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#sherry is an example
fictionadventurer · 4 months
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I am developing some theories as to what qualities make for good and bad children's educational television. (At least when it comes to shows that try to weave the educational material into the story.)
Good children's television is timeless. Technology or current events can be part of the story, but should not be the focus of it. The technology should be there to facilitate a story that's actually about a timeless lesson that can apply to children in any time period.
Bad children's television is timely or trendy. It makes learning about the new technology or trends the focus of the story. This makes for clunky storytelling that applies only to a narrow set of circumstances and becomes very quickly dated.
Good children's television puts story first. The story needs to come from character and be entertaining, and the educational content should flow naturally from that story.
Bad children's television thinks the educational material is the story. It preaches the information to the children so that it becomes adults giving information to children rather than adults engaging with children on their level.
Good children's television lets the child characters learn lessons for themselves. Adults can provide inspiration or help, but the children should take initiative for their own discoveries and come to conclusions based on their experiences.
Bad children's television has the adults tell the children all the lessons and information they should learn. The children are only there as stand-ins for an audience that the writer wants to preach this information to and passively absorb the lessons rather than taking an active role in their own story.
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homicidal-slvt · 3 months
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Categorizing characters based off of what kind of cat energy they give off.
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wisecrackingeric-2 · 4 months
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I think I’ve said this before but I REALLY DO LOVE ALMOST ALL RE CHARACTERS/SHIPS THERE TRULY ARENT MANY SHIPS/CHARACTERS I GENUINELY DISLIKE you don’t have to ask me “oh do you ship __” cuz unless it’s straight up something like Sherry X Leon I’m probably shipping it!!!!! Or at least I’ll give you a thumbs up for it!!!!!!!!!!!!
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jojossillywalk · 1 year
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thinks about the fact that it's kind of rough that avdol has had to see so many stands kill their own users, but a bulk of the ones who did survive that he's aware of go on to murder other people in pretty horrible ways. in any context where he would fight someone like grey fly, he'd be at a severe environmental disadvantage unless he found his face and got him first.
thinks about how it's pretty fucked up that avdol knows his stand's weaknesses, yet his motivation for fighting dio was "some things in this world are too evil to allow to live." to extrapolate from both of those, i think it's very likely that avdol has wanted to do something about the tarot for some time now, but knew that he wouldn't succeed (thus needs time to set the board).
like, he says that "i did run. but that's why i believe we will win, and i know you'll lose." avdol's bad at gambling. he suggests outranging mariah. he strikes me as a person who waits and plans- that said, emotionally, that's not his impulse, and he's literally had to hold those feelings back. avdol isn't bad at restraining his emotions. polnareff was his fucking tipping point.
avdol admires and favors a fair/honorable fight, but that literally was not an option that was on the table for him unless he wanted a losing battle (he only attacks grey fly in the plane when tower kills 4 people, ie, The Murder Of Bystanders AKA The Thing That Sets Avdol Off The Most Consistently).
he literally watched polnareff do what avdol has never been able to do because avdol knows that it'll go poorly. polnareff is dealing with a kind of grief and rage that it is literally fucking insurmountable to turn off, and there's a huge source of both emotional tensions in that scene.
avdol's from a context where he's had to push his emotions underneath for shit knows how long because he knows it's a fight he'll likely lose. polnareff's dealing with an emotion that literally eats you. both sources of a lot of pain for both of them fucking burst out of them, like? UGH
thinks about how what set avdol off in that confrontation was being called a coward. thinks ab-
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kleefkruid · 1 year
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I also own an EU disability card which is a way to prove you actually have an (invisible) disability which can be usefull in some cases like during lockdown there was a one-person-per-family shopping rule but I would be allowed to bring a second person to help me with whatever I need.
With this card comes a list of locations like movie theaters or parks that will offer discounts or free stuff to card owners, but they never fully fleshed out the system so everyone basically gets access to everything (on paper technically I can join the wheelchair diving club) and this gets funny side effects like when I got a discount for the zoo with a free activity book for autistic kids.
But the funniest locations to me personally are the ones where they offer me a free ticket for my 'companion'. They clearly have a specific type of disabled person in mind but hey, they're offering so I'm taking it! So I visit these places with a friend and we split the price of the remaining ticket. But this is where the fun part comes, actually informing the ticket workers of my card.
Let's use the example of my visit to the Gravensteen, a medieval castle in Ghent. The ticket guy is standing outside and does this explanation about some stuff that is being fixed in the office hence why he is standing in open air. So at this point we have had a completely normal conversation with this guy. But then we buy the actual tickets and I hand over my card, to prove we're allowed this discount of course.
And the second he sees my picture on the card, this guy, who again, had a completely normal conversation with us up this point, lowers himself down to me (he's not much taller), puts his hands on his knees and goes "SO ARE YOU READY TO VISIT THE BIG CASTLE? I HOPE YOU HAVE FUN!" at which point I was just staring back in bewilderment and not saying anything so he just gave me a sad smile, seemed to resist the urge to pat me on the shoulder and let us in.
We are all too familiar with the infantilization that comes with being disabled but it's becomes extra absurd when it happens min-conversation. He already is aware I can keep up with a regular conversation. The only thing that changed is that he now knows I'm disabled and not even what kind. and the fact that he did the embodiment of this meme was just the sherry on top
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Anyway I'll take the autistic coloring book next time please
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thevirgincherry · 3 months
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SCHADENFREUDE !
ft. leon s. kennedy x fem!reader
tags. p in v, kidnapper/victim relationship, stockholm syndrome, he puts u in the trunk of his car :3, sorta painal, squirting, slapping/hitting a lot.. of it, not non-con or dub-con but he keeps calling it that idk, painful sex, suicide mention cuz it’s leonnnn, sadism
note. haiii a follow up to rotten luck title has nothing to do w the fic i think :3 his character changes like every 5 mins im sorry .. readers character changed a lot too omg just blame it on stockholm! umm sorry for any mistakes please ignore them :3 rbs and feedback so appreciated :3
rotten luck
tumblr removes fics that use, for example, tw non-con and any nsfw tags in general from the tags. for this reason, as i’d like my fic to appear in the tags, please understand that this fic contains dark content under the cut. reading this comes at your own risk.
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“What’re you doing?” With a foot in the door, Leon spots you hunched over the mantlepiece.
You jump like you do when he makes a noise over thirty decibels. Luckily, you’re housebroken now, just about, so there’s no piss. Or tears. He has no desire to deal with tears. Or piss or any fluid for that matter. Leon has bad days, and then he has worse days, then there are awful days– It’s only a bad day, but that doesn’t mean he wants to spend his time forcing your head into a puddle of your own piss. Fundamentally, piss is not his concern, he’s potty-trained and has been for a good thirty-four years. He’d like to think a good forty-three years, but he was a criminal bedwetter up until the ripe age of twelve. Foster system does that to you. You make the piss Leon’s concern when you do it on his floor–
“What’re you doing?” Leon asks once more when he wrenches himself away from his piss tangent. He decides to let you off for not answering the first time ‘cause he’s generous like that. Quietly, as everything you do is scarce and ghostlike, you point at the printed photos on his mantle with great interest. There’s three because Leon only really gives a shit about three people. They shouldn’t be out in the open like that. Leon doesn’t remember leaving them out, so he’d like to blame you, but maybe this is a sign of early-onset dementia.
“Who’s she?” You nod to Ashley first, pressed to his side so tightly, so lovingly, so sure that he loves her bombardment. Her affection, whatever it is that she insists it is. He thinks back to tearing her from the clutches of emaciated beings and wonders how he can stand here so normally. As if nothing ever happened. Ashley’s name is the one in the back of his throat, shattered and bloody like glass in a domestic dispute. Then again, he is face to face with his kidnapping victim and all. So it’s not very normal when he looks at the bigger picture. Far from normal, abnormal at the very least. Fucking deranged might be the right term.
“My ex,” Leon lies to see the look of disdain that crosses your face, the unpleasant curl of your lips that irons out when he pets your head. Whether it be for him or Ashley, he wouldn’t like to know. “Joking, baby, I saved her,” Leon settles on saved because there is no other way to explain it, and because he would love for you to know that they’re not his other kidnapping victims and that you’re his one and only kidnappee and he might be impulsive, but he’s not stupid enough to take pictures of and with kidnapped girls. Well, Ashley was a kidnapped girl, not his kidnapped girl, however.
Leon is very feminist, rescuing slender-ankled maidens is his speciality, you’re just an outlier. “I saved her,” he says when you nod at Manuela next, and then for Sherry, he pauses, “I saved her.” Sherry’s face goads him into cowardice, blowing his brains out is difficult when she’s sitting on his shoulder at all times like a Vatican cherub, covalently bonded to his heart or his soul. Whichever matters after you die. “You want a picture too, baby? Autograph?” He kisses your kidnapped little fingers with the guilt of a man who has been pointlessly guilty all his life - now literally guilty by CJS standards for the four months you’ve been captive.
You smile at him, and consequently his drops. “I’m good,” you say, smiling your real smile. It upsets him. “I’ve got the real thing.” When you talk too much he remembers that you’re not a toy or a plaything or anything of the sort. That you’re a real girl.
Sometimes Leon has these moments of startling clarity. You kidnapped a girl ‘cause mommy didn’t love you enough, but daddy hit you hard enough to knock the functioning parts of your brain out of place. You kidnapped a girl ‘cause you got touched back in boot camp, ‘cause you’ve seen a couple hundred people die.
At this point, he simply can’t move on, but he can give up. Every night the gun under his pillow digs into the hollows of his skull. It’s just that Leon can’t leave you, his lucky little girl, he feels responsible for the state you’re in. Stockholm and all. That wasn’t his intention, he’d rather you be dead out of sheer terror, your frail little heart would give out mid Leon’s fucked up chimaera that is part nasty, hot sex and part brutal beating and the most he would have to do is bury your bones in his backyard.
Pretend you never existed. Your name fades into obscurity like every other name does. Your face is just another face. And no one truly cares in the end. America’s love is limited, its affections will go elsewhere, to a prettier kidnapped girl in California or a younger one in Maine. The police will pass you off as a runaway soon enough, and no one would ever have to mourn a bodiless casket. What a mess. Leon didn’t mean to be so charming, didn’t mean to make you fall for him, he didn’t know girls these days were so into getting raped on the daily. Now he’s facing the repercussions of his sex appeal. God forbid he exists in sexy peace.
You gotta make everything his problem, don’t you? Lucky little thing. Leon wonders if you’ve ever had to do anything for yourself. Wonders, ponders, thinks, but he won’t pry. ‘Cause it makes him feel, like, really fucking sucky. That he plucked you out of your perfect little life ‘cause his life is the shittiest little life in this piece of shit world.
He struggles to even utter your name– Your name, god, he bets it was picked out so delicately, so carefully– And that pisses Leon off ‘cause his dad named Leon after his favourite hooker, remove the A from Leona and there you have it! Italian enough for his ma too, hit a perfect sweet spot. Now he’s upset, the perennial guilt has wilted and he’s just fucking exasperated by you. By your luck. By your shamelessness. What twisted little bitch sits there and gloats about having the real thing in reference to her kidnapper. In actuality, it’s Leon that has the real thing.
Leon knocks you down like you’re made of styrofoam. That little yelp never gets old. You see, he’s been struck by this awful migraine and he wants you to feel the same. You should ache like he does, but you don’t ‘cause you’re young and healthy and he makes you go to bed at an appropriate time ‘cause it’s his duty as your kidnapper to make sure you don’t die out of neglect - death via beating is fine and understandable.
You sit at his feet so sweetly, a stray dog that’s wandered into the shrine of a lonely god, curling up at the foot of a wooden statuette to seek some form of solace. Unfortunately for you, Leon is no god, just a normal man with a heart and a soul and a dick that thinks for itself. He does what any man with a dumb dick would do - grabs you by the ankle and lugs you towards the bedroom like a deer carcass. It’s slightly comical, and he knows that ‘cause he hears you giggle a little.
“Rape is nothin’ to laugh about, sweetheart,” Leon says ‘cause that’s the plan, he drops you down on the bed with a thunk. Is it even rape when the other party, a very much kidnapped party, is enjoying it? Truly, you suck the joy out of his life.
“Sorry, Leon,” you go slack and stupid the second he gropes your tit, he’s not one for foreplay, it bores him most days. He’ll eat your pussy ‘cause he likes the taste, but he’s old and his cock is on its last legs and the moment his shit jumps to life it’s best to get it in ASAP.
“It’s okay, baby,” Leon lifts the hem of your shirt, “I know you’re really fuckin’ stupid, so don’t worry ‘bout it, yeah?” God, he’s way too nice. He pulls the shirt over your head and you’re left bare.
“Thank you, Leon,” You’re well-mannered, he’ll give you that, polite little thing, it's terribly endearing, has the walls of his gristly heart caving in.
“You’re very welcome, baby,” he hums, unzipping his jeans to get his dick out before it ultimately droops. Your cunt is sopping, takes to his fingers easily, he curls them upwards to hear those slick clicks. “Spread ‘em.” Leon taps your thigh, and you bend your knees outwards, a foot flat on the bed. It’s nice that you’re wet for him and all, does wonders for his ego, but loose holes are no fun.
“Not there,” you’re so cute when you whine, would look so cute stuffed in the trunk of his car, god. He’d even put a pillow between your thighs to give that cunt some friction. Keep you entertained while he drives aimlessly.
“Baby, you should know better,” Leon chides, spreads your ass and eyes up your tighter hole. “Didn’t ask you, did I?”
“Nuh-uh, Leon.” Comes your automated response.
“What did I tell you?”
“Don’t speak unless spoken to,” you relay the words like you’re reading from a rulebook.
Creepy. Makes him shudder. Maybe Leon did Stockholm you purposefully, he didn’t expect you to respond so well, he was just saying shit. Like, shit that comes out of his mouth when he’s horny, and your sick little brain took his word as law. So, like, that’s your fault and you’re making it his problem. ‘Cause everyone loves to make everything Leon’s problem.
“God, you’re such a clever girl, baby,” he coos because he is so kind and gracious, giving out praise left and right. The tip of Leon’s cock is sticky, drags it through the seam of your cunt to part your folds, kisses your clit with the fat head. There’s a slight gape to your puckered hole when he grabs your ass cheek to open you up. Leon’s forced his way in countless times before, it’s no different this time. With a cock lubed by precum and your drippy cunt, he pushes into your asshole mercilessly.
“That’s a cute face, sweetheart, you gonna do that for me again?” Leon asks, taking a handful of tit as he admires the pain washing over your face— The divot between your brows that he smooths over with his thumb, a quivering bottom lip, eyes screwed shut ‘cause you’re trying to take his fat cock like a good girl should. You make it so easy to hurt you.
“Leon,” you whimper when he bottoms out. His cock kicks inside you, he pulls out to be mean, carves out space and your hole flutters ‘cause it’s so empty— Leon forces his way back in, till the ring of muscle swallows up the base of his cock, and his balls smack wetly against the fat of your ass. Two fingers find their way into your sloppy pussy once more, he feels the ridges of his cock through the spongy, thin walls of your cunt, and you’re liking it too much, fucking him back far too enthusiastically when his thumb presses down on your pulsing clit.
“You’re gonna cum like this, sweetheart,” Leon tells you matter-of-factly, removes his fingers with a pop! and wipes the milky cream dribbling down his wrist on your tummy. “Can you do that for me?”
“No, Leon, I can’t,” you shake your head, trembling fingers wrapping around his wrist to guide him back to your puffy clit.
“Yes you can, baby, you’re gonna do it for me aren’t you?” He tuts, breaking free from your sorry excuse of a grip to lay a firm smack on your jaw. It sends your head to the right, hears your neck crack, he’s sure. “We don’t use words like ‘no’ do we?”
“No…”
Aw, that was a trick question— He gives you another smack to force your head to the left. A little brain damage goes a long way. Keeps you obedient. When you get over the dizziness and face him head-on, you try to blink away the tears to no avail, they roll down your cheeks in pearlescent blobs. Clicker training is unneeded when you have a firm hand. It’s worked so well, any mention of your life outside of the time spent in his home and he’s punching your lights out, now you talk to Leon about Leon, and you think of Leon, and you fuck Leon and you love him– Jesus, okay, he did Stockholm you real fucking bad. No wonder you’re so weird.
Leon rabbits into you, short and shallow thrusts ‘cause it’s harder for you to breathe that way with his cock constantly pushing and jabbing and— Fuck, he’s practically reshaping your insides at such a brutal pace.
“I knew you could do it,” Leon snickers, presses hard on your abdomen to help you cum— And you’re so cute when you do, writhing and lifting your hips up and just looking a little stupid. There’s a stuttered breath, then you’re squirting in sharp bursts, from his cock in your ass alone. “There we go— You did it, baby, did so well—“ He is so fucking sweet to you, talking you through your high and shit. “You love getting your ass fucked don’t you?”
When you don’t respond, too busy trying to recover from an orgasm that’s left you boneless, Leon knocks some sense into you. “I do,” you gasp, teeth clattering like they always do when he hits you. “I do, Leon, I do, I love it— Love you.”
Holy shit. He hates it. That’s what drives him over the edge, that’s what makes him fuck his load into your ass till it’s dripping back down his shaft, that’s what gets his legs all shaky? It sickens him.
“Do you love me, Leon? I love you so much, Leon,” you mumble to him feverishly when he dips low to rest his forehead on yours, a hand on your cheek.
“You’re growing on me, baby,” Leon says, kissing the spot on your cheek he hit less than a minute ago. “Go clean yourself up.” He checks his watch while you limp off to the en-suite. “I’m headin’ out soon.”
“What?” You poke your head past the door frame, genuinely distraught at this revelation. “But you just got home, Leon, I was so bored— Can I come with you?”
“Are you dumb, baby?” Leon blinks at you, and he knows the answer is yes already.
“I’ll just miss you, like, lots ‘n lots.” You’re padding towards him, seating yourself on his lap. He puts his hands on your hips to draw you in, you breathe in his scent. It can’t be pleasant, but you get something out of it. “I want to come with you, please. I won’t run away, Leon, I like it with you.”
“I know you won’t run away,” he hums, squeezing your hips. “What would you do without me? You’d just miss me, baby.”
“And I’m gonna miss you when you go now, Leon.” Your arms loop around his neck. This is fucking disgusting. You’re not his girlfriend, but his literal kidnapping victim and he’s all loved up, letting you stroke his hair and kiss his neck— Fuck, he hates it, hates that he likes you so damn much.
It’s not like he could get away with it. Claire’s got, like, a database in her head for all the fucking women in the world. One look at your face and she’ll know. And how the fuck are you meant to play that off? Bringing a missing girl as your date for the night.
“You can come with me,” he agrees, just not in the girlfriend way, but in the appropriate kidnapped girl way. With a gag in your mouth and your hands behind your back, tucked into his trunk like a cute, fleshy suitcase.
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Zip ties are best, rope comes second, and Leon’s tie is probably not on the list of best kidnapping tools. He just wasn’t prepared to take you with him. He’s fairly new to the whole kidnapper thing, it’s quite exhausting.
The sun sets early these days, and it’s not like Leon lives in a crowded area. Only sign of life on the street is him. And you. Panties stuffed in your mouth as a makeshift gag, wrists tied together with the tie Hunnigan got him for Christmas. You could spit the panties out at any minute, but you don’t. You could break free from the shitty knot he’s tied, but you don’t. Leon must be good at this manipulation thing ‘cause you’re so damn docile, letting him lay you down like a corpse, move you around like one.
“All good?” Leon asks, tilts his head to the side as you stare up at him with glassy eyes. Not all good. You’re terrified. He can tell. You still nod though. “Good.” He kisses your head, then shuts you in.
Leon is already a bit of a nervous driver. His windows are blacked out at least. He always feels like he’s doing something wrong. Like there’s drugs planted in his glove compartment, or he’s got blood money on the backseat, or a cute girl in the trunk— Which he does, but he doesn’t usually have a cute girl tied up in the trunk. He usually does get a ticket or two though, able to charm his way out of it, flash his ID.
There isn't a single noise from you, not even a thump, and it worries him. Leon considers pulling over, but he drives on white-knuckled and shaky. Hopes you haven’t rolled out without him noticing. Been flattened by a truck. Jesus Christ, he thought something about this would be gratifying, but his nerves have spiked and unlocked a new level of anxiety. He should hand himself in right now– Obviously, he doesn’t do that, and he parks up outside Claire’s apartment instead, and he is going to check on you, he is, he was–
“Oh, hey you!” Sherry takes him by surprise, her hand is small in his, but it’s calloused. Doesn’t feel like it did when he held it the first time. Even smaller and bloodied. When she smiles at him, soft wrinkles form. “You’re on time,” she comments, and he wants to die because there is a girl in his trunk.
“Right on, kiddo!” He says to Sherry who is thirty-seven and married. Leon would like to think he does well in high-pressure situations, he does do well in high-pressure situations. That’s a fact. He’s great in end-of-the-world-type scenarios, great at saving America from impending doom, he could do it with his eyes closed– Facing the closest thing you have to family not as yourself, but as a creepy, old rapist is insanely difficult and he would prefer to never do it again. However, he is exactly that, plus a kidnapper, so Leon will continue to do it for the rest of his days.
“Are you okay, Leon?” The corners of her lips are downturned– She knows, oh god, she knows, and she’s never going to look at you the same, and she’ll hate you for the rest of her life– “You’re not sick, are you? I heard there was a bug going around, Jake got sick today that’s why he couldn’t come.” Fuck Jake. Leon dislikes him. Her hair is longer, long enough to fall over her shoulders. He’d tell her to cut it, in their line of work it’s a risk, but she looks how she used to look, and Leon can’t say anything to her.
“No, I’m just, I’m cold, it’s cold, right? It’s cold out here, let’s go inside– Claire’s waiting,” he says very smoothly, totally without a single fumble.
“What is up with you?” Claire scans his guilty face when she opens the door, scans it like a robot, not like an observant human. She steps aside to let Sherry in, kissing the shorter girl’s cheek, and then she blocks Leon from entering. “My pipes are bust, Leon.”
“Okay? Can’t help you with that, babe.” Leon is not a fucking plumber. Doesn’t look like one in the slightest. He’s handsome like a washed-up actor, he knows that much is true, does not fit the bill for a plumber.
“You look like you need to shit really bad.”
“God, I don’t, I’m just fuckin’ cold.” Leon shows her his shaky hands as proof. It’s not proof ‘cause these are kidnapper shakes.
Claire stares at him. Ineffable. Unflappable. She scares the shit out of him, might really end up on her busted toilet if she scrutinises him to this degree all night. “You sure you’re okay?”
“Yeah, I’m good, I’m great– I’m cold, I’m fine,” he says normally because he is a normal man with a heart and soul and dick and balls and credit. All the shit normal guys have. And a girl in the trunk, he’s got that too. The cast-iron doubt in Claire’s eyes has Leon on edge for the rest of the night. It never dissipates. Or she’s just looked that way her whole life and Leon’s overthinking it.
“Nah, Leon hates those, don’t you?” Sherry nudges his shoulder.
“Huh?” Leon says intelligently, he’s painfully aware of his blundering efforts at socialising. Painfully aware of you. In his trunk. Cold, scared, and wet ‘cause you’re fucked up. He hates a lot of things like assless chaps and seven-eleven beer and swans. He drinks seven-eleven beer anyway. Does not wear assless chaps though. And he’d prefer to keep it that way. Swans piss him off ‘cause they're beautiful and violent and beautiful things should be passive like you are. Beautiful things were put on this earth to be gawked at. Beautiful things belong tied up in his car.
“Parrots,” she smiles at him again and he’s hit by a wave of nausea.
“What about ‘em?”
“Me and Jake want to get a pet, I’ve always wanted a parrot, you promised to get me one when I was a kid,” Sherry says, it’s not even to guilt trip him, just factual, but Leon feels like the shittiest guy alive, he’s very good at feeling bad.
“I do hate them,” Leon confirms, “They talk too much.” Pets are pets. They roll over, show off their bellies, wag their tails, they shouldn't speak.
“That’s what I like about them!”
Leon gets a headache when you speak for even a minute, that’s why he couldn't deal with a parrot. Or any pet other than his lucky girl ‘cause at least she’s smart enough to know when to shut up.
“It’s not like they talk a lot.” Claire fills her wine glass for the nth time. “They speak when spoken too,” she says while blinking at Leon so directly he thinks she might’ve put cameras in his house to see if he’s being as feminist as he claims he is. “And you can teach them names, I think it’s cute.”
“We took care of a puppy last year, a friend’s one, but Jake doesn’t like dogs at all. Poor thing, she got car sick when we took her out, she was in the back on her own, and she must’ve been so scared-”
A dog in the back of a car all on her own. God, doesn’t that sound familiar? Did you get car sick? Should he have checked up on you? Fuck, you might’ve choked to death on your own car sickness by now. The clock ticks and Leon checks his watch about ten times within five minutes. He can’t leave first. He never leaves first– Oh, fuck, but what if you’re fucking dead? He prays you aren’t. He would appreciate it if you were alive.
“I don’t… I don’t feel great,” Leon says not convincingly when he stands up, then he bends to kiss Sherry on the head. “I love you, sweetheart, we’ll catch up next time, alright?” And he doesn’t give either of them a chance to respond properly. Collecting his keys from the table, his jacket, his gun.
Leon, don’t you want to finish– Leon, you’re leaving– Call me when you get back– I’ll miss you, Leon– Text me back– Should you be driving–
He would love to reassure Sherry, tell her that he’ll miss her so much he could die and that he promises to text Claire back on time, and that he’s perfectly capable when it comes to drunk driving. but he’s pretty sure he’s got a missing dead girl in his trunk. Leon wonders if they can see him clearly from Claire’s fifth-story window. They don’t care about what he’s doing, but the probability that they might be able to see what he’s doing, acting all shady, is scary. The street lights flicker, and when he opens the hatch, he’s bathed in the glow of your halo. Hail fucking Mary and Joseph and Jesus. You’re there, eyes frantic, and very alive, panties still stuffed in your mouth. Could’ve spat those out by now, but you’re a good girl.
“Fuck,” Leon sighs, he smiles like he loves you. “Hi, baby, did you have fun?” He hunches over to get a better look at you, you’re in the position he left you in, on your side, balled up, almost foetal. He slaps your tit, pinches your cheek, pokes your ass like he’s giving you a physical. You shake your head. “No?” Leon pouts at you, then he leaves you in the dark by slamming the lid. The thrill has sorta settled in, or he’s just tipsy, ‘cause he’s giddy about it, about having you back there. Highways are fairly empty at this time, and so now that he’s boosted by you not being dead and cognac, Leon parks up on the side of the road. Opens up his trunk, again, it’s the most he’s ever used it, shit is gonna fall off its hinges.
“You saved me,” you say when he takes your spit-soaked panties out of your mouth. “You found me, sir, I was so scared, I-I thought I was going to die in here.”
Leon’s confused for a second, then he gets it. You’re roleplaying as… as a kidnapping victim. Which you already are. So it’s like the Droste effect, or holarchy, or more simply a thing within a thing. You’re letting him take on the hero part, which he’s most familiar with, he’s good at being the good guy, that’s why Leon is a pretty crummy kidnapper. “I saved you,” Leon says flatly, he goes with it. “You should suck my dick to say thank you.” He didn��t mean to say that so soon, he was gonna play along for longer, but you made him really fucking hard just then. Teary-eyed, snotty, looking so cute and sweetly kidnapped.
Waiting for your response isn’t his style. Leon had his dick out before you even spoke, he was planning on just stuffing it in your mouth, but you went and made up a little story in your head to get him even harder. He shuffles forward, wipes the tip on your lips, slaps it on your cheek.
“C’mon, open up, baby.” You nose at the underside of his cock, then take him into your mouth, hollowing your cheeks and giving it to him so well, how he likes it, choking once you get to the balls. Leon places a hand on the back of your head, forces you still as he pounds your throat, hearing you gag and heave brings him comfort, ‘cause you're struggling and he loves to make you struggle, loves to make you work for it. You've had it too easy, and now you’ve started liking the sex (read: rape), so Leon’s glad he can hurt you without you getting off on it. “Okay, okay, that’s enough, baby, you can stop that now,” Leon says like he wasn’t skullfucking you into a coma, his cock slips past your lips, strings of saliva beading your chin, your neck, your tits.
The trunk is kinda small, when he puts you on your front, your head rests on the backseats, and your legs dangle over the edge. “Can you untie me, sir?” You ask in a scratchy voice, throat shredded.
Leon ignores you. He’s busy scoffing at how fucking soaked you are, misses the days he had to spit on your cunt to get it wet, when he felt all big like his cock was imposing ‘cause you were so dry he had to force his way in, and you would scream so loud it sliced his skin, and he would groan for that contrapuntal effect ‘cause hurting you is the best thing he’s ever felt. Better than opioids, better than regular sex, better than a scalp massage, better than anything that feels mildly great.
Your cunt swallows his shaft too well, and it is hot to know you’re so far gone now, but would it kill your pussy to show some form of resistance? He knocks his hips forward so hard the car jolts, thrusts all his weight into you, so his cock is doing nothing but harm, breaking your cunt in, going past your cervix, womb-fucking and all that good shit. It doesn’t get further than your cervix for obvious reasons.
‘Cause his dick is not a knife, it’s a dick and it twitches when you clench. He likes having a dick, he likes to fuck with it, likes to stick it in places it shouldn’t be, likes to disfigure and wreck and ruin with it - fly in the ointment is that it’s not immune to stupid, sloppy holes that beg for it. Leon shudders, keeps himself buried to the hilt, rolls his hips forward so the tip jabs the fleshy, firm opening of your cervix in painful grinds.
“Leon,” you wheeze, twisting like you’re getting exorcised, “Leon— Leon, it hurts—“
“I know, baby,” Leon pats your ass, giving a sharp thrust forward to make you sob. “Keep talkin’ to me like that, turns me on.”
“Hurts so bad, hurts, Leon, ‘s gonna– ‘s gonna kill me, Leon– Don’t wanna die, I don’t wanna die, please–”
“Shit,” he laughs breathlessly. That was hot. Girls begging for their lives ‘cause his dick is too good. When you turn to glance at him over your shoulder, his hips stutter. “Fuck, baby– You look fucked.” Like you’re terrified of him. That's how it should be. “Don’t go pushin’ me out,” Leon grunts, words punctuated by strokes that have you reeling in all the worst ways.
“I can’t–” Your head bumps the seats when Leon knocks you in the back of the head. Hard enough to stun you into silence.
“Can’t run from it, can you?” Leon bites down on your shoulder, momentary relief from the cruel drag of his cock inside your sticky cunt, now you can focus on his teeth. How he might tear into you. Eat you up. “Gotta take it for me, baby, ‘cause that’s what you're good for. No brains just got a stupid little cunt.” When he cums, you arch into him, and he fucks into you with all he’s got, till you’re stuffed full of his seed. Something to keep your belly warm for the ride home. Leon should get an award for being this considerate.
“Leon, can I sit in the front?” you sniffle, pathetic and floppy and orgasmless.
He sneers at you. “Do you want me to get caught, sweetheart? You wanna get taken away from me?”
“No, Leon…”
Click!
That was cathartic. Leon’s glad you’ve still got pain receptors, you’re not totally gone, clinging on for dear life, but still afloat. He carries his little body bag to the door. “Want a photo?” Leon sets you down on the ground, you cling to the back of his shirt as he struggles with his jammy lock.
“Oh, yeah!” You light up, “‘Cause you saved me!”
“Yeah, baby.” Leon ushers you inside. “I saved you.” From the boot of his own fucking car.
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alvivaarts · 2 months
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How does mer Leon go through labor and delivery?
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Oooh! This idea got me thinking of a scene, which got me drawing for four straight days. (The page is divided, but warning for those who aren't a fan of viewing birth, blood, or 'eggs' - clear eggs? I'll get into it. They aren't actually eggs.) Anyway, full image below the break! Let's get into how it works first.
Anatomical charts/explanations and more below the cut!
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Anatomically and reproductively, most species of mer fall into the first example- the male can deposit genetic material into the female, the eggs in the female are fertilized, though females have a very long/large clitoral structure that is perfectly positioned to get into the male's 'sheath'. This locks them together fairly well and is the reason that mers tend to produce very quickly and in large numbers (though infant/childhood survival rates are another discussion altogether).
Leon, Ada, and their other pod members fall into another category: Their reproductive anatomy is very unique in that the interlock is very initially hard to get. The female also has a structure that comes out of her sheath very similar to that of a female hyena- there is a hole along the shaft that allows her eggs to be deposited elsewhere. Again, much like seahorses, this species found it more beneficial to have females deposit the eggs into a pseudo-womb in the male, which is either self fertilized by the male, or fertilized by other males. This way, the females can get right back to producing eggs and gathering enough nutrients to feed the young when they're born- which helps, because their infancy survival rate is much lower and their prime living conditions are much more particular. It also works out well, considering the social structure of most mers is already extremely matriarchal- so the eggs would be safer in the parent/guardian that's remaining in the den/home territory area. However, under extreme circumstances, females can and will carry their own eggs. They also vary in that they carry for 3 months longer than other species (ranging from 9-10 months), with fewer pups upon birth, and there's practically no 'egg stage', eggs are broken immediately after birth if it's safe to do so.
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Ada and Leon's (and Luis', though none of them knew that at the time) gestated for about 9.5 months. They were hanging out on the beach, though Leon had to stay in the shallows because it was far too much of a hassle for him to move on land. While he had experienced contractions in the months leading up to it, once the actual contractions hit, so did the new stress hormones, which tipped off Ada and Jill. They made their way down to deal with it. It should be noted that, at this time, Luis had been allowed to interact freely with the pod and was recognized as Leon and Ada's mate, however, being human, Jill wasn't thrilled on him being present for the birth or being directly in their den. (Also considering they were still being documented pretty thoroughly and it was pretty much a must for Luis to record what happened, at least for his fellow researchers). Leon had already insisted, however, so he was pretty quick to get geared up and come down. Normally births happen in a den, but the birth actually ended up happening outside the den. Though they did initially get there to hunker down in one of the bottom alcoves, the labor was taking about an hour and a half at that point, and Leon was getting restless. It actually ended up happening just outside their den while Luis kept his distance (for his own safety, considering Jill in particular was getting very territorial).
Of course Ada was present, though he was assisted by Jill (her being their matriarch and his defacto sister) and Sherry (considering she was already courting at the time and would likely have to assist her own mates in the future). Manuela and Ashley were a bit too icked and ended up cheering from the sidelines while their other pod members patrolled to keep any blood-scenting predators away from the area. Thankfully, they're already located in a very safe area, with lots of protection from the neighboring pod, so it went off without a hitch.
That didn't make it any less painful, though, and it's not like mers have access or the tools to use painkillers. The full labor was fairly quick and took about two hours, with a lot of yelling, swearing, wiggling and pushing. Ada helped a bit by pushing with her own hands, though she became pretty occupied as soon as the first pup was born. She was pretty quick to nurse all of them, though three total pups came out. Normally mers will 'wet nurse' for each other, but they weren't able to do it within their own pod, so they had to wait until Ada's cousin from the neighboring pod could come over (considering she'd recently had her own pups).
Lillie was born first, with a half hour gap between Lucia and Amaya... who were pretty obviously also Luis'. Which led to some shit for him on the surface, but hey, new babies!
Sorry for the extremely long post!
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biird-rot · 28 days
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Leon Kennedy is Autistic: An Analysis by an Autistic Person
DISCLAIMER: This post and all the points I make are highly based on my OWN experiences. I often find parallels between my experiences as a disabled individual and characters I love to help me better cope with and process my feelings. Hate will not be tolerated!!!
Before I get started, I’d like to say that this is not even me scratching the SURFACE of the things I could analyze about Leon and apply to various autistic experiences, this is mostly just the things that resonate with me the most.
Parallel Play/Preferring to Work Alone
It could be attributed to trauma, and the fact he works in a government agency, but Leon has always been the flying solo type. Missions in which it would be better if multiple people worked on it (RE4) HOWEVER! Whenever he does work with others, he often goes off on his own and leaves whoever he's with to deal with what's there (DI, Leon going off immediately after being vaccinated by Rebecca)
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Difficulty Communicating/Identifying Emotions
This also plays into the difficulty making friends and maintaining friendships aspect of being autistic. There isn't any direct/obvious representations of this occurring in the franchise, but it can be inferred based upon his interaction with Chris and Rebecca in RE: Vendetta when the two try to recruit Leon on their mission because of the intel he has on the type of BOWs they're dealing with. Speaking of RE: Vendetta, it can also be noted that Leon copes with his inability to cope with/regulate his emotions by drinking, and this is a habit he always had. In fact, he's essentially hung over in RE2, having drunk his feelings away after being broken up with the night before the Raccoon City incident, and he is literally drinking on the job in Damnation. Essentially, he's canonically an alcoholic. As an autistic person, sometimes I would turn to unhealthy coping mechanisms to deal with my emotional dysregulation, especially when I was unaware that I was autistic.
Leon isn't a very emotional person in general, again, It could be chalked up to trauma, but lack of emotional expression is also a common experience/trait amongst autistics.
“Inappropriate” Responses to Situations
GODDDD this one is SO prominent in RE4R (hell, even the OG), Infinite Darkness actually everything he's in, I can name at LEAST 2 examples of this. To keep this short, I'll just name ones that I relate painfully hard to, and ones that I find hilarious.
To start, WHENEVR HE JUST SAYS "ok 🧍" in response to an emotional moment. RE2R, when Claire introduces him to Sherry, in RE4R, when Ashley hugs him and expresses her relief that he's okay, and in Infinite Darkness whenever he checks up on Patrick after the White House Outbreak. It never fails to make me lose it because he's just like me fr.
Thists a sillier one, but I want to mention it because it's so mecore.
Thank you to @highball66 for doing the lord's work of translating the Death Island manga yall seriously he’s a legend🙏
When Leon sends selfies of him on missions. That's it. He just sends it to Hunnigan and I think it's great.
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Sensory Issues
Okay, I KNOW LEON IS A GOVERNMENT AGENT AND NEEDS SOME LEVEL OF GEAR ON MISSIONS BUT!!!!! Half the time he isn't even wearing a full set, not even a bullet proof vest. HOWEVER, I did notice that one thing he CONSISTENTLY wears (with the exception of a few instances) is GLOVES!!! This is more of a personal headcannon, but I like to think he's sensitive to texture, especially when handling guns and such, so he wears gloves, so it doesn't feel as terrible. To further back up his sensitivity to texture, in Death Island, after the Dylan BOW explodes and splashes water everywhere, Chris doesn't seem to care about being covered in water while Leon is flicking the water off him.
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Literal Thinking - Coming off as Rude/Inappropriate Unintentionally
GODDDDD this is another big one, but I’ll only cover the ones that I relate to a lot to save time. Starting with his initial encounter with Jill in Death Island, they’re being chased by lickers and…well..this interaction
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Exhibit B: This scene. He’s just so nonchalant about it and I do the exact same thing without like…intentionally being a “smartass” or whatever, I’m just being honest 🧍. Jill’s “Oh😒” at the end of the scene is really what made it hit home, because that’s how people typically react when i have a similar interaction with them
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ANOTHER THING!!! All of the instances in which Leon casually asks “so you wanna get dinner?” Or something along those lines. It’s often interpreted as a poor attempt at flirting, but personally, I think he genuinely just wants food, and he doesn’t understand why ppl are like 🤨 when he asks. He just wants a nice dinner with a nice lady :(
Hyper-empathy
Small disclaimer here, autism is a SPECTRUM. And our empathy levels fluctuate every day. In Leon’s case, I see him being hyper-empathetic, much like myself. And being able to empathize so easily with people is incredibly draining. Additionally, a huge thing that is common among autistics is how we tend to respond to people who are sharing their struggles with us sharing our OWN experiences that are similar to theirs, and it often comes off as egocentric and selfish to “make it about us”, but in reality, that’s our way of saying that we understand what you’re going through, and it helps us process how you may be feeling as well. There are many scenes I could pull from, but I want to talk about one specifically in Infinite Darkness since it resonates so much with me:
The scene within ID in which Jason is having a nightmare, and Leon wakes him up, immediately asking him if he wants to talk about it. Jason recalls the nightmare and his trauma about Penamstan to Leon, and says that he has no idea what it was like, and Leon responds talking about his experience in Raccoon City, and how that affected him similarly
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Special Interests & Using Media to Communicate Feelings
There are many aspects of this I could talk about, but I’ve already written 10 pages worth already in this post, so I’ll speed through it.
Personally, I think Leon has a special interest in film! He makes several references throughout the franchise, many of which are overlooked. Personally, my favorite reference he makes is in RE: Vendetta to Pulp Fiction (I think) when Chris and Rebecca confront him during his “vacation”
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Final Notes/Conclusion
I had to cut a LOT out from my original mini-essay I wrote about this to fit it better on here, and make it not as boring to read lmao, but I hope you enjoyed my silly little analysis! I love being able to relate my experiences to others, fictional or otherwise, as it helps me feel less alone, and be able to process and cope with what makes my disability a…well, a disability. I hope fellow autistics find some solace in this as well, and please let me know your additional thoughts about this topic if you’re a fellow autistic Leon Kennedy headcannoner!!!
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ko-garashi · 18 days
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Okay, in anticipation of the imminent release of my one-shot collection, here's a quick rundown on my headcanons about William Birkin. I already had headcanons about the post-mutant William, but let there be his and simple human headcanons 🪴
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1) William calls his wife by her full name only at work. Moreover, regardless of whether colleagues are nearby or not. But outside of work, he always calls her “Annie.”
2) William is the type of parent who falls asleep while reading fairy tales to his children. He fell asleep almost constantly while reading Sherry's various stories when she was little.
3) He is a real coffee lover. He usually drinks 5 cups a day. But several times he reached 8 mugs.
4) William was once very close to his daughter. When she was very little, he often turned a blind eye to her childhood pranks (for example, he covered for Sherry when she drew on the wallpaper in her room)
5) William has always been prone to paranoia. The main root of his problem lies in the toxic family environment that he experienced as a child due to totalitarian parents. Parents wanted to raise a genius using mental and physiological violence. But in the end, this broke William, driving him to paranoia as an adult.
6) In Albert he always saw his equal, which is why he was close to him. If at first they simply competed with each other, then ultimately William personally was able to accept the fact that Albert was indeed better than him in some ways.
7) William has frequent problems sleeping. But in order not to wake up his wife and daughter at night, he simply lies in bed in the dark, looking at the ceiling.
8) He had sleep paralysis before. The first one was when he was 13 years old, which made him very scared.
9) William loves fish and keeps an aquarium in his laboratory, which he personally takes care of according to all the rules. He doesn't allow others there.
10) Surprisingly, despite everything, William knows how to cook. He knows how to do this, but does not see any need for it when he can calmly have a snack and continue working.
(I’ll write another part soon, which will focus more on the relationship between William and Albert)
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clairexleon · 1 year
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These are official files in RE6 and are important when looking at Leon and Claire’s relationship with Sherry.
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Can’t help but wonder if Leon too can see the influence that Claire clearly has on Sherry.
This next one is Leon talking to the FREAKING PRESIDENT (well before he was in office BUT STILL). He’s talking to the future president about his little family which he sacrificed and cares so much for.
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He wants to give up, but now he has a little girl that needs him. So after realizing that little Sherry needs her new parental figures, Leon pushes on, even though it’s really hard to keep going. Also notice the way Leon says “our reason”. Not just his. Not just Claire’s. But theirs. He already has that mindset of a parent, and I’m sure Claire is thinking the same way too.
Regardless of how you view Leon and Claire, whether you think they’d make a great couple or not, you can’t deny that they’re literally Sherry’s parents. You can feel how they’re both trying their best (together) for her, even though they don’t know what the hell they’re really doing because they’re so young. But hey, if you ask me, they’re doing a whole of a hell lot better than Sherry’s biological parents ever could.
The only thing missing is their reunion. We haven’t seen them all together since RE2. However, Capcom seems to have this problem with most of their characters. For example, Claire and Chris. They are siblings and have only been seen together once in all of these games. Kind of criminal if you ask me.
Anyways, these three really should meet again. They’re a family after all.
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wewerepartners · 2 years
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Resident Evil 6 | Sherry Birkin  
“The people who saved me, Leon and Claire, are the closest friends I’ve ever had. They risked their lives for me back in Raccoon City. I guess I’m still just... trying to live up to their example. Never giving up. No matter the odds.”
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sinnabum45 · 5 months
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Manuela trying some snacks and bonding with her new family 🥺 Sherry definitely introduced her to a bunch of new things! For example, her tamagotchi collection LOL
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beargyufairy · 1 month
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Just My Thoughts Pt. 20
Fairy Tail Manga Reread Version
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When I reread this part, I felt many emotions however two of them were the strongest: hurt and pride. I felt proud because Lucy is starting to see herself as worthy of the team. Until this point she was grouped with the strongest members and they did most of the fighting while she stood aside and watched. Now that she’s put in a situation where she has no other choice but to defend herself, we get to see not only her magic a bit more properly but also her intelligence. She outsmarted her enemies by tricking them into believing her weakest (but amazing) Plue was actually some strong celestial spirit.
Additionally, she mastered forced gate closure. And using the dialogue given by Sherry, it’s not something easily done. She’s never seen it before. I think this shows just how strong and capable Lucy can be if she’s not putting herself down. I felt so proud of her because she accepts herself as an official member of Fairy Tail. And as she should!! However, I also felt hurt in this moment because when she was able to accomplish something difficult, she thought of Fairy Tail first. She looked at her guild mark, which makes future events more painful and precious.
For example, her guild mark was the one thing Future Lucy requested to see before she unalived. I think it’s so important to her because not only does it represent endless adventures, friendships, family, but also her growth as a person and a mage. I love how she’s constantly feeling proud of being a member of Fairy Tail. Furthermore, it hurts when we know in the future, the same family she made after escaping from her dad left her all alone when she was grieving. She kept tabs on everyone and tried to reunite them, but no one did the same for her. No one kept in touch. This just hurts and I still feel like Lucy needs a proper appreciation arc at least in the 100 YQ. I’m going to stop here or else this is just gonna turn into a huge rant about Lucy being unappreciated.
Until my next thought.
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ell-arts · 6 months
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PMATGA Headcanons: Surnames
This thing has been a headscratcher for as long as I have been a fan of the show. Or it might be just me-
But I've always struggled to imagine what some of the characters' surnames/last names could be. Especially the main trio. Mostly because it's tricky to come up with surnames that would fit them, and something in line with the show's running theme of naming things after geometry or character-specific quirks.
We know that Stratos' last name is Spheros (derived from stratosphere) and thus it's also Betrayus' surname. We know of Mr Strictler, who only revealed his surname and never his first name, so we can deduce that Sherry's last name is Strictler (she's his daughter). Then there's Mr Dome, Ms Globular, Sir Cumference, etc. But other than these characters, we never really heard of any other surnames mentioned in the show.
There is Spheria Suprema, and hey it could be probable that that is her surname, but I'm leaning a bit more towards the idea that it's her celebrity name/Pac-Pong champion title/nickname rather than her actual given surname. The chances of Spheria being given a name that rhymes with a descriptive title such as 'Suprema' at birth is a little slim if you ask me (this is just my rationalisation, don't come at me xD)
So that leaves us with the rest of the cast. I've seen some really creative attempts from the fandom to give the characters their surnames. So much so that I can't really come up with any good ones in comparison xD
But hey, these are the best I could come up with, along with some headcanons or reasons for why I chose them. Subject to change!
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Pac Orbon (Yellow Orbs, duh...)
Cylindria Eden (based on the Garden of Eden, and sounds hippy-ish)
Spiral Logarith (based on the logarithmic spiral in math)
Elliptica Spheros (her mother kept her last name)
Sir Perimet Cumference (his first name is based on perimeter (of a circle), which can be shortened to 'Peri' but he still prefers 'Sir C')
Trayus Rotundin Spheros (he changed it to Betrayus Sneakerous Spheros as part of his rebellion-turned-revolt)
Zac Orbon (again, yellow orbs...)
Sunny Orbon (maiden name was Sunny Solari - a play on sol and solar, from the sun - which is also round and yellow)
Spheria Solari (tends to go by Spheria Suprema, her celebrity name, since that's what many people know her as)
Specter Eidolon (greek for 'idol' or 'phantom')
Blinky "Shadow" Scarlos (based on 'scarlet')
Inky "Bashful" Whimson (based on 'whimsical')
Pinky "Speedy" Chacier (Old French for "chase/hunt")
Clyde "Pokey" Oren (just based on orange, but can also have different meanings depending on the language)
[The Ghost Gang's names are a combination of lore that I've found relating to the original Pac-Man games. For example, Inky's original name in the retro games was Bashful, and his Japanese name is kimagure, which means 'whimsical', hence Whimson.]
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nagirambles · 3 months
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Rambling about Fairies - Manga Chapter 201
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Honestly, I think it's really cute that Lisanna is a girl in love with the idea of love. It's kind of like Juvia but in a slightly different, less obsessive way, and that's why I also like they teamed up in Tenrou. It's a fun character to explore. Lisanna adopted the role of a waitress in Edolas, and for a slightly tomboyish character type, it's sweet that she wants to get married as a dream of sorts.
Personally I don't look for marriage, but Lisanna does, and there hasn't been a character explicitly looking forward to one day finding love and settling down in the guild. (Sherry, for example, is one.)
At this point in the story, it's a fairly unique dream. Lucy and Erza want freedom, Juvia wants belonging, and Lisanna wants to one day build her own family that means just as much to her as her siblings. Her whole thing is 'love for family', so it suits her! Now if only we expanded a little more on her and her entire character in general, she could have been a solid character.
It honestly feels quite more like Mira's thing, if I'm honest. Lisanna seems less like the type to want to find love, which is exactly why I want to see more of this. It could really help build her up and have all her separate personality pieces fit together and make sense as the old precocious tease she used to be. She's mature, willing to hurt herself to hide secrets that could hurt the people she loves-- maybe one day there'll come a character that can see right through her kind lies. Wouldn't that be truly the romance she wished for?
To clarify, this isn't really a nice stereotype to put into all girls that get canon romances, but before Gajevy canonized and Mashima put Levy into the meek housewife role, I'd honestly have liked a character whose dream was to settle down and make a family. Especially in a story so heavily themed around family like Fairy Tail. Almost all nuclear families in this story is broken in some way, and I feel like it'd be powerful to finally have one that's picture perfect. I think Gajevy is headed in that direction, but I'm afraid Mashima'll do the same to Juvia and Erza. It would be bad for all of them to decharacterise into those stereotypes, especially Nalu, whose entire dynamic centers upon the fact and she and Natsu will always go on adventures together.
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bluecurtainsart · 4 months
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Madeline Usher and Daisy Buchanan
: an essay no one asked for
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The connection between the characters Daisy Buchanan and Madeline Usher may not be the most significant imagery in Mike Flanagan’s The Fall Of The House Of Usher, however, it may have been a key insight into Madeline’s mentality.
Daisy Buchanan comes from F. Scott Fitzgerald’s The Great Gatsby, which was published in 1925, and Madeline Usher was originally from an Edgar Allen Poe’s short story The Fall Of The House Of Usher which inspired Mike Flanagan’s limited television series by the same name in 2023. The version being analyzed is the latter addition of Madeline. In the television series, one of the first appearances of young Madeline Usher is her dressed as Daisy Buchanan. Her twin brother, Roderick Usher is dressed as Jay Gatsby.
The scene is 1979, New Year's night and both twins take a seat at a bar. The curious bartender will later be revealed as Verna (an anagram for ‘Raven’ and a subject for its own essay entirely) and Madeline is laying out a plan, specifically to and not with, her brother; they are laying out an alibi.
The twins have just gotten away with the murder of Fortunato CEO Rufus Wilmot Griswold. Madeline gave him sherry laced with cyanide and seduced him into the basement, which was still in construction. She walks away from him, saying he can have her if he can get to her, but the poison kicks in and he struggles to walk, collapsing on the floor. Madeline taunts him, calling him a “big strong man.” Before this encounter, there had been a business meeting where Griswold refused to listen to Madeline, blatantly sexualizing, and telling her ‘not to fuck with him’. Every encounter between the two shows Griswold thinking he has the upper hand, however with Madeline being regarded as a genius by her brother and the audience, Griswold does not realize who is really in charge until she is laying out her plan for him while he is chained up behind a brick wall. Madeline gets away with murder.
Then at the bar, she is seen dancing and flirting with another man, returning to the bar and telling Roderick it's his turn to dance with someone. Roderick does not want to, and Madeline does not care, telling him that they need to build an alibi. He listens, and Madeline ends up having a conversation with Verna.
While there are many incidents and examples of Madeline’s genius, this is about her connection to Daisy Buchanan, and that she does all of this (minus the business meeting) dressed as Daisy Buchanan. At the end of Gatsby, Daisy gets away with murder, never being caught because she is an ‘innocent woman’ and this is all Madeline was seen as by Griswold. Throughout the series Madeline has an open distaste for men, saying “Men are as stupid as they are simple” in a future conversation with her oldest niece Tamerlane Usher. Madeline went into the situation knowing she would be underestimated and sexualized by Griswold, and her costume perfectly reflects that.
Aside from false perceptions, there is also the point of philosophy. Daisy says “I hope she’ll be a fool- that's the best thing a girl can be in this world, a beautiful little fool.” Madeline is anything but a fool, and time and time again she demonstrates that she is constantly aware of her surroundings. For example, in a conversation with her brother, they talk about a foster home they had been in, and how Madeline had befriended their foster mother, who practically tortured them. This alliance gave Madeline access to important documents and she was able to ruin the foster mother's life. Madeline is anything but a fool. Furthermore, in the conversation she has with Tamerlane, it seems like she has at least some sort of faith in her oldest niece; she does not want Tamerlane to be a fool, she wants her to be a savior of Fortunato Pharmaceuticals. Her other nieces, Victorine LaFourcade and Camille L’Espanya are both extremely smart as well. Camille in particular consumes knowledge voraciously, using it to benefit her in her family. This thirst for knowledge does end with her gruesome death via chimpanzee, but Camille doesn't seem to regret this.
As for Lenore Usher, Madeline’s only great niece, she is aware of how horrible her family is, with this awareness growing as the series continues. She questions people, especially her father, in both legal matters and about her mother’s care. The Usher women who had Madeline as an influence in their lives were certainly not fools. This is all to say that while that quote may be a reflection of Daisy's outlook and an insight into her beliefs, it is the inverse of what Madeline sees. Madeline sees women as superior, agreeing with Verna when she says “Women are the natural leaders of the species.”
On New Year, 1979, Roderick was dressed as Jay Gatsby as previously mentioned. The twins’ classic couple costume might even hint at the roles they play in each other's lives- or rather Madeline in his. Madeline is the planner, this is evident from the beginning. In her own words “If it was our birthday he would forget to eat cake unless I took a bite first.” Roderick needs Madeline to lead him, to mother him, even. The comparison is in no way sexual or romantic of course, but it could highlight who they became in each other's eyes. Roderick saw Madeline as a leader, a strong woman to follow, even if he didn't realize it. In contrast, Madeline had times when she saw Roderick as she saw all men- something to be managed.
It's unclear if Mike Flanagan thought too deeply into the comparison but that does not stifle its relevance to Madeline Usher’s character. Daisy Buchanan represents how the world perceived her, at least for a time, the opposite of how she saw life, and who she became in her brother’s life. In conclusion, understanding Daisy's relationship with Madeline is key to understanding Madeline Usher, “a queen without a crown.”
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