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that-ari-blogger · 4 months

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The Episode That Needs No Introduction

This is a post about Promise. And I could end this introduction here and you would know what I'm talking about. Because Promise is the episode that made She-Ra and the Princesses of Power. Before this episode, this is a war story, with an abusive parent figure and a femme fatale that the hero will have to overcome and befriend respectively.

Even two episodes prior, in the darkest episode up to that point, this was still a war story. The stakes were barely personal.

Promise is when that changes, and this series becomes psychological. Or rather, reveals just how psychological it has been the entire time.

Let me explain.

SPOILERS AHEAD

Promise is one of the most well written episodes of television out there, to the point where several top ten lists for She Ra actively exclude it because it is too obvious of a choice. TheGamer.Com calls it "a masterstroke of emotional storytelling". Meanwhile, Five By Five Takes' video, She Ra's Internal Trilogy is a powerful analysis of Promise in the context of the whole series and is genuinely what inspired me to create this blog in the first place. Promise is good cinema.

I'm going to start with that opening sequence, because it summarises all three characters and their arcs masterfully. Light Hope responds to She-Ra but ignores Adora. Catra is desperate for Adora, but despises She-Ra. So, our protagonist is pulled in both directions, by others and by herself. You get all this from the emotionless dialogue from Light Hope, despite it not stating it directly, and from Catra's expressions.

I am aware that this robot specifically isn't technically Light Hope, but Light Hope is the entire system, so I consider this robot a part of that.

Even here, there is a dichotomy between the characters. Catra and Light Hope are opposites, where one says only kind things, but her actions betray a more Machiavellian nature, the other's words are hurtful, but despite herself, she cannot help but show a kindness. Exhibit A: The last time these two saw each other, Catra was giving Adora back the sword.

There is also the emotionless vs ball of anger in a vaguely humanoid shape parallel, but that is mainly superficial.

This training scene is cool because it gives us yet another look behind the curtain at Catra's psyche. Take a look at these two lines, back to back.

"Way to gang up on me!"

"No, I'm fine. You're just lucky I let you win."

Catra puts up a brave face to impress people and to cover up for herself. But look who she is saying that to. Catra wants desperately to show off to Adora. She has no interest in showing strength to Shadow Weaver at this point, her defiance isn't fueled by that.

The one person at this point in the story that Catra has been shown trying to impress is Adora. It gets mentioned that she does things to gain Hordack's favour, but we never actually see that, and her words are far from trustworthy.

It is also notable that the first thing Catra tries to do is scream for Adora when she's met with the spider. It's instinctual, and there's something to that.

Because... is it instinctual? I've talked about Catra's character design in the past, focusing on the symmetry, but I took care to not mention her stand out quality. Catra's animalistic physical appearance is a metaphor for one of her strongest themes, instinct vs choice.

It is possible to make a case on almost every single one of Catra's actions for either instinct or choice. Is she instinctively caring for Adora, but choosing not to? Or is she desperately trying to be kind, and instinctively rejecting that? I am partial to the second idea, but it could quite reasonably be either. The story doesn't at any point make the answer clear, which is a strength of the writing.

An instinct is a behaviour that you do not think about, not necessarily one you are born with. For example, flinching when something flies by your face is an instinctive behaviour, but so is lashing out when feeling threatened. Some compulsions and addictions function like this. And I think that Shadow Weaver's manipulation has caused Catra to develop these behaviours. Catra has been raised to instinctively push away affection, or to stay silent when feeling love of her own.

Shadow Weaver physically abuses a child in this scene. That is objectively what this is. The fact that this is magical is the only thing that let the writers get this through censorship. But I want to be clear here, this is not simply punishing misbehaviour, this is not tough love, this is not building strength. Shadow Weaver physically abuses a child in this scene.

And this is favouritism as well, Shadow Weaver could have cast her spell and frozen both Adora and Catra or reprimanded them both. But she chose to torture Catra exclusively.

However, favouritism and privilege are two different things. In this case, they are unrelated. Again, there are so many ways Shadow Weaver could have done this. She could have let Adora go, but she kept her, and made her watch.

"Adora, you must do a better job of keeping her under control. Do not let this happen again."

This is a statement. It says: "this is what affection gets you, pain".

Shadow Weaver is at her lowest in this scene. She isn't introduced as a terrifying threat like in episode one. This Shadow Weaver is frail and unmasked. She is breathing heavily, and exhausted. This is who Shadow Weaver is, truly.

Michaelangelo is attributed the following quote:

"All I did was chip away at everything that didn't look like David."

In truth, Michaelangelo probably never said this, and Quote Investigator references the line's evolution in this source, up to its current form, first published in 1974 in the Boston American Herald. In any case, you can apply this to characters in fiction. If you take away everything that isn't that character, what do you get. What is the element that stops this character from feeling out of character.

Redemption arcs often struggle with this, as the single essential element is usually their motivations, and in a shallow villain, switching sides can make them feel out of character. Spoilers for Avatar: The Last Airbender (Skip to the next paragraph if you want to avoid those), but one big reason for why Zuko's redemption arc works so well is that his villainy isn't his essential element, that's his drive for honour.

So, what is Shadow Weaver's core attribute? When you take away her schemes and her power and her mask? Who is she? The answer to that is simple: Shadow Weaver is cruel.

Rise Of The Guardians presents the idea of a person's centre, and it fits this concept really well. Cinema therapy has a video dissecting the subject, and it comes down to this: Your centre is the thing that makes you who you are. In the Ship of Theseus question, your centre is the one plank of wood that makes it the same ship. You can change some important things about yourself, but if you keep this, you fundamentally remain yourself.

With that said, what is Catra's centre? This isn't a rhetorical question, I'm genuinely not sure. I think it's her empathy, for good or evil. But again, I'm not sure. Let me know.

There is actually a chance to find this centre in Promise. And it's here:

"Catra, wait. I'm sorry for leaving... You could come with me! You could join the rebellion! I know you're not a bad person, Catra. You don't belong with the Horde."

This is everything Catra wants, it's an apology. It's an affirmation of friendship and love. And you see her genuinely consider the chance. But unfortunately, Light Hope steps in to tear them apart.

Because Light Hope is also manipulative. She wants everything Shadow Weaver wants, specifically control. She tries to mould She-Ra into her weapon just like Shadow Weaver, and she tries to tear her away from Catra in the same way. That's why she chooses this specific memory, because she knows it will hurt the most. Because she knows it will tear them apart.

Both Shadow Weaver and Light Hope know that an isolated Adora is an easy She-Ra to manipulate. Because the one thing neither of them can possibly account for in their plans is love.

Light Hope is named to reassure, to give Adora some sense of trust there, and it works. Because She-Ra is a story about hope, and about finding it in others.

But here is an important distinction. Others don't give you hope, you do that to yourself. Others can inspire you, or connect with you, or kindle that flame. But at the end of the day, hope is something you give yourself. Someone claiming to be your only hope can just as easily be seeking to control you. A lighthouse might lead you to a shore, but a fake flame over dangerous waters could sink your ship.

Those final two conversations are infamous amongst the fandom, and for good reason. This is the worst parts of both characters being brought out. Adora and her hero complex, and Catra with her emotion. Both good features in certain circumstances, but in the wrong place, they can create a wedge. Light Hope has precision engineered the exact circumstances needed for that wedge to crack their relationship so she can take advantage of the wreckage.

Final Thoughts

This was a difficult post for me to write for two reasons.

First, what can you say about Promise that hasn't been said before a hundred times? This the quintessential episode of She Ra and almost everyone in the fandom has weighed in on the subject. So, finding something original to add was an interesting experience.

But second, this episode has a reputation for a reason. I've said before that the greatest strength of this series is its humanity, and that is made even more obvious by Promise. There are real people who have had conversations like the one in the corridor. There are real people who have experienced what Shadow Weaver's behaviours are an allegory for. If you stripped away the magic from these scenes, they would play out almost exactly the same.

The reason the series overall is so powerful, is that it tells you that things will be bad, behaviours have consequences, trauma hurts you and people around you. But it also tells you that there is always hope. There will always be someone willing to offer you a hand of genuine kindness, and over time, that can change you. She-Ra gives people hope.

I'm away next Friday. But I'll be back in the new year with some analysis of Light Hope

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