#shitposts.
no because the theme of the road is one of my favorite meta elements of the show:
the impala on endless empty highway roads, where there's no one else but the brothers because that's their story and it's the only one that matters;
the shots of them driving across the country day and night, feeling like an endless journey, because the show itself is such a long series;
the scenes of the boys on the road being backed up by classic rock music, truly speaking to the aesthetics of the show;
"the road so far" as the literal equivalent of "previously", showcasing that eevry episode is a stretch of road that's been driven and passed by;
the way road scenes are always so elevated, so upbeat, so full of life and adrenaline because the road is what matters, the journey itself is what is important; in juxtaposition with them arriving at the destination, the music always stops ... and that's show itself. with each episode being a road that leads all the way to a finale that no one cares as much about as they do for past episodes, the past roads that led us here, because the finale itself is the destination we never cared about reaching. because reaching that destination would mark the end, it would mark death — of the show, of the music, of an era.
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eron whose father is literally luk.e skyw.alker:
eron when other heroes from the rebellion:
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so anyways,
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do not ask espio where he was march 31st 2023
"i'm beginning to get the feeling you've been waiting for me to make a mistake like this so you finally have something to hold over me, sonic."
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benji: i'm not a bottom
hannah: does anything
benji:
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If i had a nickel for every campaign i was in where i played butch lesbian who dislikes and despises the idea of fate and destiny who also is crushing on a magic user who is DIRECTLY tied to fate, i would have two nickels!! Which isnt a lot but those are very specific nickels.
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"it's been—"
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still thinking of beard wearing shit like this
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listen i get it
i get that spn seasons 1-5 are some of the most genre-defining, unfathomably excellent pieces of media in television history
but- hear me out.
i'll admit, we've had some sloppy and at times, mediocre writing in later seasons. but the themes of late seasons are some of the most disturbing, psychological horror pieces of storytelling in the sci-fi horror genre.
like . can we take a second to appreciate:
season 6: sam's inner battle between the ego vs. the id
season 7: the horror of sam not knowing what's real and what's an illusion the whole time
season 8: dean's return from a lawless land of kill or be killed, having to learn how to be human beyond just survival instinct
season 8: sam's entire journey of self-purification
season 9-10: ✨ toxic masculinity✨ let's fucking goooooooo
season 12: mary relearning how to live and catching up with life after being gone for 3 whole ass decades
season 13: jack's nature vs. nurture. we had plenty of that ngl, wouldn't hurt to have more
season 14: ummmm can we talk about dean creating a literal mental prison cage to keep an overpowered archangel in and hearing him banging on the door inside his mind 24/7 because what the fuck-
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i swear he’s a paladin
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sorry to anyone who wants to go back to their planet with cities after the war but you're not getting eron to go with you
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Suma angrily staring up at her giant big brother like
how dare Obito be so tall while she’s so short!!!
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sb: can you keep a secret?
beard, reading a book: do you know anything about my life?
sb: no i do not, good point-
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he’s a solid 8, but he won’t ever forget your birthday, anniversary, favorite things, etc. he is however gay, evil, and trying to start the apocalypse. also he’s british & a capitalist.
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