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#side by side always
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teaboot · 1 year
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Thinking back to the good early days before my skin grew back when people could shake their heads at me and say "masks are a government conspiracy" and instead of navigating the bullshit like a normal person I could pull mine down and say "I have chemical burns on my face"
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pokimoko · 10 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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readerconfused · 3 months
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Mr D insisting that Percy's name is Peter and immediately afterwards yelling at the demigods to get the hell out of the camp I LOVE THIS GOD
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oliveroctavius · 5 months
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In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
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It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
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In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
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The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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swimmingferret · 1 year
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haha noticed Puss’s little ‘wtf bro :/’ gesture when Wolf completely ignores that he was about to draw his blade
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huang-er-jiejie · 9 months
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i. i just realised something about the kiss.
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the way when aziraphale puts both of his hands on crowley's back, you can see them kinda shift so aziraphale isn't leaning. he held onto crowley for stability, and leaned in. pushed closer to him. he leaned forward. anyone ever says he didn't want the kiss im going to hunt you down because HE HELD CLOSE!!! HE KISSED BACK!!!!
EDIT: also im like WELL aware he kissed back i was even when i first watched it like its not a big revelation, its just that SOME people☠️ on TIKTOK☠️ KEEP SAYING HE WAS DISGUSTED BY THE KISS???? like i swear some people are watching a different show entirely
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egophiliac · 6 months
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this is basically what happened, right?
(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)
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#art#twisted wonderland#twisted wonderland spoilers#stage in playful land#stage in playfulland#these two are SO sleazy and i am utterly delighted by them#can't wait to find out their tragic backstory in approximately 3-4 weeks!#fortunately i have like a month to figure out how the heck to draw their hair (spoiler: i will never figure it out)#also. god. i love it whenever leona accidentally reveals his Mom Side.#he doesn't care about any of this but he WILL be tagging along to make sure no one else gets into trouble#once again he has to be the Responsible Adult and he hates it. the whimsical hat weighs heavy upon his head.#anyway this is me so excuse me while i now talk about diasomnia for three hours#but lilia being all 'kids gotta have some adventure in their lives!' is hilarious#specifically because you know silver would NEVER.#100% silver not only never snuck out but he always went to bed on time AND brushed his teeth AND flossed even when nobody made him.#lilia: aww but you should be enjoying your youth! >:c#silver: i am. i enjoy being respectful and disciplined and honoring you as my father.#lilia:#lilia: maybe i'm TOO good at raising kids#you know i was going to say none of his kids would be involved in this but i actually think malleus definitely would#he would not see it as a moral quandry though. he would just be excited to be invited along.#(the only reason he isn't there is because he was busy admiring a termite-infested beam somewhere and yuu didn't get a chance to ask him)#i mean MAYBE if lilia as his single authority figure told him no then he would have some reservations#but lilia's the one who's screaming HELL YEAH LET'S SNEAK OUT AND DEFY AUTHORITY while dabbing so moot point there#sebek would never and he would rat on everyone else. unless malleus is going in which case he's already there.#and i guess if everyone else is going silver probably would too#but he'd. y'know. feel conflicted about it.
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semisentientseafood · 2 months
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How do they expect us to take pearl seriously in side order when she looks like this
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painted-bees · 2 months
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she came to me in a dream
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oobbbear · 2 months
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Was playing with idea of fool having tattoos
Fool belongs to @venomous-qwille !
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robotpussy · 6 months
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pro palestine protest today in London and suddenly nobody is allowed to wear anything that "conceals their identity" in certain parts of central London and the excuse of "based on evidence" it's so clear this is just racial profiling and islamophobia and a gateway for police harassment and even when asked about masks the pigs are still trying to cover their trail. ok fascist police state
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poorly-drawn-mdzs · 3 months
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Good Morning, World.
[First] Prev <–-> Next
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marenwithanm · 2 months
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You know Zelda, most Links actually were children during their adventures. Breath of the Wild Link Georg who was over 100 years old was an outlier and should not have been counted
As you can see, I'm still not over the idea of a younger Link and older Zelda in alttp. She feels so bad about dragging a little kid into this whole mess 😭
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hashtagloveloses · 8 months
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The headline is pretty awful but this is one of those things that gets worse as you read it:
The 14-page petition, filed in Shelby County, Tennessee, probate court, alleges that Sean and Leigh Anne Tuohy, who took Oher into their home as a high school student, never adopted him. Instead, less than three months after Oher turned 18 in 2004, the petition says, the couple tricked him into signing a document making them his conservators, which gave them legal authority to make business deals in his name.
"Michael Oher discovered this lie to his chagrin and embarrassment in February of 2023, when he learned that the Conservatorship to which he consented on the basis that doing so would make him a member of the Tuohy family, in fact provided him no familial relationship with the Tuohys."
Oher was a rising high school senior when he signed the conservatorship papers, and he has written that the Tuohys told him that there was essentially no difference between adoption and conservatorship. "They explained to me that it means pretty much the exact same thing as 'adoptive parents,' but that the laws were just written in a way that took my age into account," Oher wrote in his 2011 best-selling memoir "I Beat the Odds."
But there are some important legal distinctions. If Oher had been adopted by the Tuohys, he would have been a legal member of their family, and he would have retained power to handle his own financial affairs. Under the conservatorship, Oher surrendered that authority to the Tuohys, even though he was a legal adult with no known physical or psychological disabilities.
While the [movie] deal allowed the Tuohys to profit from the film, the petition alleges, a separate 2007 contract purportedly signed by Oher appears to "give away" to 20th Century Fox Studios the life rights to his story "without any payment whatsoever." The filing says Oher has no recollection of signing that contract, and even if he did, no one explained its implications to him.
The [movie] deal lists all four Tuohy family members as having the same representative at Creative Artists Agency, the petition says. But Oher's agent, who would receive movie contract and payment notices, is listed as Debra Branan, a close family friend of the Tuohys and the same lawyer who filed the 2004 conservatorship petition, the petition alleges. Branan did not return a call to her law office on Monday.
"Mike's relationship with the Tuohy family started to decline when he discovered that he was portrayed in the movie as unintelligent," Stranch said. "Their relationship continued to deteriorate as he learned that he was the only member of the family not receiving royalty checks from the movie, and it was permanently fractured when he realized he wasn't adopted and a part of the family."
For years, Oher has chafed at how "The Blind Side" depicted him, saying it hurt his football career and clouded how people view him. He has said that based on the film, some NFL decision-makers assumed he was mentally slow or lacked leadership skills.
"People look at me, and they take things away from me because of a movie," Oher told ESPN in 2015. "They don't really see the skills and the kind of player I am."
"Beyond the details of the deal, the politics, and the money behind the book and movie, it was the principle of the choices some people made that cut me the deepest."
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