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#sight all the monsters
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People are so boring about classic literature sometimes. Like I know it’s cool to be critical of men in books from the 19th century or whatever but it just leads to ripping out all of the nuance in favor of “Uh all of the Brontë men were evil and abusive and that’s all there is to those characters.” Say something interesting. I’m begging you
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dramaticpandabear · 1 month
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If you decided to kill Barbas I’m coming for you
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x-v4mp3y3lin3r-x · 8 months
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you know Monster High is doing alternative fashion well when you open an Instagram doll leak's comments and they're all "ewwww it's so ugly and clashing" like yeah? and? some of y'all need to go out and witness transgender faggotry because u are tooooo fucking boring
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deweyduck · 9 months
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SALENA QURESHI as TORALEI STRIPE 😼
MONSTER HIGH 2 | coming to nickelodeon in 2023
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starrysharks · 10 months
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girl bosses (and one enslaved zombie guy but we don't talk about him)
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whydoifeelthisquiet · 11 months
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1️⃣3️⃣
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pushing500 · 5 months
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Colonist Gracie is a bit of a crybaby, and wants "Ancient Junk" around the colony, which I can't help with. We're doing what we can for her smokeleaf need, but it's not enough.
Luckily Debby kicked the crap out of her and left her bedridden for several hours, which should make her think twice before going on any more insulting sprees.
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With seven hours left on the ship reactor startup cycle, another siege came upon Eureka. It was Yttakin again, and surprisingly there were no distant relations in this group.
Sadist Hazrov was allowed to take a crack at it with our singular mortar, and managed to blow off three whole legs in a single shot (two from one guy, one from the dude standing beside him)!!
They attacked us after that, but a combination of turrets, an army of well-trained attack animals, and lots of cool colonists with good combat skills was enough to send them fleeing pretty quickly.
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And so, here we are...
First | Next | Previous
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crazy-as-a-jaybird · 4 months
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i'm on fire today
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naffeclipse · 1 year
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Lost EP makes me just sad. Imagine Venessa finding Y/N or like ANYONE else that they knew. The kids they hung out with during hunts in other chapters come to mind. TwT
Imagine Vanessa coming upon Y/N in the middle of a feeding.
I'm sure she and they would all handle it well :)
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sagesilentfire · 1 year
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another toffee analysis by sage h silentfire
I've been sitting on this analysis for a while, and I was going to touch on it briefly in a project I'm working on, but a talk with my therapist allowed me to put it into words and in greater detail than before. So here it is:
Why exactly do I like Toffee so much? It's a genuine question. He's the target of many different questionable writing choices, barely focused on, and forgotten within seconds of his death. We know so little about him he's basically a generic doomsday villain. The fandom is worse to him: popular interpretations paint him as cruel, arrogant, spiteful, and even, surprisingly enough, stupid. The word "sociopath" gets thrown around a lot, which, ableist. He's emotionless. He has no empathy. He's unable to connect with people. While liking villains is somewhat acceptable nowadays, it's always with the expectation that you like them because they're evil, not for any deeper reason. And with Toffee, because he's so poorly written, that should be the reason you like him. Because he's evil, and that's awesome.
But that's not why I like Toffee.
See, I am autistic, and that's never going away. I get more stereotypically autistic by the year, as I grow and become more independent, and my newfound independence clashes with my family and the society I live in. I'm weird, I'm moderately smart, I'm quirky. But more critically, I have no close friends because I literally don't know how to make and maintain friendships. I feel painfully aware of the potential emotions of everyone around me, but I don't know how to act on that awareness and communicate effectively with people, leading me to assume the worst. I have had meltdowns in crowded spaces that went completely unnoticed because I was "too subtle". I even worry that I'll die without any of the stories I want to tell – without my story – being told, because no one wanted to learn it.
Sound familiar?
So yes, I like Toffee. Even think he's a halfway decent person morality-wise, not just a villain. He expresses emotions weirdly, but he does express emotions. He is staunchly not willing to sacrifice his plans for others, but he still takes time to be nice to other people regardless. He didn't kill Moon and Marco when he could have, even though they were trying to kill him. He is empathetic enough to manipulate people and smart enough to take control of any situation, and he does it while not expressing emotions in ways others would expect. He's so much like my dream self fr.
And he dies the unquestioned villain, never getting the chance to tell his side of the story. The only perspective that we do get is filtered through the lens of his murderers. 
"But Sage!" you might be saying. "What about Comet?!"
Well. I do count Comet's death as one of the questionable choices the writers made (it makes very little sense with Toffee's character, wouldn't he manipulate her into a better deal? It feels a little like the writers were like "Oh shoot, we haven't made Toffee evil enough to 'deserve' his graphic death, let's... uh, let's make him kill Moon's mother for no reason!"), but I can understand why Toffee did it, again through an autistic lens.
See, autistic people like me aren't taken seriously. Not about our areas of knowledge, not about our views and beliefs, and especially not about matters of our physical and mental health. We're treated like weird baby dolls that are expected not to have meltdowns or criticize their "superiors". Or we're embarrassments, time bombs just waiting to go off and mortify whoever we're with. Growing up, I was never able to be right, or even have a point. Oh, there were minor disagreements my guardians let me "win" and then would weaponize during the more serious arguments, but whenever we got into screaming matches, I was always the one in the wrong. We didn't even apologize or talk it out after arguments; it was always expected that I would realize I was wrong eventually and it was swept under the rug with all the other skeletons of long-dead arguments and left to simmer into resentment. 
But there was one surefire way to make a dent, one I discovered recently and that has actually saved my life.
In the summer of 2022, I was put on a new medication. Long story short, I did not sleep for two weeks. I was in shambles, and I needed my mother to raise hell from me, because she would not let me do it myself – my psychiatry goes through my guardians, and I didn't even have the psychiatrist's number at the time. But she wouldn't do anything. The psychiatrist thought things would level out eventually, and my mother thought what the psychiatrist thought, nevermind that I was actively getting worse and my sleeping pills were getting less effective by the day. I begged her to raise hell like I knew she could, and she sent a mild phone call gently suggesting that things still weren't ideal. I could feel myself slipping away as everyone who was ostensibly taking care of me sat and twiddled their thumbs.
So I got personal. I deliberately started a big blowout. I convinced her that things weren't going well, and this little game of chicken with my health wouldn't result in the perfect, uncritical, angelic autistic daughter she so desperately wanted. I got into a screaming match, I listed everything she had ever done wrong, and I told her to shut up and stop spewing weak justifications on how my pain wasn't her fault, actually. I hit her where it hurts. I hurt her back. I hurt her.
And it worked. Hurting her made her take me seriously and I was back on my old meds before sunset. I slept well that night. And I will never regret it. 
So maybe Toffee's plan to overthrow his colonizers with the death of Comet didn't end in monster victory. But if it weren't for the eleventh-hour dark magic, it would have. And Toffee's people were oppressed and the victims of genocide for ages. They were the small band of rebels fighting an evil colonizing empire. They were ideologically in the right. They kicked and clawed and bit until they found something to hurt, and then they didn't hesitate. Because no one took them seriously, and they still wouldn't have taken them seriously unless they did something damaging. Comet sure didn't; her chapter is a continually escalating series of microaggressions. Moon didn't; she doesn't seem to care about the conflict at all before Comet's death. Who else would take him seriously? Mina? The High Commission? Glossaryck?
So while I don't think he was totally in character in killing Comet, I do understand more than others why he might have done it. 
Because Toffee is like me, for better or for worse. And he could have been great for me and people like me. But he wasn't. He was assumed to be evil and left to die immediately. Because people like me are always the bad guys.
In short,
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Exhibits:
Toffee's emotions, courtesy @butterflyeffectiveless:
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Comet's continually escalating microaggressions:
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Additional source for Toffee being autistic:
because i'm autistic and i like him
the end.
#when i reread comet's chapter for this i only expected to get the line about monsters being uncivilized for not 'savoring' food or whatever#turns out i got waaay more than that#(and it's so funny because omg the people that you've historically denied food and only give the most disgusting pieces to don't eat slowly#the horror)#but yeah. autistic toffee for the win#i hope you get to kill all the queens again in the afterlife ily <3#may your revenge be sweet and your conscience clean#*bangs pots and pans* TELL US THE EXACT TERMS OF THE PEACE TREATY BEFORE YOU EXPECT US TO RENDER MORAL JUDGEMENT#FOR ALL WE KNOW IT COULD'VE BEEN UNCONDITIONAL SURRENDER WE GET ALL YOUR FOOD AND YOU HAVE TO SACRIFICE YOUR FIRSTBORN CHILD TO GLOSSARYCK#AND ARCHDUKE BATFACE WAS DESCRIBED BY COMET HERSELF AS SOFT SO HE PROBABLY WOULD'VE SIGNED IT#I COULD KILL QUEEN COMET ON SIGHT AND BE 100% UNQUESTIONABLY MORALLY JUSTIFIED DEPENDING ON THE TERMS#(boosting glossaryck's ego in any way is always morally wrong and the only thing worthy of being sent to hell)#svtfoe#svtfoe negativity#svtfoe critical#svtfoe salt#svtfoe analysis#star vs the forces of evil#actuallyautistic#autistic gaze#actually suprisingly has nothing to do with samatfoe#just canon analysis#analysis#queue queue#(though now that i think of it i'm kind of disappointed my Comet is so different than canon Comet because this could be a great lesson in#fake allyship and racism without racists)#(but dw star fills that quota just fine)#toffee of septarsis
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furrbbyx · 10 months
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Ok, so imagine you (foolishly) clicked this ad, and it turned out to be a site for monsters to match with humans for sexual encounters.
It's sex work, and it pays immediately. In addition to the deposits from your clients.
You'd been enjoying your work and gaining clients steadily when your agent reached out and offered you a bonus if you referred a friend to the service.
You felt a little grubby at first. But then you remembered how many of your friends were nasty, quivering freaks hornily into monsters.
And bringing your girlfriends to the site actually earned you all a spectacular vacation off planet. Something few humans could boast about.
Soon, you've invested in the site and taken on a more serious position. You open modeling to all genders, causing monster traffic to the site to increase so much that you go back to working with clients directly to help ease the demand, creating femdom ceo content that almost implodes the internet.
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heraldofcrow · 1 year
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I literally figured out the best way to connect Djura and Eileen in Bloodborne because there IS actually a way that Djura’s, “Hey, every beast, every monster…was once a person. They still ARE people,”could influence Eileen and actually become relevant to her story.
There’s something to be said about Djura’s mentality and how it could clearly be a metaphor for how we see certain people in society. He’s sympathetic. He’s ahead of the game and is shockingly different compared to the people of Yharnam, who literally judge you as lesser and evil based on the fact that you’re an outsider alone.
Beasts? Being people? No way in hell would they accept that. It’s the same issue that Byrgenwerth and the Church had. If they could convince themselves that the sick and the ill were subhuman, then what would stop them from committing atrocities against them? This way too accurate to real life human history as well. We know plenty of examples, and Bloodborne imitates them flawlessly.
“No, these malformed aquatic creatures of this village are not human. It’s okay if we torture and mutilate them.”
“No, these vile-blooded fiends are subhuman. We can genocide them.”
“No, these people in Old Yharnam are all turning into beasts anyway. They lost their humanity. We can burn down their home and seal them away.”
Djura is considered a fool for what he does, but his kind heart and will to defend those that others consider monsters is incredibly admirable.
Eileen is similar in a sense because her goal is to mercy kill blood-drunk hunters and ensure they die true deaths. There’s honor in what she does even if she doesn’t believe it.
However, it’s clear that there’s also an element of refusal on her part to acknowledge that beasts and blood-drunks are the same. She warns the Good Hunter to keep their hands clean because a hunter should only hunt beasts, not people.
She warns us that there are no humans left, but that they are all beasts now. She knows that they were human once, but she seems to believe it no longer matters because of their transformation. I actually think this may subtly influence how she sees blood-drunks, whether she believes it or not.
We can kind of see it if we attack her during Henryk’s boss fight. The way she talks to us is fascinating.
"Aren't you a shame? You drunkard. Don't display your embarrasing form like a beast. I'll be your humble suicide assistant. You're a hunter, aren't you? Isn't that the true purpose of being a hunter?
Enough already...No one could blame you. Aren't you a shame? You drunkard."
This is the Japanese translation of course, but it still has the same energy we hear in English. There’s a tone of horror and disgust. To Eileen, it seems like she’s convinced that a drunkard is like a beast. They have taken on a shameful and low form. It’s not willful, but it’s definitely not a sign of true humanity either.
I theorize that Eileen may have lost heart at some point, and no longer sees her task for what it is. She thinks it’s sort of hopeless in a sense, because drunkards and beasts are really no different. At some point she believed that she was allowing hunters to die human deaths…but if beasts are human…then how is her work any different than a normal hunter’s?
I also love the theory that she’s on the edge of blood-drunkenness because of this, and even targeted someone like Henryk that was actually sane. She’s slipping.
But that’s where Djura could come in, because what would save Eileen from the madness of what she does could be the full acceptance of beasts being human. She would have to decide if she was willing to kill them, and since she was already a mercy-killer, she probably would. Not out of malice no, but in the way you shoot a wounded deer. That’s been Eileen’s profession as a crow since she began.
The problem is that she was clearly prepared for the “defilement” of becoming a crow, for the honor-less side to it. She willingly shouldered that burden. But did she do the same with beasts?
And when it became her close comrades losing their minds to the blood, did she accept that they were still human? That they were the same person? Did she tell herself they were monsters to get through the pain of having to see them change so much?
Accepting the truth about beasts could help Eileen to avoid giving the “safe” answer for why drunkards or monsters do what they do. You can’t separate the human from the beast. You have to accept that they are one and the same, even if sick.
That’s the whole point. If you accept that a person does what they do because of sickness and not because they’re an inhuman devil, you can show them mercy. That’s a rarity.
Djura chooses to do this by sparing them, and Eileen does this by way of mercy-kills and an honorable burial. They are similar, but Eileen clearly still struggles with it, and honestly who wouldn’t? Who would want to accept that they had so much blood on their hands?
Who would want to accept that someone you once cared for is absolutely unrecognizable and monstrous now? Who wouldn’t try to cope with that by saying that they simply aren’t human anymore?
No, that’s not the person I knew once…it can’t be them…
No, they’re just a mindless thing now, aren’t they…
(You all know what I’m thinking with that last part lol).
But Djura rejects that illusion and embraces it. They’re not monsters, they’re human. They were human. They are human. No type of sickness would ever change that, be it mental or physical.
Yes, Eileen your targets are no different from the beasts, because beasts are humans too. Yes, it’s horrific and depressing. Yes, it feels hopeless, but that’s why we need vessels of mercy like you and Djura.
They both get the idea, and while Eileen may struggle, I think there could be a lot of potential to dig into her psychology and how she could change her mind in the story. Djura could be a strong source of influence. That’s why I want to connect them.
Eileen very likely lost people in her life to blood-madness. That hurts, and exploring the ways in which a person would try to deal with that just fascinates me. It can be hard to watch someone you love change in a darker way, especially if you feel responsible for it.
In a world like Bloodborne, where actual beasthood is a possibility, who wouldn’t try to convince themselves that such a person had simply lost their humanity?
Aaaaand that’s where the drama comes in :)
Anyway, shoutout to Eileen and Djura. I love FromSoftware so much.
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i-bring-crack · 7 months
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Sl Ragnarok spoilers*
With how much Siddhart had known about the past timeline it would have been a perfect opportunity to have him smashing through Liu Zhigang's window like: We need to talk.
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⚡Pawmi ⚡ Pawmo ⚡ Pawmot ⚡
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koinomegaluvr · 9 months
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i watched insidious: the red door again with my sister, and it grew on me the second time around despite not knowing how to feel abt it initially.
At first i found the story was underdeveloped (and despite my opinions on the movie changing, i honestly still do feel this way lowkey ghgh) but like. i see exactly what they were trying to do, y’now???
i’ve always rlly enjoyed the insidious franchise, not necessarily because i found it scary, but because the concept of the further was absolutely FASCINATING to me. especially because it’s a place that’s like. an endless limbo that’s reminiscent of liminal horror (and i’m a sucker for that shit)
I rlly liked that they brought in more emotional depth & complexity for the lamberts and how they explore more of how the events of insidious: chapter 2 ultimately affected their family and each individual character.
I immensely enjoyed that they wanted to explore themes of generational trauma and repressed trauma, and how sweeping said trauma under the rug rather than trying to heal and resolve it at its root causes it to fester and ultimately harm everyone involved.
i like how they acknowledged how extremely traumatizing it must have been for renai and the kids to see parker crane josh trying to violently DESTROY them. like there ain’t no way that’s NOT going to have devastating effects on your psyche/marriage when you see what you think is your deranged looking father/husband, trying to beat y’all to death with hammers 😭😭 like i can’t imagine how that must have looked for the kids and i’m glad they explored that
i also really like how (at least in my opinion), the red faced demon and his lair is also kinda symbolic of dalton’s repressed & festering mental illness/trauma with how OBSESSED the demon is with dalton. and how he set up all those “scenes” of dalton’s past which makes him just. remember everything (and that made me feel SAUR BAD for him bc recalling that much repressed trauma would be overwhelming as fuck)
that said, i really feel like they could have executed these themes a lot better, in a way that would make a little bit more sense. during the scene with dalton and josh near the end where they’re in the further trying to close the door, dalton states that they have to stop running from the demon. and there i thought dalton and josh were going to slay the demon together once and for all, but dalton just paints over the door leaving josh in the further by himself and i was like ??????????? 😭😭😭😭 hello???
like. aside from it being a bit anticlimactic, i also don’t think it made very much sense of dalton to just paint over the door when he said they couldn’t run/ignore it anymore. i suppose in a sense, dalton painting over the door in of itself symbolizes that he is trying to break the cycle himself, but honestly? it would have made more sense imo if they somehow tried to relinquish the red face demon together, bc to me that would show that dalton and josh are finally trying to resolve their trauma together by tackling it head on, thus competing their arc more effectively.
i wish they could have introduced josh’s father a bit differently—i know the existence of josh’s dad probably wasnt planned from the beginning, so adding him in was going to be a bit clunky no matter what, but i had a hard time feeling anything at all for him as a character…..
i also wish elise had a bigger role in this rather than making a 5 second cameo at the end of the movie just for the the sake of it, especially since she is what makes insidious such an interesting franchise. but i am SO glad we got a specs and tucker cameo i genuinely teared up seeing them :,)
ANYWAY, overall, i’m quite pleased w the movie, even if certain aspects of it could have been executed better. it definitely isn’t THE BEST insidious movie. i think it had a lot of potential to be excellent. i have WAYY more thoughts abt it that i dont think i can convey in a single post but maybe i’ll talk abt them another time
also. dalton and chris my beloveds 🫰🏼🫰🏼
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diegogtratty · 11 months
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sketch. doodle. nighty-o.
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