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badgerbl00d · 7 months

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captain's girl

☆ characters: akagami no shanks

☆ up next: tbd

☆ summary: shanks has always had a soft spot for you but as he spends more time around you that feeling intensifies- he's fallen, and hard.. how will he confess?

☆ a/n: i lost the ask that originally submitted this but i loved this prompt! so so cute and always lovely to write for my favorite captain.. shanks nation rise!

Shanks hadn’t slept in days.

Shanks- an emperor, had been a pirate for decades and he knew well what it meant to be selfish. To be faced with all the treasure and beauty in the World and it not be enough until one had it all to himself. But he’d only ever seen it. In allies and enemies alike he had seen that corrupting burning want- no, need for something that drives one nearly mad. He’d seen fellow seamen be consumed by this bubbling and boiling desire that had always sickened him to think about.

And then there was you. Beautiful, strong-willed, and unafraid of pirates and men and danger and swords and, all of the sudden, he began feeling the symptoms of that dangerous selfishness. He’d watch you laugh with Benn, or cook with Lucky, or play cards with Yasopp and his chest would tighten. His nerves would begin to ebb and flow in uncertainty and the terrifyingly unfamiliar feeling of jealousy began to sprout within the captain of the Red Haired Pirates. He’d spend hours poring over a potential solution– something to make it go away. But everything he tried was useless. Any slight progress immediately crumbled the moment you walked by him. He’d found a nice girl on an island and flirted with her, buying her drinks, treating her special as the rest of the crew began to pour into the bar. It was working! She liked the same music as him and thought he was funny. But then you’d walked in with Beckman, your perfume immediately recognizable to him and he folded. You were entirely captivating to him, and bless him, he tried to listen to the girl in front of him and feign interest in what she was saying but all he could focus on was the sound of you laughing and thanking the men who were sending drinks your way. On a separate occasion, he’d taken a different approach. You were in a particularly cheeky mood and not the most prone to taking orders, so he got frustrated. He leant into that frustration, barking at you for not listening. But you just rolled your eyes and begrudgingly got up to do what he was asking. As you walked past him, you raked a fingernail across his chest and offered assistance if he needed “any help de-stressing.” And with a wink you were off. After that little incident, he could hardly sleep and was quite literally plagued by (very inappropriate) thoughts of you and decided it would be best if he didn’t do anything for a while. This had been going on for months now. A one sided game of cat and mouse that Shanks did not want to be playing, after all, he wasn't used to playing the role of mouse. Shanks was a man who always got what he wanted.

But he was realizing there was no escape. Constantly you teased him, tempted him, lured him, all to act like nothing the next moment. His head was spinning. Just this morning, you ran into him at breakfast and asked if he wanted to go into town with you. He came up with some half assed excuse and tried his hardest to keep his composure when you pouted at his and said, “Pretty please?” He went up and moped in his office, going over all those moments when he felt that now familiar ache in his chest– that throbbing pain that felt like his swollen heart was being mushed up against his ribcage and had been making his daily life on the ship, oh, so inconvenient.

Like a few months ago when, in your typical fashion, you’d put together a small band out of the rag-tag musicians on the crew. An upright bass player out of your intel gatherer, a drummer out of one of Hongo’s assistants, some brass players that you put through a very selective audition, and, of course, you as the singer. He remembers walking out after having a few drinks with those of his men that he was closest with and hearing the sound of your voice singing a soft jazz tune. ‘I wish you bluebirds, in the spring…..’ his heart picking up a bit, and him leaning over to look at the band playing, ‘To give your heart a song to sing, and then a kiss…’ Him rushing down the stairs and urging the crew to dance, asking Lucky to get behind the bar and start making cocktails and drinks, ‘But more than this, I wish you love’ anything so that he could sit and listen to you. He remembers the boyish surge of energy that coursed through him when you shot him a playful wink. A thank you for entertaining your antics and encouraging your little band of criminal musicians.

Or last week, when you stopped by his office (he’d begun spending more and more time locked in there attempting to find reprieve from your presence which was quickly becoming all too much for him to be around) and knocked on his door in the way you always knocked on any door. Three rhythmic little taps, always quiet and polite. “Come in!” he’d said, forcing his voice to steady itself like his heart wasn’t crawling up into his throat. “Hey Shanks– I have something for you.” You made your way to his desk, dropping a little parcel on it before going to lay down on the couch in his office, a seat he always kept open for you. It was just an old leather chair, but he knew how much you liked it. He opened up the parcel, watching you pull out a cigarette and bring it to your lips, holding it droopily between them as you dug around in your jacket for a lighter. He finished unwrapping the gift, a compass falling out. Gold and the initials R.H.S. engraved in the back. The glass had been carved out so that it was angular and there was a detailed inking of the ocean in the back, and the north arrow was dark red. He turned it over in his palm, “R.H.S.?” he asked. “It’s funny, huh! Red-Hair-Shanks,” you laughed, “It made Benny crack up so I snatched it. They wanted $15,000 for it! Like hell was I gonna pay that…. Hey, do you have a lighter?” You walked back over to him, leaning on his desk, looking down at his face, batting your eyes at him all doe-like. He felt like he might faint. 'Benny' he felt a pang of jealousy but smiled to himself at the nickname. Beckman hated nicknames but you'd started calling him Benny and for the first time ever there was no protest from the man's lips. You'd wiggled your way into all their hearts like that- helping Lucky with groceries and keeping Yasopp company when he drank more than he could stand.

“Sure do, sweetheart,” he maintained his typical flirty cadence but failed to sound as confident as he usually does. You shot him a look. He sheepishly handed you the lighter but instead of taking it you leant over further, beckoning for him to light the cigarette for you. He swallowed and brought the lighter up to the cigarette, the two of you making eye contact as he lit it. You blew a playful puff of smoke at him before making your way back over to the sofa. You laid across it, kicking your shoes off and pulling a magazine from his shelf. “Playboy? Really?” He gave you an embarrassed grin and shrugged. You made a mental note that this magazine had been left open on a photo of a bikini-clad girl that looked an awful like you. Pervert, you thought. You put the magazine away and sunk further into the chair, taking long drags of the cigarette, filling up the room with smoke. Shanks was trying not to stare a hole through you and limited himself from looking over in your general direction. You were so at peace, your legs draped over the arm of the chair and your hands above your head. An hour passed like this, the two of you sharing a silence that was only peaceful on your end. Shanks sat at his desk pretending to be deeply interested in a blank piece of paper and mulled over possible topics of conversation. He was trying not to beat himself up over his newfound shyness- he was like a teenage boy talking to a girl for the first time. When he finally got the courage to ask you about your most recent errand he was cut off before he could even start.

“Y/n!!! Help me with dinner, eh?!”

Lucky. You groaned sitting up, remembering that you’d promised to help him out with tonight’s dinner last week. “Sorry, Captain,” you said, putting your shoes back on, “I’d love to stay and fog up your office a bit more but duty calls.”

He nodded and got up, nearly running into you. “Ah, sorry princess,” he said, guiding you gently out of the room with a hand on your back.

“Try not to miss me,” you’d said, taking the cigarette out of your mouth and placing it in his. He furrowed his brows in equal amounts of confusion and sexual frustration. “Lucky won’t let me smoke in the kitchen,” you explained. You shot him a wink and were off.

He took a short puff of the cigarette before taking it out and staring at it between his fingers. Your red lipstick stained the end of it. He took a very self indulgent inhale before setting it down on an ashtray in his office. It was the first time he’d smoked in a while.

He hadn’t remembered it feeling so good.

He was late to dinner that night and even Benn had indicated some degree of worry about his captain, asking if he was alright.

Shanks knew this couldn’t last forever– that he would have to do something before he lost his ability to lead his ship entirely. But then, of course, there was what happened yesterday.

Some rookie pirates had convinced themselves it would be a good idea to try and loot your ship. You’d been out on the deck helping Beckman with some chores when the first group of them climbed overboard. Neither of you had particularly expressive reactions– after all, you could tell within a few seconds that they were neither strong nor experienced. Still, it was the general attitude of the Red Hair Pirates to avoid conflict as much as possible. So when they wrapped rope around your wrists and held knives to your throats you and Benn didn’t flinch. Some newer recruits had sounded the alarm which eventually led to the rest of the crew making their way lazily out onto the deck. Shanks emerged from his office, reading glasses still on and laughed at the sight.

“Yasopp– take a pic, will ya!?” he laughed, slapping him on the back, “Benny we’re gonna hang this up in the dining hall!”

Benn rolled his eyes and you smiled. It took another several moments before you realized that your body was feeling more and more weakened by the moment, but when you finally felt a dullness creeping up your legs you noticed that the man holding you was a devil fruit user. The Neru Neru no Mi you believed it was called, Sleep Sleep Fruit. Fatigue started to wash over you and you stumbled forward slightly. The laughter on the ship immediately ceased and Benn called your name. You tried responding but instead fell back, landing against your assailant's chest. Yasopp and Lucky both brought their hands to their pistols, and Benn had taken a more offensive stance though it was clear the effect was starting to weigh on him as well.

“We’ll kill them both,” one of the looters had yelled. Yasopp shot Shanks a look, waiting for some kind of command. “Yasopp–” Shanks started, but he hesitated a moment. If his sniper made any kind of mistake it would be your life taken instead. Before he could react, your captor had drawn the knife down your arm, smirking at the cry of pain you let out as your arm was coated in red. “Shoot him,” he said, gaze turning black. You passed out, though whether it was from the pain or the effect of Shanks’ emperor’s haki on your weakened body was unclear. But the last thing you saw before blacking out was the haunting anger on Shanks’ face.

You woke up a bit later, your head throbbing and your arm bandaged. “Holy shit,” you muttered, “What happened?” Hongo and Beckman were sitting by your bed talking to each other and Lucky, Yasopp, and a few others were playing cards.

"You passed out from the effects of the devil fruit," Benn explained, "And you got a nasty cut on your arm. But Hongo says you'll be healed up by the weekend."

You blushed, somewhat embarrassed that you were the only one to have been injured. "What happened to the other crew?"

Benn shot you a half-smile. An expressive mixture of pride and shame. "The Captain took care of it. Honestly all we could do was watch, we all know better than to get in his way when he gets like that. Never seen this ship so bloody, that's for sure."

You grimaced, "Suppose they won't be messing with us again?"

Benn laughed, "Definitely not."

“Hey, Y/n!” Lucky called out, “Want anything to eat?”

You sat up, pushing yourself to the edge of the bed and grabbing the glass of water Benn offered you, “Yeah, Luck. I’ll take anything, honestly. Where is Shanks?” Benn sighed and looked over at Yasopp who was giggling like a twelve-year old. You got the message.

“Maybe we should tell him it’s obvious? And it’ll fix things?”

Benn shook his head and leant back in his chair, “Nah, it would crush the guy. Maybe if you say something to him, though?” You thought about it for a minute. You'd talked with each other before about the captain's feelings. How he acted every time he was around you. Benn added that he'd never seen him like that before, "Buggy's given us stories about how he used to be around girls. He'd run the other way when a pretty lady talked to him. He's obviously gotten over it since then but it's sort of nice to see him like this."

"Can't blame him," Yasopp added, winking at you, "You're about the prettiest thing on the sea."

Yasopp was still laughing about it, over a game of cards with Lucky and Hongo. You appreciated their company while you rested.

“I don’t know guys. You know I love him just as much but will it be weird? I mean– no offense, but this ship isn’t really the ideal romantic setting. And what if he plays favorites?”

They all laughed at this, “He already is, sweetheart!”

“Just tell him!”

“We’ll have a big ol’ wedding!”

You rolled your eyes and asked to be dealt into the card game they were playing. Lucky came back with a bowl of soup for you. Laughter was filling up the small medical room and it echoed down the hall...

Shanks’ crush on you was astoundingly obvious and what was more surprising was how he had been moping about it for the past four months. He was now in his room, shrouded in embarrassment. Half of it stemmed from the generally well known fact that Shanks and his crew were untouchable- or at least, should be. And the other, perhaps greater, half from the fact that you'd ended up hurt because he’d hesitated. It also didn't help that he had doubted Yasopp at all- he knew he never missed. He’d spent the evening drinking a bottle of whiskey to himself and replaying other embarrassing faux pas he’d committed in front of you. The bottle of empty whiskey sat in front of him on the desk and the sun had long set. He got up, feeling miserable, and decided to head to bed. He grabbed the empty bottle, pausing before he grabbed it. Your cigarette from a week ago sat in the mauve ceramic ashtray on his desk (also a gift from you– you’d said it reminded you of his “ugly pants”). He stared at the lipstick still staining the white paper on the end of the cigarette. His chest tightened and he looked out the window of his office. You were out on deck, your arm bandaged up, hauling some rope into a metal bin. He smiled to himself- an injury like that was no excuse for chores. You looked gorgeous. A white glow surrounded you from the beaming moonlight up above. Your hair was messy and flowed freely around your face shifting the shadows that fell on it. He knew, suddenly, that he had to talk to you. That in all his embarrassment and emotion and confusion about his feelings, he’d neglected to check up on you. He set the bottle down and grabbed the half-smoked cigarette, slipping it into his pocket. He paused at the door, momentarily enjoying the nerves that were coursing through his body. How long had it been since he last felt excitement like this? There were moments at sea where he realized that, thanks to his age and experience, he no longer felt those pangs and throes of youthful worry and excitement. But this? This was new and he was reeling like never before. He was submerged in uncharted waters and all of a sudden that spark of adventure that follows every pirate flared up inside him. Shanks closed the door to his office behind him, taking a deep breath.

You wrapped up the rest of the rope and threw it into the container, before taking a seat on it. Closing your eyes and taking a moment to yourself. It was rare to have a night so quiet. You could hear the faint sound of laughter and talking coming from below the deck. The ship was slowly rocking back and forth.

“Mind if I sit next to you?”

You blinked your eyes open to see Shanks standing in front of you. It still surprised you how a man of his size and power could sneak up on you so easily. It was a nice reminder of how in control he actually was of everything around him. It put you at ease to know you were in such responsible hands and guidance.

“You feel ok? It’s my fault I should’ve–”

You smiled at him, “What? This? I’m fine, Captain– I’ve dealt with much worse, that I can promise you.” He frowned at that, “That’s not a good thing, Y/n. I don’t like thinking about you getting hurt.” You shrugged and ruffled his hair, “I’m a pirate. A Red-Hair Pirate. It’s bound to happen. And you’re not perfect either. Believe it or not. What’s going on with you lately? So sappy.” You knew very well what was going on with him.

Shanks smiled and looked down at the floor. This was it. Now or never.

“Y/n… You know that, well, women love me and- and that I love women,” he started. Your smile dropped.

“M-hm.”

“Uh,” he rubbed his neck sheepishly, like a child getting scolded, “Well, I guess what I’m trying to say is that you’re not like other women.”

You looked at him, “Are you sure about that?” You looked unamused. He steeled himself– he was an emperor of the sea, goddamnit, you were just a woman! Just a girl on his crew.

He knew that was a lie.

You were his girl on his crew. And he was being eaten alive by your existence, completely consumed by the thought of you. He couldn’t live another day without relieving himself of his constant torture and the emotional suffering you put him through. He couldn’t wake up another morning without you next to him, begging him to sleep in a bit longer and asking him to hold you tighter. He couldn’t spend another night watching you laugh and smile and be the most beautiful, enchanting thing in the world and not call you his. You were his, not through ownership but through love.

“Alright! Damn it, woman, you’re so intimidating.” Your smile returned.

“I love you,” he sighed. It wasn’t as dramatic as either of you had pictured. He said it like he was simply reminding you.

“I love you, Y/n. And I have for months. Since I first saw you– since you first started giving me random antique shop gifts and coming into my office at the most inconvenient times and filling it up with smoke. I can’t look at the color red and not think of you. That’s my color, damn it! And yet– I see red and think of the brand of cigarettes you like and the lipstick you wear and the way your laughter sounds and the color of your nail polish. I can’t listen to music and not think of you. I mean- you’ve come on board and turned everything upside down. My men, my violent men, are playing jazz on Thursday nights! Lucky’s new favorite thing to drink is Cosmopolitans and Yasopp is taking daily showers and, christ, Benn’s new nickname is Benny and he likes it! Everything I have reminds me of you. This is basically your ship now. And I love it. I love how you're everywhere. And I- I need you. I want you but it's more than that- I need you.”

He took a deep breath and looked at you for the first time in weeks. You laughed- at him, and grabbed his hand. His cheeks turned bright red and he felt like a teenager again. You squeezed his hand, “F-i-n-a-l-l-y.” He took a moment to sound out your spelling, and smiled somewhat defeatedly. He laid his head down on your shoulder and mumbled into you, “Was it obvious?”

You wrapped your arms around his neck and leaned your head against his. It was refreshing to touch him without it being strange or feeling unnatural. To just hold one another and understand that that was all it was– a touch. That before either of you said anything and broke this mundane, normal silence everything was perfect. There was no room for mistake or anxiety or insecurity. There was just the mass of red hair on your shoulder ticking your neck and your arms wrapped around his. But you figured he’d suffered long enough.

“Very,” you said, answering his question, “There’re a bunch of betting pools regarding when, and if, you’ll confess. Though you don’t make a great effort to hide it. Looks like Benny’s gonna make some cash tonight.”

He shot up, somewhat offended, “I do hide it! I’ve kept my distance from you and treated you like everyone else.”

You laughed and sat him down on the bin next to you, “No, you haven’t. I’m your favorite. And though you have been avoiding me, when you��re around me your face is pink and you lose all that playboy gusto you think the ladies like. Plus you have those magazines lying around. It flatters me how much I resemble some of those models.”

His mouth fell open at this, realizing he had left it wide out in the open. You smiled at this, but said nothing. It was quiet out again– everyone had gone to bed early, tired from the day’s commotion, an unexpected change of pace from the typical mundane life of a pirate at sea that normally consisted of chores upon chores upon chores. The sea was calm tonight, almost eerily so. You rested your head against Shank’s shoulder and closed your eyes, it was quiet again. You could tell he was itching for a response. You smiled, enjoying the effect you had on him.

“I love you, too.”

You felt Shanks tense and opened your eyes, turning to look at him. He had a stupidly large smile plastered on his face. He was so damn handsome. His hand slid up your back and came to rest on your neck. He gently pushed your face toward his, a smile creeping up your lips, and tested the waters. You closed the gap, closing your eyes as you kissed your captain, shifting forward and finding your way onto his lap. Your arms wrapped tightly around his neck and you could feel him smiling against your lips. Shanks broke the kiss, pulling away after giving you a few more pecks.

His arm sank down to wrap around your waist and pull you in even tighter. He rested his forehead against yours and looked down at your lips, plump from the kissing.

“You’re mine,” he said.

“Yours.”

He sighed, relief flooding his body. You rubbed his neck, "Guess I wasn't as obvious as you, hm?" He laughed and squeezed your hand, "No. God, I was terrified. What an awful feeling."

You smiled. You were getting tired, and your arm was throbbing. "Wanna come with me to see Hongo? I think my arm should get re-wrapped." He nodded, standing up. You walked toward the infirmary, while Shanks stood back for a moment. Waiting awkwardly.

"Shanks?"

His name had never sounded so lovely. He was worried, "Should we tell people yet? The crew- I mean."

You laughed, and kept walking, "I think they'll figure out on their own. After all, I suspect that I'll be greeting them tomorrow morning with your shirt on."

He watched you walk on ahead a bit more before following after you, scooping you up in his arm and pressing kisses to your face. Shanks dropped you off outside of Hongo's door, letting you go in on your own. 'I want tonight to be just us,' you'd explained. Word does travel quickly on a ship. He waited outside the door, listening to you and Hongo talk while he rebandaged your arm. His chest felt warm and full, not with the previous tightness he'd experienced but full with satisfaction.

A familiar ebbing flow of egoism spread through his body. It was nice to be reminded of who he was. An emperor of the sea with one of the highest bounties of all time. A man feared and respected across the world. Wanted by the world government and untouchable to anyone. Almost anyone. Your voice bubbled up over the sound of his thoughts for a moment. His confidence had quickly reinstated itself.

After all, Shanks was a man who always got what he wanted.

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scintillyyy · 4 months

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the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings

okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things

steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful

but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.

so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's

so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)

war drums:

this event has two main stories - the bruce & leslie story and the steph becomes robin story

in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.

we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-

the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.

yea, it's something. but it is what it is.

war games:

so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.

nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.

barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.

stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.

tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.

what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).

meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.

we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.

tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.

batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.

steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.

tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.

steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.

cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something

leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).

hush is still here for some reason and will tell black mask where the batcave is

catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"

batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.

black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.

batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.

batman has barbara take over the police waves once more. barbara is getting really sick if this shit.

gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.

batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)

at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)

dick gets shot in the leg by the police while fighting firefly

tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.

steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves

she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.

and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.

batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.

as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.

we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.

and thus, war games ends

war crimes:

so we make our way to the epilogue of this storyline. the very aptly named war crimes

the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war

we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.

in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.

so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.

because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:

one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it

two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.

and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.

and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.

(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)

but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."

so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.

and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.

and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.

#anywho this is probably super incoherent #but this is also the thing i rotate in my mind when i think about steph #this is why i like to envision steph as an unreliable narrator of bg #because then you have more space for the fact that others were also victims and they're not necessarily unreasonable #but since steph is also extremely traumatized and a victim of horrific things she has to not thing about the ramifications of her decisions #or something idk

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aespicysstuff · 4 months

Text

Scream

Jenna Ortega x Fem!Reader

Description: "When Jenna can't help but fall in love with her coworker, but she's too much of a coward to confess believing you don't feel the same, however, the girl is wrong you would kneel for her."

Words: 18.1k

Saju: "ENJOY IT LOVE"

---

Jenna Ortega is a well-known name. She is an authentic woman with unreal beauty, creativity, cuteness, education, intelligence, and more. I could spend days complimenting her without getting tired. Like many people, I know Jenna from her works. Watching her performances on screen is already something gratifying and magnificent, but nothing compares to witnessing her talent in person.

How do I know this? Well, perhaps because, thanks to my job, I had the opportunity to work alongside one of the people I admire. Since a very young age, I have always been interested in parkour, martial arts, and boxing. Recognizing my potential in these areas, my father ensured I learned everything. Thankfully to him, I have the most enjoyable job – being a stunt double.

---

You logically started with small films and series, sometimes even commercials and a few games. You had begun to gain popularity among directors, especially after being the stunt double for Zoë Kravitz in "The Batman" and being the motion and body model for a new character in the Resident Evil game franchise. The director of "Scream VI" was looking for a stunt double for Melissa Barreram, the actress playing Sam Carpenter. Like other stunt doubles, you submitted a video showcasing your skills. After seeing your performance and how adept you were at both agile and heavy movements, they hired you for the role. You've been enjoying the experiences to the fullest.

At this moment, you were heading to the set and also meeting with the cast. During the filming, you had gotten close to almost all the actors, especially Jenna and Melissa. As you arrived, you spotted Jasmine and Mason from a distance, quickening your pace to reach them. "GOOD MORNING, BEAUTIES!" You kissed both of them on the cheek. "Good morning, lovely! You woke up in high spirits today," Jasmine said after you sat beside her. "I also noticed. Does it have something to do with a 5'1" Latina who loves playing characters with no sanity?" Mason teased while ruffling your hair.

You weakly slapped his arms, scoffing as they both broke into laughter. But when you were about to say something, a familiar scream interrupted. "MELISSA, STOP!" In minutes, you saw a small figure running towards you and hiding behind you. "Y/n, protect me, plea—" Jenna was interrupted by a furious Melissa chasing her. They ran around the table, making everyone laugh at the actresses' cuteness.

You decided it would be better to stop them before someone got hurt. You got up, caught Melissa in your arms, and held her tight. She struggled a little, but your grip was firm. Though she might be taller, you were stronger. You placed her beside Mason and sat back down, chuckling. Jenna sat beside you, and you offered her a water bottle. After she thanked you and turned to the group, you couldn't help but laugh at the situation.

Your eyes roamed every detail of her face, from her freckles to her dimple, her button nose, and the lips you wanted to feel so badly. Jenna felt her heart jumping in her chest, as if she would pass out from how intensely you were looking at her. She started leaning her face towards yours, interlinking her gaze between your eyes and your lips. Hypnotized, both of you were so entranced by each other that you didn't notice when you were called, "LOVE BIRDS!! WE HAVE SCENES TO SHOOT!! STOP EATING EACH OTHER AND GO TO THE SET!!" Jasmine, always the sweetheart, got your attention, making both of you jump a little and put some distance between yourselves.

The staff and some actors had already entered; only you and Jenna were missing. You remained in silence, trying to tame your heartbeats and your blush. You heard Jenna clearing her throat, "Uh... I-I think it's better if we go inside too." Jenna said while getting up and walking to the set, not giving you time to reply. You stayed for a bit longer, trying to absorb what just happened. Would you guys really have kissed if you weren't interrupted? You put your hands on your head, sighing, and started your way to the set.

You had started the recordings, and now you found yourself restless and apprehensive. At the moment, you were shooting the theater scene, and seeing Jenna hanging there wasn't pleasant. You couldn't believe how many times this girl faced danger without fear. She had mentioned loving to do her own stunts, and you couldn't blame her. You felt incredible after your own acrobatics. Still, you feared that one day she might get seriously injured. You couldn't help but worry about her.

You almost ran towards her when the director gave the order for her to fall, but you held back and sat down again. Her character and Jack's had a brief dialogue, and following the script, Tara thrust the knife into Ethan's mouth. You couldn't deny that seeing her smile of relief after her action and the blood on her face made you more infatuated with her than you already were.

Just as it was said, you knew Jenna from other works, and since then, you admired her. Just like her fans, you couldn't resist the charms of this Latina. Since the first day of filming, you've been falling more and more in love with her. She doesn't help much in easing these feelings since, from the first day, she hasn't let go of you. Not that you're complaining, but trying to stop liking her is almost an impossible mission.

You would really like to confess your feelings to Jenna, but you feel that she deserves someone better, someone who understands her (in the work sense) and who is a beautiful woman that fits with her. You're just the stunt double, the tomboy, as some call you, simply because you have a more sculpted body, a muscular physique, and a tomboyish style. You've always faced these kinds of unpleasant comments for these reasons. Your friends always comfort you, and your small fan community defends you as much as they can.

Jenna also always comforts you when some of these comments shake you. She always says that you're like a Doberman, always with a stern face, ready to snap at anyone who comes close. She said she feels safe with you, as if she were at home. Lost in your thoughts, you hadn't noticed that they had finished the scenes. You also didn't see a certain short girl watching you attentively.

Jenna observed every trace of your face, every bit of you. From your curly hair to your tattoos, she loves every part of you. She finds herself hopelessly in love with you, every aspect of you, habits, words—you leave her fascinated. It wasn't in her plans to fall in love, but on the day she saw you, she knew her heart wouldn't hold up. She perfectly remembers how her heart skipped a beat after seeing you. You were in simple clothes that highlighted your curves and, most importantly, your muscles. But the fatal blow was the smile you gave her after hugging her.

But Jenna is afraid of this, of these feelings. She has always been more focused on work, never paid much attention to romance. But now, after getting to know you, she daydreams about your life together.

She wants to confess, but she never manages to. She always retreats before revealing her feelings, afraid that you won't fit into her life or even that you'll distance yourself because of it. That's why she hasn't confessed yet. But the desire is there, what's lacking is courage and a bit of shame.

Jenna shook her head slightly to get rid of these thoughts and silently approached you since you were still distracted. She came close to you, laughing at your expression, and on impulse, she squeezed your shoulders and gave you a kiss on the neck, staying with her face there. "Jenna! Why did you scare me like that?" You said in a playful manner, covering your face, hearing the girl laugh at the situation. "Sorry, mi corazón, it wasn't my intention, but you looked so beautifully distracted, and I couldn't resist." She hugged you, and you turned a bit, pulling her onto your lap, hugging her waist and resting your head on her shoulder.

Jenna put her arms around your neck and planted a kiss on the top of your head. You didn't say anything, just enjoyed each other's presence. It was enough. The connection you two had was visible for everyone to see, and it was a beautiful thing. That's why many didn't bother you two. Unfortunately, your moment was interrupted by the director calling you to shoot some stunts. Both of you sighed; you gave Jenna a little pat on the thigh signaling her to get up. "No! I'm not leaving. I'm home..." She said in a cute, whiny voice, and your heart skipped a few beats. "I'm home," you couldn't help but smile.

You tightened your embrace. "It's okay, my love. I promise to spend the whole rest of the day with you." You cupped her face, caressing her cheek. Jenna felt butterflies having a party in her stomach. Ugh! How she wanted to kiss you until the air evaporated from her lungs, but she restrained herself, moving away a bit and raising her pinkie finger, "Do you promise with your pinkie?" You laughed at her cuteness and joined your pinkies, "I promise, mi amor." You kissed her fingers, making Jenna even more infatuated.

"Then go do those stunts quickly because I want to be cuddled up with you all day." You picked her up, making her squeal and then burst into laughter. You put her down and started walking toward the actors, but you stopped, turned back, and ran towards Jenna. However, what she had to say got stuck in her throat. You had given her a kiss on the eyebrow and whispered in her ear, "See you later, mi amor."

You ran off after the director shouted your name, leaving a paralyzed and tomato-red Jenna behind. She snapped out of her trance and ran to her trailer, laughing like a love-struck teenager.

---

The sun had already set when everyone was released from the recordings. The sky was partially orange, and its dim light guided you to your trailer. You knocked on the door, and it didn't take long for Jenna to open it. "You took your time!" She pulled you into a hug. "Mi amor, you were the one who got released early, haha!" You squeezed her in your arms, resting your chin on her head. You stayed like that for a few more minutes.

"Let's go inside; you must be tired." She led you in, closing the door once you entered. "Can I take a quick shower, princess?" You asked, seeing a cute pout forming on her face. "But... I wanted to cuddle with you now." She pouted, and you couldn't resist the cuteness, pinching her cheeks, making her pout intensify.

"My love, this will only take me a few minutes, and then you can have me all to yourself." Jenna looked at you with those bambi eyes and agreed, going to sit on the couch while you prepared. As you had said, after a few minutes, you were already by her side, watching none other than "Puss in Boots 2" haha. You were lying on the couch, and Jenna was lying on top of you.

There was a pleasant silence between you two, only the sounds of the movie were heard. You lowered your gaze to Jenna, observing every detail of her, from eyebrows to lips. You became (once again) hypnotized. Jenna felt your burning gaze on her head and turned her face, resting her chin between your breasts, "What's wrong?" She asked, giving you a small smile. You just shook your head, watching her, seeing how every part of her reacted. God, you were hopelessly in love and didn't know what to do.

You wanted to shout at the top of your lungs about how much you love her, wanted to kiss her, love her, take care of her, wanted to be with her. But you are a coward who can't take action and is afraid of losing her in every way. You ran your hand over Jenna's face, gently caressing her with your thumb, watching her close her eyes and practically melt into your embrace.

Jenna turned her face, depositing a kiss in the palm of your hand, still with her eyes closed. She felt the temperature of her body increase with each touch of yours; to feel you so close is a blessing and a curse at the same time. She wanted to have you like this but as her girlfriend, as the love of her life and not as "friends"; she hated that term. She wants to have the freedom to kiss you, love you, but fear and insecurities consume her, and gradually she gets closer to possibly losing you.

You were in your bubble; no one spoke anything, just felt the touches of your bodies and souls. Jenna opened her eyes, seeing your eyes fixed on her, and you realized you’d been caught. So, you sent her a crooked smile with your cheeks reddish. You realized how close your faces were, and with courage taken from your ass, you gradually started to close the distance between you two.

Jenna also started to close the distance; she felt her body tremble in anticipation. She put her hands on your shoulders, grabbing your shirt. "Kiss me… Kiss me please Y/N." Jenna grabbed your face, putting her forehead on yours. She slightly dragged her lips across your face, whispering, "kiss me mi amor."

"F*ck it," you pulled her neck and kissed her. The kiss was hurried, but firm. In it, love and desire stored for so long were transmitted. Sighs were released, hearts accelerated and synchronized, bodies hot like the embers of a bonfire, hands exploring every part of the bodies, every curve, caressing the skin like a brush caresses.

The air became scarce, and both, reluctantly, separated. Jenna had opened her eyes slowly, trying to reason if what just happened was true or just another one of her dreams. She lay on your chest, still panting, and looked at you, waiting for you to open your eyes and snap out of the trance.

You felt like you were in the clouds, more alive. You opened your eyes, seeing the woman of your dreams watching you. "Are you real? Like... did this really just happen, or am I delirious?" You asked her while caressing her hair. Jenna smiled, showing her dimple, and hid her face in your neck.

You both were euphoric, finally! You had fulfilled one of the wishes, but the doubt still lingers. Even though you had just kissed each other with all of you, with your hearts, you can't help but question, "Does she really like me?"

You cleared your throat, bringing Jenna's attention back to you. "Uh... I know we just kissed as if the world were ending, but... uh... what are we now? Like, do you really like me? Because I like— No! I... I love you, Jenna." You confessed, watching Jenna react with disbelief. "I've loved you since the day I met you, with your more reserved way, your somewhat eccentric humor, your sarcasm, your freckles." You said everything with a smile on your face and a special sparkle in your eyes. "You can't imagine all the times I held back from kissing you, telling you how much I love you. All the tears I shed for you, feeling insufficient for you." You let out a shaky sigh; getting all of this off your chest is a relief.

Jenna couldn't explain what she felt at this moment. Relief? Happiness? Sadness? She couldn't believe that you were really saying all this; her heart felt like it was going to explode with so much happiness. But she felt sad hearing your last words, "How dare you feel that way?!? Y/n, I've never felt so happy, safe, and comfortable with anyone like I feel with you. It's like my heart already knew that you would take care of it with your life." She passed her hand over your face, wiping away the tears that you didn't even realize were falling.

"You make me feel so many things at once, but none of them is something bad. You always take care of me, make me feel beautiful, make me feel like I can conquer the world and the universe. You are my star; you are more than enough for me, mi amor. And answering you, I love you too, and I want this to turn into something more. I want you as my partner for the rest of my life." She chuckled lightly; her soul felt light after confessing, after knowing that you also love her.

You hugged each other with big smiles on your faces. Both have a lot to learn, but now, they won't do it alone. You have each other, and this union will be hard to break. Your love is special, like the love of the sun for the moon.

#jenna ortega x reader #tara carpenter x reader #i love this woman soo much #black reader #fem reader

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fushiglow · 7 months

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Gojō Satoru's rude awakening

I'm refusing to let myself seriously entertain the possibility that Gojō can come back after chapter 236. However, that's because I'm trying to protect my future self from disappointment, not because I think it's implausible — and I really want to talk about this image!

A couple of days ago, @runabout-river shared an interesting theory about what might happen next for Gojō. The post itself is well worth a read, but it was the choice of the above image that really set my mind alight. This scene is fresh in our minds after the anime adaptation of Hidden Inventory, and timing is clearly never an accident with Gege Akutami. So, why is it relevant now?

We see Gojō giving himself over to his past, lost in his happy dreams of his youth, only for Megumi — Gojō's first student and a symbol of the future that he envisions — to bring him back to the present by telling Gojō, "You're the one who called us here, please don't go dozing off."

In other words, "You're the one who dragged us into all of this, don't go pretending this isn't reality just because it's nicer in the past."

In my immediate reaction to 236, I said:

Gojō's dying bloody smile shows he's at least happy in his final moments. [...] Although, if Gojō actually is at peace in death, maybe that's the reason Gege will bring him back. He'll *never* let that man be happy, I swear.

It was just a joke, but seeing @runabout-river's post made me realise that Akutami has already set a precedent for 'punishing' Gojō for looking backwards. When he's dreaming about his past, Megumi scolds him and brings him back to the present. When he 'lets his mind wander' to his blue spring in Shibuya, he literally gets locked in a box where time doesn't pass, only to immediately find himself at the bottom of Japan's deepest ocean trench when his students bust him out to fix the problem he created.

As a side note, in both of these moments, the anime adaptation played a melancholy version of Gojō's Limitless theme — the audio representation of Gojō's youth. I'll eat my hat if it doesn't play again when chapter 236 is eventually adapted (I shared some more insights into some of the easter eggs hidden in the season 2 score in my mini review of the Hidden Inventory soundtrack if you wanna read).

If Gojō dies here, looking backwards to his youth, then he's taking the easy way out and that's what I find hardest to swallow about 236. Gojō leaves what is potentially the most difficult conversation he'll ever have — telling Megumi the truth about his father — to Shōko. He leaves his students to deal with the fallout of his failure to cremate Getō's body. He's saddling the people he loves with the responsibilities he leaves behind, and that's not fair.

However, we won't know if that's what's happened for sure until the whole story is told. Gojō doesn't mention his students in this chapter, and lots of people were bewildered that he seems unconcerned about their safety in a world without him. While that could simply be explained by his faith that they've "got it from here", there's a chance that he genuinely didn't think about it and he's about to get a rude awakening as his punishment — hence, "I pray that this isn't just a delusion".

I would *adore* it if Shōko dragged him back to life kicking and screaming, hauling him away from his pleasant fantasy of youth to tell him, 'No, you and Getō don't get to leave me behind to pick up the pieces again'. Because isn't that Shōko as a character? The one who's left to pick up the pieces in their wake? The one to heal the wounds and lay the bodies to rest while everyone forgets she's even there?

It would be the most character development she ever receives, and I'd love to see how Gojō and Shōko's dynamic changes when he's not the 'Strongest' anymore. So, in Shōko's own words:

#jjk #jujutsu kaisen #呪術廻戦 #jjk 236 #jjk meta #jjk analysis #gojo satoru #ieiri shoko #jujutsu kaisen meta #jujutsu kaisen analysis #jjk spoilers #jjk manga spoilers #jujutsu kaisen spoilers #jjk leaks #i can't stop talking about this chapter #so i guess it might actually be really good???#i'm literally drafting another post right now 💀

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tossawary · 2 months

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A quote and thoughts regarding Shen Yuan's opinions on Liu Mingyan and the "sexiness" of the Liu Mingyan versus Sha Hualing setup. He knows what he should be feeling in this situation as a "normal straight guy", but I don't think he's actually feeling it.

"Shen Qingqiu was very fond of this female lead, and it wasn't only because Liu Mingya's beauty points were the highest. It was also because she had great poise. She always understood the big picture and grasped the general situation, and her conduct was fair and honest. Even in Luo Binghe's gigantic harem, a wife with both intelligence and moral character was rare.

There was one more appeal factor. Liu Mingyan was the only female character for whom Airplane Shooting Towards the Sky didn't write detailed sex scenes. Many readers had been highly dissatisfied with this arrangement, to the point that they spammed the comments with their ranting, but this had given Liu Mingyan something no other female lead had: an image as clear as ice and pure as jade!

Can't be helped, the unobtainable ones are always the best.

[Sweatdropping shrug kaomoji that I can't type out.]

This was what made the second match worth watching. An evil demoness naturally demanded a righteous saintess as a rival. Every man dreamed of being caught between an angel and a devil. To watch them jealously vie with each other over him one moment, then risk life and limb for his sake in the next - that was the highest, most sacred, perverted fantasy of every male organism. He could drunk off the wild, untamed charm of the wicked seductress, and at the same time his heart would ache for the austere taste of the pure saintess who kept pulling him closer only to push him away!

One had to admit, "Great Master" Airplane was genuinely good at nailing what people found satisfying. Shen Qingqiu couldn't help giving Luo Binghe another glance.

Luo Binghe found it very hard to not care about that gaze. Why exactly did Shen Qingqiu keep looking at him? Was it possible that Shizun... really had an interest in him?"

Volume 1, Chapter 2, pages 111-112.

I'm not sure where to start with this! It's a lot! I'll just work backwards: it is very funny to have Shen Qingqiu repeatedly looking towards Luo Binghe, trying to see Binghe's reactions to Sha Hualing and Liu Mingyan, and Binghe's just like, "Shizun is looking at me???" I think "interest" in this case just means interest in Binghe as a disciple with potential, rather than anything else. Binghe is not paying any real attention to Sha Hualing or Liu Mingyan's attractiveness.

Oh! A rare compliment towards "Great Master" Airplane! Shen Yuan, don't strain those rarely used muscles!

I do find it amusing that Shen Yuan refers to Liu Mingyan as "moral" and "righteous" and "pure" here. The vibe I got with Liu Mingyan is that she sided with Luo Binghe to take down her brother's murderer, which I would agree is righteous and abides by a set of morals. But the first few pages of SVSSS inform us that PIDW Luo Binghe viciously destroyed the great cultivation sects, which means that PIDW wife Liu Mingyan either helped or stepped aside when a whole bunch of murder happened.

And the "my favorite wife is the one with no (or limited) sex scenes" is a classic Shen Yuan moment and one of the reasons he reads as being strongly on the asexuality spectrum to me. The way that he talks about heterosexual "male" desire gives me the same vibe. Like he's separated from it. Like he knows this is what he's "supposed" to feel and he just... doesn't... and it's possibly hard for him to recognize what sexual desire feels like (as opposed to, say, general sexual arousal that doesn't necessarily have a target) if he's never actually experienced it himself. He knows what he should be feeling if he was the "every man" reader of PIDW.

Even when he talks about Sha Hualing and Liu Mingyan's appeal, he says "wild, untamed charm" and "pulling him closer only to push him away" as the key components of the fantasy. Like, "being flirted with" and "being fought over and fought for" and "appreciating a distant beauty" are more important than "having sex". "The most appealing thing about Liu Mingyan is that she wouldn't actually go through with trying to have sex with me," says Shen Yuan.

He's like, "Oh, I can recognize that Liu Mingyan and Sha Hualing are physically attractive, that probably means I'm an Ordinary Straight Man." Even though the way that he talked about Liu Qingge's looks in the Ling Xi Caves was... not very heterosexual... and here, he mostly seems excited just to see one of his favorite characters.

Admittedly, Sha Hualing appears 15-16 here and I think Liu Mingyan is around the same age (she doesn't have her spiritual sword yet), so Shen Yuan is probably also not attracted to them just because they're teenagers. (I do not interpret him as sexually or romantically interested in Binghe at all at this point in time.) I headcanon Shen Yuan being 20-ish at this point in time, so he's probably not that much older than SHL or LMY, but they're probably around his younger sister's age (Shen Yuan's younger sister was old enough to be reading non-con, gay, BDSM erotica.) Sha Hualing shows up half-naked and Shen Yuan is just like, "Where are your shoes? Did you walk here like this? Wasn't that painful?"

In my opinion, Shen Yuan seems a little... relieved... to think that no one could be sexually or romantically interested in the scum villain. He does lament that it's hard to get a girlfriend like this, sure. He does think that he's going to die and that he'd eventually lose any woman to Binghe, so there's no point in trying. But he really, really does not try. "Oh, I can't pursue anyone because they'd never be interested in me! How frustrating! ...Anyway! Moving on to enjoy the many other little pleasures of life! Like food and monsters!" I think the closest he comes to flirting with anyone is when speaking to Liu Qingge in the Ling Xi Caves, while Liu Qingge is coughing up blood, and that did not seem intentional.

I think if he had transmigrated into any other character, who wasn't an "unappealing" villain, Shen Yuan still wouldn't pursue women. I think he'd be like, "Well, I want a beautiful woman, because I have standards! But all beautiful women belong to the protagonist, and no one is better than Binghe, there's no way I'd win that competition, so there's no point in trying!" At which point, it's just like, "Shen Yuan, anyone becomes beautiful when you love or like them; I don't think you actually want to fuck women."

I think if Shen Yuan had transmigrated in as Luo Binghe, he still wouldn't try to pursue women. He'd be like, "I'm just raising my standards for the harem! Some of those wives were not very intelligent or in possession of good moral character! Nearly three-digits is disrespectful to the better wives! I'm only interested in especially beautiful and skilled women, like Liu Mingyan, who's perfect! (And also won't try to have sex with me.)"

Like, I am not against a bisexual Shen Yuan. I am willing to be persuaded to go along with many different interpretations! But he does read to me generally as a gay asexual / demisexual who hasn't yet realized that a desire to be fawned over and an ability to recognize beauty is not necessarily the same thing as sexual attraction. (I do think he is attracted to Binghe after Binghe gets back from the Endless Abyss, but his feelings there are tied up in his very real, reasonable fear of murder and mutilation.)

#tossawary svsss #tossawary rereads svsss #sha hualing #shen yuan #shen qingqiu #liu mingyan #luo binghe #bingqiu #liu qingge #spoilers #shen yuan versus asexuality fic

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tumblingxelian · 1 month

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Near Uniquely RWBY - Main Characters

I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.

Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.

Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.

Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.

Some examples of this would include say:

Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.

Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.

I know these are just two examples, but they cover the general gist of what I mean.

So, what makes RWBY different?

Well, off the cuff, is simply that the four main characters are women.

I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.

In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.

But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.

Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.

Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.

Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.

Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.

Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.

Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).

Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.

Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.

Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.

Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.

Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.

Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.

She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.

Character Conclusion

So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.

But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.

Anger & Violence

See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.

With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.

The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.

RWBY does not do this.

The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.

What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.

They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.

This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.

I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.

But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.

Which is just something I really enjoy.

Thanks for reading!

#RWBY #Save RWBY #greenlight volume 10 #Team RWBY #ruby rose #weiss schnee #blake belladonna #yang xiao long #Some other series that do this or touch on it are She-Ra #The original Sailor V manga but less so Sailor Moon #& to varying degrees the Owl House #Thanks to Adam for helping me with the conclusion!

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mosaickiwi · 2 months

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14DWY As a Drama AU

Hey remember when I said I’d post this in February oopsies!! (don’t ask me about demon!ren i will cry)

Open at your own risk this thing is LONG. Tried to give everyone at least a little something! upon putting this in my drafts i realized olivia exists i'll add her at some point uhhh. Also you can tell how much I love Elanor... hehe

14 Days With You is an 18+ Yandere Visual Novel. MINORS DNI

The cult classic romantic thriller, 14 Days With You, is now a drama! Coming to all your favorite streaming platforms this summer. A whirlwind romance gone right and wrong that you DON’T want to miss.

Cast List

[REDACTED]

🖤 Quiet kid that used the after school theater program to delay returning home. Never wanted to perform, but loved doing costumes, make up, and correcting others (in his mind) on how to portray their roles.

🖤 Spent a little extra time perfecting the costumes of a certain someone who didn't even know they existed. He always traded house chores with his sister so she'd sit in the audience to solely film Tree #2's performance.

🖤 Was an apprentice special effects makeup artist after graduation at first, particularly for horror films, but it didn't exactly pay the bills when they left home.

🖤 Easily rose to the top in their acting career due to his dedication for crafting characters to perfection.

🖤 Dolly Parton/Lady Gaga-esque in their separation of work and life—completely unrecognizable in their regular civilian attire. Paparazzi have never gotten a picture of them in all their years trying.

🖤 Has zero issues getting into character, but does "method acting" on occasion to make sure people leave them alone on set. And also to fuck with directors and producers they don't like. Notoriously difficult to work with because of it + their overall attitude towards others, still gets hired somehow.

🖤 Got offered the role as the main love interest in 14DWY without an audition, thanks to a previous manipulative pink haired character he played in a film that ended up never being released. (2017 Ren because it's funny)

Angel (you!)

💜 Participated in the same after school theater program as [REDACTED] and Leon for a few semesters before you got bored of it. Curiosity for acting resurfaced later in life.

💜 Newbie actor at the recently formed talent agency of your friend. Only starred as non-speaking roles or background characters in small productions until the drama. You moved back to Corland Bay after uni for the better industry prospects.

💜 You initially auditioned for a very small role in the drama as an employee in a seaside shop at first, but somehow you wound up as the lead? (un)lucky you.

💜 Feel free to fill in the blank for any whys and hows you think of to fit your OC/self/sona as you so please <3

Elanor

💖 Normally an actress and casting director, first time as an executive producer for the drama. Dreams of bringing her own romantic screenplays to life. Hasn't quite proven herself the way she wants in the industry to feel confident enough in them.

💖 Catalyst for the drama being made. A "friend" mistakenly recommended the 14DWY book to her. She absolutely loathes all the psychological horror of it but sees the potential it has.

💖 Also the reason [REDACTED] was immediately cast, and you as well once she saw your chemistry with him while reading for a minor role. He hadn't shown a fraction of as much interest when reading lines with other potential candidates, so she decided to take the risk of an untested talent as the headliner.

💖 Refuses to use her family's name to get her stuff made. She wants her works to speak for themselves. Very picky about who she works with due to her family having hands in most of Corland's entertainment industry so she hardly gets a genuine interaction beyond ass-kissing.

💖 Always partial to working with Conan's small studio since he was the only director to give her any sort of criticism in spite of her family, as gentle and polite as it was. She still cried a little in the dressing room though.

💖 Genuine confusion when Conan wants her to act as both a producer and assist with direction. She only intended to bring it to his interest. But how could she say no to someone whose judgment and opinion she respects so much?

Conan

💖 Runs and owns a small scale studio in the Bay that seems to pick and choose its productions at random. It is in fact Alice sneaking into her dad's home office and putting scented stickers on the ones she likes. (She only reads the titles)

💖 Extremely proud of Elanor for getting so far on her own, and would take on one of her dozens of scripts no questions asked if she'd only work up the courage to show him one. So imagine his surprise when she comes to him with a romantic horror instead of one of the fairy tale romances he sees her scribbling notes on during breaks.

💖 While he’s the one with the final say, he does try to let Elanor have as much free reign as possible on the project in the hopes to boost her confidence.

Kiara

💖 A super-star actress and model that got her start in Corland’s local industry, but quickly hit it big.

💖 When she isn’t drowning in work, she’ll swing through town to check in on her sister.

💖 Desperately wants to star in one of Elanor’s productions, but respects her sister’s desire for independence. Though she does like to tease about certain casting decisions on the drama when made aware of them.

the rest of the cast are unfortunately very silly i couldn't resist

Moth

💖 Started a talent agency out of spite for the terrible castings in their favorite media. Got further invested upon realizing they could read the scripts before the movies or show adaptations were even announced.

💖 The one who pushed you to audition for a minor role in the production once the rumor about who was cast as the main love interest reaches them. They've heard all the horror stories about [REDACTED] so wanted the inside scoop. Horrified and fascinated to find out you get the lead role. It’s like watching a train wreck.

Leon

💖 Joined the theater program initially because of you, but got really into it. Moved away to attend a performing arts school until his mother got sick.

💖 Took every wacky infomercial or street performance gig he could find to pay the hospital bills until Teo found out and swooped in.

💖 Eternally grateful for the burden of financial ruin being relieved, so he always accepts the jobs Teo gets for him. He definitely won’t complain since he’s not dressed in an animal costume and shouting nonsensical slogans for cleaning products.

Teo

💖 Met Leon through a shared production and quickly bonded. Attended a different performing arts school and met Jae as a child.

💖 Almost the exact opposite of his game character purely for the funnies. Shy, introverted, can’t flirt to save his life. Still a nepo baby but he can hold his own in acting. Doesn’t like his character much, but is extremely jealous of the confidence he oozes.

💖 Leon and Jae are his only friends in the industry so he uses his sway to get them parts if they haven't already gotten a call back. Gets REALLY nervous on set for certain roles so he needs their support.

Jae

💖 Attended the same school as Teo when they were kids, and is constantly pitching intentionally bad ideas and joking on set to reassure his friend.

💖 A little bit of a thrill seeker, so does all his own small stunts if he thinks he’s capable. Stands there and gawks watching the more extreme stunts, loudest to clap when they go well.

💖 Kept bringing Maple to the shoots cause how could he even think about leaving her at home? She would occasionally break her leash and wander into a scene for head scratches and kisses. The film crew always booed when a PA came to take her off set.

Violet

💖 Completely terrible at caring for plants. Inspired by her role, she starts vlogging about her plant mom journey before shooting even begins. All her advice is completely wrong and terrible. Her personal assistant keeps her in the dark by tending to the plants themselves to fix her mistakes.

💖 Finds out she has a talent for flower arrangement, though. Does thank you vases for the cast and crew on all her future productions that last a lifetime because her PA made sure all the flowers were fake.

Exposition

(silly on set shenanigans)

🎬 Scenes get retaken quite a bit, since you’re still extremely new to it all. Most of the cast and crew expect anger out of [REDACTED] after the 4th call for a re-shoot on the first day’s library scene, but he’s surprisingly cracking jokes about his dye job and reassuring you that you’re doing great. The infamously ill-tempered actor is smiling somehow… even being patient? Not glaring down his co-star for minor slip ups? They cannot recognize this person.

🎬 Violet and [REDACTED] naturally butt heads on set. She respects their acting, not the actor. Zero hesitation to snap back if he’s getting snarky with a PA. You’re the one people have to beg to separate them, and you’re completely baffled that [REDACTED] doesn’t treat others as nicely as he treats you.

🎬 Even though Elanor is a nervous wreck about the first real thing to ultimately make or break her career, she’s scarily efficient on set—as long as no one distracts her. She does get sidetracked once in a while, only because she loves chatting and answering any questions the cast or crew might have. She even brings one of her own cats to set during a slower day to see if they can get along with Maple. Leaves Conan in charge when the horror scenes are being shot. They’re both put off by how vivid they feel, but Conan at least can grin and bear it.

🎬 You and Leon manage to catch up on set while [REDACTED] is otherwise occupied shooting said horror scenes. You tease him about a few infomercials you saw when looking up his actor reel, and Leon teases you back about your unlucky streak of being a tree or a rock in every play the theater program put on when y’all were younger. Laughs even harder once he finds out your most prominent roles until then were “unnamed zombie #5 at the bottom of the pile” and “sleeping train passenger.”

🎬 Try as he might, [REDACTED] doesn’t convince Elanor to change up a few crucial parts of the script for his benefit. His offhand threats of leaving the production fall on deaf ears, as she is all too happy to do re-shoots to make Teo the lead. His innocent hints to you about the shoddy script fly over your head for some reason! You love how it's turning out, what does he mean?

🎬 Super shy Teo prefaces and warns his co-stars before acting in every scene of his character being excessively flirty. Most of the actors have worked with him at some point or another beforehand, so they let him go through his routine without issue. Some crew members love the whiplash of him switching between overly courteous and smarmy, others vastly prefer the flirty character and mourn the loss as production comes to a close.

The Build Up

📺 The higher ups pressure Violet to start a short-lived streaming career to boost interest, since she’s hopeless with plants. She amasses a cult following for her MMO reviews, blind raids on new patches, and her wild ride of a Minecraft playthrough. In the end she winds up preferring to play games off stream, but once in a blue moon she’ll do a first time raid stream so her more dedicated fans can join and watch her alliance get wiped. Creative trolling is highly encouraged.

📺 Teo, Jae, and Leon appear on a late night TV show for promotion. It was meant to be for Teo and [REDACTED] at first. (Where’s the leading lover? [REDACTED] refused all promo appearances or sit downs without you being involved in them.) The host plays a clip that Teo’s particularly embarrassed about, and he hides his face in shame when the crowd hoots and hollers praise about his portrayal.

📺 [REDACTED] comes across as doting and overprotective of you once you’re pushed into the spotlight of celebrity, and shows increasingly concerning behaviors as the premiere looms closer. Depending on your response, they’ll back off to a point or dial it up. Interviewers and consumers mistake it as the eccentric actor’s “method acting” so the red flags just slide right past.

📺 Elanor and Conan guest star in a podcast for off-the-cuff romance enthusiasts. Their strangely cagey and joking comments like “there were so many retakes we couldn’t keep track of what was meant to be the actors messing around or part of the final cuts,” and “we’ve actually sent all the reviewers 1 of 14 versions with completely different endings,” leave listeners all the more curious to see the film.

The Climax

🎉 Reception is huge, in good ways for most. The majority of the cast see a surge in popularity if they didn’t already from the hype.

🎉 Teo bemoans his endless offerings for sarcastic pretty boy jobs, Leon makes enough to get picky about his roles (and pay Teo back), Jae somehow cons a studio into an action film starring Maple—and subsequently adopts every single one of her stunt doubles.

🎉 Moth throws the agency away to start adapting anime and manga themselves. Elanor finally feels validated enough to bring one of her romantic screenplays to the big screen, starring her sister Kiara and a very enthusiastic Violet as the leading couple.

🎉 Conan’s studio is overloaded with scripts, and Alice runs out of scented stickers that much quicker. They are severely backlogged send help.

🎉 One determined conspiracy theorist sets out to prove those missing 13 versions of the ending are real, based on minor cuts and inconsistencies purposefully left in the public release.

The End, Roll Credits

choose your own ending

Bad End 💔 - A Falling Star

💔 If you respond negatively to [REDACTED]’s demeanor during shoots and promo: he plays the waiting game, uses his connections and blackmail to make sure all your roles without his name attached don’t garner nearly as much attention as the ones where you’re co-stars.

💔 Your negotiating power quickly plummets as you fall out of demand and end up begging just for the non-speaking roles you once loathed.

💔 The careers of anyone you got close to on set fall apart much faster than yours, before they’re outright blacklisted in the industry.

💔 You begrudgingly call up your last option. He can’t do much for your friends, but their offer to help you make a comeback is always open.

Neutral End 💌 - Just One More Try

💌 If you respond indifferently to [REDACTED]’s demeanor: the drama leads to you getting more offers, though a handful are for playing opposite of [REDACTED], as the on-screen chemistry was too much for studios to ignore for cash grabs.

💌 Elanor has rid herself of the drama’s subsequent rights, despite positive reception, so a sequel sprouts up in the works at a different studio. One that doesn’t mind catering to the whims of their actors when it comes to script integrity.

💌 You arrive on the set to find that not just one, but all of your cast mates except for them were written to have much smaller parts in the sequel. In fact, you rarely find a scene in the revised script where [REDACTED] isn’t alongside you.

💌 Sadly the contract is air tight, just put up with it until it’s over… What’s this clause about further sequels?

Good End 💍 - Off Into the Sunset

💍 If you respond positively to [REDACTED]’s demeanor: you’ll sadly announce at the post premiere press conference that acting was a one-and-done adventure for you. Retired effective immediately, no farewell interviews.

💍 You’re spotted around town for a few weeks in a mask with a tall, darkly dressed companion at your side before you disappear from the public eye and Corland Bay all together.

💍 A few of your friends at least have an idea of where you are, and they meet up with you whenever you're in a nearby city. None of them can recognize the man glued to your side, though. Not that he'd say anything to clue them in.

💍 After months of near inactivity, [REDACTED] mysteriously deletes their socials without a word, sparking confusion and outrage among hardcore fans still desperately hoping for a sequel.

#14 days with you #14dwy #14dwy au #momo writing #wow look i posted not requested stuff #and it's NOT only emo boy??? wild #<- i am capable of this sometimes #wrote it in like 2 days back in november from brainrot ngl #and now it's here so it can stop haunting me!!!#i do wanna write little drabbles (mostly about angel's audition) but who knows if that'll happen #if u see issues bc of having to remove discord formatting no u didn't #AND if u saw this on discord b4 no u didn't #i wanna add river once he's in da game cause i have many ideas

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