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cobragardens · 7 months

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The Colors of Crowley

Black is the color Crowley uses to cover himself, red is the color that represents Crowley to himself, and yellow is the color that represents Crowley to Aziraphale. What each color symbolizes and how it's used give us important information about Crowley (and to some degree Aziraphale) and about the ineffable relationship.

I feel kind of dumb writing this post because I'm sure it's glaringly obvious to everyone else, but there's this Metro UK article of all things (the Metro is owned by the hardcore rightwing Daily Mail, btw, so please don't link to it) that mentions the red stitching on Crowley's gloves in 1867, and it made conscious some details I had only subconsciously noted, so fwiw to anybody else, here are my notes on the colors associated with Crowley in Good Omens and their significance in the context of the way each one is used.

I don't think we need to cover black-as-evil in Western color symbology. [And yet here's a long-ass paragraph about it anyway! --Ed.] Light:dark::good:evil has been a thing with Christianity since before Christianity was even Judaism. The Israelites picked it up from the Zoroastrians way back before YHWH had subsumed El as 'God,' which may have been before they were Israelites as well; I mean it was a LONG time ago. Good Omens has been using black and white to represent Hell and Heaven, respectively, long before the show. In the UK, the book was published in paperback with a choice of black or white cover with an illustration of the contrasting character in the contrasting color: Crowley illustrated in black, Aziraphale in white. The current hardcover is grey.

Crowley wears black, and the Bentley is black. At the metanarrative or authorial level this is obviously for the purposes of the black/white demon/angel contrast, but on the intra-narrative level, the Watsonian level, it's interesting to note that Crowley doesn't have to wear black. He's obviously not free to choose from the full color palette, but Furfur's shirt and sash are is dark emerald green, Dagon is in ultramarine (as befits a marine Elder God), and Shax has only been on Earth for four years before she's wearing head-to-toe oxblood. When she shows up later in battle dress she's got a lot of oxblood there, too. And yet Crowley wears black.

Authorial reasons aside, black suits Crowley for a couple intra-narrative reasons. For much of history, black was the most expensive color to dye and maintain in clothing, and as a result it has always been fashionable. And for several centuries in Christendom, wearing black was also a sign that you were in mourning, which was a social and religious obligation when someone close to you died. Whether you could wear other colors with it depended on how long ago that death had occurred.

Again: black is what Crowley chooses to cover himself, and as there is a sharp distinction between how Crowley presents himself to fulfill his obligations and who he thinks of himself as being, there is likewise a distinction between the colors that represent those two quantities as well.

Red is the color the show uses to represent Crowley to Crowley. The most obvious reason is his hair. This is another change from Book Omens, where Crowley is described as having hair that is "dark." A lot of fans in the UK hated the change when S1 came out because fans hate change and the British have a thing against gingers, but Crowley's red hair suits him better than dark imo because the Mother of Demons in Jewish religious literature, Lilith, is traditionally depicted with red hair. Red hair has been associated for more than a millenium in the Middle East and England and Wales with sorcery, witchcraft, demonic influence/possession, and satan-worship.

Crowley wishes his mom was this cool with snakes.

A good case can be made that Crowley genuinely likes the color red in addition to considering it demonically appropriate. I say this for three reasons. Firstly, because when he has a (limited) choice of (again, demonically appropriate) colors, he always chooses red. The marble of the desk in his apartment is not green or grey. He can have any color stitching on his gloves or lining of his jacket collar he wants, but it's always red. Secondly, it's not only red he chooses, it's almost always bright red.

We know Crowley's red isn't supposed to represent blood or violence, because we have another demon character whose use of red represents just that, and it's not the same red:

Compare Shax' oxblood and burgundy to

and

Crowley's red isn't just red, it's lipstick, cherry, crimson red. And in case we weren't sure that we should read this red as symbolizing passionate, romantic love:

Romantic symbolism aside, bright red is also the color of passion (romantic or otherwise), optimism, heat, vitality, life, (hell)fire, and warning.

Red and black says don't fuck with Jack.

The third reason I think we can safely say that Crowley actually likes the color red is that he hides it. It's always tiny little touches, some of which you have to look for to see. (I still don't know where they snuck in the red on his Elizabethan habit, e.g.) And we know this color is a risk for him, and that he is right to hide it, because Ligur, who doesn't approve of any of Crowley's less-than-fully-demonic embellishments and may share Hastur's opinion that Crowley has gone native, comments on one of Crowley's more noticeably colorful items.

And I think the red tells us one more thing about Crowley, too.

Bright red is the colorest of colors, you know? When we can choose only one color to represent all colors, to represent colorfulness itself, we choose bright red (even in cultures where red symbolizes other meanings than it does in Western art).

Remember how Aziraphale gives Crowley's jacket a tartan collar when he swaps bodies with Crowley and impersonates him in Hell because Aziraphale feels the need to maintain some small secret token of his identity, some tiny unremarked sign of something he loves and thinks is beautiful, when he is down there alone in the gloom among enemies?

Crowley is down there alone among enemies every second of every day and night, whether he's in Hell or on Earth. And he's already had his identity stripped from him once. If you were someone who said

about this

and then you got recruited by the fash downstairs bc the fash upstairs threw you out for not being fashy enough and you had to start wearing nothing but dark colors and more importantly had to hide everything that made you feel warmth or softness or joy, and that was it, that was the deal for eternity, but you could add one (1) little touch to everything you wore to remind yourself that there is some beautiful part of you left, something you loved once, that no one has yet been able to steal or brutalize out of you...what color would the stitching on your gloves be?

Lastly, Yellow represents Crowley to Aziraphale. I'm going to skip the chain of evidence for this bc I think it's obvious, but the way it's used also lends itself to some inferences supported in other areas in the show.

Here's where I think changing Crowley's hair to red from Book Omens' dark is a good decision in another way. Crowley always has red hair, and if he has any color in his clothes it's going to be red. Red is eye-catching; it always stands out, but it doesn't stand out as demonic. And yet the color Aziraphale associates with Crowley and calls "pretty" isn't red.

I suspect that when Aziraphale says he can make Crowley an angel again, Crowley hears "You're not good enough for me to accept you as you are, let me fix you" because these are words Aziraphale has said to him many times, and has meant some of those times. But

tells the audience differently. The color Aziraphale associates with Crowley, the color he calls "pretty," is the color of Crowley's only overtly demonic feature. Aziraphale doesn't love the angel he knew who isn't Crowley, he loves Crowley, the demon, the person he is now, his yellow demon irises.

Yellow appears in three other places in S2, and they're all symbolically significant, and in fact serve to establish another symbolic significance to the color yellow in addition to that of Yellow Is the Color of My True Love's Eyes.

One of them is a feather duster:

Crowley reacts to a feather duster like a cat confronted by an unfamiliar object

The other three are private conversations between Aziraphale and Crowley:

The walls that surround Crowley and Aziraphale when they speak openly about their situation and how they will handle it are drenched in yellow, and that is super interesting, because in Western color symbolism yellow is the color of fear. The archangel of whom Crowley and Aziraphale are both (rightly) terrified wields a tool the color of fear. The color of fear saturates the backdrop of conversations between Aziraphale and Crowley when they have to discuss their situation and their actions openly.

Remember how Aziraphale's voice shakes here?

Crowley realizes the crows have just handed an angel evidence the angel can take to Hell and use to have Crowley killed

Even the Bentley, that clear sign of Aziraphale's love for Crowley, is also a yellow coffin enclosing him. For Aziraphale, thoughts of Crowley are always entangled with fear, because Crowley is not just Crowley, he is also Crowley's Fall.

And I think fear is what Crowley's eyes themselves represent. For Crowley, fear is now a fundamental part of his perception, his nature, his identity.

The angel Aziraphale once knew is not Crowley, and yet from what we've seen, the chiefest difference in character between this sweetheart and this mischief-maker--

--is that the Starmaker does not know yet that he should be afraid, and the Serpent does. That knowledge and its fear has, shall we say, colored his view of the world.

Aziraphale learns that fear early by observing others rather than Falling himself, and knows enough that by the first time we meet him in the Before, he is already afraid.

Pink was once symbolically equivalent to red; in modern Western color symbology it is a color of innocence, youth, beauty, and first love. Hashtag just sayin'.

The cruellest thing this suggests to me is that, rather than rebellion or his propensity to ask questions, rather than the knowledge of good and evil, the Starmaker's Fall was caused by his innocence. it wasn't the questions that were the problem: it was that he didn't know any better than to speak them out loud.

Y'all, Crowley and Aziraphale do not suffer from communication problems. Despite both being male-coded and British, they don't even seem to lack emotional intelligence. What they do have is a universe of silence and fear they have to communicate within and around. What they lack is the safety to speak and love freely. The true color of Crowley is crimson, but someone gave him those eyes, and Aziraphale either watched that happen or knew about it, and now Crowley covers himself in black--which btw is also the symbolic color for mystery and secrets--and only lets Aziraphale see him as he really is now, because Aziraphale won't judge him for his yellow eyes (or punish and forsake him for his questions). Because Aziraphale carries that fear with him too.

#good omens #good omens 2 #good omens analysis #good omens crowley color analysis #good omens crowley color #crowley #good omens colour analysis good omens crowley colour #good omens colour #good omens meta #angel!crowley #starmaker

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bohbee · 1 year

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Dateables reacting to MC getting hit!

Warnings: Strangulation, Hitting, Death, Implied Torture?, Bruising, Blood, Stitching

Notes: This is iffy but yeah, this won't be getting proofread.

Part 1

Masterlist

Diavolo

Clicking of silverware, sipping of drinks, and soft chatter could be heard in the Palaces dining room. It was a feast to celebrate the engagement of The Lord Diavolo. Many nobles came to share their congrats, there was at least 30 figures at the elongated dining table. The night was coming to an end, and people started going back to their residences, leaving only a few others in the Palace.

"Excuse me," a voice behind you said, you turn your head softly to see an elegant looking male. He slightly bowed down "If you don't mind, could I talk to you in private? I wish to share my congrats." He asked, seeing nothing wrong with it you excused yourself and lead the male to an empty hallway.

His blue eyes peered into yours, his demeanor completely changing. "Y'know, Lord Dia and I were very close in the past." He said, you irked a little at the nickname, but let it slide. His face was painted with a scowl, "Very close, might I add." You furrowed your eyebrows in a confused manor, Diavolo never mentioned dating anyone before. The male walked closely to your body, "That was until a little human showed up. Stealing my spotlight, taking the gift of eternity. Which was supposed to be MY gift."

You stood your ground, heavily irritated by the male who was claiming that he was born to be in your place. "You don't get to choose what he wants." You said, trying to keep back your snarky remarks. His palm met with your face, causing you to stumble backward. "HES MINE!" He yelled before pouncing on you, his hands on your throat constricting your airway. He didn't get far before being tossed aside by the now smiling butler.

"It would be in your best interest to not lay your hands on the Lords significant other." Barbatos said as he slowly walked over to you, carefully assessing your injuries. The male got up to dash out of the palace only to slam into your Fiancés chest. Diavolos' golden eyes were filled with rage when he saw your body on the ground. He quickly grabbed the pleading male, "You will suffer the consequences of your actions." He muttered darkly. He motioned Barbatos to take him away.

Once Barb pulled him to the basement, Diavolo rushed to your side. His eyebrows furrowed as his irises held pain and sorrow. "I am deeply sorry, my love." You shook your head with a small smile, his hands slid under your body, lifting you up bridal style. "No need to apologize for the actions of someone else." You kissed his cheek softly and moved your head to the crook of his neck.

The two of you sat in his room for the rest of the night, talking and laughing away. You invited Barb to join the two of you while playing some games, leading you guys to have a very fun game night.

(Bonus: Lucifer answered the call from the royal butler, excusing himself from the dining table with his brothers. His eyes widened, "Excuse me?" His tone was cold. "I will be there immediately." After hanging up the DDD, he brought himself to the dining table, "I will be going to the Palace. There was an assassination attempt on MC. Please stay here for their safety." The brothers stared in awe but nodded. The poor dude was obliterated to say the least.)

Barbatos

You ran to the palace, tears streaming down your stinging face as the rain drenched your body. Soft sobs emitted from your throat. You knocked on the palace doors in urgency. No one was chasing you anymore, but it was still frightening. The door opened, and your boyfriend stood at the door, his usual calm eyes now filled with worry. He ushered you in, pulling you to the infirmary.

He sat you down on the chair and grabbed some medical supplies, "What happened." He said calmly, though his voice held true rage. "Some lowerclass demons..." You choked out a sob, your boyfriend walked over and started to softly clean the gash on your eyebrow. "Go on, dear. It's okay. I am here. There's no need to be frightened anymore." His voice was sincere as he deeply gazed in your eyes, waiting for you to tell him what caused your injuries. "I don't know what caused it, I got a high score on the exams, they got pissed?" You winced softly at the small stitch on your face, a sorry emitted from his lips.

"I understand. This will not happen again. I will have to report this to the Lord. Would you be comfortable joining me, my love?" You softly shook your head against the idea. "That is perfectly fine. Go ahead to my room and change, I'll be there soon."

After a while, your favorite butler came back with a tray of your favorite foods, "You didn't have to do all of this, Barb." You muttered with a soft smile. He only shook his head. "I would do anything to ensure that my doll is happy."

You spent the night in his arms, both of you sleeping peacefully. He finally has found his time stopper.

(Bonus: Diavolo nodded at the words that his butler said. "Go ahead and be with them. They need you more than me. I will be holding a halt on the school until we find the suspects." Barbatos nodded at the Lords words, thanking him before leaving. The next week, school was out for an unexpected break, and when it came back, four students were never to be found again.)

Simeon

You stood shocked at the pain on your left cheek, Simeon stood in front of you, his angelic form out in a protective manor. Scaring off the offensive demon, Simeon quickly went to his normal form and turned to you. "MC?" He said softly, not trying to startle you. His soft gloved hand grabbed yours, you looked into his beautiful eyes with admiration. "How are you fee-" his attempt to ask you how you were doing was interrupted. "You're beautiful." You blurted out at him, his eyes widened at the compliment. "My sun, thank you for the compliment, but that is by no means what we should be focusing on."

He softly dragged you to Purgatory Hall. Luckily, everyone was out and about. Letting the two of you have some alone time, it was silent, the rooms air was thick. "Simeon, what's going on?" You whined out, trying to grasp him from his thoughts. He let out a sigh before looking back at your face, frowning at the small bruise. "Dear, I couldn't protect you from being hit. I am supposed to be your guardian angel, yet I couldn't save you...." His fingers slightly traced your bruise before he pressed his lips on the injury. The dark mark on your face immediately started to heal at his delicate lips.

"Sim look at me." You said softly, his blue irises looked into your eyes. "You just healed me with a kiss. You didn't know that was going to happen. You're still my guardian angel, but most importantly, you're my boyfriend." You smiled softly, hugging his chest. "Plus.... your wings literally lit up half the fucking area." You giggled softly, his lips went into an endearing smile. "You truly find it that beautiful?" He asked you, and you quickly nodded your head. "Well, it's all yours."

(Bonus: the rest of the Purgatory Hall made it back, shocked to see Simeons wings. All of them other than Raphael gasped. "What's the occasion?!" Solomon asked, Luke nodded quickly, doing cute jumps. "Ah, there was an incident. They saw my form and loved it." Simeon said softly, laughing at Luke's reactions. "What incident?! A pesky demon, I bet!" The kid said, causing you to nod. "Yeah, he hit m-" your mouth was covered by your boyfriends hands. You peered up to the other three, Luke had an out of character dark aura, Solomon had a torture book floating around him, and Raphaels spears were out. Shit.)

Solomon

His eyes locked onto your unconscious body, he looked up only to find one of the demons he has a pact with. "Uh,- Sir it was just-" the demon was thrown to the ground immediately "silence." Solomon's voice said, deep and scarily, using the pact to his advantage, people gathered around. "So I assume you don't know who they are, hm?" He said with an amusing tune, his brown eyes piercing into the demon's eyes. The demon shook his head vigorously "Well. Too bad."

The air around the sorcerer got thick, his eyes glowing with magic. "Let this be a message to everyone, Never. Ever. Lay your grotesque hands on, my spouse."

The demon was quickly eliminated, Solomon lifted your limp body and ran to Purgatory Hall, once he made it inside he quickly placed some healing spells on your body. The large bruise on your face shrunk, and he furrowed his eyebrows softly, kissing the now small bruise. "I will never let anyone lay their hands on you again.... sleep well, my beloved."

When you woke up his eyes shot towards yours, "Hey hey, how are you feeling?" His hand grabbed yours, "I'm alright, uh.. what happened?" You asked with a groan, causing him to have a small smile, "Don't worry about it okay? It's all taken care of now." His thumb ran across your knuckles, "Come on Luke was worried sick."

(Bonus: when you walked out of Solomons's room, the sweet smell of the living room filled your nostrils. Hundreds of baked goods filled the space. "MC!" The blonde angel yelled, before launching himself into your arms, "You're alive... grr I swear I'll.... I'll get those demons to pay!" He said, he let out a soft sigh before grabbing a plate. "I uh.... stressed bake I made you your favorite......*)

♡♡♡♡♡♡♡

:) what's your favorite dessert? I like plain cheesecake

#obey me #obey me x reader #diavolo x reader #barbatos x reader #simeon x reader #solomon x reader

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evilminji · 9 months

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:T Hello there, Thought(tm) of the day...

I? Just remembered that Constantine's "Laughing Magician"(?) title is... f*ckin HEREDITARY?

Like?? As in The Constantine Meances have been out here, harrasing divinity and demons alike for GENERATIONS on behalf of a Good Time, the Lols, and probably Humanity if they can be arsed and you make a good case.

W... What chance would there even BE of at least like? HALF those f*ckers(conflicted but affectionate) NOT becoming Realms Ghosts? With the sh*t they're exposed too? With THEIR luck??

You think DEATH can trick them? Take them away for good? Take away the local Rat B@stard, Tricks Gods Just To See If He Can, Fate Is My Second Mistress and I Cuckold Glory On Your Mother's Bed, Constantine?

They run down main street, *ss in the breeze, wearing someone else's shirt and two shoes that don't match, not a stitch else, like run away lovers. Let Death TRY and catch them. Sorry, Luv, it's not them, it's definitely you.

..........I bet they're the wooooorst~~✨️

No joke, I bet they set up a whole *ss TOWN of Constantine.

Where the odds are in THEIR favor, gods fear to tread, and reality straight out stops working right. Like Diagonal Ally for B*stards, extended to a whole floating island. Everyone's related. It's Chaos. They can barely stand each other. Would sell each other for a toothpick.

Mess with ANY off them... and you can kiss your afterlife good bye.

They have NO neighbors because both no ones dumb enough to get NEAR them AND no one can stand to be around that many Constantines at once. The physical Manifestation of Fate wants to take the whole LOT of the handsy F*CKS to court for child support and a restraining order.

Somehow... they keep getting Earth Booze.

They SHOULDN'T have access. It's been anywhere from decade to centuries since they died. Millennium for a few. Howms't The F*CK, do they keep getting cheap gin and vodka? Bourbon and beer? Even the odd fruity cocktail for funnies.

Please... PLEASE! Tell the Zone at large, that their innate birthright powers STOPPED at Death. They... they are just REALLY good at smuggling right? Excellent con men?

Tell us they can't f*ckin PREDICT AND INFLUENCE Natural Portals!!!

*smug sipping noises from a large room full of Dead @ssholes*

Okay... They Won't Tell You~ 🍺🍺🍺🍺🍺 *siiiiiiiiiiiiiiiip*

Now! I hear you ask? Why are John's Terrible, Terrible, God Awful Ghostly Relatives relevant? Absurdly powerful as they are... they seem to take the afterlife as an extended "Ha! GET F*CKED, DEMONS WHO WANTED MY SOUL!" Vacation/Family get together.

Minded their business and expected everyone to mind THEIRS, or ELSE.

Didn't give two solitary SH*TS that Pariah woke from his little nappy-poo to cause a tantrum. After all, in their family? When DOESN'T some "great and terrible Power That Be" get itself in a snit? Meh... it's baby Johnny's turn to clean sh*t up. Best of luck to 'im~!

But THEN!

They must've been drinking... making out with their equally terrible and bamf trainwreck significant others... sitting around playing "who can cheat best at cards"... when? Huh.

Never seen the Fate and The Odds... STRANGLE like that.

Billions of billions of What-Ifs, Maybes, Could-bes, and more... suddenly YANKED towards a single spot. The allowance of Only One Outcome. Almost like what they can do, but... not, WRONG, per say...

Just... impossible.

There's NEVER.. JUST one way this plays out. You can control the big notes. The script. But the details and set dressing will always decide themselves.

NO ONE can just... Decide What Will Happen. And yet?

...............was....... was that Little Johnny? Has to be. Right? Where's his old man? Oi! Was that your Kid??! John's closest relatives are baffled. Nope. They can still feel him laying a beat down on some demon in Norway. So then? Who?

How?

Well mark them CURIOUS(tm).

They decide to actually get up. Put their various drinks and cards down. Put pants on. Somebody's done something... INTERESTING(TM) and they want to know what's up. So? Off they trot.

It's traumatizing for everyone who sees them. The Constantines have breached f*ckin B*stard Containment and are spilling into the Zone. On this! The DAY Pariah Waged A War! THEY JUST GOT RID OF HIM!

And Danny? His everything hurts. The Eyeballs are starting to come out of the woodwork and ARGUE about him like he's not even there. He's DANGEROUS blah blah blah. Give them the crown. Right now! Etc etc.

Somethings telling him not too.

It's... it's HIS isn't it? Has been for centuries and seconds. And... and... everyone one of him is King. There is only one of him. The Zone covers all the multiverse and all of the Hims that were and aren't here and helped and... and...! His head is starting to hurt.

But the more they try to push him to hand it over, the less he feels like unhanding the dang gaudy thing. No. His now. He'll use it as a DOOR stopper if he dang well feels like it! Stop yelling.

Then all these blonde ghosts saunter in... and all he can think is "F*ck. I think they noticed."

Huh?

@stealingyourbones @cyrwrites @bjurnberg @the-witchhunter @hdgnj

#dc prompt #dp x dc #dc x dp #danny phantom #john constantine

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mphountitled · 3 months

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𝐆𝐨𝐫𝐠𝐞𝐨𝐮𝐬 𝐅𝐮𝐜𝐤𝐢𝐧𝐠 𝐅𝐢𝐥𝐭𝐡

Oliver Quick x Fem!Reader I Brief!Farleigh Start x Fem!Reader

Summary: you ought to not be surprised by Farleigh's constant cheating. You should, instead, use his greatest adversary to get back at him.

Warnings: Language, Dark fic, Mentions of Violence, Toxic Relationship, Mentions of Drug Use, Smut (+18), Public Sex, Cheating, Dirty Talk, Dub/Con, Choking, Degradation Kink, Praise Kink, Threats, Rough Sex, Sadism, Masochism, Dry Humping, Orgasm Denial,Cervix fucking, Dom!Oliver, Subspace, Corruption Kink, Humiliation,

This film opened my brain and spilled out everything inside.

𖤓

Because neither you nor Farleigh had ever been modest about your relationship, Oliver was made privy to every single bit of it. You both were so indiscreet and so hellbent on showing everyone else that you were together, it felt as if Oliver lived in your skin.

Whenever you and Farleigh cuddled drunkenly, Oliver was made privy. Whenever you and Farleigh exchanged sexually charged glances across the dinner table, Oliver was made privy. Whenever Farleigh was touch-starved and sank his claws around your throat, Oliver, always skulking in the background, was made privy. Whenever you two fucked. He was there.

Oliver could hear the two of you eating each other alive during a majority of his stay at Saltburn so he should be used to this behavior by now.

“What a slut,” Farleigh's words are wrapped in humid sweat, with his hands locked firmly around your throat, “What a good fucking slut.”

Oliver, having just decided to take a midnight stroll, watches from the shadows as Farleigh takes you right there in the courtyard. He may not particulary fond of Farleigh, still Oliver had to applaud that he at least had the decency to ravage you in secret. Oliver remains watching, not because it gives him any sexual gratification, but only because he did not imagine your sex lives to be this visceral… certainly not this animalistic.

“You are fucking filth, you know that?” Farleigh asks, rutting into you with your back pressed against a stone surface. Instead of your eyes fluttering shut, you were gazing over Farleigh's shoulder, staring straight ahead at the shadow skulking in the darkness.

Oliver held a finger up to his lips, prompting you to keep your mouth shut.

You watch each other as Farleigh fucks into you, continuing his words of mindless praise. “Gorgeous fucking filth-” and you both cum at that. Farleigh with his eyes shut, and you, with your mouth hanging open and your gaze stationed on Oliver.

Before this exact moment, Felix was the only thing that existed in Oliver's whole wide world. He did not notice you, but never ever think that he was not aware of you. In fact, as far as Oliver knew, you held no standing of any official significance in Saltburn.

Beyond, of course, being Farleigh's overcompensated whore.

You were almost as inescapable as Farleigh, but not nearly as annoying and for the most part, you played the role of a good little girl, forever glued to her unfaithful boyfriend’s side.

These are the thoughts that pollute Oliver’s mind as he drifts through the vibrancy of his own party, having left the maze and Felix's limp body in it.

Oliver's feet, clad in all-too-expensive Italian leather only seem to weigh him down as he drifts aimlessly through the egregious castle. Neon lights spill over a carpet stitched with cocaine and he has to fight the urge not to shove past the drunken bodies congesting his pathway.

For the longest time, Oliver was convinced that you were one of them: These people disguised as parasitic waste dancing underneath the moonlight, celebrating his supposed birthday. Instead, Oliver finds you here, taking up space in the Blue Room with your figure helplessly draped over the bed.

Your form is reminiscent of The Nightmare. One of Oliver’s most beloved paintings, reason being, because it was so unequivocally dreadful. He watches you as he would The Nightmare.

Your eyes are wet and your body is wracking with pitiful sobs into your forearm. Ollie may not be good at emotions but he can tell you're distraught- like one of Fuseli's girls.

Soon, the whole thing becomes too uncomfortable to watch and he clears his throat as he says,

“Shit, I'm so sorry, I didn't think anyone was in here.”

“Oh-Ollie!”

Your shoulders shoot up, and you nearly jump off the bed in apparent fright. Your eyes are wide saucers and your skin is dark in the moonlight. Ollie has to resist the urge to lick his lips.

He wanted to fucking eat you alive.

“Fuck, did I scare you?” He hunches his shoulders, making himself smaller than he usually was. “My apologies.” He had to appease you somehow in your startled state and you You quick to press a shaky palm to your cheeks, utterly devestated to find the surface of your skin wet and salty.

Out of all the parasites in this nest, you were the least bloodthirsty.

“How utterly embarrassing,” you coo, before wiping furiously away at your cheeks.

Sensing the perfect opening, Oliver steps over the threshold, polluting the space, as he did the rest of Saltburn, with his presence alone.

“Where'd you come from?” You ask before sitting up at the edge of the bed.

“Murdering my best friend.” Oliver answers cooly, with his wooden horns silhouetted by the moonlight.

As he creeps closer the moonlight highlights the crevices of your face and Ollie is able to capture the smile that cracks across your visage. He loves that.

You are so deliciously routine.

“Understandable,” you calmly shoot back, “Sometimes I could just fucking kill Farleigh myself.”

How curious. You thought he was joking.

“That's why you were crying, then?” Ollie asks, as he skulks about the Blue Room. He glides his finger across the dusty mantle before turning his eyes back to you, “You were crying because of Farleigh?”

He already knew the answer but he wanted to hear you say it.

Your glittery brows curve again above your puffy eyes, just as your lips protrude into a shaky pout. Fuck he was so painfully hard.

“You'd rather eat glass than hear about my common relationship problems,” you chuckle, fighting back a sob.

“I'd rather eat glass than get back to that stupid party.” And his eyes are so genuine, you immediately believe him. “You'd be saving me, he says, before finally planting himself down on the bed beside you. “Promise.”

“Not much to tell honestly,” You shrug, causing the left string of your cocktail dress to fall off your shoulder. You leave it there. “ You know how Farleigh can be... He has somewhat of a-”

“-Communal penis?” Ollie interjects, “Fucking anything and everything that even vaguely gives him the time of day?”

“Exactly!” and before you know it, you're giggling in the dark with a stranger. “I get tested for STD's like I'm a fucking invalid-”

“The sexiest fucking invalid I've ever come across.” He's closer now. Close enough to tell you've been drinking.

With your eyes trained on his full lips, a thought strikes you suddenly. "Happy birthday, Ollie.” That is enough to snap his gaze up from your exposed collarbone, and up to your big, round eyes. He does not respond for several seconds, promtpting you with the devestaing thought that you might have struck some unforseen nerve.

“H-ave I upset you?” You ask in such genuine concern and naivete, it nearly causes Oliver to cum in his fucking pants. He needed to defile you so badly. He needed you to cry around his cock. He just needed you-

“'Course not," Oliver clears his throat before unclenching and clenching his wired fist, "It's just-you're the first person that's said that to me all night.” Your eyes are hazy now, with your brain having caught on to the very daunting fact that you're in a room with someone who perhaps has other intentions. He is leaning in before slithering his calloused hand on your thigh. Never ever do you move away. Never ever do you tell him off.

“I find that hard to believe-” your bones are rattling as the warmth of his palm spreads to the inside of your steadily opening thighs. “Surely Felix must've said-”

“Fuck fucking Felix- the world doesn't revolve around him!” You're corralled into silence, with this man steadily pushing you back against the bed. “We don't need to talk about Felix,” he looks absolutely ravenous as the tips of his fingers finally make contact with your clothed cunt. “Do you want me to make you cum?”

It's so blatantly filthy, you cannot help but arch your back off the bed and press yourself further against his fingers. “F-Fuck… Ollie-” your breathing is laboured and Ollie watches utterly mesmerised by the way your hips move against his hand.

“I h-heard something about you-”

“What did you hear?” asks Oliver before pulling down your soaked underwear.

“That you don't care about fucking on menses.” You say, awaiting a response but getting none because Oliver stuffs his face between your legs. He's eating you out with absolute fervour, with his nose bumping periodically against your clit.

“Where'd you hear that?” He mumbles against your cunt.

He did not expect to be so utterly taken by you. This is wholly unexpected.

“A certain bottled blonde- FUCK- J-Just like that- please, God, please-”

He only pulls away, only to shrug off his blazer. With his horns and his cock indenting against his pants, he looks absolutely terrifying, that only has you rutting in the air helplessly.

“You mean Venetia is not a real blonde?” He asks before shoving his face in between your legs once more, “I feel betrayed.” The sarcasm drips from his tongue. The same tongue that slithers out his mouth to lick hurriedly against your cunt. He suctions his lips against your hole, as if he wanted to taste inside you.

“I didn't fuck her-” He pants, before pushing his nose against your cunt, “I didn't fuck her all the way- FUCKING BITCH-” Sharp pain bleeds from his scalp because your fingers and its acrylics are buried in his hair now.

“G-God, yes, Ollie-” you're actively rubbing your cunt against his face, absolutely using him to get off. Almost immediately, Oliver immediately decides that won't do.

“Who the fuck do you think you are?” He asks, before pinching your clit causing you to still your movements completely. Your torso is wracking with sweat and your nipples pierce through the softness of your dress.

“O-Ollie P-please-”

“Who the fuck do you think you are?” He asks before removing his face from your cunt all together. You try desperately, to hold your moan, but the sight of him crawling up your torso seems enough to almost have you cumming untouched.

You fight against it. You fight against the warmth in the pits of your stomach, you fight against the urge to hump mindlessly into the air until your cunt creates friction with… something. You fight hard.

His breath is warm against your face, but never once do you look away.

“I use you,” he whispers before slithering a hand around your throat.

He squeezes.

“And I'd fucking die before I ever let it be the other way around.” He squeezes and squeezes until you're tapping furiously against his palm.

“Look at how gorgeous you look when you're not being a filthy fucking whore.” You can't help it. Your hips immediately buck up into nothing despite your shortness of breath. You're clawing at his wrists, hoping he'd ease his grip but Oliver does nothing of the sort. In fact, he only moans at the sight of your eyes sinking to the back of your head-

“Fucking, fuck-” He curses, before quickly undoing the vexing buttons of his pants. “Bloody disgusting,” he says, watching the drool ease out your mouth, “You are bloody disgusting-” he sinks into you the very moment he eases his hand away from your throat. You're gulping generously at the air as Oliver slaps against your cheeks, bringing you back to the land of the living.

“There she is,” he punctuates his sentence with a violent thrust, “There she fucking is-”

Pleasure and pain shoot through every channel of your body until you can't even decipher the two. “OH MY FUCKING GOD-”

“I love when you call me that, baby,” He mumers with his eyelids heavy, “I fucking love when you call me that, with your pretty fucking voice, you USELESS fucking bitch-”

It is absolutely sick and absolutely deranged. Every other word that skates out of his mouth is a contradiction of the last and you're utterly frightened of the beast taking you so roughly.

“You're taking it so well-” he whispers, before letting his hand squeeze your nipples through your dress, “Your cunt is taking my cock so fucking well, baby- Fuck-” when the head of his cock presses to that sensitive pillowy plushness, you're wailing in the dark like a banshee. Wanting to push him off of you, but not wanting the pleasure to end. Your struggle only brings him closer and closer to edge.

“I-Is that your fucking cervix, baby- Fuck-”

“Oh God- Ollie.”

He nods, “Now you're gonna cum for me, yeah? You're gonna cum for me and you're gonna think about your stupid cunt of a boyfriend. How he doesn't fuck you like I do-” your orgasm has already started to trickle in and your hips lift up to collide with his, “Tell me- Tell me you can't fucking live without me-” He says, “I need it to cum, tell me, tell me-”

“I need you, Ollie.” His lips stutter open, just as his thrusts become shallower and shallower “I need you to fucking live, Ollie-”

“FUCK- oh fucking fuck-” his spunk fills your insides, just as the entirety of your orgasm washes over you and you immediately realize that you're crying. You're crying because everything feels so good. Oliver has completely strummed you to orgasm. He has moulded your body into everything he needs it to be.

“I fucking use you.” He says, “Not the other way around.”

#saltburn #saltburn x reader #oliver quick #oliver quick x reader #oliver quick smut #saltburn smut #oliver quick x you #oliver quick x y/n

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