout his life (Hurt/no comfort, hurt/comfort, internal monologue, implied underage, heavy angst)
The God Abandons Antony [Freddie Mercury/Joe Fanelli] 🧊 - collab with @freddieofhearts​ On tour in the US, Freddie meets somebody new. (Internal monologue, angst, euphoria, new love, romance, cheating)
Rapture and Solace ✅ - 1991. (Internal monologue, fear of death, terminal illness, acceptance, background Jimercury)
to the bone (18+) ✅ - A police officer lets Freddie off the hook, in exchange for a favour. (Period-typical homophobia, abuse of power, sexual assault, hurt/no comfort)
Ménage à Deux  ✅ - An exploration of Freddie’s friendship with Barbara Valentin. (Dubcon, recreational drug use)
Naughty ✅ - Freddie's mind wanders while he poses nude for a life drawing class. (Internal monologue, some humour, internalised homophobia)
Don’t You (Walk Away) [Freddie Mercury/Winnie Kirchberger] ✅ - After a fight with Winnie, Freddie contemplates his life in Munich. (Hurt/No Comfort, toxic relationships, angst)
Freddie Love ❓ - Freddie-centric drabble collection.
Freddie Mercury/Brian May
As it Began ✅ - Freddie goes to write his dissertation at Brian's house. (Smile Era, boys with a crush, friendship, first kiss, angst, hurt/comfort)
Blacklight in Zero Gravity (18+)  ❓ - It's 2029, Freddie Mercury is working as a stripper and one night, the mysterious Brian May walks into his life. (Modern AU, sex & drugs, pining, humour, angst, fluff, romance, morally grey characters, smut)
Click! ✅ - Freddie meets a guy he just can’t get off his mind at work. (Modern AU, photographer!Freddie, model!Brian, social media, humour, meet cute)
the sun and moon and stars are you ✅ - Freddie and Brian are expecting, and getting ready for a Halloween party. (trans!Freddie AU, pregnancy, humour, fluff)
The Sound of Your Fear ✅ - Brian and Freddie stay in a very creepy hotel. (Ghost story, terror, haunted house, platonic/pre-slash Maycury)
Dreams of Tomorrow (18+) [Maycury, Froger, Joger] 📝 - collab with @tikiniki​ A mad, medieval fantasy adventure with the Queen boys. (troubadour AU, adventure, fantasy, friendship, magic, origin stories, vikings, battles, a donkey called Tootsie)
Freddie Mercury/Jim Hutton
Maybe I’m Amazed ✅ - Freddie is upset about an argument with Jim, who surprises him. (Angst, hurt/comfort, romance and fluff)
Interlude ✅ - Freddie has a great time at his 39th birthday party - for the most part. (Angst, non-consentual drug use, hopeful ending)
Sticks and Stones ✅ - Freddie reads a headline she wishes she hadn’t seen. (Fem!Jimercury, body image, fluff, happy ending)
Other Ships
Dawn of the Living Dead (18+) [Poly!Queen & Froger] ❓ - It's the zombie apocalypse in 1971. (horror, dark comedy, blood & gore, insanity, friendship, smut)
Kneel Down by Your Side and Pray [Maylor & Johnica] 🧊 - collab with @quirkysubject @tikiniki and @plainxte In a dystopian world where slavery is the norm, four young men struggle with their circumstances. (Dystopian AU, violence, blood & gore, sexual abuse, angst, friendship, hurt/no comfort, pining)
Sacrifice (18+) [Maylor] ✅ - Roger is being sacrificed to the God of Fertility. (Fantasy AU, humour, Monty Python-esque, technically non-con but not angsty, satire)
Colour Me Surprised [Joger] ✅ - Roger helps John with his make-up. (Yearning, gay panic)
a bona cackle [OMC/OMC, background Froger] ✅ - Dawn of Aquarius spin-off ficlet. A phone conversation in Polari. (Period-typical attitudes, queer history)
Gen
and the rest is history ✅ - The day John Deacon auditioned for Queen. 
lazing on a sunny afternoon  ✅ - A short, sweet fem!Queen ficlet.
The Sound and the Fury ✅ - collab with @quirkysubject​ Roger is struggling when the past catches up with him. Brian is a good friend. (hurt/comfort, friendship, angst)
Not Like Other Groups ✅ - Queen escape from an angry gang of skinheads by means of a car chase. (humour, friendship, action)
Maple Leaves ✅ - John struggles with Freddie’s illness. (heavy angst, death, grief)
Non-Fiction
Interview With A Queen “Groupie” - I interviewed a lady who knew the Queen boys back when she was at Ealing Art School. Yes, really.
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b-rainlet · 3 years
Note
Gotham for the fandom ask thingy.
(I ran here so fuckin fast you have no clue)
Hello anon! :D I will answer this now, so you don't have to wait any longer but also....this would be very nice to answer through gifsets...(maybe when I am feeling up for it).
For now, have this:
(It's not proof read because I just sat at this for several hours and I don't wanna look at it anymore).
Favourite Male Character
You mean...besides the obvious answers?? :D
Ngl, it's S2 Jerome. I love that little twink with his parental issues and his tragic backstory and I wanna see him happy. There's a reason I have a bunch of AUs where he ends up having a family (mostly in the form of Lee as his Mother) and gets some actual help instead of being ostracized for being a mentally ill person snapping after years of abuse.
(This also ties into my very strong feelings regarding the fact that nobody actually helps the people at Arkham. And I don't mean the main villains there, I mean all the inmates who get treated like shit and are left behind on the regurlar (remember in S2 when Arkham was about to explode and nobody was talking about evacuating the inmates???? I do).
Other than that, one of my faves is also Jonathan. Which may be a little surprising because I barely talk about him but he was my favourite character throughout the show and he had way too little scenes.
(Kinda telling that the characters I latched onto are both helpless teens who were fucked over by the people who were supposed to protect them and can both trace their villain origin story back to Jim Gordon not caring enough about them lmao).
But the cast is big and varied enough that I actually like everyone? Butch, Zsazs, Penguin, S1 and 2 Ed, Jervis, Harvey, Jim......I like them all!!
(Special shoutout to 514A too, he was soft and baby and I wanted to keep him safe and sound really desperately).
(Another special shoutout to Barnes!! I didn't expect to like him when I first saw him, given he looked like he was gonna be mean and stoic and all, but I ended up really liking him and his story!)
Favourite Female Character
Let's just pretend Ecco doesn't exist for this answer ajdkaskaslj.
I fell in love immediately upon seeing Ecco but all! the women! are so!!! good!!!!
I especially have a soft spot for the side characters. I mean, upon first watching I got attached to Alice (even though she only features in two episodes lmao), and also Kristen Kringle - who isn't talked about much within Fandom, but she was pretty and her and Ed were actually quite cute but then she had to die for him to become the Riddler which was...pretty much telling us from the beginnning 'The woman here die to advance the men's plots'.
Barbara was also a big surprise to me because I figured she'd be the female love interest and nothing more but!! her and Jerome were the best thing in S2 and also the most entertaining thing about the Maniax Plot. (In several ways, I think I had the most fun watching this show during S2 , it was just. Good).
Also upon being in this Fandom and thinking about certain characters a bit longer I also really like Vicky Vale. And Montoya. And I wish they had kept both around for longer.
(I also wish they wouldn't have made Vicky a love interest for Jim. Or Sofia. No love interests for Jim except Lee and Barbara please).
Also Selina!! I love both Selina and Tabitha with all my heart - which may also be surprising because I barely ever talk about Tabby but I contain multitudes aklskddsm, and while I like sharing my horny thoughts about Ecco, I also love to think about Tabby and daydream about her being happy and exploring her (and Selina's) issues with showing weakness and affection and their strong loyalty regarding people that they trust.
I just.....women. Women good.
(Women also deserve to have more character than just being somebody's love interests and I have enough wips that completely sideline the guys to focus on the woman instead lmao).
Least Favourite Character
I don't have many characters that I hate??
I generally tend to instantly love everybody unless they are specifically made to be unlikeable. (I also spite-like characters who are hated for petty reasons, I just have a lot of love in my heart and not much energy for hate lmao).
But there were characters who annoyed me while I was watching.
For one, I think Gotham has a variety of super entertaining villains, but the main villains of each season tend to be....boring.
Safe for Strange they all kinda fell flat for me. Theo. Kathryn. Ra's Al Ghul. His Daughter. Mostly because their plotlines were less exciting than stuff like Jerome's carnival or Mother and Orphan's Hotel of Horrors.
Or their motives seemed a lot less understandable than the ones of the other Batman villains who pretty much always come from a place of suffering and abuse and break/snap under the pressure that's put on them (continuing this take of Gotham creating its own villains by leaving behind - mentally ill - people that need help, which I think is very true to most - if not all - Batman villains).
And then you have some characters that simply suffer from the fact that the show was cut short - which is pretty much any and every S5 character that had way too little screentime, but in this specific case means Jeremiah.
Because I disliked Jeremiah a lot while watching.
Without wanting to step on anybody's toes, him and Nygma are probably the two characters on this show I ended up disliking the most.
Mostly because Miah felt like a very cheap copy of Jerome and to this day I think it was a bad idea to replace Jerome with him, since Jeremiah - to me - seems like a super flat character.
Maybe if we had gotten him without meeting Jerome first, just having a Joker character introduced in S4, maybe I would've adored him, who knows.
But in comparison to Jerome...no. Just no.
(I will spare you from any longer rambles, but I think if you follow me, I talked about the ways Miah is lacking for me before).
My made up version of Miah though? I love him.
With Nygma it's even worse because I adored him. I instantly liked him. I was 100% behind him right up until the godawful Isabella plot happened and then it just all went to shit so quickly, I couldn't stand seeing him on screen anymore.
It's surprising that I didn't stop liking Oswald but to me, Oswald pretty much stayed the same while Ed became all bitter and hard and I just miss dorky S2 Ed you know?
It actually got so bad, I completely turned my back on Nygm/obblepot as a ship because I was so severly disappointed and I barely talk about Ed because I just can't stand what they did with him.
(Another victim of bad writing).
Favourite Ship
I'm just gonna stick to canon ships because I don't ever shut up about my Fanon ships so you probably know which ones I love the most :D
There isn't much romance going on within Gotham if I think about it - apart from Jim - which I definitely prefer. You wouldnt guess it from my blog, but I am not a fan of too shippy stuff because in most cases it just means sex scenes and I can live without those. I want action! Blood! Dead People! Not a two minute make-out session between two bland characters!
I gotta admit that Ed and Lee have some cute scenes and I would definitely ship them if I didn't dislike S4 Ed so much (S2 EdLee tho?? Yes).
Also I thought Jim and Lee was okay and Baby Batcat was quite cute at times but mostly I don't care about the canon ships.
I do ship Barbara and Jim though :D
I remember right before they hooked up in S5 I was like: 'I wouldn't mind if they got back together' and then went 'yay!' when they did and I wouldn't have minded a little more 'Will they?? Won't they??' between those two and them just having the mother of unhealthy relationships on this show.
(Also Jim/Barbara/Lee poly relationship but we can't have everything).
Favourite Friendship
So many good relationships on this show!
I need to rewatch the show soon because I probably already forgot about most of them but from the top of my head: Oswald/Butch and Oswald/Zsazs
Which were both then done dirty lmao. One by having Oswald be overly petty (one of the few times I was like...Pengy...wtf...) and the other by passing up the obvious opportunity to have Zsazs find out who really killed Falcone and just...letting Oswald and Victor never interact again. 
Then of course Ivy and Selina which also gloriously fell apart. Just like Ivy and Oswald. 
(Gotham isn’t the best when it comes to maintaining friendships). 
And the biggest and most grandious friendship of them all: J Squad. 
(Who have too little scenes together honestly and then also simply fell apart after Jerome died. Consistency who?)
Favourite Quote
I don’t know, I don’t have many quotes in my head from the show. Me and my niece mostly reference: “Yeah, that’s a spoon.” - “IT IS ALSO A FORK!!1!!!”
Also: “Gotta Go! Gotta Go! They’re after me and the Scarecrow!”
(There are some dialogue blurps I have written down somewhere because they are inspriration for gifsets but in order to be able to just recite some of them from Memory, I would have to watch this show way more obsessively). 
Worst Character Death
I don’t even gotta say anything do I? :D
But I think the character death that actually made me cry was Jerome’s first death. I clearly remember crying because...he just wanted recognition! And praise! And instead he was used as a pawn and betrayed by someone he idolized and he was only 18! My poor little meow-meow!
Seriously, the only things that make me cry on this show: Jerome’s first death, any and all mention of Bruce as a baby - told by an emotional Alfred, any and all Bruce/Alfred interaction at all and Solomon Grundy. 
This made me so happy you have no idea Moment
I seriously need to rewatch this show, it’s been so long :D
But I remember being pretty excited for the J Squad Team Up - because I was like ‘If I were Jerome I would definitely work with Tetch and Scarecrow since they’re also in Arkham atm’ and then he did!!
And I also distinctly remember in S3 that I was close to falling asleep right when they scene came on where Oswald realizes his feelings for Nygma and let me tell you - it caught me so off guard, I was awake instantly lmao. 
(I knew that people shipped them but I was so used to mlm ships being popular when they only have a handful of scenes and are platonic friends that I didn’t expect them to actually have a possibility of being canon). 
From then on I was super pumped for them to deliver on that ship but well....we all knew what happened asnksnndk. 
Saddest Moment
Aside from the already mentioned scenes in the character death column, the scene where Bruce leaves and Selina runs to the airport. I always liked Selina but she wasn’t a priority character of mine (much like Bruce isn’t) but then that scene happened and in an instant, I felt super protective over her. 
She is now my baby. My daughter. My beloved wife. She deserves everything and most importantly she deserves better than Bruce Wayne. 
(Coincidentally that was also the scene where I decided I don’t care much about Bruce asldjkjlj. I absolutely adore early seasons Bruce though). 
Favourite Location
There are so many different locations, I don’t think I can adequately answer this with my spotty memory :D
But I always loved the few episodes where Alice features, because I love how her scenes are shot so probably the little carnival Jervis prepares for her.
Also!! Jeremiah's church!
Or Commissioner Loeb's secret house (Especially the Attic).
There are a lot of cool locations, I gotta gif some of them soon :D
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laulink · 4 years
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A.N : @althememelord I promised more Katarina and Maria kids, didn’t I ? Somehow it turned a bit more shippy than family-focused, but I hope you’ll still enjoy it !
    Balancing a plate of sweets on one hand, Maria uses the other to open the door to her living-room. There, sitting on the couch, is her wife, Katarina, breastfeeding their youngest daughter, Amelia. Maria’s heart melted at the sight. Some days, she still wondered how she got so lucky, to be loved by the woman of her dreams, to be married to her and to be raising their wonderful children together.
    Katarina’s gaze turned to her and a beautiful smile stretched her lips at the sight of her wife. Smiling back, Maria made her way to the couch, set her plate on the coffee table in front of it and grabbed a cookie she then brought to her wife’s lips as she sat down next to her. Katarina accepted the offered treat with a content hum, taking it in her mouth fully and happily chewing down on it. Maria’s smile softened even more and she scooted closer to her wife to rest her head on her shoulder, sighing in bliss. Then, jokingly, she said :
 “With all the sweets you eat while breastfeeding, I’m afraid you’re going to get Amelia addicted before she can even hold her head.”
    Laughing, Katarina turned her head to kiss Maria’s temple, answering in a sing-song voice :
 “There’s nothing wrong with teaching her to appreciate her Mama’s baking !”
   Stifling a laugh, Maria shifted to look at Amelia and brought a hand up to her baby’s cheek, caressing it gently. She was always surprised at the softness of her skin and suppleness of her flesh. It made her want to poke the little girl’s cheek, but she refrained. Doing so while Amelia was still eating would not be a good idea.
   Nuzzling into Katarina’s shoulder and wrapping an arm around her, Maria remarked :
 “But you will stop breastfeeding her before she is old enough to eat sweets. Poor baby will be frustrated.
- There’s no such thing as being too young to eat sweets !”
    Maria laughed at her wife’s passionate words and offended tone.
 “She needs teeth to bite down on the sweets and chew them, though.
- Then we’ll just give her something she can eat easily !” Katarina replied, fire in her eyes. “Don’t worry, Amelia, you’ll never have to go without sweets !
- Speaking of which…”
    Maria turned toward the new voice and saw her eldest daughter, Elina, and her son, Thomas, both of them holding empty plates and smiling hopefully. Their mouths were still covered in the crumbs of the sweets Maria gave them earlier.
 “… can we have some more ?”
    Maria smiled and beckoned them closer, taking some sweets from the plate she had brought in and giving them to her children.
 “Not more than that, alright ? We’ll be eating dinner soon.
- Yes Mama !”
    As her children started to dig in, Maria let out a sigh of fake tiredness, noting :
 “I think I spend more time baking than actually cooking. This whole family is addicted !”
    Not tricked by her theatrics, the children and Katarina, who was now holding Amelia up to her shoulder and gently tapping her back to help her burp, laughed good-naturedly.
 “That’s because your sweets are so good, Mama !” praised Thomas.
    Maria smiled at him and gently ruffled his hair.
 “I guess they are. They did win me your Mommy’s heart after all.
- What do you mean ?”
    Maria turned to Katarina, surprised by the question. Her wife looked genuinely confused.
 “Well, it is pretty obvious that the most efficient way to your heart is through your stomach.” Maria answered, a playful smile on her lips. “I am lucky you like my sweets so much. They gave me a pretty big advantage when I was trying to make you fall for me, wouldn’t you say ?”
    Katarina’s expression was unreadable. Maria felt slightly unnerved by this. Her wife was usually an open book, her emotions appearing clear as day and without any filter, so seeing her like this was a rare occurrence.
    Katarina handed Amelia, who had burped during their conversation, to Elina, prompting her to put her already empty plate down on the coffee table and carefully hold her sister.
 “How about you kids go play in your room ? Make sure to lay Amelia down on blankets and cushions if not in her crib and to not make too big a ruckus, ok ?
- Ok !”
    The children left the room, already discussing what games they would play, and Katarina stayed silent until they could hear the door to Elina’s room click shut. Then she turned toward Maria, her expression serious. This caused her wife to straighten up, anxiously wondering if she had said or done anything wrong.
 “Maria.” Katarina called, softly, tenderness and worry invading her eyes. “Your sweets are delicious, but they’re not the reason I fell for you. You know that, right ? I fell in love with how kind, gentle, understanding, smart, cheerful, beautiful and hardworking you are. I don’t love you because of your sweets, but because of who you are as a person. Sweets or not, I would have fallen for you, of that I am sure. So please, don’t forget it or think otherwise, ok ?”
    Maria could only nod, too touched by her wife’s sudden confession to use her voice yet. Instead, she hugged Katarina around the waist, burying her face in her wife’s neck. After so many years together, she shouldn’t be so emotional over Katarina praising her and reaffirming her love for her, but… somehow, she still managed to surprise Maria and make her fall in love with her deeper and deeper every day.
    After a moment of silence, Maria extracted herself from Katarina’s warm embrace, already missing the feeling of her wife’s arms around her and fingers in her hair, but wanting to look her in the eyes while she answered.
 “You are right, I tend to forget everything you love about me. It still surprises me sometimes, that you would have fallen for me, of all people, so maybe that’s why… but I will do my best to remember it from now on. So don’t worry anymore, alright ?”
    Katarina still looked a bit unsure, like she wanted to keep talking about everything she found good about Maria, but she didn’t say anything more, nodding her head in understanding and smiling at her wife, reassured, at least for the time being. Smiling as well, Maria leaned in for a sweet kiss, melting against her wife as their lips pressed together in a now familiar, but still exhilarating gesture. In Katarina’s strong arms, enveloped by her warmth and overwhelmed by her taste, Maria couldn’t help but think :
 “Nothing is sweeter than you…”
 A.N : They are the cutest pair, I swear. This was originally meant as sweet family story for our two dumbasses and their kids, but then I thought of mentioning Maria’s sweets and how everyone in the fandom seems to agree that it’s a big advantage for her compared to the other suitors that she knows how to bake and Katarina loves her treats. “The fastest way to a (wo)man’s heart is through the stomach”, right ? But then I realised, in the manga and even the light novel, I’ve never seen Katarina list Maria’s sweets as a main reason to want to marry her. Every time she says she wants to ask Maria to be her bride, Katarina says it’s because she’s so cute, so pretty, so kind, etc. In the novel, volume 4 chapter 2, Katarina spends TEN LINES talking about how wonderful Maria is, and she doesn’t mention her sweets once, only her kindness, beauty and hard-working personality. So I decided to have the Katarina in this ficlet set the record straight with Maria, who might also think that her sweets were the determining factor in her winning Katarina’s favour.
Also a personal headcanon of mine is that Maria sees herself as the underdog in the race for Katarina’s heart. All the other suitors have known Katarina for years, yet, by the time of the graduation ceremony, Maria has only known her for a bit under a year and has been aware of her feelings for no more than, let’s say, 6 months. Not to mention the fact that she’s a commoner, so even if Katarina is kind enough to look past that and be friends with Maria despite their class difference, that’s still something that must weigh on her mind. Who would choose a commoner over a Prince or other members of high nobility ? People who are an actual part of Katarina’s world outside of school ? So yeah, I imagine that Maria is fighting for Katarina’s heart because she can’t just not try, but she still thinks she has less chances than anyone else to see her feelings returned.
And SPOILERS FOR ANIME WATCHERS !!!! But that would also be one more reason for her to join the Magic Department after graduation. Not just because society would make it hard for her to stay by Katarina’s side outside of school if she stayed a commoner, but also because, unconsciously or not, she might think that if she has a higher social standing, she might also have better chances with Katarina.
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untamedtempest · 3 years
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Spring & Shippy Things
Garden picnics. Months of work have gone into making her outdoor spaces lush sanctuaries, and Ororo enjoys them every free moment while maintaining and making plans for next year. So ANY excuse to bring family, friends, or the s.o she's going to take/make
 She's got a dedicated basket and blanket sitting by the door from Mar to late Oct, but even cozying up on a bench and splitting a cafeteria bagel counts as a perfect lunch date.
It's known, if she thinks you'd like or look cute in one, you're probably getting a flower-crown. She's given them to her students, family, and friends, and they let her snap a pic the s.o should just hold still and let her do the thing.
Fruit, flowers, and plant giving! She'll go out of her way to grow what the people in her life enjoy most or could be useful and hands stuff out all year long, but in spring Ro's damn near Santa.
Lovely Goddess in flowy sundresses, simultaneously toying with the wind and the hem when she knows the s.o is watching. Never acknowledging a thing unless and till they do, and even then might get a moment of coy lash fanning, "hm, something wrong?" What is or isn't underneath mood and ship dependent.
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ichika27 · 3 years
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Thoughts about Yashahime pt2
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Because I have more stuff in my mind and I have to ramble or else I’ll lose it. This is supposed to be a part of the overall post I did after watching season 1 but it was longer than expected so I made a second post. I wanted to post my thoughts on sessrin but that would make this more unbearably longer than it already is jfc.
This is my “additional thoughts on season 1 stuff and what I wish to see in season 2″ filled with spoilers and actually have more screenshots.
Thoughts on Moroha:
I know you’ve probably heard of it from everyone else but I’ll say my piece, too: they wasted Moroha’s character. I know the main protag is Towa and Setsuna (as seen by the summary) but it’s not an excuse to just... not give Moroha anything. Inuyasha’s main characters are Kagome and Inuyasha but they also gave their companions (Sango, Miroku, and Shippo) the spotlight with episodes dedicated to them and their issues and in battle, they do get to shine. Moroha keeps getting thrown off, injured, or passed out and the twins (esp. Towa) gets to finish off the bad guys (sometimes the buildup to it is too much but how she beat up the bad guy is anti-climatic). It’s a waste cause she’s a bounty hunter who is not only trained but also has a lot more experience than Towa does. She doesn’t even have to land the finishing blow but at least don’t make her lame.
I do understand why the battle in both Inuyasha and Yashahime is different though. The Shikon Jewel is powerful even when it’s in pieces. Even a shard could give an advantage to anyone who has it and so many demons are drawn to it and to the person who has it. The more Kagome and the gang get, the more enemies they would attract especially Naraku and his minions whose goal is similar to the protagonists that they also want the entire jewel. As such, there are many enemies to fight with and so even if Inuyasha and Kagome are fighting the boss, there are other enemies for their companions to fight with showing us what they’re capable of.
Yashahime has the seven rainbow pearls which not everyone knows about and while powerful, it’s not as great as the Shikon Jewel that helped create it. There’s also just one main bad guy group - Kirinmaru, his sister Zero, and the four perils (one of them is dead before the story starts, too so 3 perils). Not all of them have minions or bring a horde of demons in battle so in a fight with the trio, there’s a lack of enemy. Some episodes at least have 2-3 or so but the later boss fights are like, 1 or 2... and Moroha gets thrown off and the twins get the spotlight and there’s no other enemy they can give Moroha who ends up being used as comic relief.
I hope this changes in the second season at least. Let Moroha show off more of her badass abilities. Even if she's a quarter-demon, she is also the daughter of Kagome and have sacred abilities which can actually fight off demons and make her immune to some debilitating stuff for demons like her as shown in one of the episodes. There's so much potential there!
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Also, I wish they let Hisui be a part of the team. Like, he’s Miroku and Sango’s kid. Can’t he be a part of the main cast, too? It’s a waste cause he is close with Setsuna having worked with her as a Demon Slayer. He could be incorporated in the story and could even give us insights as to what's happened with his family in the time when Inuyasha and Kagome disappeared and all that and even give a reason to have Miroku and Sango appearances from time to time.
Thoughts on Yawaragi and the wolves:
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Another thing wasted. She helped raise Moroha who is a main character so she should've gotten a bit more screentime rather than everything about her shoved in one episode and is barely talked about after. If they just didn't do the whole mystery thing with Moroha's backstory they could've put more flashbacks with her time with Moroha earlier in the show. You can't tell me they weren't trying to make Moroha's past mysterious when she barely talked about her Master or her childhood with not even a single second of flashback showing up before the episode with Yawaragi. There's also that time when Towa asked why Moroha is trying so hard to get money from bounty hunting and then Moroha dodged answering. So many theories came out of that interaction! People thought her bounty hunting and debt is connected to her real parents even.
If they didn't go with this route we could've gotten attached to the idea that even if Moroha didn't have her real parents around, she's got someone else that care about her and their reunion and battle against each other would've felt more dramatic. I personally would've felt "No! She could've been here longer to see Moroha grow as a fighter and even talk to her parents once they're back!" but due to how it was done, I couldn't feel that. Moroha is already independent when she's introduced and again, we barely hear anything about Yawaragi. It would've also helped develop Moroha as a character cause we'd know more about her and how she became who she is now.
Also, Moroha is given to the wolf tribe led by Koga. Imagine if they showed that in flashbacks and expanded on it! Koga's a supporting character in Inuyasha and was even in a love triangle with him wanting to get Kagome. It would've been interesting to see the characters we knew from back then while also showing us Moroha's childhood.
Like, one of the things I mentioned that I wanted to see when I found out the sequel is about the next gen kids is seeing how the now grown up cast of Inuyasha interact with the kids and how they are as parents. With the kids' actual parents not around for reasons (depriving us of seeing how they'd handle being first time parents which is a shame), the kids' interaction with their foster family is the next best thing. They gave us a couple of episodes about Towa and her life with the Higurashi's (specifically, Kagome's now adult younger brother Souta and his family) and later Setsuna living in the hanyou village under Shiori - also a supporting character like Koga but appears only for a few episodes. Again, something for the twins but not much for Moroha. It could've been something!
Thoughts on Takechiyo:
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He's kind of like the Shippo of the show but isn't treated like he is. I like it actually cause seeing the promotional materials made me think he'd be Shippo 2.0 but just like the other characters, he didn't become an actual copy-paste.
Takechiyo works for Jyubei just like Moroha does but he's more of Moroha's supervisor (could order her around and would send Jyubei reports of what Moroha is doing on the job) while also acting as transportation for Moroha (or Towa if bribed) towards where the demon they need to fight are. He's not a part of the main cast but shows up a lot due to the transportation thing.
He does seem to have a deeper backstory but it is barely touched upon at all. I do hope they do something about it in s2.
Thoughts on Riku x Towa:
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From the episode where Riku is first introduced, many fans already wanted to ship Riku with Towa. They do have that feel to it with their interaction at the beginning - it's cute! It does get the spotlight and the fans do get an episode which is really shippy but as I pointed out in the main Yashahime post, it felt rushed.
The first time Riku appeared, they had a bit of moment and then Riku has Towa framed up for stealing a sword he probably took himself for entertainment, probably as there seem to have not been any important reason for this. It gets settled as we saw from episode 1 but it's never brought up again. When he shows up in front of the trio later on, he gets greeted like the issue never happened.
Anyways, Riku does get scenes for himself but it's either him being mysterious or interacting with the enemies (which made it hard for fans to pinpoint exactly where his loyalties lie and it was hard to know how exactly to feel about him). He doesn't have much interaction with the trio either only showing up from time to time and there didn't seem to be any personal talks either.. you know, bonding moment that isn't just going into battle?
I'm bringing all of this up because the shippy episode is, as I said, felt rushed. Riku suddenly feels something for Towa but it felt like it came out of nowhere due to the lack of meaningful scenes together. He's not human nor a normal being (he's a doll, apparently?) and don't understand emotions that well and the buildup to him suddenly having feelings for Towa felt unrealistic. Emotionless or stoic characters gaining an understanding of feelings, especially their own, is a big deal. Sesshoumaru himself, Towa's father, went through this and his character development from always annoyed and angry villain to actually-starting-to-care anti-hero is really fun to watch and it was something I looked forward to seeing in the original series. Riku's development didn't really have give the same satisfying feeling due to how it was handled. There was a lack of gradual buildup.
Upon revisiting past episodes and remembering that he doesn't think very well of half-demons and humans (probably cause of what happened to his mistress, Zero with the whole heartbreak thing) it makes the thing even weirder. I could maybe think that he might be lying to Towa but a couple of his actions later on like lying to Zero about Towa, it seems he does honestly care about her.
There's still a chance in s2 though since the two didn't really get together and were more "I don't get it but maybe I do feel something." in that episode. It's not fully romantic yet but could actually get there. With Riku being connected to Kirinmaru and Zero though, I'm kind of scared for how his character would develop outside of ships (like he could end up becoming a bad guy firmly on Zero's side with no hesitation anymore to uh... I do hope they don't kill him in the end).
His role of being in the enemy side but slowly cares for the heroes have so much potential for a fun story development!
Finally, thoughts on Kirinmaru:
He’s been kinda weird from the start. He could’ve killed the girls himself when he found out about them but he didn’t even though there’s this prophecy thing which is strange. I mean it was talked about like it was urgent but then again, most of it seem to be fueled by Zero and her personal issues at being heartbroken lol.
Kirinmaru is as confusing as Riku when it comes to understanding what he’s on about and where his character is gonna go. A bad guy who doesn’t really act like it and have mysterious plans. I guess this’ll be focused on in season 2. Hopefully. Please don’t drag this out longer than it should be.
On the other hand, a minor thing: final battle between the girls and Kirinmaru at the first season’s climax: Setsuna is probably dead and her sister and cousin are enraged. Moroha goes Beniyasha-mode and Towa finally goes demon-mode and both unleash their most powerful attacks onto Kirinmaru. They got beaten which isn’t as surprise at all cause Kirinmaru is supposed to be as powerful as the girls’ grandfather who is a Daiyoukai and there’s no way in hell a bunch of kids (with one lacking in a lot of battle experience) could suddenly beat him just like that.
Anyways, Moroha uses her most powerful attack which is something her grandpa, the Daiyoukai Toga created but had evolved into something more her own. Towa is similar with her using her most powerful attack that came from her father but this time, changed into something of her own. Kirinmaru notices and while blocking off their attacks actually talks to them basically saying “These techniques you’re using that originally came from your grandfather and father respectively have been changed into something else by yourselves so you guys should rename them appropriately.”
He said it so calmly before defeating them afterwards. I thought “lol this guy sounds like a teacher.”
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Hehehe
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yaboyspodcastpalace · 3 years
Note
For the character asks: Jon, Peter Lukas, Annabelle Cane? (giving multiple suggestions so you can pick one in case you get the same character twice in different asks)
very kind of you to assume i get many asks :') THANKS ill do all of them u_u
[Send me a character and i'll tell you...]
(under the cut bc i love talking and this got long lmao)
Jon
First impression
he's a uptight prick with obvious favoritism for sasha and tim and i love him so! much!!!!!!
Impression now
my poor little mew mew hm................I've got a complicated relationship w/ jon bc i love him a lot, but i loved s1 him the most, and literally everything else just makes me really, brutally, sad ;_; The way he tries so desperately to cling to his humanity and how other characters just call him by the title imposed to him makes me wanna cry
...also he just cares so much ;_; i cry
Favorite moment
probably his interactions with georgie at the beginning of season 3!!! From s5 id say when he killed not!sasha, it felt vindictive ù_ú
Idea for a story
Dhfhdh im p basic when it comes to him ngl, either jon/tim/sasha friends to lovers or jon and desolation!tim or *something*!sasha trying to stay as human as possible, together 😔 (or just any of them living and coping together in s4 n s5)
Unpopular opinion
Im just not a fan of monster jon, at all! He's not the type of character that i enjoy seeing having a corruption arc unfortunately!! It just hurts!!! (and this Is from someone that Loves corruption arcs!!!)
Also i really hate moth jon imagery??? For not particular reason, moths are pretty, but i still hate it u_u AND THE ASSOCIATION OF GREEN W/ JON (or the beholding in general!) I CANNOT STAND IT!! i know its bc of the tma logo but guess what! Its wrong! Purple jon rights!!!
ALSO ALSO the so called pining he had for martin just.... didnt felt like that at all! i have Many feelings abt this!
Favorite relationship
either georgie in s3, or sasha!!! i love how he always praises sasha in her research in s1 and even thought he's at his driest & sharp Trying-To-Project-Professionalism-And-Skepticism she still rolls into his office, interrupts him mid statement to banter w/ him abt pronunciation n stuff and its just Normal, like that speaks volumes of how comfortable they felt around each other! they were friends gdi! the moment he realizes she died and then everytime the not!them mocks him w/ her death makes me wanna break smth q_q
im not even gonna mention tim bc even though i love their relationship It 👏 makes me👏 very 👏 sad 👏
non shippy and also staying strictly canon, i love his relationship with melanie!
Favorite headcanon
sometimes i think abt that one hc that hes really good with arcade games bc he lived near the coast and i smile bc thats cute :) also hes a trans man 💙💗🤍💗💙
Peter
First impression
Mystery evil captain man!!! Fog?? I LOVE him :)
Impression now
I STILL LOVE HIM SO MUCH!!!!!!!!! Hes an asshole and has a lovely voice and smile and hes not, hes not Dumb but also he's far from the whooooa evil lonely influence he think he is (played like a cheap fiddle). He also makes me sad in ways i cannot and wont describe, and its a shame that he died cuz he was the best part of season 4 😔 rip you beautiful bastard man i still miss you </3
Favorite moment
"It has blood on it" "thats Leitner's too :D". Also when martin was angry abt idk, breekon? Jon going into the coffin? Cant remember, but peter was like I said id protect the institute, that guys not my problem ¯\_(ツ)_/¯
Idea for a story
dfgdfg i have..... a petermart story that dealt with the different flavor of loneliness they both had, half smut half genuine meta of both of them and theorization on the branching of an Entity & how their powers manifested in other people...
basically, peter thinks hes hot shit when it comes to loneliness but gets overwhelmed when martin accidentally projects his feelings abt *fic's plot stuff* on him, its fun stuff!
Unpopular opinion
people either paint him like an absolute devil or an incompetent idiot and hes neither of them! hes an asshole who loves being an asshole but far from the worst monster in the show and he tried to do a clever scheme TWICE on his life and 1. while it was established that any of the rituals wouldnt work singularly the Silence was still a pretty clever attempt if it weren't for gertrude! and 2. well... he tried to manipulate someone petty and formerly supposed to be a web avatar, again not his fault, cant call him stupid for trying dfgdfg
i Do think hes kinda pathetic in some sense considering his backstory, but more out of personal pity than anything else
Favorite relationship
Canonically speaking him and martin! The pull and push of them was The best thing about season 4! Peter being a quite dangerous avatar and martin, beautiful and scared and kinda feisty, confronting him every chance he gets, peter doing his best to manipulate him and martin letting him believe hes succeeding (even thought, he is, partly). They're fascinating characters to have side by side
Favorite headcanon
Partly canonically speaking him and mikaele salesa :) they do bets together! They're lonely sea men! What else could you possibly want?
Also non shippy i like thinking abt peter's and simon's relationship but thats entirely non canon ♡
Diversity wins! The heir of the lonely is a gay man!
Also I think as every rich household(?) the lukases had many paintings and peter as a kid saw the ones w/ sailing ships and imagined sailing far far away from his family. That and seaman aesthetic fucks, which is why he always has the same vibe going on as an adult. He does Not know half of the things he'd need to know to have a ship though but hey he's rich and thats all he needs
Annabelle
First impression
thats a horrible psychological experiment they're making there D:
Impression now
THATS STILL A HORRIBLE EXPERIMENT AND ANNABELLE DESERVED SO MUCH BETTER............. idk! she makes me sad in the same way jon (and to a degree, peter) does! to be a living puppet for the thing that traumatized you as a kid and that later kinda killed you / is the only thing keeping you alive, to be devoted to it scrambling to believe in a higher reason for all of it to happen bc to believe otherwise is............. anyway. i love her, and i feel so so sorry for her
Favorite moment
her "maybe ive never been to the beach" at the end of ehr statement (that i fully believe its bullshit but, yknow, i love that she adds that), most of her convos with martin, her "i told you this might happen" "you did, you did" with mikaele
Idea for a story
i think a lot about her having conversations w/ either mikaele (platonically) or sasha (shippy) and their different points of views and treat with her making her doubt the web a bit
Unpopular opinion
listen, listen, i know it sounds like im woobifying her i Know it but reading the scraps of her story how can i Not feel sorry for her? when the story framed her very similar to jon? the supernatural childhood encounter that gave them arachnophobia and the subsequential joining with an Entity against her will? the fact that both the story and the fans treat her like a spider woman always sat very very bad to me, and the fact that the story itself always framed her like a villain (considering All The Other Characters that get the benefit of the doubt) was extremely disappointing
Favorite relationship
her and mikaele!!!!!!! wish we could have seen more scenes of just the two of them!!!!!! *singing* he is her daaaaaad, hes her dad! boogie boogie boogie! (ok no but like... their offscreen friendship is my favorite thing of season 5 ;_;)
Favorite headcanon
Sigh i dont know...i still think she's scared of spiders which make her current existence harder but thats a sadcanon :/ umm...... i love the idea of mikaele and her cooking together from time to time! Mikaele showing her some plates he used to eat as a kid as he talks stories about his life :) and she listens and sometimes tells a story of her own! its been so long since he had a quasy normal conversation! its weird yet nice!
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kylermalloy · 4 years
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my Thoughts on rebels
Now I don’t have any hot takes or any controversial opinions to put out here. Rebels is a simple show with a simple plot. There’s not a whole lot to analyze, but that doesn’t mean there’s nothing to enjoy. Sometimes all you need is a straightforward concept with lovable characters. So let me proceed to squeal about Dave Filoni’s second masterpiece, Rebels.
Spoilers abound!
Before I say anything else...
THEY HAD A BABY I haven’t stopped squealing.
Zeb Okay I’ll start with Zeb, for no particular reason. He was the only main character I hadn’t really heard about or seen much of before I started watching. In the first few scenes with him, I was afraid he’d become his stereotype—the thuggish gorilla who argues all the time, disobeys orders, messes up plans, and borderline betrays his friends. I was so pleasantly surprised when none of that happened. Maybe by virtue of being a kids’ show, these characters don’t have *edgy* or twisted nuances. Zeb is fiercely loyal. He likes smashing heads in and gets grumbly sometimes, but he’s never a hindrance. He’s not just “the muscle”; his ingenuity saves the day on more than one occasion. If anything, his nuances take him the other way—he’s incredibly sensitive and childlike in some ways. Being one of the last of his kind is a major plot point of several episodes, which brings so much depth to him and his psyche. It also informs SO MUCH on his relationship with Kallus. Speaking of...
Kallus I never, ever expected Kallus to be anything more than a season-long plot device. The fact that he stuck around and went through actual character development?? Amazing. The episode where he and Zeb are stranded together is gold. He’s got a sense of honor even as he works for the Empire, sparing the rebels as Zeb spared him. He develops a new set of ideals thanks to our heroes, and he begins to question and regret the things he’s done for the Empire—ethnic cleansing of Zeb’s Lasat people included. And that last scene of them in the epilogue? I’m not gonna lie, it was a bit shippy.
KANERA I know while the show was airing, fans were constantly asking when Kanan and Hera were going to get together. But for me, they seemed to be married from the first episode. Hera calling Kanan “love” and teasing him? Kanan constantly worrying after Hera while simultaneously believing in her ability to do...absolutely everything? Their parenting of Ezra, Sabine, Chopper, and even Zeb? Explicitly referring to them as “the kids” and themselves as “Mom and Dad”? Yeah, they’re married. And let’s not underplay their strengths as individual characters. Kanan—or Caleb—is exactly what you would expect of a Jedi whose training is only halfway complete. He’s cool and awesome, but also riddled with self-doubt and uncertainty. And Hera is the mature voice of reason this merry band of children so desperately needs—except of course when she’s the one rushing headlong into danger, whether to get a fighter prototype or to steal a family heirloom or to save a couple pilots in a suicidally risky move. She’s a perfect blend of mature reason and headstrong determination that makes a true rebel. (Wait a minute...she’s totally Katara! Maybe that’s why I love her so much.)
Now back to them as a couple! Most of the show did nothing to advance their relationship—further reinforcing my headcanon that things were always happening between them behind the scenes. Even though they became official canon in the last season, the appearance of their kid in the epilogue proves I was right—based only on what we saw, there was no time for them to make a baby. Of COURSE there were things going on behind the scenes. 😏 (I found the interview that explains exactly where Jacen came from, and I was equal parts ecstatic and freaked out.)
Did I mention THEY HAD A BABY???
Ezra So apparently there are people in the Star Wars fandom who hate Ezra? I guess I shouldn’t be surprised; Star Wars fans hate everything. Except the OT. If you hate the OT you’re a heathen. I can’t really think of a solid reason why people hate Ezra, except for the fact that he seems to be a Luke Skywalker analog. He’s a poor kid with Force sensitivities who gets adopted by a Jedi and becomes a venerated leader of the Rebellion. He also finds an oddball group of friends he comes to call family but eventually bids them farewell after the death of his mentor. They’re not carbon copies, of course—Luke’s an optimistic idealist; Ezra’s a cynic. Luke whines; Ezra snarks. Luke blows up the Death Star and defeats Vader; Ezra completes a series of far more complicated missions and defeats Inquisitors and Thrawn. Again by virtue of him being the star of a tv show instead of just three feature length movies, he gets a lot more time to have his adventures. Maybe there’s some resentment over him getting more screentime than Luke? Maybe it’s because I’m just Not a Luke Skywalker stan. I like him fine, but I don’t hold him up as some perfect saintlike hero. (I didn’t have any problems with his TLJ characterization.) The people who do need to rewatch the OT they hold so dear. Luke’s a beautiful drama queen and you all should love him for that. But I’m here to talk about Ezra! Listen, this child is a disaster and a half—just like Luke, just like Anakin, just like young Obi-Wan. There is nothing to not like about him—except that he reminds you of your favorite characters but he’s not them.
Clone Wars characters I initially started watching this show solely for the characters I already knew from Clone Wars. Ahsoka Tano has been my girl ever since I started watching Clone Wars, and I didn’t even consider watching Rebels until I knew they had undone her death. (If there was just ONE character they could needlessly save via time travel, they picked the right one.) At any rate, she’s perfect in this show. She’s more grown-up, more mature, but still retains that *young and plucky* spirit. (For the record, I usually hate the *plucky* characters. Somehow, she works for me. Maybe it’s because she doesn’t really do that annoying cocky smirk thing.)
But it’s not just Ahsoka. Rex survived! I’m so glad at least one clone (two? Wolffe?) made it out of the war okay. And he’s great here. His constant snarking with Kanan reminded me so much of his banter with Anakin (and I’m sure it reminded him of that too ;-; ) His presence on Rebels isn’t strictly necessary, narratively speaking, but it’s just a nice tie-in to the world we got used to in Clone Wars. It reminds us that this world with the Empire was once the world of the Republic, and there are still clones out there—even if there’s no place for them in this new order. This of course reinforces the tragic narrative of clones as sentient beings created for nothing but combat. And again, I commend both shows for making me feel that narrative so deeply!
Hondo and Maul were two of my favorite antagonists from Clone Wars, so seeing their multiple appearances here filled me with joy. Hondo cracked me up, as usual, and Maul’s farewell was touching and heartbreaking. I almost wish he were still around! There’s still his duel with Ahsoka in season 7 of Clone Wars... 👀 Honestly what surprised me most about those two were the way they were both presented as protagonists. Hondo especially, and Maul does become an antagonist again. But it really speaks to the way all paradigms in the galaxy have shifted after the Republic became the Empire. In Clone Wars, Hondo was portrayed as an annoying hindrance to our heroes. Now with the Empire as an adversary to our main characters, Hondo is an ally. An untrustworthy one of course, mostly in it for the money, but his interests usually lie with helping our heroes, not hurting them. Besides, nothing tops his relationship with Ezra. Their first meeting had me in fits: “You lied to me?? I KNEW I liked you!” (Also I forgot to mention the running gag of Ezra introducing himself as Jabba the Hutt? Genius. And hilarious, since some people actually believe him at first)
THEY HAD A BABY!!!
Thrawn I need to see this guy again. Whether in a continuation where we learn what happened to him and Ezra, or some other moment in time where we see him younger, rising through the ranks of the Empire full of ambition and ideas. He’s quietly menacing, always confident and meticulous. He does a great job of making the rebels feel helpless in their fight, needling their pressure points and taunting them—but he never makes the conflict personal to him. He always remains detached, just a guy doing his duty. He’s just there to pick up interesting art pieces. I love the way he’s acted—always quiet, cultured, practically whispering. I didn’t know he was voiced by Lars Mikkelson until after I watched, but that was a perfect choice. I found the Inquisitors a little flat as villains (antagonists, whatever) and the other Empire ministers and governors not very threatening. Thrawn was the perfect balance (lol) between interesting and a genuine threat.
MANDALORE For all of Sabine’s merits as a character, I love her most in the Mandalorian arcs. The episode where she comes into her power and wields the darksaber is one of my favorites. She’s not a traditional stern, stoic Mandalorian character. She’s a free spirit, incredibly creative and intellectual. Yet she’s also afraid of her mind and what she could create—for years she created weapons for the Empire to feed her hubris. Maybe that’s why she mainly sticks to painting throughout the series. :) Anyway. I look forward to the follow-up detailing her adventures with Ahsoka.
Chopper I rolled my eyes so hard when I first saw Chopper. Everything from his name to his design screamed “kiddie version of R2D2” and I was fully prepared to hate him. I don’t. He’s just like R2, in that every sentence he says sounds like it’s punctuated with about ten different swearwords. It’s hilarious seeing such a cute character being so surly and even threatening on occasions! Chopper kicks some serious butt. He even comes with a tragic backstory!
Lastly, I don’t think I’ve mentioned...
THEY HAD A BABY AND HE’S ADORABLE
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laufire · 4 years
Text
thoughts on DC’s Legends of Tomorrow 3x01-3x05 (I watch this show backwards, deal with it xD)
I’m loving watching Zari getting to know the team (and tricking them! LOL), being the outsider one, etc. Especially after how in s4 she was often the one to welcome Constantine, the new outsider, in (yes, this are my Constantine/Zari feels coming in. At this moment, I’m side-eyeing fandom for not fully appreciating this ship after the last episode xDD). I love how excited she is about time travel (and how she hacks Gideon lol. Another character that should receive more shippy attention, js. I loled when she used a pic of herself on that dating app to hack all the phones --that strategy worked for comics!Tony too lol. Now I want them to meet xD), or about the food in the ship (when she said she wanted to eat like a queen *-*) how Ray is the first one she really bonds with (I’m going to miss him soooo much). Seeing how much he mourned her brother and her family first hand is making me even more happy that she got them back in s5. I hope she gets her memories back and she gets to enjoy all that emotional payoff.
I liked what little I saw of Jax on The Flash, but now that I’ve met him properly... can we trade him for Ava or Gary (or Mick, though so far he’s a lot less annoying in s3; likely because he has no plot of his own yet and so doesn’t take space from everyone else. And I LMAO when he pulled that stake out of nowhere and was so gung-ho about vampires xD) so we can get him back, please?? I love him. I might even concede and watch s2&s1 to get more of him. I love that he’s the most vocal against the Time Bureau, or in favor of not returning Zari. And I really like his dynamic with Sara (add him to the pile of people I rather she was paired week, smh). It’s bullshit that he’s no longer in the show. And he does look good on any era. I’m also curious about his mental link with Martin (that he said “well done” when Jax got laid asdflaksdfja. Also, I love they took their shot and made the Titanic joke with the actor, btw), and I’m pre-mourning what I know is gonna happen :/. I’m actively trying not to like Martin to protect myself lol, but it’s hard because I love the actor, and he‘s pretty endearing.
After Jax, the old-but-new-to-me character I’ve liked most is obviously Amaya. The actress does a really good job (not that I’m surprised. She made me feel breifly interested in Rebekah Mikaelson in The Originals --where she ALSO played too different characters, albeit in a shorter span--, that’s a miracle xD), because she and Charlie feel completely different. I’m looking forward to seeing more about her and her family (Kuasa’s totem’s powers are THE COOLEST). BTW, Nate acting all fixated on her is clearly his less attractive look RME; let’s hope he doesn’t get like that with Zari, ever, because I prefer how he was written in s4 tbh. OTOH, that said of him provided us with the hilarious moment of Amaya telling him that her fate was interwined with someone else’s on the ship... ZARI XDD (yet another gr10 rareship. This show is so good at those and then fails to follow through :/).
Kid!Ray was absolutely adorable. Of fucking course he befriended an incredibly dangerous baby alien. O-F-C. I love him. Now Nora’s been introduced too (possessed!Nora was sooooo creepy. I loved it), and I’m really looking forward to seeing them together.
Since I mentioned how many rareships this show provides, here’s some that I’ve liked in these episodes: Jax/Sara (their friendship is so so good), Amaya/Sara (their scene when Sara asked for her help was SO SOFT. And I loved how they looked on that 80s car lol), Amaya/Zari (duh), Sara/Zari (the Tension(TM)), Nora/Zari (I liked the reading scene idk), Gideon/practically everyone ofc (mainly Sara, Zari, and Jax)... probably more I’m forgetting. I even enjoyed Rip/Sara a bit --he’s dull and nothing to write home about, but I enjoyed their scenes and I liked it when they betrayed each other and Sara sold him out xDD.
Ava makes even less sense as Sara’s partner the more context I get. I can’t stand her, man. When she clearly didn’t gaf about the future being screwed over by A.R.G.U.S. and wanted to put Zari back in prison smh. And please nobody come at me about how she’s “evolved” or something. She learned NOTHING from that because she had the same deplorable attitude with the prisoners in season four (which she didn’t even apologize for or even acknowledge as wrong, IIRC). I despise her and I want her gone gone gone.
Okay, I know he was only in one scene so far, but I don’t like how this show writes Wally lmao. He ~felt more like an idiot jock, not like himself (that he took his mask off in public doesn’t help...). I hope it improves because I was looking forward some good Wally rareship content too smh.
Some of my fave random moments of these episode: Julius Caesar hitting on Sara and wanting to rule the world with her when she goes to him for advice xDD, and the saber tooth tiger. I love saber tooth tigers (one day we can talk about my Feels(TM) about the Ice Age franchise lmao), but seeing one miniaturized was extra cute lol. And well, not a “fave” one, but my brain exploded when I heard the words “King Arthur got stuck in the Spanish Civil War” omg. I don’t even want to imagine how that would go O_O
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kitlaurie · 4 years
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Yo what of a Klaus au where Lydia is alive, just a wee bit sickly, so Jesper ends up endearing himself to both Mr and Mrs Klaus?
Oh! That could be really sweet!
Like, Klaus is still mostly isolated because he doesn't feel like he can leave his wife's side for long and she's just his whole life.
I like to think of Lydia as a very upbeat and optimistic character, but I think being limited by a long-term illness and her husband's slightly overbearing worry and care for her would have put a damper on her spirits a little.
And of course they're still both dealing with the unfulfilled desire to start a family. They just have each other and don't like getting involved with the townsfolk.
Jesper would probably be a huge breath of fresh air for both of them! Lydia would be ecstatic about the idea of giving the toys to the kids of Smeerensburg, but bummed that she has to stay home most nights. There should definitely be one night where Klaus can't go for some reason and it's her that does the deliveries with Jesper and she's just so excited the whole time. They come back joking like old friends and now Klaus has to deal with these two having incomprehensible in-jokes with each other after one night without him.
I think Jesper and Klaus would both probably open up a lot faster with Lydia around as more than a spirit. And the whole ordeal in Smeerensburg would show all three of them that there's so much more good they can do with their lives then they ever imagined.
And if we're being shippy with this,
Lydia: Are you flirting with my husband?
Jesper: What? That's ridiculous! I would nev- Ok, yes. I'm sorry, I'm sorry, I promise I'll stop!
Lydia: No, don't, it's cute! Do you know how hard I have to work to get him all flustered like that anymore?
Jesper: That's him being flustered?
Lydia: Yeah, you've really got to pay close attention.
Edit: and Lydia and Klaus would both have a moment of "I haven't seen him/her this excited about anything in a long time".
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thedoctordonnas · 4 years
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do that cute shippy meme for zeif (or zoder bfs)
this is going under a cut because it’s ridiculously long to just slap on the dashboard but i finally did it
Who would be the big spoon/little spoon?
for the most part leif is the little spoon which is objectively pretty funny bc height difference but also,,, he Likes To Be Held (and zoey likes to hold him, though they do switch it up pretty often, too)
Who would wake up first?
zoey is not a morning person, has never been a morning person and leif wakes up at literally like 5:30 every morning (unless there’re extenuating circumstances like he’s been up all night, etc.) to jog (nd u can take my ‘leif jogs’ hc from my cold dead hands) and get ready for the day and at first it bugs the hell out of zoey because how are you even alive this early but also,,,, being woken up with soft kisses is not the worst way to wake up in the world
Do they have nicknames for each other?
leif tries his hand at pun nicknames a la mo & joan, fails miserably, and then they stick to pet names (theres a lot of “babes” and “honeys”)
How do they apologize after an argument?
leif is very to the point and verbal (”i was wrong and i’m sorry” zoey is pleasantly surprised at how much he actually Admits He Was Wrong when theyre actually dating) but zoey will apologize and then just like. be slightly more physically affectionate
What would they be like as parents?
oh god this one stings a little bc they both have such different family experiences so where zoey is pulling from what she remembers of her childhood and trying to emulate her parents (bc the clarkes were. such good parents im kind of emo) and doing her best to Be A Good Mom, leif is just. “if at absolutely any point i feel like my father, the whole approach is gettin switched up” (complete sidenote. thinking abt them w/ kids i am. soft)
Who is more romantic?
hmmm i feel like they’re both kinda equal here but leif is definitely more. outwardly romantic w/ like gestures and stuff
What sort of gifts do they get for each other?
oohhhh i feel like they either get each other very practical gifts (i am. thinking v specifically of the bike bell i had her get him in dear friend) or just the. nerdiest shit (bonus: they both get each other Cursed Nerdy Gifts, she got him a the big bang theory mug and he almost broke up with her)
Who gets jealous easiest?
neither of them really get jealous in a relationship sense easily (jealous. of each other is another story they’ll never stop making absolutely everything into a competition), but zoey gets jealous more especially in uuhhh planned fic verses that i am not at license to talk abt yet (thankfully most people stop being interested in leif pretty shortly after he opens his mouth)
Who gets more excited for events e.g.. Birthdays, Christmas?
leif doesnt really like holidays bc holidays usually meant Family Stuff growing up, but zoey loves holidays for the exact same reason and not to get sappy but he definitely enjoys celebrating with the clarke family
Who is the most adventurous?
definitely leif (though zoey is definitely much further out of her comfort zone than she was at the beginning of the show)
Who is the most protective?
now i would’ve said leif like two weeks ago but we’ve been talking a lot abt protective zoey in ot3 verse and holy shit did i get attached to it, thinking abt having seen him heartbroken once and just being like “i dont want him to feel like that ever again huh”
What would they have been like as childhood sweethearts?
oohhhh they honestly probably would’ve gotten along as kids bc theyre. very alike but i also feel like they wouldve had a devi/ben dynamic mixed in with that of like. everything is a competition (they would also be. obnoxiously sweet and PDA heavy and all of their friends (re: tobin) would make fun of them for it)
Who uses all the hot water?
leif takes absurdly hot showers and somehow still zoey uses the last of the hot shower
Who would accidentally set the kitchen on fire whilst cooking? 
zoey oh my god zoey, leif is a surprisingly decent cook, but even if he wasn’t, zoey knows. enough about cooking to keep herself alive and past that nah 
Who initiates sexy times the most?
they’re both pretty even about it, especially in the beginning when theyre just. jumping each others bones constantly
Who is more dominant?
zoey, leif has a thing for women that can be very mean to him and get away with it
What would they do if the other one was hurt?
for the most part, just whatever’s practical - if they need space, give them space, if they need comfort, give them comfort and they’re pretty much on the same page about that
Who gives nose/forehead kisses?
they both do but leif gets so kissy affectionate-y when hes feeling Insecure and will just pepper her entire face with kisses just. literally any surface he can and she’s giggly abt it but she also more or less Knows Why He’s Doing It
What their biggest fight was/will be about:
hmmmmmm this one i struggled with bc i dont really foresee them fighting a lot beyond like. petty arguments but at some point they’ve gotta address his hero worship of charlie and im sure there are other instances of hero worship, as nerd culture is wont to do (which im sure is. less after the joan stuff but still)
BONUS #1: Song to sum them up?
angsty: kokopelli face tattoo - ajj not-angsty: boys like you - kids at midnight
BONUS #2: A head canon?
i know i’ve said this one a lot but they both had a little like. tiny crush on each other when they started working at sprqpoint that faded and then obviously canon happened and then when theyre dating they have a little like “aw babe, you had a crush on me? that’s embarassing” moment
BOTTOM LINE: Do I ship it?
i gotta say duh
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