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designresearch604-ahnesshim · 8 months

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20 Items + Copywrite

My Korean passport and New Zealand passport. Although I was born in New Zealand, my very first passport was a Korean passport because my mother had the choice of giving me a Korean or New Zealand passport. But because our family was Korean and my roots are also Korean she had chosen to proudly give me a Korean identity. These two contrasting items show the duality of an identity crisis that I feel and experience whilst living in New Zealand as a Kiwi-Korean.

2. Birth Certificate. his is a legal and physical proof of me being born here, a Kiwi-Asian, a Kiwi-Korean. But throughout my life and growing up, experiencing cultural dilemmas, racism and discrimination I was often told to go back to my own country, although I was born here. I've often grown up acknowledging racism instead of standing up to it. I felt foreign although NZ felt like my home and it always was and is. I felt small and scared and "less" than white people and because of the racism I experienced I sometimes wished I was white.

3. Baby anklet (?). It's amazing and interesting to see how small of a baby I was to grow up into a person who can no longer fit into that anklet I once fit into. This is a metaphor for how much I have matured and learned about myself and my own culture as I continue to relearn the culture I was abandoned and ran away from, colonising myself.

4. Wellington Te Papa Souvenir. This encapsulates my very first trip down to Wellington and serves as a momento of the time. When I look back at it now there was much culture to be learnt and take in, and so much that I did not know of. I remember the joy and excitement of going to a new place and exploring a new place out of Auckland with my family.

5.Korean Currency – trip to Korea for the First Time. These coins were coins that I kept as a souvenir from my very first trip to my parents home country, Korea which encompasses the preservation of South Korean currency as a form of cultural and historical significance. I vividly remember my grandma, aunties, uncles and even my parents' friends' gave me pocket money often telling me to buy something yummy for myself with the large sum of money that possibly seemed too much for a snack. This is enriched in Korean culture and to me it's a token of them showing care and love towards me and even my parents and their way of expressing their love and care as it is not common to see people express how they feel verbally in Korean, eastern culture, but they also stand as artefacts of a my journey, capturing moments in time, and embodying the pride and identity.

6. Seoul Sky Magnet – Trip to Korea in 8 Years (after first trip). This was my second trip to Korea in 8 years, after the first one. My older sister and I spent hours and hours exploring the culture-rich Korea as we had so much to learn as we knew so little of our own culture and my parents' home country. The magnet was a souvenir from a landmark called Namsan which is famous and popular for their tower that overlooks the city.

7. HongKong Magnet Souvenir at 15 years olds. This trip was a meaningful and exciting trip as my cousin who I lived with as a small child, young as 5 years old; would be visiting him in many years. I was able to visit Hong kong like a local person who lived there as my cousin took us on a designated tour around the hot spots in the local area and throughout the city.

8. Polaroids. These polaroids I took lie in their ability to transform intangible memories into tangible, touchable keepsakes. Unlike traditional photography, which involves waiting for film to be developed, or digitally taken through our phone, it allows an image to materialize within moments of pressing the shutter button. This instant gratification grants a sense of immediacy and authenticity to the captured moments, preserving it in a form that can be held, shared, and cherished in real-time. The physicality of these polaroid photographs, with its characteristic white border and distinctive color palette, imparts a timeless charm that transcends eras, making it not just a snapshot, but a testament to the magic of instant memory-making.

9. Poststick Notes. These post stick notes are important as they help me to mark important pages within my sketchbooks or even in my diary, so that I can come back to them. I often use the same colour post stick notes for pages that have similar or continuing ideas. This item has now become an essential for me as a designer and within my personal life as well as it marks out important and even current events and pages.

10. 2023 Diary. A personal diary becomes a canvas for expression, allowing me to infuse my unique style and preferences. The diary stands as a tangible object featuring handwritten organization and introspection, providing a haven for dreams, plans, and cherished memories to flourish throughout the year. It serves not only as a practical tool but also as a source of inspiration, reminding me of the transformative potential that comes from purposeful reflection and deliberate planning.

11. Free Food for Millionaires. This novel that holds a special place, "Free Food for Millionaires" by Min Jin Lee is a compelling exploration of ambition and identity as a Korean-American. A young Korean American navigates the complexities of immigrant expectations and personal aspirations. This novel delves into themes of social mobility and cultural adaptation. The title, "Free Food for Millionaires," alludes to the stark contrasts and opportunities that define Casey's journey, highlighting the tension between her heritage and the allure of the American Dream. I found myself relating to the protaganist in the novel as I have also grappled and still am grappling with cultural identity.

12. Clay Trays. Crafted from air dry clay allows for intricate detailing and unique designs. Each tray retains the organic texture and natural colour of the clay but then adds expression and life to the clay with colour and glaze, resulting in a piece that feels intimately connected to me as a person as these trays serve as canvases, adorned with various patterns, textures, and finishes that reflect my individual style.

13. Ephemera made of Plaster. This piece of object was an object I picked out and took in an exhibition "20 Objects". Each object has a story, although unknown to the public, but I picked it out because I thought the form was so beautiful in its irregularity. It almost mimicked the shape of a seashell which was a contributing factor as to why I chose this object to take home.

14. Flower Print. This black and white flower print, received as a gift from a friend, carries a depth of meaning that transcends its visual appeal. The monochromatic representation of flowers exudes a timeless elegance and simplicity. It signifies a shared appreciation for aesthetics and a gesture of friendship that reflects their thoughtfulness and kind heart. Every time I look at this print, it serves as a tangible reminder of the bond between friends and the enduring beauty that can be found in even the simplest of gestures. It becomes an enduring piece of art that not only decorates a space but also warms the heart with the memory of a cherished connection and memory.

15. Felt Tips - Gift from Grandma at 8 Years old. I remember the excitement I felt when I received this gift from my grandma. I was excited to use this in every piece of craft I made. But I found myself only using it for "special occasions", as I wanted these felt tips to last as long as they could and I have achieved that, they still work to this day. Although it was at such a young age, I thought this was a token of my grandma's appreciation of my constant crafting, and drawing as a young child.

16. Muji Mechanical Pencil. As a designer, the mechanical pencil is my steadfast companion in the creative process. This tool allows me to translate my ideas from mind to paper, helping me to quickly visualise ideas before heading into the digital space – a principle I hold dear in my work. The mechanical pencil is not just a tool; it's an extension of my creativity, an instrument through which I shape my visions into tangible forms.

17. Muji Ink Pen. Another analogue object that is important to me is this ink pen. This pen allows me to quickly jot down any ideas, important dates and events to mark in my physical calendar or diary. I appreciate the physical writing more than the digital space, as it embeds in my mind a lot more than it does when I type things in. It also feels more personal to me as it retains my own personal handwriting.

18. Scalpel. The scalpel serves as a crafting knife that epitomises precision, creativity, and the handwork of myself. This took me to shape and sculpt a wide array of materials with exacting detail. It becomes an extension of my vision, allowing for intricate designs and makings. It also enables the transformation of raw materials into objects of design.

19. Rulers. I have a few differing sizes and lengths of these durable rulers which I have found to be very useful as a designer. Working as a designer does not mean always having to work in a digital space, but many of my interests are rooted in physical crafting which was something I have always done from a young age. These rulers help me to draw and cut precise lines and forms to what I envision.

20. Mouse. This mouse is another extension of my hand in the digital space. With precision, I am able to navigate through design software, shaping elements and refining details with a fluidity that mirrors my thought process. The mouse becomes an instrument of finesse, allowing me to execute intricate patterns. It enables me to translate imagination into tangible design.

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grad604-melody-tan · 9 months

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10 examples by creatives specifically from Aotearoa.

Toi T Toi Ora: Contemporary Mori Art is the most important look at modern Maori art ever done. It includes over 300 works by 110 Maori artists from the 1950s to the present day. Four great Maori artists will have their work shown at Britomart.

Shane Cotton's mural Maunga, which is five stories high, is the centrepiece of the Auckland Art Gallery Toi o Tmaki's Toi T Toi Ora: Contemporary Mori Art show at Britomart.

This piece is a drawing of 25 pot designs, each of which represents a New Zealand maunga (place or mountain). Find out more about how Maunga came to be here.

Heart of the City, Fort st, Auckland (2016)

Sara Hughes, a well-known artist from Auckland, made the newest Hearts of the City piece. See for yourself at Fort Lane.

Her Hearts of the City piece is a spectacular burst of colour that makes references to the art deco and heritage places in Auckland.

This heart is full of everything life has to offer, like a sunburst. Sara hopes that its rays will make people feel good and give them hope.

Hughes has gotten a lot of attention from people all over Australasia. In 2005, he won both the Wallace Art Award and the Norsewear Art Award.

Misery (Tanya Jade McMillan) and Tomtom (her husband) made the boards below. They are icons in the New Zealand street art scene, and Misery is one of New Zealand's best-known female pop and wall artists. Tomtom is a tattoo artist, and his style can be seen. In these pictures, you can also see that she has Tahitian and Chinese roots.

Beacon, a new sculpture by Auckland artist Lang Ea made of shiny stainless steel in the shape of a circle, has arrived at Milford Reserve. It is sure to make people feel welcome as they walk their dogs and get some fresh air during the COVID-19 lockdown.

It is even hoped that it might bring a little bit of happiness in these hard times.

Lang Ea says: “This sculpture symbolises and reflects the significant and courageous achievements of the suffragettes more than a century ago and lights the way for women in the present and future.”

In the middle, there is a violet form that looks like a camellia. The people who fought for women's right to vote chose the colour violet to represent honour and self-respect. In Beacon, Violet speaks to modern ideas of gender equality and women's power.

The Lighthouse / Tū Whenua-a-Kura

"This classic 1950s state house sits at the water’s edge, with neon lights representing the constellations and a polished sculpture of Captain Cook inside."

One of New Zealand's most well-known living artists, Michael Michael Parekwhai, created the 8.5-meter-tall sculpture. It looks like a full-size 1950s state house. Weatherboards, windows, shutters, a brick chimney, and a burnt-red front door are all parts of the house. Inside, though, there is no furniture or other signs of suburban life. Instead, there is an installation of bright lights and a sculpture made of highly polished stainless steel called "The English Channel." It shows Captain Cook sitting on a stool and looking down.

I Love You / Aroha atu, Aroha mai

"A bright and beautiful declaration of love transforms this parking building in Manukau, with words shining in colours of the rainbow."

This neon art makes the scenery of Manukau more interesting and turns one of its most useful buildings into a monument to love. Lonnie Hutchinson, an artist, put two statements, one in English and one in Te Reo Mori, on the outside of this small parking lot in the town centre. Attached to two outside stairwells in the bright colours of the rainbow, the artwork says "I Love You" on one side and "Aroha atu, Aroha mai" on the other, telling people that they are welcome and part of the community. "Love given, love returned" is what the Mori saying "aroha atu, aroha mai" means.

The rainbow-themed art piece has more than one message. The colours of the rainbow stand for freedom, peace, love, and getting along with others. And in traditional Mori society, rainbows (niwaniwa) are signs of things to come.

Hutchinson's work is paired with Me Rongo/Walk in Rainbows by Reuben Paterson, which is also based on rainbows. Together, they are called Night and Day, with Hutchinson's neon piece honouring the night and Paterson's the day.

Auckland-based sculptor Samantha Lissette Her art merges organic and manufactured ideas to reveal a natural connection between "planned" natural elements and man's adaptation of them. Her sculptures sometimes use comedy or sarcasm to explore the human condition and add fun and delicacy to a material known for its weight and solidity. Samantha displays in New Zealand and abroad. New Zealand and China hold her work. Lissette has received public and business commissions for her bronze work, from monuments to miniatures.

Object of Devotion by Jim Wheeler

His sculptures contemplate nature and show how humans are part of it. Macrocosm contains microcosm. Finding human nature in nature is his spiritual practise in sculpting. He illustrates the interdependence of all living beings and their environment. Nature is our most perfect system and should inspire our society.

A modest sculpture of a tree's life cycle in your hand conveys a broader truth.

Upon a Pond by artist Seung Yul Oh at Albany Stadium Pool.

Drop a Loop by artist Seung Yul Oh at Albany Stadium Pool.

Upon a Pond and Drop a Loop combine Oh's humour, brilliant colours, and interaction with pool enjoyment, water, and playfulness. They exhibit swimming pool water in its various phases and make art part of everyday life.

Upon a Pond literally vents! Oh, and designer John O'Sullivan's enormous, colourful sculpture, inspired by blowing bubbles with bendy straws, adds surprise and amusement to the pool facility's outside.

Eye-catching Drop a Loop has 11 cloud-shaped light boxes near the pool entrance. They change colour with natural light.

Justice by Lisa Reihana

Lisa Reihana's Justice covers the Ellen Melville Centre's O'Connell Street wall. Ellen Melville, legislator, women's champion, lawyer, and pioneer, inspired a bronze scales of justice sculpture. The bronze shape floats above a 1950s-style abstract wall artwork.

This copper sculpture serves as the focal point of the front; it's a powerful, one-of-a-kind design with a delicate curve, while the lovely abstract wall composition has a 1950s feel, drawing inspiration from James Turkington's painting of the Parnell Baths. To honour Ellen Melville.

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accessoriseit · 2 months

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Are you all set to give your hallway a makeover and are looking for timber and PVC window shutters blinds in Auckland?Let us help you with a few important tips.

#window shutters auckland #window shutters and blinds auckland #timber and pvc window shutters blinds auckland #plantation shutters #window shutters and blinds #window shutters

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ardn516sarahjay · 9 months

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WEEK_TWO_PROOFSHEET

My first location for shooting was the port in Auckland city. The sea's and water of Auckland has always been a fimilar place for me. In these shots I tried new angles, thinking of more intriguing compositions. The water and the refection of the light.

The second location was the road outside my house. It was a cloudy day and I found the contrast of the black shadow trees and the sky to be interesting. I found little oddities of the forest and roads from the leaves and pink ribbon hanging on the trees.

I mostly enjoy taking photos of the road, cars, buildings and the sky as the other half of my photos consistent of these subjects. Lights are a focus with either car lights, street lamps or the sun.

In the last few shots, I play around with the shutter speed of the light when I was in the car and got a cool streak of neon lights. blurry photos are a favorite of mine.

For next week I want to experiment even more with composition, finding different angles to create a more interesting shot and to show a story within the photo.

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chalitavantayavart604 · 9 months

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Week 2: Find 10 examples by creatives specifically from Aotearoa (New Zealand)

Object of Devotion by Jim Wheeler

Upon a Pond by artist Seung Yul Oh at Albany Stadium Pool.

Drop a Loop by artist Seung Yul Oh at Albany Stadium Pool.

Upon a Pond and Drop a Loop combine Oh’s humour, brilliant colours, and interaction with pool enjoyment, water, and playfulness. They exhibit swimming pool water in its various phases and make art part of everyday life.

Justice by Lisa Reihana

Lisa Reihana’s Justice covers the Ellen Melville Centre’s O'Connell Street wall. Ellen Melville, legislator, women’s champion, lawyer, and pioneer, inspired a bronze scales of justice sculpture. The bronze shape floats above a 1950s-style abstract wall artwork.

I Love You / Aroha atu, Aroha mai

“A BRIGHT AND BEAUTIFUL DECLARATION OF LOVE TRANSFORMS THIS PARKING BUILDING IN MANUKAU, WITH WORDS SHINING IN COLOURS OF THE RAINBOW.”

This neon art makes the scenery of Manukau more interesting and turns one of its most useful buildings into a monument to love. Lonnie Hutchinson, an artist, put two statements, one in English and one in Te Reo Mori, on the outside of this small parking lot in the town centre. Attached to two outside stairwells in the bright colours of the rainbow, the artwork says “I Love You” on one side and “Aroha atu, Aroha mai” on the other, telling people that they are welcome and part of the community. “Love given, love returned” is what the Mori saying “aroha atu, aroha mai” means.

The Lighthouse / Tū Whenua-a-Kura

“THIS CLASSIC 1950S STATE HOUSE SITS AT THE WATER’S EDGE, WITH NEON LIGHTS REPRESENTING THE CONSTELLATIONS AND A POLISHED SCULPTURE OF CAPTAIN COOK INSIDE.”

One of New Zealand’s most well-known living artists, Michael Michael Parekwhai, created the 8.5-meter-tall sculpture. It looks like a full-size 1950s state house. Weatherboards, windows, shutters, a brick chimney, and a burnt-red front door are all parts of the house. Inside, though, there is no furniture or other signs of suburban life. Instead, there is an installation of bright lights and a sculpture made of highly polished stainless steel called “The English Channel.” It shows Captain Cook sitting on a stool and looking down.

Misery (Tanya Jade McMillan) and Tomtom (her husband) made the boards below. They are icons in the New Zealand street art scene, and Misery is one of New Zealand’s best-known female pop and wall artists. Tomtom is a tattoo artist, and his style can be seen. In these pictures, you can also see that she has Tahitian and Chinese roots.

Heart of the City, Fort st, Auckland (2016)

Sara Hughes, a well-known artist from Auckland, made the newest Hearts of the City piece. See for yourself at Fort Lane.

Her Hearts of the City piece is a spectacular burst of colour that makes references to the art deco and heritage places in Auckland.

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linkenterprise · 1 year

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Company Valuation is the Saviour at The Time Of Liquidation - Here's Why

Liquidation is a last resort when all other options are exhausted. It should be considered as a last resort and therefore, it is important that the liquidator always has their eyes open for the best possible deal for both parties involved. The Best Company Valuation Auckland can help in the valuation of a company.

Liquidation is not a good option, but it's the only one left when you've tried everything else. Liquidation can be devastating for your business and its employees, but if it's necessary to avoid bankruptcy or personal financial ruin for yourself or your company's creditors--or both--then liquidating may be your only choice.

Let’s know the importance of a company valuation at the time of Liquidation through this article.

How to Determine Liquidation Value?

The value of a company is determined by the value of its assets, liabilities and intangible assets.

Liquidation value is the process where you determine how much a business or asset can be sold in liquidation (bankruptcy). This can be done either before or after bankruptcy is filed. The liquidation process involves selling all assets in order to pay off as many creditors as possible before any remaining money is distributed among shareholders.

If you're trying to get out from under debt but don't want to go through bankruptcy court yet--or if your situation has already deteriorated so far that there's no other option left--you may want some help determining how much cash could be available for distribution amongst creditors if your business was liquidated today.

How to Start?

The first step is to compile a list of potential buyers, including their financial position and how much they are willing to pay for your Company For Sale Service. Make sure you have a good relationship with them, as this will make it easier for you to negotiate with them and get what you want out of the deal.

Once you've compiled your list, research each buyer individually so that you know what kind of organization they are looking for in terms of structure and operations.

How Experts Can Help Beyond Liquidation Valuation

Liquidation valuations and company valuations are two sets of services that can help you get the best deal for your business. While liquidation valuations are often used in cases where companies are being closed down or shuttered, company valuation Auckland is a more general term that refers to any time when you need an expert opinion on how much your company should be worth.

For example, if we were talking about liquidation valuations: A liquidator might come in and value all of the assets of a failing business so that they can pay off creditors; this is called insolvency administration (I/A). If someone has died without leaving behind enough money or assets to cover their debts then an estate trustee may be appointed by court order who will manage their estate until it can be distributed among beneficiaries--this person would also do an I/A process."

Conclusion

We hope you have a better understanding of what Company Valuation Auckland is and how it can benefit your company. If you have any questions or concerns about this process, feel free to reach out to us!

Source - https://sellyourbusiness.bigcartel.com/product/company-valution-is-the-saviour-at-the-time-of-liquidation

#Business #Businessforsale #companyvaluation

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beautifulblindnz-blog · 1 year

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A Comprehensive Guide to Measuring for Vertical Blinds

Vertical blinds in Auckland are an ideal solution for regulating home comfort levels during the summertime and insulating homes during winter. Yet, it can be difficult to ascertain if you have the proper amount of vertical blinds in your abode - especially if this is your first time attempting this project!

Choose The Right Type Of Vertical Blinds For Your Home

Vertical blinds are an iconic choice for window treatments and come in a variety of styles. Whether you're looking for contemporary airiness or something more traditional, customizing the look of your abode becomes simple if you choose the right type of vertical blinds! For modern appeal, opt for sleek PVC or aluminium models embossed with an intricate finish to add texture and interest to your window; whilst conversely if tradition is what you desire then don't miss out on fabrics like blackout fabric ones in hues such as black-blue combination which blocks all light allowing only that from outside to enter - truly captivating! For added classiness, one could also try faux wood textures tinged with realism without having upfront expenses nor upkeep demands - ideal choices indeed prior to decorating any area within your abode!

Install Your Vertical Blinds

Installing vertical blinds is a simple, yet cost-effective way to enhance the decor of any room. Not only do these aesthetically-pleasing pieces offer sophistication and privacy benefits but they are also advantageous in controlling ambient light levels; so upgrading your home's interior with this modern amenity couldn't be easier! To commence this process, you will need tools such as a drill, measuring tape; wall anchors for fixing them onto walls; an even level to measure window sizes along with hardware which came included within your own vertical blind units. All that remains now is marking out where installation points should be positioned on the wall before drilling into it - making sure all measurements adhere thus creating ideal positions for installing top portions of those same units subsequently!

Clean And Maintain Your Vertical Blinds

Maintaining and keeping your vertical blinds in pristine condition can seem like an overwhelming task but with a little foresight along with the proper tools you can ensure that they stay in pristine condition for years! Begin by dusting off any surface dirt or grime from these slats. Afterwards, use a lint-free cloth or duster to remove any deposited matter. Next, take a damp cloth and wipe down each slat of your blind; this will help eliminate those grease deposits that could have accumulated over time! At last, consider investing in an upholstery brush attachment for vacuuming so as to remove all residual particles from within the fabric of your window coverings. Ultimately, it is essential to give them periodic thorough cleanings - typically every six months - so keep them looking their best today and tomorrow!

Keep Your Home Cool And Warm With Vertical Blinds!

Vertical blinds are an ideal way to keep your home cool during the summer months and warm during the winter. These elegant shutters allow for a precise degree of control over light and temperature, providing both aesthetic appeals along with energy efficiency. The adjustable vanes can be opened or closed according to one's desires - allowing you complete privacy while giving a view into the outside world; or alternatively, they may be fully closed in order to provide maximum levels of security within one's abode! Not only do these versatile covers offer numerous benefits aesthetically speaking; but they are also very easy to maintain as well! Simply wiping down any stains that may accumulate on their horizontal vanes will restore them back once again into pristine condition

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ardn631-haydenmiddleton · 1 year

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PHOTOGRAPHY RESEARCH PT.10

EDITH AMITUANAI

I studied Edith Amituanai last year when thinking about how she takes photos of peoples places and homes which fit in with our original photography assignment theme “where am I” but now I will be taking a closer look at how Edith takes portraits and how she photographs the people are her and does portraiture through homes and peoples spaces. Edith is an incredibly impressive photographer with her work being showcased all over New Zealand in Te Papa, The Auckland Art Gallery and Govett-Brewster Art Gallery. She is an artist born in Auckland after her parents emigrated from Samoa. She graduated from Unitec and the Elam School of Fine Arts apart of UOA so she’s an artist who feels very close to ourselves studying at AUT in Auckland and it’s important to look to these artists who have roots here and have gone down a similar path to us, It’s inspiring and encouraging to see someone from Aotearoa get really far with their artistic practice. Edith’s photography focuses on family communities and people in Aotearoa, especially pasifika families and their domestic settings, amplifying the perhaps mundane unseen lives of the people who live here in this country. She takes pride in her Samoan and pasifika culture and showcases it through her art and photography.

The series of work I wanted to look further into is called ‘End of my Driveway’ where Edith takes candid photos of school kids walking home from school past her driveway. These photos are an example of how candid ‘street photography’ can be done right if you take the photos and then ask the people in them for permission to use. Also Edith knows her community well and perhaps knows some of these kids and it’s what makes it more ethically okay to do since Edith is taking this photos out of respect and out of a want to showcase the people in the area she lives in. I like these photos a lot since I love candid photos and I feel like it allows for you to really capture the people in a portrait authentically. I really like how Edith captures light in her photos especially when its a bright and clear sunny day, the bright blue sky makes an awesome backdrop for her images and it gives it a really nice summery feel or perhaps a clear warm winter feel since the images are still quite cool toned, which is the work of white balance at play to keep the images from looking too yellowy and warm. She must also use a high aperture since the people and backdrop of Edith’s neighbourhood is clear, crisp and in focus, except when it seems to be a more overcast day outside where a smaller aperture number is used and therefore there is a closer depth of field. But for the high aperture images this also means that to keep the light at a good level there was a quick shutter speed used but this is also important when taking candid photos where people are moving as you get no blur or speed lines. Overall Edith’s photos are technically very incredible and all elements of the camera work together to make the photo the best it can be.

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