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#sibyl! christine
cuties-in-codices · 9 months
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"christine's vision in heavens"
in "le chemin de long estude", included in "the book of the queen", a collection of works by medieval poet and proto-feminist christine de pizan, france, ca. 1410-1414
source: London, BL, Harley 4431, fol. 192v
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Raoulstine Week, Day 3: Wedding
Raoul x Christine + “Wedding/If Dreams Came True” (A Tale of Two Cities the Musical)
I’m so happy I learned how to easily gif youtube videos and make them pretty. I feel so accomplished!
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neek00draws · 1 year
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Working on some character interactions for the Retro Au. Featuring Sybil, Christine, Elizabeth (Gothic gals, thanks Ivy), Mad scientist trio, and John Lennon the cat.
(Which explains Griffin freaking out over Adam’s ((The Creature)) kitten lol) 😂
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Thomas Ambt Kofod and Sibylle Glosted, The Final Lair: Part IV
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sinoeurovoices · 1 year
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【比爾曼自傳】第十八章 有些死者跟我們很近,有些活人卻像死人(三)
大牆兩邊的「性」念 我跟伊娃‧瑪麗亞(Eva Maria…
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wheel-of-fish · 4 months
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200th Stream Party! 🎉
Ayanga & more! Saturday, Dec. 16, 2023 • 9 p.m. EST
You are cordially invited to join me in celebrating my 200th stream!
The party!
I have about an hour of recent Ayanga highlights from PotO Shanghai that I'm excited for you guys to see (he is SO gremlin), and then we'll kick back and goof off with actor vlogs, behind-the scenes stuff, holiday cast videos, favorite fan edits, and more!
Feel free to bust out any fun beverages, refreshments, and/or attire you'd like! (I, personally, plan to have champagne and a tiny cake.)
General stream info!
As always, the stream will be on cy.tube and shy anons are welcome. For more info, please see the Saturday Streams FAQ! Link and password will be posted here at 8:45.
Fun stream stats!
Specifically for the ALW musical and Love Never Dies:
Years represented: 1988-2023 (with the exception of a few)
Countries represented: 19
Phantom actors watched: 66
Christine actors watched: 75
Raoul actors watched: 68
Highest attendance: 92 (Earl Carpenter, Eve Shanu-Wilson & Conor Carson, London 2023)
Most-streamed Phantoms (in descending order):
Jeremy Stolle
Saulo Vasconcelos
Laird Mackintosh & Ben Crawford (tie)
Ethan Freeman, Tomas Ambt Kofod, Hugh Panaro & David Shannon (tie)
Michael Crawford, Franc D'Ambrosio, Davis Gaines & Greg Mills (tie)
Most-streamed Christines:
Meghan Picerno (includes LND)
Kelly Mathieson & Irasema Terrazas (tie)
Emilie Kouatchou
Gina Beck, Sibylle Glosted, Julia Udine & Lisa Vroman (tie)
Rachel Barrell, Sierra Boggess, Samantha Hill & Jill Washington (tie)
Most-streamed Raouls:
Jeremy Hays
John Riddle
Jose Joel
Christian Lund
Simon Bailey, Kyle Barisich, Simon Bowman & Greg Mills (tie)
Number of other adaptations watched: 20ish?
Number of resulting gifs I've made: somewhere between 3-4k 🤡
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GOTHLIT SEXYWOMAN BRACKET
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VOTING WILL START AT MIDNIGHT ON FEBRUARY 27TH, EST.
Please spread the word :)
Matchups below cut!
Christine Daae (Phantom of the Opera) vs Lady Brandon (Picture of Dorian Gray
Mina Harker (Dracula) vs Agatha DeLacey (Frankenstein)
Jane Eyre (Jane Eyre) vs Sibyl Vane (Picture of Dorian Gray)
Elizabeth Lavenza (Frankenstein) vs Mme Giry (Phantom of the Opera)
Safie De Lacey (Frankenstein) vs Lucy Westenra (Dracula)
Bertha Mason (Jane Eyre) vs Mme DeFarge (Tale of Two Cities)
Victoria Wotton (Picture of Dorian Gray) vs Carlotta (Phantom of the Opera)
Justine Moritz (Frankenstein) vs Lucie Manette (Tale of Two Cities)
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glassprism · 9 months
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I don't know if you've answered this question before, but do you have favorite Phantom/Christine pairings?
I have answered it before, but not too recently, so maybe it's time to make a big ole updated masterpost of all my favorites as of now!
Keep in mind that if a name isn't on here, it doesn't mean they're not a favorite or whatever, it might just mean I never saw them with a Phantom or Christine I particularly liked (e.g. Gina Beck is an all-time favorite but she's not on here because I never really saw her opposite a Phantom I also really enjoyed) or I preferred a slightly different pairing (e.g. I really liked Franc D'Ambrosio with Lisa Vroman but I slightly preferred the latter with Brad Little). And there may be one or two where I could not decide at all (e.g. do I prefer Kelly Mathieson with David Thaxton or Josh Piterman? I can't tell!). Anyway, here they are:
Michael Crawford/Sarah Brightman - The OG cast. It can't be helped, they both had such unique takes on the role and it makes them one of the most memorable pairings for me.
Dave Willetts/Jan Hartley Morris - His rougher take on the mold that Crawford left vs. Jan Hartley Morris's old-school, classical Christine is a winner.
Mikael Samuelson/Elisabeth Berg - I love Samuelson's slightly harsher vocals compared to Berg's operatic tones.
Alexander Goebel/Luzia Nistler - Goebel is eerie, ghostly, and unhinged at the end; Nistler has a lovely classical voice and a scared, slightly naive take on her Christine. It fits well.
Davis Gaines/Tracy Shayne - Gaines is commanding, sensual, elegant; Shayne is innocent but with a touch of maturity that brings a certain uniqueness to the role.
Saulo Vasconcelos/Irasema Terrazas - Hands! I think both were allowed a lot of freedom in the role and it's great.
Hans Peter Janssens/Ineke van Klinken - Janssens is both very nuts and very sad while van Klinken is a reserved yet steely-willed Christine who is more than a match for him.
Ian Jon Bourg/Alison Kelly - Bourg is good with so many Christines, but I loved Alison Kelly's feistiness.
Michael Nicholson/Olivia Safe - Just a fascinating pairing, and they were both understudies!
Yoon Young Seok/Hye Kyoung Lee - It didn't matter that both were speaking Korean, they were so emotional that I felt like I understood every aspect of their performance.
Brad Little/Lisa Vroman - Kind of mentioned above, but I love how well these two act together.
Hugh Panaro/Julie Hanson - Hugh Panaro is a sarcastic jokester of a man and it makes you really feel for Julie Hanson's child-like Christine at the end of the show.
Gary Mauer/Elizabeth Southard - A real-life married E/C couple brings all the chemistry!
Earl Carpenter/Rachel Barrell - Barrell is also really good with JOJ, and more spirited around him, but I love Earl Carpenter more.
John Cudia/Jennifer Hope Wills - Oh the sparks these two brought to the role! Cudia was scary and dominating but JHW was absolutely able to hold her own against him.
Simon Pryce/Julie Goodwin - The voices of these two!
Marcus Lovett/Anna O'Byrne - Leroux-accuracy heaven.
Jeremy Stolle/Samantha Hill - Again, I've seen these two give fantastic performances with multiple performers, but I really do love what they bring to the show together.
Tomas Ambt Kofod/Sibylle Glosted - Very detailed, nuanced performances in a production that was full of it.
Jonathan Roxmouth/Meghan Picerno - There was fire between these two! Roxmouth was intent on bending Christine to his will but Picerno was so fiercely independent that you knew he could never succeed.
Jeon Dong Seok/Son Ji-soo - JDS is a swoon-worthy Phantom while SJS brought lovely expressions to the role.
And I'm sure there are many others...
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aftout · 1 year
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The gothic lit puritans can accuse me of all sorts of shit but god forbid they deny my creativity. Who else has turned Marian Halcombe into a certified scientist huh?!?!? Who else has made the Draculas a human family of orthodox Christians huh?!?!??!?!?!?!?!? Who else let Sibyl Vane take a sippy sip of HJ-7!?!?!?!?!?!?!!!?!???!?!?!!!!!??!! CHRISTINE HAS KILLED ERIC BECAUSE HE WAS STEALING HER THUNDER. NAME ONE OTHER PERSON WHO THINKS JUSTINE MORITZ WROTE THE MODERN PROMETHEUS AS A HATE-FIC. OUHHHHHHHHHHHH Y’ALL WANT ME FUCKED UP.
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thequietabsolute · 7 months
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Top Artists — Medium Term (6 months)
Felbm
Radiohead
Bonnie "Prince" Billy
Kate Bush
Nick Drake
Midlake
Paul Simon
Simon & Garfunkel
Slowdive
Boards of Canada
Canary Room
The Beatles
Fionn Regan
Beach House
Leonard Cohen
hemlock
Vashti Bunyan
Clara Mann
Bob Dylan
The Smiths
ABBA
Grouper
David Bowie
The Clientele
Jessica Pratt
Olovson
Bill Callahan
Laura Marling
Rachel Grimes
Chet Baker
Belle and Sebastian
Sibylle Baier
Aldous Harding
Cocteau Twins
Acetone
Connan Mockasin
Fleetwood Mac
Cornelia Murr
John Martyn
Julie London
Sea Oleena
Sufjan Stevens
Meg Baird
Shannon Lay
Van Morrison
Pink Floyd
Caroline Says
Sun Kil Moon
Maxine Funke
Fairport Convention
that spotify stats page
Top Tracks — Long Term (years)
Calla — Canary Room
4 Lieder, Op. 27, TrV 170: IV. Morgen! — Richard Strauss, Jonas Kaufmann, Helmut Deutsch
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto — Fanny Mendelssohn, Beatrice Rauchs
Long Before Us — Rachel Grimes
Sandalwood I — Jonny Greenwood
Stabat Mater: 1. Stabat Mater — Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood
Thaïs / Act 2: Méditation — Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton
Songs My Mother Taught Me, Op. 55 No. 4 — Antonín Dvořák, Alisa Weilerstein, Anna Polonsky
Elegy No. 1 in D Major — Giovanni Bottesini, Andrew Burashko, Joel Quarrington
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) — Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott
Julie With - 2004 Digital Remaster — Brian Eno
wallingford bossa — hemlock
Fantasiestücke, Op. 73: No. 1, Zart und mit Ausdruck — Robert Schumann, Sol Gabetta, Hélène Grimaud
By This River - 2004 Digital Remaster — Brian Eno
Just When You Need Yourself Most — Oberhofer
Gianni Schicchi: O mio babbino caro — Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras
Bleecker Street — Simon & Garfunkel
House of Woodcock — Jonny Greenwood
Shaker — Acetone
All The Time — Acetone
Jazz Suite No. 2: VI. Waltz II — Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) — Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra
Christine — Canary Room
Me at the Museum, You in the Wintergardens — Tiny Ruins
Valse sentimentale, Op. 51, No. 6 — Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso — Ludwig van Beethoven, Wilhelm Kempff, Berliner Philharmoniker, Ferdinand Leitner
Deux Arabesques, L. 66, CD 74: I. Première Arabesque — Claude Debussy, Jean-Efflam Bavouzet
Green Bus — The Innocence Mission
Lucida — Thomas Bartlett
Introduction et Allegro, M. 46 — Maurice Ravel, Oxalys
Two Thousand and Seventeen — Four Tet
When It Rains — Felbm
Lake Effect — Canary Room
Candy Says — The Velvet Underground
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse — Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend — Robert Schumann, Jonathan Biss
Magnolia — J.J. Cale
day one — hemlock
Return From The Ice — Acetone
Requiem in D minor, K.626: 6. Benedictus — Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner
River — Terry Reid
Where Should I Meet You? — Canary Room
This Night Has Opened My Eyes - 2011 Remaster — The Smiths
Brother — Vashti Bunyan
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude — Johann Sebastian Bach, Yo-Yo Ma
Sweeten Your Eyes — The Clientele
Knickerbocker Holiday: September Song (Arr. by Paul Bateman) — Kurt Weill, Daniel Hope, Jacques Ammon, Zürcher Kammerorchester
Funicular — Felbm
Piano Sonata No. 12 in F Major, K. 332: II. Adagio — Wolfgang Amadeus Mozart, Jenő Jandó
Sensuela — Column
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cuties-in-codices · 7 months
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christine and the sibyl watching pegasus fly over the nine muses
miniature in "le livre du chemin de long estude", included in the "book of the queen", a collection of the works of christine de pizan, france, c. 1410-1414
source: London, British Library, Harley 4431, fol. 183r
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operafantomet · 2 years
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Think of Me cadenza, with or without scarf
Silvia Luchetti, Madrid
Sibylle Glosted, Copenhagen
Maree Johnson, Sydney
Deborah Dutcher, UK Tour or West End
Julia Udine, Restaged US Tour
Sandra Joseph, Broadway
Emilie Lynn, World Tour
Lina Mendes, Sao Paulo
Colby Thomas, Hamburg
Sibylle Glosted, Copenhagen
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ulrichgebert · 8 months
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Bevor jetzt auch noch die Urlaublektüre hinterherhinkt, hier noch schnell die total literarische Leseliste.
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Die literarische Vorlage. Wie der Film ist sie recht reißerisch, und spielt statt im irgendwie angenommenen Berlin überraschenderweise über weite Strecken in München (ist für Schmuggeltätigkeiten über den Bodensee auch viel praktischer).
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Die literarische Nachbereitung. Will Self imitiert einen bekannten Roman von Oscar Wilde. Es sind die 1980, mit AIDS (sonderbar viele AIDS-Dramen gerade...), hemmungslosem Drogenkonsum und Prinzessin Diana. Der attraktive, aber zügellose und unmoralische Dorian Gray scheint nicht zu altern, stattdessen altert die Videoinstallation, die sein Künstlerfreund Basil von ihm geschaffen hat.....
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Der literarische Politikunterricht. Der gute Herr Wieland hält den Regierenden -als verschachtelte und mit diversen Meta-Übersetzung-Ebenen (aus dem scheschianischen) Erzählung aus einem fernen Märchenland mit Sultan, Philosoph und natürlich Haremdsdamen- einen goldnen Spiegel vor. Es hat sich offensichtlich in den 250 Jahren seither wenig am Konzept der wohlmeinenden, aber trotzdem die Zustände nur verschlimmernden Regierung geändert, so daß man es eigentlich immer noch hervorragend verwenden kann.
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Die literarische Feierstunde von John Waters. Die Freuden der Jugend, das hatte ich hier schon angekündigt, wollte ich nochmal im O-Ton lesen (da hatte ich lustigerweise auch einen Wieland direkt davor). Vielleicht gibt es ja keinen besseren Roman auf der Welt.
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Das literarische und popkulturelle Suchspiel in der bewährt süchtigmachenden Kim-Newman-Manier. In den Katakomben unter der Paris Oper betreibt Erik, bekannt als das Phantom derselben eine kleine Agentur, die sich um Ermittlungen und gelegentliche Auftragsmorde für Fälle, in denen die Polizei lieber nicht eingeschaltet wird kümmert. Ausführendes Organ sind -ähnlich funktionierend wie später bei Charlie- immer drei Engel der Musik, die ersten sind (natürlich) Christine Daaé, Trilby O'Ferrall und die bewährte Irene Adler, dazu kommen immer neue aus den Höchst- und Tiefstunterhaltungen, in denen sich Mr. Newman so schön auskennt, besonders freuten mich natürlich die Imitationskünstlerin Mrs. Eynsford-Hill und Gilberte Lachaille, nur Sibyl Vane, die englische Schauspielerin, die gerade erst drei Bücher zuvor als Strichjunge Herman auftauchte, war kein rechter Erfolg.
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Das gefeierte literarische Wunderkind befand, in seinem dritten Roman sei es mal Zeit, sich Gedanken über seine unaufgeregt selbstverständliche Homosexualität zu machen, und sorgte damit natürlich doch für einige Aufregung. Obwohl es im Vergleich mit Myra Breckinridge noch geradezu gediegen wirkt. Und nur so ein mittelgutes Ende nimmt. Thomas Mann immerhin befand, es sei ein edles Werk.
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andrewlloydwebber · 1 year
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Do you know why they have four Phantom's alternating in Korea but only two Christine's and Raoul's?
I don't have any insight beyond my guesses, I'm guessing that it won't be an even split where all four perform each week tbh. I believe some of them might have other commitments (TV and concerts and such) so having four principals might give them more flexibility and some of the actors would get the chance to take time off for a week or two here and there so they can do other things. Like in Copenhagen, the cast announcement said Sibylle, Isabel, and Cassandra would all be principals but because of the different actresses' commitments with other shows, the performances weren't divided evenly, Isabel Schwartzbach did not have her Christine premiere until a few weeks into the run. But it seems like Tomas and JMB were there every week and I believe JMB was in the ensemble when not playing the Phantom. I assume the two Christines and two Raouls will be there most weeks and it will be split more evenly.
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Tomas Ambt Kofod and Sibylle Glosted "Point of No Return": Part I
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byneddiedingo · 2 years
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The Three Faces of Eve (Nunnally Johnson, 1957) Cast: Joanne Woodward, David Wayne, Lee J. Cobb, Edwin Jerome, Alena Murray, Nancy Kulp, Douglas Spencer, Terry Ann Ross, Ken Scott, Mimi Gibson, Alistair Cooke. Screenplay: Nunnally Johnson, based on a book by Corbett Thigpen and Hervey M. Cleckley. Cinematography: Stanley Cortez. Art direction: Herman A. Blumenthal, Lyle R. Wheeler. Film editing: Marjorie Fowler. Music: Robert Emmett Dolan. When cases of what was then called "multiple personality disorder" were first diagnosed and made known to the public, it was a godsend to actors, who could then show off their skills in three-or-more-in-one roles. Playing "Eve White," "Eve Black," and "Jane" in The Three Faces of Eve launched Joanne Woodward's film career and won her a best actress Oscar. Later, it would give Sally Field a chance to play more than a dozen characters in the TV movie Sibyl (Daniel Petrie, 1976), earning her an Emmy and helping her break out of the "manic pixie dream girl" type that she had been stuck in after the TV series Gidget and The Flying Nun. (Woodward played Sibyl's psychiatrist.) Today the disorder is more usually known as "dissociative identity," and it still stirs controversy in psychoanalytic circles, with some questioning whether it really arises from childhood trauma like the ones portrayed in The Three Faces of Eve and Sibyl, and even if it might be induced by the psychiatrist's own techniques in treating patients. That is to say, despite the attempts -- which include a sober-faced introduction in which Alistair Cooke solemnly asserts that the film is a "true story" -- by The Three Faces of Eve to present its narrative as a sort of docudrama, the movie needs to be met with a lot of skepticism. That doesn't deny, of course, that Woodward gives a terrific performance, carefully segueing from one Eve to another and eventually to Jane. And I liked Stanley Cortez's manipulation of shadows in filming the story -- though it's not a movie that needed to be in CinemaScope, always something of a distraction in black-and-white. But what makes Woodward's performance stand out even more is its contrast with the hamming of David Wayne as Eve's violent hick husband, a man almost as much in need of a shrink as she is. And Lee J. Cobb is uncommonly bullying as Eve's doctor, constantly sucking on a cigar as if invoking Sigmund Freud. We have a happy ending, of course, despite the fact that the real "Eve," Christine Costner Sizemore, led an anxious and troubled later life, at one point suing 20th Century Fox over a contract that deprived her of the rights to her own story.
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