at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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aww aww katsuki coming home to find you and your kiddos in the kitchen, a disarray of gingerbread and icing and candies spread out across the dining room table.
you'd managed to dye your daughters frosting pink, and she's jumping up and down on her tippy-toes when she sees him, grinning so hard the tendons in her neck are straining. she'd wanted to build and decorate her own gingerbread house this year, but so far she's spent the last twenty minutes being very particular about only the first wall.
"daddy!" she leans her head all the way back when he puts his hand on her face, giggling beneath his palm with her little squished nose. "look at mine, look at mine!"
your wobbly son jumps up in his own chair, using the table as leverage to balance himself as he lets out a squeal of gibberish that vaugely sounds like an echo of what his sister is saying. at the excited pitch in his voice, her head whips around, free from katsuki's grip as her brows furrow.
"he's not even decorating anything," she protests—and she's not wrong; whatever your little boy is doing hardly classifies as 'decorating', and is more like 'eating all the frosting he can before getting caught'. there is a mess of sugar dried all around his mouth.
still, your son squeals in his chair, jumping up and down with even more energy when you place a hand on his butt, in case he slips. the promise of you only encourages him, and katsuki reaches across the table to snatch him up when he tries to get his little knee up on the surface.
your daughter's frown grows; sharing attention remains a soft spot for her. instead of saying anything, she only makes an annoyed little sound and presses her cheek into her dad's hip.
"stuff's gonna give you cavities," katsuki murmurs, though he picks up a few red and green candies and shares them with your already sugary boy—who hums happily. "need a toothbrush for christmas."
"no," your daughter pulls back and tugs on his belt loops, sneering up at him playfully when he pinches her nose. "you have cavities!"
katsuki makes a point to bare his teeth at her, and then presses his forehead to his son and does the same until they're both giggling. "ain't me, bighead,"
"you're a bighead!"
"yeah, 'n i am big, so what's your excuse?" a wicked little grin splits his face when she starts swinging on him, and he deposits your son into your lap before scooping her up off her feet, her girlish scream vibrant and happy in the space around you.
katsuki waits until she calms down a bit, holding her to his chest like a baby, before coming around the table to get a good look at her little pink masterpiece. he presses his mouth into her hair, like he does with you, and her little ruby eyes sparkle when he murmurs, "looks good, kid,"—just to her and only to her.
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there’s an agronomy professor at my work who can take a common crop seed, let it soak in chemicals that dye living parts of the seed shades of red, and then can cut it open and tell you WHY it’s rotting instead of germinating AND can give an approximation of what stage of the growing/harvesting process might have gone wrong to kill it and honestly I’m just struck by how much of an incredibly powerful niche skillset this is. just incredibly valuable in any context, not just in dystopian monoculture corn reality where well-bred/treated/engineered crop seeds are incredibly expensive commodities to be bought and sold but also like, for most of human history? like is this not something kings and emperors and civilizations through human history would put you on courts and councils for. person who can tell you why the crops aren’t growing. remarkable
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Okay but the Justice League finds out their new baby hero teammate Phantom is the Ghost King by virtue of the Fright Night showing up while they're in the middle of a meeting, looking terrifying and such and scaring the shit out of everyone- even more so when Constantine starts freaking out over the fact that the sworn night of the King of the Infinite Realms is in the Watchtower what the fuck that's apocalyptically bad Pariah Dark is supposed to be locked the fuck up forever - but instead of trying to smite them all or yeet them into the nightmare dimension he just pulls out a space themed packed lunch??? And gives it to Phantom??
And the mildly eldritch giant murder ghost is talking about how "The Queen Mother commanded me to ensure you ate my Lord, she says you missed your morning meal."
And Phantom is just grumbling about over protective sisters and "there's a cafeteria i would have been fine" what the fuck is happening right now?
What do you mean "oops you forgot" Phantom I thought the ghost thing was just a theme!
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