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#since it was weaver's I figured I'd put it here too
voicesbyzane · 3 years
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etheriadearie · 3 years
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“Promise”
Why can't you just… Promise ?
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Today's goal is an in-depth look at one of the most beautiful and breathtaking episodes of She-ra: "Promise"
Storywise, it's incredibly important to the series, and focuses entirely on Catradora. It's the first time since Adora left Catra behind to seek out the sword that the girls really have an opportunity to talk, and things are not going well. Both of them are royally pissed off at the other, with good reason.
For Adora, we're gonna deflate that proud hair poof of hers a bit, as we'll take an honest look at her as a person at this point in her life. And Catra... she's really guarding her feelings closely, as she's already deeply angry with Adora. But we will use the combination of Catra's younger self in the memories they see, plus looking at other times in the series that relate to this episode, where she was less guarded, in order to understand her as a person at this time. Also: warning: tl;dr, best enjoyed while cozy with a drink..
To get started, we skip to when they end up stuck together…
After Adora takes drastic measures to ward off the security spiders by collapsing the tunnel, the girls are now stuck together, and so… they talk...
We immediately see how incredibly irritated they are with each other as Adora chides Catra for being in the Crystal Castle, since the monsters will continue to attack them as long as she's protecting Catra… only to have Catra retort that she didn't ask for protection. Some snippy bickering back and forth happens, then...
Adora asks: "Does Shadow Weaver know you're here?" Very deadpan assertion from Adora. She knows Catra must be disobeying orders, she just doesn't know why.
"I'd say Shadow Weaver has bigger problems right now". Catra is already starting her move against SW back at the Horde. With SW abusively blocking her every move within the Horde, and now that Catra knows that SW was going to mind wipe Adora, Catra has decided she must deal with her abuser.
Adora puts on her telltale sideways grin, and Catra chafes at Adora's flirtation, saying "I told you it's not because I like you” downplaying Adora’s suggestion that this was the reason she let her go. Catra freely admits here that she does like Adora, but it's not the real reason she did it. Still, Catra doesn't explain further, and we see later that Catra often lets Adora explain away her actions this way... but that Adora constantly misses the deeper truths.
"Where are your new best friends? I thought you did everything together". She's very snarky and dismissive of Adora and her flirting. She's mad about Adora leaving her for her new life.
"The ones you let SW imprison and curse?" Adora is angry at Catra for what she did, which was a sudden escalation of things by Catra.
"Yeah obviously, what other friends would I be talking about?" An obvious dig at Adora for leaving her, everything behind. She deadpans this, staring back plainly. Catra is obviously really angry at Adora... while Adora is legitimately mad at Catra for doing something so nasty to Bow and Glimmer...
::Let's take a moment to talk about Catra's feelings about Adora's new friends: Catra feels horribly betrayed by this. Adora completely tossed her aside, and replaced her with Bow and Glimmer. What comes to mind is at the end of Sea Gate, Catra is thrown in the water and then looks up at Adora, who is celebrating and cuddling with Bow and Glimmer. Catra is emotionally forlorn watching this, as Scorpia comes to drag her off to safety, Adora doesn't even look back towards her.
She's forgotten, Adora showed no love towards her at all in that scene (and then hardly any at Princess Prom, either). Adora ignored her plea for her to return, she didn't reach out to Catra at all. And now she watches her cuddle with her new friends: everything Catra thought she had with Adora meant nothing, and she's been replaced with these feel goodie goods who are fawning all over Adora.
Suffice to say, Catra couldn't do this, she's got way too many issues with emotional intimacy and touch aversion. So she watches Adora, seeing that what she offered her wasn't good enough, knowing because of it she's forgotten. Catra was trying really hard to be a close friend to Adora in spite of her issues, but as we will see, Adora wasn't trying to understand what was going on with Catra. And because of this, Catra was too afraid to express her affection openly, and yet here's Adora... accepting all of Bow and Glimmer’s love, for which Adora really did nothing to earn. Adora took Catra’s friendship for granted while ignoring her deeper needs, as will be explained, then completely abandons her, not even seeming to miss her. Catra is deeply hurt by the unfairness of this.
>Catra stares back at Adora, frustrated when she doesn't even acknowledge their lost friendship.
"Well, we don't need to go together. You do your weird little magic quest thing I'll find my own way out". Catra looks resentfully at the sword on Adora's back as she says this. Catra is laying down boundaries, except it's useless since they are trapped together. But, boundaries are important to Catra and as the episode progresses, Adora shows that she doesn't really understand Catra's.
>As they walk along, both girls' shadows loom equally tall. The symbolism is that in this story, both are equally important... it's also a shockingly beautiful sequence. (pic above)
After entering the room of infinite darkness, Catra tries to separate from Adora but the door is gone, they are stuck together. Weird things start happening. As the Fright Zone appears, both of them are confused. Adora decides to suspect Catra, after all, she attacked her friends. But as Adora grabs Catra, Catra is surprised and confused... Catra doesn't like being touched unexpectedly, Adora knows this but is ignoring that and attacking her. She gets treated as an enemy when she clearly hasn't done anything wrong, and it sets the tone for the two of them: Adora has constantly treated Catra as an enemy since the very moment she defected, not even trying to understand Catra's point of view. And so Catra increasingly emotionally distances herself from Adora. Catra angrily casts Adora's arm aside, not liking being vilified by her, and Adora doesn't understand why Catra is so upset. Catra slips away to explore, needing space from her.
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The way Adora immediately suspects and then attacks Catra is symbolic to the whole episode: by defecting to the Rebellion, Adora chose to start treating Catra, and her entire unit, as enemies, backing it up with hostility. But Catra doesn't really agree that the horde is evil... in her experience, it's just how life is.
>The two girls, now separated, call out to each other. Adora hears Catra's call, then another: young Catra is behind her, looking lost and insecure. Catra joins Adora as their first memory has just begun…
~DISCLAIMER TIME~ A lot of information in She-ra is inferred by emotional context, so if this seems a bit head-canon-y, I assure you, I have data! Please ask questions and seek clarifications, I promise to answer back! ~EtheriaDearie
>A worried and hurt young Catra runs to young Adora's side. She is emotional and needs support. Adora checks her out then gets the real deal: Catra was in a fight with an adult. It hints that Catra always had to deal with people messing with her, even before SW began her abuse. This is a guess, but it's probable: this is likely a happy memory of the two of them right before the hurting began. Along with the "promise" memory and the moments immediately preceding their entering the Black Garnet chamber, these scenes set the baseline for what their friendship was like before Catra suffered SW’s abuse. Also, this memory is a happy one, and how Adora remembers their friendship: it was likely triggered by her memories. The next ones are not, as I believe they are triggered by Catra, who is trying to explain to Adora what was so painful about their childhood...
>Catra doesn't know what to expect when she shows Octavia to Adora. She probably expects Adora to try to apologize on her behalf, or to give her a hard time about what she did. Instead, Adora sticks with her friend and yells “Hey Octavia, you're a dumbface." This brings young Catra much joy, Adora is sticking with her, not passing judgement. The two young girls run together hand in hand, experiencing childhood bliss, but it doesn't last. The present versions of themselves return, holding hands...
They share a brief moment of connection before Catra pulls her hand away in anger. Adora is surprised at the strength of Catra’s reaction. They are not on intimate terms any more, in fact, I suspect they had been struggling for a while before Adora's defection. Adora doesn't want the moment to stop, but Catra does. It hints that the gulf between them is already wide.
"How can you deal with all this magic stuff?" Catra has a deep distrust of magic, as it was used in her abuse. She resents it, and throughout the series whenever anything magic happens that she doesn't see coming she gets creeped out.
"I'm only dealing with it because I need to figure out how to heal Glimmer after someone got her cursed." It's a valid criticism, but Catra deflects it.
"What do you want? An apology? You're not getting one." We don't get the full story on this moment until season 5 when a young Catra tells Adora she'll "never say sorry to anybody, ever." Adora doesn't like Catra just refusing to explain, and as Catra pushes her away, Catra is full of reproach at Adora's judgement.
::As an abused child, Catra was continuously vilified and abused by everyone but Adora. And when Adora would suggest she apologize throughout their lives, she can't understand why Catra won't. It comes down to literally everyone in the world judging Catra and being cruel. Not once did any of them apologize to her, even though she didn't do anything to deserve the abuse. Except Adora... but that has issues, too. In fact, SW literally tells her "I won't apologize" regarding her abuse of Catra. Can you imagine the hurt at that?
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[pic caption: Catra refuses to apologize, Catra often shows her deeper emotions while blinking, in this case: the incredible pain she experienced from SW’s abuse.]
So no, Catra won't apologize, she had a thing she was trying to do by kidnapping Bow and Glimmer and taking her sword, and it ended badly. But she felt she had a good reason to do it: she wanted to force Adora to see her, to make her acknowledge how big of a part of Adora’s life Catra used to be. And it's not like anyone has been helping Catra, she's had to make every single decision on her own her entire life and live with the consequences.
Also, mistakes for Catra have an entirely different meaning than they do for Adora. Whenever Adora made a mistake, she was given an opportunity to fix it. This is a theme of their relationship: Adora expects Catra to let her fix her mistakes. But for Catra, she learned that any mistake she made was dangerous, as when she did make a mistake, SW would torture her for it. And if other people saw it too, they'd use it to perpetuate the notion that she's some kind of no good fuck up. So Catra is extremely careful to not make mistakes, and if she does, she tries to cover it up, distance herself from it. (note: this isn't the same as Catra's intentional rebellions against this system where she was unfairly targeted for abuse-). This is why Catra simply cannot forgive Adora easily for breaking her promise: in Catra's world, she had to be perfect, or she could have been dead by SW's hand. She wasn't allowed to make mistakes like Adora is, she is what is clinically known as 'hyper vigilant' and always preparing for the worst. And so she applies this standard to be perfect all the time to Adora, and therefore she won't give Adora the same license to make mistakes with their friendship. Catra thinks Adora should know better, and see the consequences of her actions.
>Adora lets it go: when Catra seems to shut down, Adora does her best to try to accept her. Adora tries a different track. She asks Catra why she let her and Glimmer go when SW had them imprisoned, when it could have resulted in Catra getting in trouble. Catra walks ahead, trying to distance herself from having to answer. But the magic of the Crystal Castle intervenes: as Adora slips and begins to fall, Catra saves her. It's a symbolic moment: Catra has always tried to protect Adora, to save her from pain. It's why she changed course to give the sword back to her, partly.
"Did you really think I'd just let SW erase your memory like that?"
"I don't know. Probably." Adora shows such little understanding of their friendship. It shows Adora really is thinking of Catra as an enemy, not as the complicated person stuck between protecting her friend, and the cruel necessities of her life.
Catra looks at Adora with disappointment. "Yeah, well, you never did have too much faith in me." Adora tries to understand Catra's emotions, fails.
"Huh, can you blame me?" Ouch. Adora smiles at Catra, trying to show love for her roguish quirks. But it just shows how little Adora understands: she is repeating a negative stereotype of Catra that everyone in their old life believes and perpetuates. And Adora should know better, instead of just assuming the worst about her. That persona is one which Catra uses to protect herself, partly from her own emotional feelings, but also as a necessity to protect herself from SW. She had to act like she doesn't care, doesn't try, so SW wouldn't see her power.
"Psh, not really." As Catra turns away, again she deadpans this but you can see pain and disappointment leaking past her indifference.
As she walks away she trails her tail across Adora's hand, flirting and drawing Adora's attention to her butt. It's a cute little moment of telling a truth to counter the lie: 'Adora, you should know me better, and also, I like you.' Still, it's only a half truth: Catra couldn't let SW win because SW is Catra's true enemy. But, Adora takes the flirtatious hint, as always. She accepts it and doesn't dig deeper.
Catra asks Adora about their childhood, trying to understand how Adora could just throw it all away. Adora gives a very direct and impassioned speech, she looks Catra in the eyes, trying to convince her and make her understand why leaving was the right thing to do. Catra hides her emotions, weighing Adora's answer. She doesn't agree with her sentiment, in Catra's experience good and evil are relative and exist as such everywhere. Also, she's right: we meet many people in the Horde who aren't evil. And Adora's finding the sword is one giant sinister manipulation by Light Hope. Moral grayness is a constant theme in this show. Still, this isn't really why Catra chooses to stay with the Horde.
Adora sees her explanation failing to convince Catra, so she tries reminding Catra of their deeper friendship, telling her she misses her too. Catra is temporarily taken aback at being called out before remembering to deny it. She tells Adora to get over herself, and Adora tells her she won't stop until Catra says she likes her. They flirtatiously rough house, and Catra smiles during it: yeah, she does. But she denies it anyways.
::Adora often tries to be respectful of Catra's personal space but is making an exception here: she's telling her that she finds her desirable, and if Catra wanted it, they could be together. Adora can't understand why Catra feels the need to resist this, but she knows doing it helps her friend feel wanted. Still, this shows how casually Adora views their attraction.
Yes, they should be together. And actually, they had an unspoken agreement that they would be. But Catra's not going to open herself up to that just to serve her desire. She wants more from Adora, for Adora to show her that she really does see her, and cares about her. If she did, maybe Catra could open up about some of her pain. Being intimate without doing that would be impossible, and so far Catra's life still isn't safe enough to risk her feelings. Adora's promotion could have meant the beginning of something new between them, where they worked together to build a more secure future together where Catra didn't have to be fearful all the time. But instead, Adora left her.
So begins the second memory. The two girls, now teenagers, compete against each other in sparring. It's clear they are flirting, and neither is fighting all out. When Catra taunts Adora by putting her finger to her forehead, she shows how much better she is at fighting. She full heartedly laughs, Adora enjoys this and then throws a purposefully weak strike to restart the fight. When Adora seemingly turns the tables through brute force, Catra plays hurt to exploit Adora's naiveness. As Adora tries to show concern, Catra turns the tables back. She wants to teach Adora a lesson: that not everyone will play fair, as Catra knows all too well from SW's abuse. But Lonnie interrupts her. Catra doesn't appreciate this and makes quick work of Lonnie, showing just how good she is. Adora attacks, getting the predetermined win. Catra doesn't enjoy the beat down but accepts Adora's help up. She heads to Lonnie as Adora receives compliments from their commander.
As Catra confronts Lonnie, she tells Catra "you were playing dirty, I was just leveling the field". Catra will hear these words again when she leaves Adora behind in frustration near the end of the episode. They are significant: these are stereotypical views forced on Catra, and those views ignore that Catra was just doing something she felt was important: teaching Adora about the harsh realities that exist in the world. Real enemies don't play by the rules, and will be unpredictable.
As Catra’s anger rises at this, Adora puts her hand on Catra's shoulder to calm her down, then compliments Catra on her fighting skills. Catra ever so casually tosses the comforting hand aside. She's saying 'I can handle my emotions without your help, but thanks for asking.' As she tells Adora she let her win, Adora tries to tell if Catra really is ok.
Thus starts one of cutest exchanges between the two of them: as Catra tries to explain why she lets Adora win, Adora puts on her sideways 'you like me' grin while she playfully denies that Catra let her win. Catra gives a very animated and obviously made up explanation about not wanting to have people expect things from her. Adora grins along, and halfway through her lie Catra leans in, staring at Adora's lips before looking up into her eyes. Once again, Catra is undoing a lie by telling a truth: she let her win because she likes (loves) her. But it's only a half truth, once again...
Adora accepts the explanation, keeping her sideways grin: 'it's so cute how you like me'. Catra's explanation done, Adora moves on, wanting to catch up with their unit. Catra lets her do so while excusing herself. As Adora leaves, a huge amount of meaningful information passes across Catra's face…
First, Catra feels bad about having to lie to Adora, and it shows. Then, as Adora leaves to socialize, disappointment and rejection shows: Catra had hoped Adora might look deeper, and try to see the deeper truth. As Adora turns away and leaves we see a look of total love and adoration on Catra's face. She really, really loves Adora. She's the light of her life, a real idiot no doubt but Catra will always love her for exactly who she is.
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The girls remain their younger selves as the rest of the memory plays out, Adora staying to accept praise while Catra separates to deal with her internal feelings which Adora always fails to see: the hurt and aloneness she feels.
>A frustrated young Catra cries, expressing her repressed emotions. It would be easiest to assume she cries because she's sad about losing, but we have to look ahead to the next memory to find the real truth.
Catra is sad because she never had a choice. SW took that choice from her, and while Catra is happy to let Adora win because of the love she feels for her, it hurts that she never really got to decide. And Adora doesn't see that, doesn't see the pain Catra is bearing, hiding. And so she cries for that, too. The one person who should love her doesn't really see her. As she looks up in the mirror to see herself, since no one else in her life seems to see her pain, she sees her present tearful self looking back. The pain of the past is real in the present, and while she's older now and won't let herself give in to tears, she feels the pain as she did back then. (pic 1, below) She sees the tears and it snaps her back to her present self, totally unnerved by the simulation as the security detects her and attacks. A fearful Catra screams, wanting help, wanting Adora.
>Adora snaps back to herself, having been participating in the replay of the memory post Catra excusing herself. She tries to run to help Catra, full of worry. She sees a terrified Catra trapped by the spider. As the spider begins to drag her away the two girls lock arms, trying to free Catra. But it's too strong, and as we see their grip start to slip, Catra looks to Adora wanting, pleading for help. As Catra is pulled away, Adora feels helpless, knowing she couldn't help her friend. She thumps her head in frustration that she wasn't there for Catra.
The scene speaks to an obvious truth: Adora has never quite been there enough for Catra. She's always less present, less aware of Catra's reality than she could have been. But since Catra was experiencing a painful memory when this happened, her reaction shows her vulnerable emotional state, and so she called out for help: Catra just wants to feel safe, for Adora to be there to help her. But she wasn't.
>As Catra is dragged away, she feels helpless, and calls out mournfully for Adora. But she's long gone; Catra is alone and scared, as usual. She screams out her frustration, the realization that she’s never gotten the help she needed, she always ends up alone. She cries tears for the suffering and anguish she feels from that. (pic 2, below) It’s a moment that shows us the real inner Catra: She feels deeply, whether it be her desire to be seen, loved by Adora, or the fear she feels in this moment and others. She tries her best to act confident in herself, but it's a lie: she needs support, yet is left behind by everyone, including Adora. She was willing to bear her pain for Adora's love, but she has become increasingly aware of how tenuous that really was growing up.
>Catra digs deep, like she's always done. She will handle this, won't take the abuse lying down. She shifts her mentality to being the survivor, the person who has survived years of abuse. She frees herself and gets to her feet, accessing her foe, determined to defeat it. She attacks, using her anger to deal damaging blows, seeking to destroy her enemy, to make sure she survives. She stands back, confident she's won, proud of herself for it. She doesn't quit, she always perseveres against those who want to destroy her. (pic 3)
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Adora shows up, finishing the monster. Catra doesn't drop her mentality, this person who has lived a separate life from Adora and survived on her own, doing the hard things like winning fights and resisting Shadow Weaver's abuse.
Adora walks forward, seeing Catra's anger, determination. She looks blankly, trying not to upset Catra. She's trying to get a read on Catra but not having any luck, so she's being cautious. She asks if Catra is ok, casually pulling webbing off Catra's shoulder, trying to exist in her physical space without upsetting Catra further. "I had it" says Catra, not dropping her fighter stance, mentality at all. Catra is very much feeling the aloneness of her life from everyone, including Adora.
Adora tries to casually put aside Catra's assertion that she had it, she smiles diplomatically. She tries again to touch Catra, to break down her animosity and get her to calm down. It doesn't work. "We need to make sure we stick together from now on." As Adora touches Catra, she tenses, uncomfortable. Catra has strong touch aversion, and Adora knows this but she also knows doing it sometimes helps Catra shift her mentality, so she's trying to get Catra to connect emotionally, to get her to accept care.
"Will you stop telling me what to do?" An exasperated Catra says. We see a look of total dismay cross Adora's face. She's not understanding why Catra has so much animosity in this moment. (pic below)
As Adora looks at Catra, she hunches her body, looking misunderstood and isolated. Adora has consistently failed to see Catra's emotional states and so Catra is feeling more and more apart; that the mentality of the survivor she's feeling now is the right one. Adora didn't really help her at all growing up, and she doesn't see her for who she really is, either. Adora always took the easy explanation, like saying that Catra did things for her because she liked her. Never looking deeper, trying to see her struggle. And so Catra doesn't drop her combative pose, she stays in it because she feels in control, less vulnerable.
As for the words "stop telling me what to do", that's an essay in itself but consider: just now Adora became frustrated when she lost Catra, and now tells her they need to stay together. But they didn't, they never did, and even when they are together Adora is no real help to Catra. So she reacts in anger to Adora trying to direct her. After all, in the next scene we will see that Adora leads Catra into danger, and then doesn't really help her as she gets abused. Adora is no great leader, not according to Catra's experience.
::Adora is having a total loss, here, as she tries to understand Catra, why she's angry at her: It's because she has never really known this 'survivor' side of Catra. Adora wants to comfort her and calm her down, but Catra isn't having it. I think this is when we first see Adora begin to realize that there is something is very wrong with her friend that she has completely failed to see, and she's deeply worried by it. (pic 2)
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[pic cation: Adora can't read Catra's emotions, Adora realizes Catra is deeply angry. Outside SW’s chamber, Adora wants to take Catra’s hand.]
Adora loves Catra, but can't seem to get through to her: Catra is holding herself apart from Adora. Again, Catra pushes Adora's hand aside, frustrated. She expresses her exasperation at the situation, saying she's sick of what's going on. Adora follows along, confused. As Catra seemingly purposefully leaves her behind, Adora demands to know what Catra's problem is, saying that she was trying to save her. Catra looks down at her confrontationally, frustrated with Adora's lack of vision. "For the last time, I don't need you to save me. I've been doing just fine on my own. No thanks to you." Uh oh.
The words "no thanks to you" are especially cutting. Adora has totally failed to see the struggles Catra had all her life, she didn't understand the hurt and abuse Catra was fighting against. And so Catra did it all on her own, protecting herself and trying to remain strong. Her love of Adora might have helped her have hope, but fundamentally Catra overcame the abuse by not giving up on herself, believing she had worth, and not letting others tear her down.
Adora runs to Catra's side, taking her arm in one hand. Feeling her friend becoming increasingly distant from her, Adora tries authentically telling Catra her feelings, hoping to make her friend see her desire to help and understand her. Adora explains that she's sorry for leaving and that she did it because she couldn't stand the war the Horde has pursued. Her next words are telling: "but I never wanted to leave you". 'Want' is an important word in this series, and it comes up again in season 5 when Catra asks Adora "what do you want, Adora?”. By choosing to leave the Horde, Catra feels that Adora wanted that more than she wanted what they had together. Also, promises are not something you're supposed to break over a 'want'. And Adora so casually breaking their promises makes Catra think she doesn't matter to Adora. It's not the truth, but this belief still determines her reaction in this moment. Even though Adora dearly loves Catra, including at this point in the story, she hasn't shown it in a way that Catra can see as meaningful. As Adora finishes saying this, Catra looks back, feeling alone and unwanted, seemingly thinking 'but you did leave me, Adora.'
Adora tries to appeal to Catra to join the rebellion with her. Then she says "I know you're not a bad person, Catra. You don't belong with the Horde." Catra must be thinking 'Ok so at what point did you become the authority on whether someone is good or bad, Adora?' Adora has shown no interest in understanding Catra's position, she treated her as an enemy without fail since she left her, literally in every single case including at Princess Prom when Catra was trying so hard to romance her. And Catra doesn't accept Adora's naive black and white view of the world. Think about it: when Adora defects she begins treating all Horde with hostility, including her dearest friend, she judges them all and doesn’t even try to see them as the complicated people that they are. So when she suggests Catra doesn't belong with the Horde, Catra looks back at her, feeling totally isolated from Adora. Even though Adora's plea is earnest, Catra declines it.
>As the next memory begins, we see Adora now has both hands on Catra's arm, she's desperately trying to hold on to her bond with Catra and show her desire to fix things between them. Catra doesn't drop her wary demeanor at all, and Adora looks lost and anxious over this as a young Catra runs by.
The memory starts out full of childhood innocence as the two of them play together. When the girls see that the Black Garnet chamber is open, young Adora remarks "we're definitely not allowed in there." Young Catra looks at Adora, seemingly asking if she wants to go in, trusting her. Young Adora runs off, and Catra follows her in. Yes, Catra participates in the decision, but she's not the one who runs towards the chamber, and that's important to what happens next.
A worried (adult) Adora looks to her friend who seems so distant, stoic. Anxiously, Adora tells Catra "You don't have to go in there." Adora knows what happens next is very bad, that this is a hurtful memory for Catra. As an unwavering Catra begins to walk towards the chamber, Adora looks down at Catra's hand. [pic above] She wants desperately to reach out and take it, to hold Catra back from this terrible moment, to tell her she's sorry for messing up. Adora knows now that she screwed up, that she's let Catra down, somehow more than she ever realized. She doesn't know what to do about it… she follows Catra inside.
The young girls explore, Catra touches the black garnet and gets shocked. Adora has second thoughts, she realizes they're trespassing.. but of course, SW returns, so they try to hide. As SW takes off the mask, Adora cries out, taken aback... young Catra looks at her in dismay. She's about to pay for Adora's mistake with a lifetime of suffering. Offended, SW tells them to "Get out!" but rethinks. She puts the mask back on, and decides to use this moment to instead abuse the girls and use the crime of their trespass against them. As SW tells Catra to stay, Adora turns around, seeing that Catra is caught, and she's scared for her friend. She really did make a poor decision, and as a highly empathetic person, what happens to Catra scars Adora, too.
Held powerless by magic, Catra tries to explain that they were just playing. SW's words to her set the stage for a lifetime of physical and psychological abuse: SW leans over her menacingly, telling her "Insolent child, I've come to expect such disgraceful behavior from you, but I will not allow you to drag Adora down as well." Again, it's not Catra who decided to go in, so it's really not her fault. SW disparages her and heaps blame upon her for Adora's bad choice, ignoring the truth.
Adora weakly tries to protect Catra, saying "SW, it wasn't her fault. It was my idea too." It's an understandable response, as they're just little kids. Still, Adora could have taken the blame for their trespass, since she led Catra inside. But it's about to get a lot more hurtful for Catra...
SW's voice echoes through Catra's head as she trembles in terror: "You have never been anything more than a nuisance to me. I've kept you around this long because Adora was fond of you but if you ever do anything to jeopardize her future, I will dispose of you myself. Do you understand ?" Catra trembles in fear, her eyes unfocused, the room empty but for SW menacing her. She's in a dissociative state, terrified and helpless. I think some people probably feel like this must have been a idle threat, but it isn't: SW abuses Catra many times after this for her mistakes. And the depiction of the dissociative state helps us understand just how damaging it was. While Adora seemingly goes on to not realize the importance of this memory, for Catra it is formative to her entire life.
Again, Adora tries weakly to stop what's happening, putting herself between them. She tells SW "please, stop" then looks over at Catra, full of concern. Running over to SW, she tells her "she didn't mean to". This is so hurtful, as young Catra is very smart. Catra knows Adora has blown it again, after all, what is it that she "didn't mean to" do when it was Adora's idea to trespass? Adora isn't getting the magnitude of the situation, and Catra is very much left to fend for herself.
SW then does a very insidious thing to Adora, a very directed abuse that's meant to work against her personality and empathetic reactions to others pain. She tells her "Adora, you must do a better job of keeping her under control. Do not let something like this happen again..." SW follows this up with years of manipulation to make Adora even more susceptible to abuse. But in this moment, SW again heaps the blame for Adora's mistake onto Catra, who did nothing wrong. For Catra, she comes to believe that what she did doesn't even matter, nobody cares what the truth was. Even Adora. But for Adora, the hurt goes deep as well. She made a bad decision, her friend gets hurt for it, and she never comes clean... instead, she's told she has to do a better job of controlling her friend, and that she has to be perfect so that it doesn't happen again. It's a deep and hurtful moment for Adora, just like it is for Catra. But the hurt is much less direct, and more sneaky. Nonetheless, Adora struggles with this moment, this abuse of her, in the most intimate and painful ways all throughout the series.
Young Catra watches on as SW completes her manipulation of Adora. For Catra, she's left with the feeling that nothing she does matters, she was blamed for something she didn't even do. And Adora seemingly took the easy out, spreading the blame. But she doesn't realize this moment is so insidious for Adora, that it attacks and manipulates her at her emotional need to help others. From this moment on, Adora is afflicted with a desperate fear that she can't protect others, and must lead perfectly so they don't get hurt. This internal conflict erodes Adora's self worth, and causes her great emotional pain throughout the series. Catra, instead, believes she is being told she has no worth, and isn't even allowed to make her own decisions. It's hurtful, and it's part of why she tensed so badly at Adora for trying to tell her what to do earlier. We see this realization cross young Catra's face: she feels forgotten in this moment.
We see the young girls walking away from SW's chamber, Adora with her hand around Catra's shoulder. This comfort is not enough... Catra really needed Adora to stand up for her there, to come clean, and she didn't. Trying to comfort her now seems hollow. As they flash to their present selves, Catra knocks Adora's arm aside in frustration, accusing her of needing to play the hero.
Adora responds, saying she was only trying to protect her. Catra's next words tell the real truth of their childhood: "You never protected me! Not in any way that would put you on SW's bad side!" Adora at first chafes at this statement, feeling like she did try to protect her, then crosses over to confusion at the strength of Catra's assertion. Catra is telling Adora she was blind to her pain. She wasn't there for her, and this is very much at the core of Catra's disappointment with Adora: the fact that she never stayed, never tried to understand. Adora let SW control her, make her ambitious, and so Catra was put to the side of that, and over time Adora grew apart from her. Catra’s exact words here are important: she says that Adora ‘plays’ at being the hero, yet always seemingly protected her status as the favorite, never standing up to SW and risking harm onto herself in order to save Catra from pain.
And so, the fact that out of seemingly out of nowhere, Adora decides to risk everything and defect in order to fight for people she doesn't even know, insults Catra. Adora abandons and consequently fights against her own people, leaving Catra behind, unilaterally treating her as an enemy. Never, in their whole lives, did Adora ever fight for Catra, only offering affection afterwards to make up for the cruelties that happened to Catra. So no, Catra doesn't want Adora to save her, or her sympathy, when she seemingly cared so little about her pain. Adora was no hero to her.
Now an obvious question might be: if the manipulation is that Adora is supposed to protect and control Catra, then shouldn't she have had to see SW abuse Catra for it to work? The first part of the answer is that it was never really about that, once the idea was put in Adora’s head, SW used it to manipulate her further into a mentality where Adora would accept praise, promotion on her path to becoming a force captain.
The other is that when someone is being hurt like Catra was in that moment... if the one person in the world who is supposed to get it doesn't get it... then it becomes very hard to ever bring it up to them again. It's a specific type of hurt and abandonment: for Catra, she goes on to believe that this is her burden, that somehow she alone is supposed to learn these hard lessons. And so she doesn't tell Adora about the abuse. Also, keep in mind that they are small children, and Catra doesn't want Adora to hurt like she does... so she's actually protecting her, in her mind. But the fact that time goes by and Adora never seemed to care, to stop and see Catra's pain, was very hurtful to her. And Catra’s feelings of betrayal at Adora’s not seeing the hurt are justified: in episode 1, we see Adora watch SW menace Catra, then happily run off to accept her promotion, only remembering to check on Catra as an afterthought. Catra needed Adora's support, and never really got it.
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[pic caption: (left to right) Adora’s apparent willful ignorance of the abuse.]
So Catra believes she learns these hard lessons so Adora won't have to, but is left alone in her pain. This also means that SW specifically abused Catra at times and in places so Adora wouldn't be aware, which again, tells us it was never really about making Adora responsible for Catra's decisions. No, the reasons were much darker, and Catra bore it all alone.
The girls flash to their younger selves, and Catra accuses Adora: "Admit it, you love being her favorite." Catra is telling Adora that she was disappointed and hurt that Adora kept accepting praise and privilege from SW, after that moment when she so clearly should have seen how SW abused her, and the maliciousness of the death threat. In Catra’s mind, Adora could have rejected SW. As painful as it is for a small child to be without any parents, it would have been the right thing to do, for Catra. SW was no good to Catra, and they could have shared the pain of being orphans who only had each other, but instead Catra ended up bearing all of the abuse while Adora was given privilege.
Adora denies this assertion, and yet she did accept the privilege SW offered her. Catra's next words show how ignorant Adora was to the realities of their lives as they flash back to their present selves: "Oh yeah? When you left, who do you think took the fall for you? Who was protecting me then ?" Catra bore all the abuse and punishment for Adora's leaving, and Adora wasn't there to see it. Catra did this bravely for Adora, in fact, up until before Princesse Prom, Catra did everything she could to cover for Adora, just like she asked, protecting her, hoping she'd come back to her. But Adora shows no understanding at all for what Catra went through, she didn't even think about what must have been happening to her. Adora has never taken the time to think about how her actions affect Catra's life.
Adora counters, suggesting that Catra could leave the Horde, and therefore get away from SW's abuse. Catra just glares back at her, disappointed. Catra knows running from the abuse won't solve anything.
::What this comes down to is a totally different understanding of the world. For Adora, she thinks she became a hero for leaving the Horde, and becoming She-ra. She doesn't realize she was lucky to fall into the situation she did, with Bow and Glimmer helping her gain acceptance and protecting her. She's totally unaware that the reality that her becoming She-ra is a manipulation born out of evil intent. For Catra, she's always known that the world is harsh, and that bad people exist who will try to destroy you. She's not afraid to fight, she's had no choice learning these harsh truths. It's a jaded view that negatively affects her perceptions of people, but it prepares her for the worst, and so she relies on it. So when Adora suggests she run from it, she rejects her as naive. They flash back to their younger selves after Adora suggests Catra can leave like she did, and Catra accusingly points out that she doesn't need to follow Adora around. That they're children is relevant to the previous memory where Adora led Catra into danger, and then didn't protect her. Catra isn't interested in following Adora blindly after she's put her in danger so badly in the past.
Flashing back present selves, Catra tells Adora she doesn't want to leave. As she says this her face conveys her anger at the world, her drive to face SW instead of flee. She says "I'm not afraid of SW anymore, and I'm a better force captain than you ever would have been." Let's take this in parts: Catra won't run from her abuser, she's already planning to take her down. Doing so is important to Catra, as it fixes her world in an important way. And that Adora can't see this just shows how far apart they are now. In Catra's mind, Adora was supposed to stay, and as they rose to power together, they would have supplanted SW, fixing Catra's world. The two of them would have been stronger in the end. But Adora did leave, so Catra impatiently tries to get Adora to see that she won't just run away. If Adora doesn't want to help Catra overcome this evil, then she'll do it on her own.
Her disappointment in Adora for abandoning this fight is apparent, what comes to mind is when Catra calls Adora weak in the Sea Gate episode. And now Catra knows she's got the power to do this, she's a force captain, and if she can just find a reason to depose SW she knows she has the station and fighting ability to take her down. She always knew she could lead, but was happy to let Adora have success because she really didn't want that responsibility. So she points out her superiority, not to show that she's better than Adora, but to tell Adora she was blind to Catra's worth, and to be hurtful to Adora for abandoning her.
They flash back to their child selves: Adora looks at Catra, hurt and confused "You always said you didn't care about things like that." Adora is feeling hurt by the idea that she was unknowingly taking advantage of Catra, because Catra has seemily just told her she was lying.
Now, this next part is important, and it's important that we are seeing Catra's reaction as her child self: Catra looks sad and lonely as Adora finishes her question, and she's crying. Something adult Catra would never let herself do. So we're seeing a much more authentic expression of Catra's hurt and emotions than if it were her present self. What you need to understand here is that those emotions don't really match her words... Catra tells her "Well I was lying, obviously!" But her face says she's angry and hurt at Adora for not seeing her pain.
As she delivers those words her face is full of accusation and insult, she's being dramatic, something we will see Catra do time and time again. She stares down Adora, eyes scrunched up, showing Adora how betrayed she felt by her insensitivity. Then we get sadness, disappointment. Finally, we get a lonely kind of furious sorrow: all that time feeling alone and Adora didn't bother to understand is written on her face.
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The tears are still flowing, but as she turns away they shift back to their present selves. Adult Catra looks totally alone, heartbroken.
Ok but how we REALLY know Catra isn't telling the truth is this: almost word for word, this moment exists in episode 1. ANY time you see that happen in this show, you need to look back to find the meaning of it.
>We will need to look in totality of this scene in episode 1: An excited Catra pounces on Adora, asking her what SW said. She sees the badge and takes it. Here's a funny thing, because we see Catra jump on Adora you might think Catra is always like this, she just comes into Adora's space as she pleases. But once Catra has the badge, we see no anger or jealousy. Just total wonder. She shows nothing but exuberation and happiness for Adora's promotion (pic 1, lower left fyi).
Catra knew this could be the turning point she's been waiting for, that Adora was due for promotion. And so she's jumping all over Adora, full of joy. We only see her attitude change once Adora tells her SW isn't letting her go on missions. And so, we can infer a lot of information from this...
Catra expected this moment to change their lives for the better. That Adora's rising in rank means freedom, the beginning of something new. Some many new things, in Catra's case. But Catra definitively shows us in this scene that she doesn't desire the success for herself. She only shows happiness for Adora, for them together, and she's ecstatic. (pic 1, fyi)
This, in Catra's mind, probably means the start of their romantic lives. If Adora is the force captain that brings them to victory, SW won't be able to just trample all over their lives. Catra can begin letting down some walls, maybe even let Adora pursue her romantically. If they're together, and Adora is on her side because of that, she becomes safe from her abuser. It's a much better outcome than trying to fight SW, but that's not how the story goes. No, Adora leaves her instead. How's that for emotional whiplash? All of these truths are laid bare in s3ep5, when we see Catra's perfect reality, when she and Adora are together romantically. Catra only wants to be safe and to be loved, but when Adora leaves her she loses trust in the goodness of Adora, and in people in general.
> Adora tells Catra she shouldn't be surprised she's been cut of of the mission because she's so rude to SW, to which Catra responds by calling Adora a people pleaser, then storming off in anger...
::Note, as this is important: Adora is taking SW’s side, and not Catra’s, which is entirely opposite of their early childhood memory of Octavia. It shows how Adora had started listening to the negative judgements others placed on Catra...
>Adora goes after Catra, finding her sulking on the roof. Catra is angry, betrayed by the world, at the injustice that SW is in her life. Adora asks "I didn't even think you wanted to be a force captain?" Catra tossed the badge at her, saying she doesn't. Then she folds her body up, holding herself. Adora sees this, but doesn't touch her. She's being careful to respect Catra's boundaries. But the anger Catra feels here isn't about being denied the chance to be a force captain, it's at all the hurt that SW has dealt her and continues to do so. And Adora doesn't see that, which disappoints Catra. But, she's unable to verbalize it herself, she is too insecure in her emotional vulnerability, so she lets it slide.
What we have here is two different instances of the same question with two different answers, but in both cases Catra is telling the truth. In episode 1, it's the truth that she doesn't care about being a force captain because of her love for Adora, and the promise, in her mind, that they will eventually be together. In episode 11, Catra then says she lied, and this now is also true: Catra did think about what she was going through, all the pain and sacrifices she made for Adora, which were done in the name of love. But Adora doesn't love her the way that Catra loves Adora, instead leaving her behind. And so now that Adora didn't ever see how excellent a person Catra actually was, how dedicated to her she is, and the pain she was willing to bear for her sake, it does matter. Because that's shitty of her, and so now Catra will survive on her own by her own excellence, her strength that Adora never stopped to see. So Catra is guilting Adora, trying to make her see how blind and unfeeling she is.
>Back to ep11: Catra tries to walk away from Adora, who desperately chases her, trying to understand why Catra is becoming so distant, wanting her to tell her what's wrong. She reaches out for Catra's shoulder in one last attempt to get Catra to talk, she knows touching Catra could maybe get her to be more open. But the truth is Adora has been far too easy on Catra, she needs to be more forceful if she wants Catra to talk, which she later comes to understand... she's been coddling Catra, and so Catra is allowed to wallow in her unhealthy mental states.
Catra takes Adora's hand, forcefully holding it away from her and delivering a hurtful line: "Why do you think I gave the sword back to you in the fright zone? I didn't WANT you to come back, Adora!" This hits Adora like a load of bricks, her dismay is evident. And it's all true, which is the sad part. Catra was already preparing to cut ties with Adora, as even by that point she had come to a realization, a decision: if Adora doesn't want to be with her, then she'll do it herself. She will do the hard things on her own.
She turns away from Adora, looking hurt and betrayed. And Adora is at a complete loss, she doesn't know this side of Catra, this part of her that has survived hardship all these years... she lets her leave, not knowing what to do.
Adora is then attacked by the security, which takes up her time. As that happens, we see memories only shown to Catra. Catra runs, emotionally overwhelmed as all the unfair judgements, the abuse, and hollow apologies ring out around her. All the years of frustration and sadness weigh on her, she tries to keep it together, lashing out at the holograms. She falls to her knees, fighting back emotion and trying not to cry, her inner, vulnerable self is near the surface, and she's trying not to break down in tears over all of the hurt she's had to bear...
… and then she hears soft crying...
She turns to see her younger, tiny self, crying. Then, a tiny Adora joins the tiny Catra. Unlike the other memories, Catra never flashes into her younger self, she just watches...
The tiny Adora pulls the blanket down, Catra hisses at her... Adora sits down next to her tenderly. And we finally get the promise, the two parts that Adora has so tragically broke...
Adora tells her "It doesn't matter what they do to us, you know? You look out for me, and I look out for you... nothing really bad can happen as long as we have each other." The tiny Catra looks at Adora, wanting to trust her, to believe in her. As she says the question, present Catra echos it: "You promise ?" This was a sacred moment that gave Catra hope as a young orphan, that maybe she would be ok.
And so, the present Catra echoes it. Adora tells her she promises, as the skeptical present Catra looks on. Tiny Catra is still sad, insecure... she hugs Adora, needing this. Adora suggests they go back out to play... and we see tiny Catra look at her, still afraid, reluctant, wanting to stay. But she decides to trust Adora, and so they walk out, holding hands. Then something unique happens. Tiny Catra stops to look up at her present self: note, this is entirely a unique moment in the simulation, it never happened in reality... and yet Catra is given this moment...
The innocent child stares up Catra, making her see her. It's a look full of meaning, it doesn't carry any specific emotion... only innocence. Catra is having an inner child moment. That most deep and innocent part of her, her vulnerable self who feels love, is communicating with her. It's asking her to see it's vulnerability, and it's pain. Catra sees this, all of the pain Adora has caused her, the breaking of the promise, the promise that this innocent part of her was holding on to desperately with hope. She is forced to acknowledge Adora's disloyalty to her, her carelessness. Catra is reflecting on how she did her absolute best to keep that promise, even after Adora failed to look out for her in SW's chamber. Catra was so loyal and so good to Adora all of their lives; she made sure Adora had a good life, and she played by SW's rules so Adora could be the chosen one, wanting to protect her. All in the hope that they would be together, and that their love was real. But Adora couldn't even do that much, she left her. And Adora doesn't understand her, she doesn't even seem to miss her.
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[pic 9: Broken Promises, Catra’s inner child, The Hero goes Her Own Way].
Present Catra watches her tiny self leave, coming to the tough realization: that she's never been able to trust Adora, not really. Her love isn't reciprocated, not by her standards.
…. which makes Adora a deeply unsafe person to Catra...
Catra survived SW's abuse, learning to believe in herself, protect herself because no one else would. All while keeping this hope of love in her heart, this vulnerable core of herself that has tenderness and loves Adora, and needs love back. But, her need for love goes to such a deep vulnerability that giving in to it and then again being rejected or forgotten by Adora would simply destroy her. SW held the threat of death over Catra’s head her entire life, and Catra resisted it, got through it by being tough and trusting in herself. So now she sees she can't trust Adora: everything that happened since she left her behind, the fact that Adora always treats her as an enemy, that she seems to show no lingering desire for her, and doesn't even seem to miss her while replacing her with new friends, seems to confirm her worst fears. Fears that have been building over the years, starting when Adora broke their promise in SW's chamber, and then as Adora pursued her success while accepting praise and privilege from SW, ignoring the abuse Catra bore because of it. She decides she can't trust Adora. Love is a lie, a weakness. A weakness that could destroy her last bit of individuality, and belief in the world.
And so, Catra, The Survivor, makes the decision... in her mind it's the brave one, just like way back when and she decided to bravely stand up to SW's abuse and not let it destroy her: she will stand up to the threat that is the weakness of her love for Adora. Adora is selfish, she doesn't deserve Catra's love. She was stupid to believe that love was even possible, for someone like her… who has always been ignored, and told she is unworthy of praise or even existence. There's only one thing left for her to do: she will be alone, strong on her own, for herself.
Her gaze hardens... that part of her that has made sure she survived SW's abuse, and made sure she won fights when she was threatened, is now the decider. It will protect her from her vulnerability, and reject Adora for her. I suppose you might be confused as to what I'm referring, or maybe not... If you haven't had to fight for your life, whether physically, mentally, or otherwise, you might not know this side of yourself well. But we all have it, it's The Survivor. And while I knew mine would protect me, I didn't accept it as my real self, I didn't accept its necessary but vicious deeds as my own. This is very much how Catra is, and as the series goes on she puts this survivor in charge of more and more decisions, we watch her deteriorate as this part of her gets out of control, protecting her from darkness with more darkness. All the while her vulnerable inner self suffers, watching the horrible deeds and becoming more and more alone, desperate for affection.
>Adora is outnumbered, eventually ending up hanging from the cliff's edge by spider webs. She hears Catra return, dealing with the spiders. Adora looks up, hopeful because Catra has returned...
Catra saunters in. Let me say a few things before we go through this part: Catra is about to say a lot of things that aren't really true. They are instead meant to be hurtful to Adora, Catra is being intentionally mean. We shouldn't take her exact words as her authentic beliefs, because they're not... no, Catra is doing what she believes she has to so she can be apart for Adora, and be safe from her. The truth is, Catra needs to be away from Adora. She's too scared of the vulnerability that is her love for Adora, because Adora hasn't shown her that she cares. And she can't do that by defecting, no, she must stay with the Horde. It's the only thing she feels there is left for her to do.
Now, let's go through this: and heads up: I'm getting at something very powerful that's going on here that you may not have realized. This speech is, in fact, a heroic moment. A heroic moment... for Catra. Not Adora, for Catra. And you just need to open your ears to hear it...
"Hey Adora."
🎶 is sad
"Catra! Help me, please!"
"This thing wouldn't work for me if I tried, would it? It only works for you... then again, you're special... that's what Shadow Weaver always said..."
🎶 is melancholy
"Catra, what are you doing??"
"Ah, ya know, it all makes sense now... you've always been the one holding me back... you wanted me to think I needed you, you wanted me to feel weak."
🎶 has even tone
"Every hero needs a sidekick, right?"
"Catra that's not how it was.."
🎶 rises, falls, sad (“Promise” begins playing)
*Catra chuckles* "The sad thing is I've spent all this time hoping you'd come back to the Horde... when really you leaving was the best thing that EVER happened to me..."
🎶 lowers, is dark, is dramatic. -Note: we see Catra seemingly become deranged as she says this line. This is Catra deceiving herself out of perceived necessity.
"I am so much stronger than anyone... ever... thought." *she cuts part of the web*
🎶 begins to rise, uplifting
"I wonder what I could have been if I'd gotten rid of you sooner." *she cuts the rest of the web, Adora falls, catching herself*
🎶 rises, is dramatic
"I'm sorry! I never meant to make you feel like you were second best. Please, don't do this."
🎶 is still rising, uplifting
*Catra stands proudly, nobly, looking at the sword. She looks down at Adora, then she casually tosses the sword past her...
🎶 is rising, hopeful, heroic.
"Bye Adora, I really am going to miss you..."
🎶 is heroic, violins now playing, adding depth
*Catra turns and walks away from Adora, proudly*
🎶 has risen to its height, crests, is heroic.
"Catra... Catra, no!!"
🎶 remains high, cresting, heroic
*Adora cries, sad, confused by Catra's leaving her...*
🎶 crests again, fades out...
Ok, so... let's talk about what just happened here. The undeniable conclusion is that this was meant to be a heroic moment, and a damn heroic moment... for Catra. The writers are telling us that Catra leaving is an important part of her hero’s journey, and that it was the right thing to do. You might be wondering, how can that be? The short answer is, Catra is on a hero’s journey unlike all the other hero’s journeys normally portrayed in fiction. All of it, even her darkest deeds, all her cruelty towards Adora, will be part of a very... important... and powerful... journey. One which will forge her into a hero in this series, in her own incredible right... how this is, what she is, is yet to be revealed... but make no mistake, she's a hero. Just not the one you expect…
We see Adora open her eyes, and see Light Hope. She tells Adora to let go. She means of her emotional attachments, as we find out. Adora cries for her lost Catra, that she couldn't bring her back to her. She lets go...
BIG ASSERTION TIME: Now, I know it's a common theory that these memories were all just an elaborate manipulation by Light Hope to divide the girls from each other, but I don't agree with that. No, I believe this was a memory journey guided by Catra, subconsciously, to help her tell Adora why she couldn't come with her, why she has to be apart.
Take for instance the memories and visions that Adora sees when she's on her way to the Heart of Etheria in season 5: this system exists apart from Light Hope, who dies at the end for season 4. This simulation comes from somewhere more primal: in my belief, it is the deep magic of Etheria being visualized through the First One's tech. We see the simulation show Catra the promise memory, something Adora isn't shown at all, and then allows her to see her inner child's hurt. Something deeper is going on here, and you should consider how strongly the magic of Etheria is resonating with Catra when it does. Because the magic of Etheria will again speak directly to Catra, this isn't the last time... In short, the magic helps the two of them to understand each other, because Catra is an important part of Adora's true She-ra journey.
I also believe that a theme of this series is that abusers, like L. Hope, are not perfect vindictive manipulators. They are flawed, and L. Hope in particular, I believe, is no genius: she fails time and time again. That L. Hope uses the moment to get Adora to let go is her using the moment to her advantage, she didn't play ultimate control over it. She just piggy backed on Catra's hurt to do it. So that last memory really was for Catra... Furthermore, I simply cannot believe L.Hope would understand the concept of the inner child… as she can't even understand sarcasm.
But now, because of this, Adora now knows of Catra's pain... and this is the beginning of Adora's long journey back to Catra, of her repairing their bond…
Let's address the obvious counterpoint: Adora now knows that Catra is hurt, but she doesn't yet understand why. And it's not really her fault, as Catra doesn't know how to talk about her feelings, among other things. But it's apparent that Adora doesn't remember these crucial memories as well as Catra does, even though they were critical in her development as well. Adora is a mess of emotions, just like Catra, and (if) she has ADHD, it might be one reason why she doesn't really get Catra. Especially if her parental figure has been manipulating it against her. Adora very much vibrates between stimuli anxiously, so SW might have made her forgetful by distraction over time. Also, the way in which Adora treats Catra as an enemy when she doesn't accept Adora’s (totally rushed, afterthought, and hollow) ultimatum that she defect with her, is a reflection of Adora's ingrained Horde war training… this is something she has to unlearn, as it is wrong. But Adora is a good person, she really, truely, is, because Adora never stops trying to make it better. And so, she slowly, but surely, comes to understand Catra’s trauma.
We get one last scene of Catra returning to the fright zone. We get to see Catra's truth here: She walks, as if she's not even there, she's deadened by the sorrow and the inevitability of what her life will now be: one of hard work, and zero joy. She will try her best to stand on her own, and put Adora out of her heart, slamming its doors shut against love. It doesn't work, but that's what she's trying to do, nonetheless. This is the beginning of a profound depression that builds over the next 3 seasons, and combined with new traumas, nearly takes her life.
But the tech Catra has brought back will end up giving her what she needs to face down and depose SW, just like she needed...
::Here is another complicated twist that's so essential to She-ra as a series: Catra, in fact, protects Adora by taking down SW. Catra may go on to command the Hordes forces so effectively that it pushes the Princess alliance harder than it's ever been pushed before, but her deposing SW is extremely important in the story. She both removes SW’s ability to attack Adora, and then denies her any sorcerous power by taking the Black Garnet from her, since SW needs an external source to draw power from in order to use her vampiric powers...
Ok so more theory time: it's a common belief that Catra stays with the Horde, and goes on to try to conquer the world out of some deep need to externally validate herself, and to prove she was the better child by beating Adora. I don't think any of these explanations are true. Catra may go on to play such a character on a surface level, but every time she professes to have any such ambitions, she is either in the presence of Adora, or under incredible stress. In the one case, she's saying those things to try to hurt Adora, and make her see how naive and foolish Adora always was, especially now that Adora thinks she can fight against her.
In the other case, it's actually her survivor mechanism trying to take over, to make her world safe. In every case where Catra says something about ambition, somewhere in that scene, Catra shows the distinct emotions of her true inner self: generally, these emotions are sorrow, fear, and loneliness. They don't exist on screen long, they are what is known as micro expressions. (See below for a short discussion of Catra’s micro expressions.)
To put it simply, the only reason Catra stays with the Horde is so she has somewhere she can be separate from her feelings and heartbreak over Adora, and then she climbs the ranks in order to find safety, first from SW, and then Hordak, once he threatens her life with his temper tantrums. That she fights against Adora is just a collateral consequence, she isn't out to get Adora, but nor does she care if Adora gets hurt, because she’s hurt her. Catra does fight against the princesses, though (including She-ra).
A core feature of Catra's character is indeed one of personal power. She's a person who is told to hurry up and die at an early age, but refused to do so. So her arc, her issue, isn't a cautionary tale about chasing validation, it's about her overcoming her fear of vulnerability and allowing herself to rely on others in a way that lets her be safe without needing to combat the darkness with more darkness. But vulnerability scares her because of the abuse she experienced.
As for validation, the only person she would want that from is Adora. This is because Catra believes in herself already: that she has a sacred right to exist, no matter what SW and others may tell her (note: Adora struggles with this, she's actually the one who seeks validation). But, she also needs love, and she is too fearful that Adora doesn't really love her and is afraid of being hurt by that. It's also why I think she's so chaotic towards Adora: her inner child tells her adult self to protect her from her love for Adora, which it tries to do, but that same child misses and needs Adora in so many ways. So she's trying to be mean to compensate for the incredible desire she feels towards Adora. I love it when Adora calls her a brat in season 5, it's such a well deserved line, mmhhmmm.
Actual discussions of how these particulars play out in the show are better left for another time, but there you have it.
Promise sidebar discussions: Catra’s micro expressions; Catra nearly dies at the Battle of Bright Moon
“White Out” microexpression discussion: [see pics below] This is the first time since the Battle of Bright Moon that Catra and Adora meet. So it's a good time to talk about Catra’s micro expressions. Picture 1: Adora says “Hey, Catra” out of the blue and Catra is completely blindsided, she figured she wouldn't be bothered out in the middle of nowhere. She's anxious and unhappy to be seeing Adora. Along with her suspicious absence the episode before in “Roll With It”, the answer is obvious: Catra has been avoiding Adora. She may have cut ties with her in “Promise”, nearly bested her at the Battle of BM, but she doesn't want to see her. She doesn't know what she feels about her.
Picture 2: Enraged monsters are decimating the base, and a battle breaks out over the corrupted disc. Catra is desperately trying to protect it, because she can control Adora if she has it... and she needs this chance to have her back. As Catra reaches to pick it up, she's facing away from everyone and so no one can see her desperation and sadness from missing Adora. (pic 2) Shortly after, we also see her clutch the disc desperately to her chest in a way that's very endearing, right before the monster attacks her and makes her drop it. Then, as she's about to die in its jaws because she doesn't want to give Adora up again, Scorpia breaks the disc and saves her life. We see in this episode as Catra completely loses track of her emotions, and now realizes she has to come to terms with the fact that she's so desperately sad from missing Adora, she was willing to die just for a chance to have her back.
Pic 3: Catra hates working for the Horde. She HATES it. She gets zero joy from the job, and she’s already figured out that Hordak will kill her if she screws up too badly. She didn't want this job, plain and simple, but now feels stuck with it. None of this is the life she wanted. Combining this knowledge against Catra’s declaration to Adora at the end of Promise, we know she's not happy that she had to go her own way...
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Catra’s near death experience at the Battle of Bright Moon
At the Battle of Bright Moon, Catra leads Adora (She-ra) away. They battle, but then Catra retreats and instead starts listing out every single worst fear of failure she thinks Adora has. It's a dark moment, she's acting much like SW did to them as children, and we watch her manipulation take root in Adora. Finally, her words are too much, and as Catra looks down at Adora's (She-ra's) back, we see Adora become deranged, overcome with her fear of failing everyone... (pic1, above) she picks up a boulder and throws it directly at Catra. Catra is knocked flying, and only by the barest of margins does she keep from falling to her death. Adora nearly kills Catra. And so, as Adora drags Catra up from the cliff and slams her into the wall, we see a totally heartbroken and emotionally crushed Catra. In this moment, Catra believes all of her worst fears are confirmed: Adora only cares about being She-ra, so much so that Adora would kill her in the name of being that hero. Catra uses this moment, this belief, to justify her division from Adora. Sadly, she's wrong... she's ignoring the seriousness of the threat that the battle poses, and as Adora was facing away from her during that moment, she doesn't see the terror and desperation Adora experiences due to her cruel words…
Oh, and one more thing before we go: when Catra says “What, did you really think this was about you ?” SPOILER ALERT: It was. Because She-ra is one big Catradora story… and we love it.
As always, thanks for reading. <3
~EtheriaDearie
P.S. :: as I am new to tumblr, if you enjoyed reading this, please consider giving me a reblogg! Thanks!! 🙇💛
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-Title: Flower Crowns
Rating: G
Summary: Half lost on his walk, Leon finds a frustrated Piers attempting to weave flowers together.
Ships: Leon x Piers
Content Warnings: N/A
----
What a wonderful day for a walk. The sun shone over the yellow-green of the land. Not a single cloud floated across the blue sky. Flowers swayed in a gentle breeze. Rookidie chattered in the trees as bug pokemon skittered along the ground.
Simply a wonderful day outside of...Well, Leon didn't know exactly where he was, but he was at least sixty percent sure he was outside of Hulsbury. Or maybe Tuffield? He was on one side of the Northern Wild Areas.
Probably.
He stretched his arms up. His jacket sleeves rolled down to his elbows. The worn blue jacket had been his grandfather's and was still a little too big for him, even now that he was an adult, but it was comfortable and warm enough for spring days. He kept it with him when he wanted to go incognito since it wasn’t as distinguishable as his sponsor cape.
He could use more days off like this, more calming walks in nature with nothing but the plants, wild pokemon, and--
"Oh, c'mon!"
Leon jumped, nearly knocking his hat from his head.
Who was that?
He titled his head, listening. Someone swore up a storm not too far away. Half in an attempt to help, and half to seek confirmation of his location, Leon followed the colorful language over a small hill to its source.
Amongst a field of wildflowers and tall grass, someone kicked at the dirt. Grass, flowers, and dirt sprayed into the air.
"And you’re no help, you piece of--!" They spun around, throwing something.
Leon ducked just in time to avoid coming face to screen with a cellphone. The phone landed with a dull thud in the grass behind his feet.
Regret welled up in Leon's stomach. Maybe he should have just called the Pokemon League and asked them for help getting home. This person seemed too upset, and Leon interrupting their rage would just make them angrier, won't it?
"Champion Leon?"
Leon jumped at the sound of his name. Taking his gaze off the phone on the ground, he looked towards the phone's owner.
The gym leader of Spikemuth winced.
"Sorry 'bout that, mate." Piers raised his hands, palms facing forward as if he expected Leon to throw something back at him.
Leon shook his head, both to shake off his shock as well as to placate Piers. He picked up the phone.
"It's nothing to worry about," He reassured, wiping the screen on his jacket sleeve. On the screen, some sort of brightly colored webpage stared back at Leon. In a curling font, the header read 'Just A Unovan Country Gal' with 'recipes, DIYs, and patterns for good old girls' written underneath.
Deciding not to ask about the site, he pressed the power button as he passed the phone back, darkening the screen. Piers put the phone in his pocket. He hadn’t noticed Leon staring at the screen or didn’t acknowledge he knew Leon saw it, at least.
"You're lost, aren’t you?" Piers didn't hesitate to ask.
"What? Of course not. I know where I am," Leon lied, unsure why he did. Everyone in the Pokemon League knew he was terrible with directions. Every gym leader had to come to find and escort him to their gym at some point or another, including Piers.
"If you need help gettin' home, I can take you,'' Piers offered. "I'm done with...I'm done for today."
"Done with what?" Leon couldn't help but venture. The Unovain website flashed in his mind’s eye.
He couldn't figure why Piers of all people would be in a wildflower field in the middle of the day so far from Spikemuth. Was he picking flowers for a special someone? Searching for a certain pokemon? Training his team? Did it have to do with the website he had open on his phone?
Piers wrinkled his nose. "None of your business."
It was Leon's turn to hold up his hands. "Sorry." He took a few steps past Piers. "Didn't mean to pry. I'll leave you to it if you can point me toward Hulsbury."
Piers eyed him up and down, slowly, calculatingly. A shiver ran up Leon's back. Why did his stomach twist into knots? It wasn't like Piers planned on stabbing him.
With a heavy sigh, Piers pinched Leon's jacket between his fingers, stopping him from wandering off.
"Flower crown," he muttered, refusing to look at him.
"What?"
"Flower. Crown. I was trying to make a flower crown." Piers took his hand away to run it through his thick bangs, pushing them back away from his face. A tinge of pink blush dusted his face.
Leon bit the inside of his cheek to keep a laugh in. Flower crowns? Piers was the least likely person to be making flower crowns. Leon tried to imagine the dark-type gym leader with a ring of wild daisies and dandelions around his head but only succeeded in a snort of amusement at the idea.
Piers glowered and raised his hand. All of his nails had a sheen of shiny black paint, except for the middle one lifted at Leon, which was a matte white.
"If I left you out here, you would die of exposure before you found your way back."
Leon covered his mouth before another snort could make its way out.
"Sorry, sorry, but..." He took a breath, "why do you need a flower crown? It doesn't much match your..." he gestured to Piers’ punk, monochromatic outfit, “aesthetic.”
"It isn't for me," Piers snapped. "It's for Marnie, my sister. She wants one, not me."
Leon wasn't sure he'd ever actually met Piers' sister. He rarely went to Spikemuth, and when he did, he just stopped by the gym to deliver papers to Piers and get out. Had he ever even seen Piers’ sister before? She was about Hop's age, he knew that, but he couldn't remember if she was a little older or a little younger.
"Oh, of course. That makes sense," Leon said. "That's nice of you to make her one."
Piers searched his face for any sign of insincerity. Leon flashed him his champion smile. Whether that helped or not, he didn’t know.
Piers snorted. More to himself than Leon, he muttered, "It'd be nicer if I knew how to make one. Stupid website wasn’t any help..."
At this, Leon finally took a gander around. Most of the flowers had been plucked in the immediate area. They either sat in a pile or as parts of what Leon could only assume were attempts at flower crowns.
He knelt and picked a crown up, holding it carefully. Yellow daisies made up the crown. Each daisy had a slit cut in the stem with the next daisy slipped through until the end where the last stem was tied to the first. It was crude and the spacing of the flowers uneven, but not the worst flower crown Leon had ever seen.
Before Leon could look closer, Piers snatched the crown out of his hands. Pale yellow petals fell to the ground.
He glared, the tips of his ears burning red. “Making flower crowns isn’t a life skill they teach you in school, you know.”
Leon tilted his head to the side then asked, "Do you want help?"
"Help?" Piers tossed the crown into the tall grass. "You know how to make them?"
Leon nodded. "I grew up in Postwick." He fell back to his bottom. "Everyone knew how to make a proper crown." His lips twitched up into a smile. "I remember chasing down a wooloo to stop it from eating the crown I'd just given it."
He took a few daisies from the pile next to him. It took mere seconds for his fingers to remember the motion of wrapping stem over stem.
"Silly thing was someone's prized wooloo, and the farmer spoiled it rotten," Leon continued, occasionally looking down at his hands, "so when it saw me coming towards it with a handful of flowers, it thought it was getting a treat."
He laughed at the memory. He couldn’t have been more than seven or eight at the time. His mother still brought it up when she wanted to embarrass him in front of guests.
“I remember looking out the window and seeing my little boy, nearly in tears, shouting at a fat old wooloo.” She’d laugh. “Oh, he chased that thing for an hour trying to catch it!”
As Leon continued rambling, Piers watched his hands weave together daisies, dandelions, and corncockle. He sat back with his hands resting across his knees. He puffed his cheeks a little as he watched, breathing only through his nose. Whether he noticed he was doing it or not, Leon wasn't sure and didn't ask.
"And that's how I broke my arm for the first time," Leon finished, holding up the crown. He placed it on Piers' head where it sat unevenly on top of his ponytails. Leon beamed at Piers, proud of his work as if they were children playing in the fields of Postwick and not young adults.
Piers brushed his fingertips against the soft petals. He took a dandelion and a wild clover flower from one of the piles. With his face set in determination, he started to copy what he'd seen Leon doing. He wove together six flowers before tossing his hands in the air.
"What am I doing wrong?" He demanded.
Leon scooted until he sat next to Piers then took the crown to examine it. He nodded to himself. Without asking, Leon took Piers' hands in his own.
"You're doing it backward. See here?" Leon made Piers' thumb press against the first wrap in the crown. Instead of locking around the flower, the stem went behind it. A simple mistake for a first-time crown weaver to make.
Piers pulled his hands back.
"I think I got it." He took a meadows cranesbill and corncockle and began the wrap and lock method Leon showed him. He held up his attempt for inspection.
"That's it. Just keep doing that until it's long enough."
"This is going to take a while," Piers said, adding a daisy to the chain.
Leon shrugged sympathetically. "It might," he settled into a more comfortable, half-reclined position, "but it'll be fine. I'm here to help."
Piers paused and looked over at Leon, eyeing him once again. This time, however, Leon didn't feel a chill run up his back. Instead, heat crept up his cheeks at Piers' half smile towards.
Leon's pride wanted him to hold Piers' gaze as he would with any other gym leader, but he broke away to look at a patch of foxgloves in the distance.
"Thanks." Piers turned back to his project.
They sat in comfortable silence for a while before Piers held out a flower. Its stem was too short.
"D’you know what this is?" He asked, dropping the flower in Leon's lap.
Leon picked it up and spun it in between his fingers. Of course, he knew what it was, but he shrugged and pretended to think it over.
"Primrose, I think." He said. "My grandma kept some fancier varieties in the house when I was growing up."
The memory of cleaning up broken pots formed a smile on his face. Sonia and he landed themselves on his grandmother’s naughty list for killing her primroses, even if it was an accident.
Piers hummed. "I thought that's what it was. And this?"
Leon moved next to Piers. "That's a ragged robin. This is a cornflower. That's chicory." He continued pointing out the names of the flowers he knew, silently thanking his mother and grandparents for explaining all the wildflowers to him when he was a kid.
Of course, he didn't know them as well as Milo. He couldn't tell what medical uses dandelions had or how to make coffee from chicory, but Piers seemed impressed nonetheless with his botanical knowledge.
Leon picked up a flower from a failed crown attempt. He held it up, about to explain what it was, but Piers spoke first.
“That’s a wild violet.”
Leon slowly nodded. He was a little disappointed he didn’t get to explain it but shoved the feeling away. Of course, Piers would know such a common flower.
Piers smiled down at his work. “Marnie made me fill a whole basket with them once. She learnt you can cook with them.”
“Did you--cook with it, I mean?”
“Unfortunately.” Piers snorted. “I’ve had pot brownies that taste less like grass.” He paused, then added nonchalantly, “Before I was part of the league, of course.”
, Leon snorted a laugh to himself. That was a lie, he knew, but instead of remarking on it, he said, “Did you use the flowers or leaves?”
“Marnie baked them, not me. I just turned on the oven. I think she just put the whole plant in there, roots and all.” He laughed. “I’m going to have to tease her about that when I get home. Thanks for reminding me about that.”
Finally, Piers held up his crown. It was far from perfect, some of the flowers lost their petals and long stems stuck out at odd angles, but Piers held it out as if it were a royal crown. His expression wasn’t unlike how Leon’s mum said he looked when he finished making a crown for the spoiled wooloo.
"Wow, it looks great," Leon complimented.
Piers snorted with a smile. "For a first attempt, I guess." He looked at his flower crown, then at Leon, then back, before reaching up. He took hold of the bill of Leon's baseball cap. With a flick of the wrist, he tossed it off then replaced it with the crown.
He smiled at him. “You look like a prince, champ.” He teased before bending down and picking up the hat.
“I could say the same.”
The two shared a laugh and grins. Their fingers touched as Piers pushed the hat into Leon's hands. Leon wasn’t sure the touch was unintentional.
"It's getting late."
Leon looked up at the saturated orange-red sky.
"If you get me to Hulsbury, I can get a taxi home."
Piers chuckled and shook his head. "You really are lost, aren’t you? We're not too far outside the Spikemuth Tunnel, mate."
Leon dropped his hat. He held his head in his hands. The heat of embarrassment crept up his face. He had wandered farther off the beaten path than he thought. How did he even get so far away from where he started like this?
With a sympathetic smile, Piers put a hand on his shoulder and squeezed.
"How about I take you back to my place, as a thank you for teaching me this." He gestured to the crown on his head. "I'll cook you up a little somethin' then you can hitch a ride on a flying taxi back home."
Leon's heart skipped a beat. He swallowed the embarrassment down and smiled.
"That sounds great."
----
AN: I stopped writing this halfway through to go outside, find some flowers, and learn how to do this because the way I described Piers doing it is how I've always done it. XP It is a completely valid way to make flower chains don't get me wrong, but it doesn't look nearly as fancy.
Anyway, maybe a little too sugary sweet, but I wanted to write some short fluff and doggone it I did!
Check out @uas-art for more of my drawings.
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hi! if you're still taking Catradora/She-Ra prompts, i'd love to see your take on Catra making progress with her anger and PTSD but having a Bad Day, and how Adora and the others help her through it with love and support. thank you!
((this one gets kind of heavy. TW for slight self-harm))
Some days were fine. Great, even. Some days Catra woke up with a smile and went to bed with one, wrapped in Adora’s arms. Things weren’t perfect, of course. There were plenty of issues, especially between her and Adora. Confessing their love hadn’t fixed everything. But it had allowed them to fall back into some old habits, such as sharing a bed.
(Catra technically had a room next to Adora’s, but it didn’t get much use.)
Today was none of those things. Today was a wake up alone because Adora had to do something day. Today was a wake up with skin crawling and nerves itching and fur on end waiting for a danger that didn’t exist day. Today was a jump at the shadows day.
Today sucked the moment Catra opened her eyes.
Sometimes there were things that set Catra off - specific events or things that would remind her of the bad things. She hated the color green more than anything. A very specific shade of green. Sometimes, someone would say something that rang too close to something Shadow Weaver or Horde Prime had said. Sometimes, Scorpia would use her powers, and the sound would freeze Catra as effectively as Shadow Weaver ever had.
And sometimes it was just a bad day.
Of course, it was a meeting day. Catra couldn’t figure out when exactly she had started getting involved in the meetings. Glimmer had convinced the others that Catra’s strategic abilities would be good for for them; she was good at planning. She always had been. The same skills that had allowed her to make it so far as a Horde leader could be put to good use with rebuilding Etheria. And usually Catra was happy with that.
At that moment, however, she would have given anything to be anywhere other than this bright, exposed room at this stupid table surrounded by loud, chattering princesses. Adora slid in at the last moment, sitting beside Catra and grinning. Catra tried to return the smile. She wasn’t sure it was any good, but Adora was easy to fool. And Glimmer started the meeting as soon as Adora was there, saving Catra from any questioning.
Today’s topic was rebuilding routes between the kingdoms, especially the more far off places like Entrapta’s and Frosta’s. Catra did her best to pay attention, to figure out where she could contribute, but her mind was in other places. Her ears were twitching, knee bouncing, heart pounding. She wasn’t sure if she was anxious or angry or some weird mix of both. She had her claws pressed against her thighs, not breaking the skin, but sharp enough to keep her grounded. She stared at the map on the table without really seeing it. Any other day she probably would have had a dozen ideas.
Today it all ran together as her mind raced.
She tried the breathing exercises Perfuma had taught her, tried the stupid “five things I’m grateful for” thing that Scorpia had said always made her feel better. She tried to focus on Adora’s presence next to her, her constant anchor, her reminder she was safe, she was home. Nothing was working. Nothing was working. It was infuriating. She was safe, she was supposed to be happy, nothing had happened, so why did she feel like this?
She didn’t hear Adora say her name. She barely felt the brush of gentle fingers against her shoulder. But it was enough to jerk her back to reality. Anyone else might have ended up with their face cut open. But Adora had grown up with Catra. She recognized the way Catra’s fingers twitched, the way her muscles bunched, the way her arm drew back, ready to strike. Adora knew to jerk back as Catra lashed out.
It was terrible that part of her was grateful it was Adora.
Silence fell. Adora had her hands up in a placating gesture, expression gentle but concerned. Catra was vaguely aware she was starting to shake. She could feel everyone else staring at her. Judging her. There’s the Catra we all know, the wild animal who can’t control herself, can’t be trusted, it was only a matter of time-
“Hey. You okay?”
Damn it, why did Adora have to sound so fucking worried?
Catra shoved away from the table, muttering, “Can’t be here,” and hurried out before anyone stopped her. She didn’t really remember much of the walk, but somehow she was back at hers and Adora’s room. Melog slunk out from under the bed, mane shifting colors as he tried to figure out what Catra was feeling.
What’s wrong?
“I don’t know!”
She kicked the vanity chair, knocking it over, breathing heavily. “I don’t know, I don’t know what’s wrong, I don’t fucking know, I just - everything-”
She was definitely shaking now. Melog watched her, clearly discontent. You need to breathe.
“I know I need to breathe!”
Her hand was on the back of her neck now. She still remembered that empty, hollow peace she had felt under Prime’s control. It was the only time in her life she could remember not being angry. She hadn’t been happy by any means, but she had been... calm. Sedate. Things she had only ever felt in fleeting moments, there and gone before she had time to comprehend them. Now, after experiencing Prime’s warped version of those feelings, they felt like a cruel joke. How was she ever supposed to be calm without remembering that ship? How was she supposed to feel peace without wanting to disconnect herself in the process?
Melog collided with Catra, knocking her to the ground and very pointedly pinning her arm down. She was confused and annoyed for a moment before she felt something sticky and warm on the back of her neck. Her claws had started to dig in.
“What do you want from me?” The words were barely a whimper. Melog purred, nuzzling her cheek against hers.
That was the position Adora found them in a couple minutes later. She let herself into the room, noting the disturbed vanity chair but lack of any other destruction, which was good. Melog was sitting on Catra, which wasn’t good, and Adora saw the blood on her hands. She knew it wasn’t hers, and it probably wasn’t Melog’s, and no one had raised the alarm about Catra attacking them since she’d left the meeting, so...
Adora went to the bathroom and returned with the first-aid kit. Only then did Melog move, letting Catra sit up. She didn’t say anything as Adora settled behind her, cleaning up her neck. It wasn’t too deep, at least.
“What happened?” she asked as she worked.
“Nothing,” Catra muttered.
“Bad day.”
“No. Nothing happened.”
“That doesn’t mean you can’t have a bad day.” Catra hissed as Adora gently disinfected the wound. “I have them too, ya know. I wake up and everything just feels tense and on edge and like I’m waiting for something to happen even though there’s nothing that could happen.” Catra wilted slightly. She had never noticed that. “I usually punch it out. None of Perfuma’s breathing stuff works for me.”
She finished bandaging the wound, pressing a small kiss to it when she was done. “Can I hold you?” Catra nodded stiffly. Strong arms wrapped around her waist, pulling her in until her back was flush with Adora’s chest. Adora rested her forehead between Catra’s shoulder blades. “Has Bow ever told you about his dad?”
“No.”
“He fought in the war years ago, during the First Princess Alliance. He doesn’t like to talk much about it, but he... understands feeling this way, I guess. Bow’s dragged me there to see him a few times. There’s a lot of snacks and tea. It helps, though. There are actual words for these feelings, you know? Not just angry, because I know it’s more than that, but words that really describe it.”
Catra hesitated before asking, “Like what?”
“PTSD is the most important one, I think. It’s um...” Catra could feel Adora’s forehead wrinkling as she tried to think, “Post traumatic stress disorder,” she finally said, a hint of pride in her voice for remembering that. It was a lot. “It’s like your mind is stuck on the bad things that happened to you, and you can’t turn the thoughts off. Like your nightmares, or the way you panic when something reminds you of Horde Prime or Shadow Weaver.”
Something loosened in Catra’s chest, and a bit of tension eased from her body. “I’m not just broken?”
“Of course not.” Adora hugged her tighter, resting her chin on Catra’s shoulder. “You’re hurt. Just like I am. Just like George is. It’s okay. It’s normal.” She laughed. “It might be the only thing about us that’s normal.”
A small smile pulled at Catra’s lips. She finally relaxed against Adora, curling up. “You should come with me to see George some time. I think you’d like him.”
“Yeah?”
“Yeah. Also, they live in a giant library. You’ll definitely like that.”
The faint sound of bells hit Catra’s ears just as Glimmer appeared, holding a tray. “Don’t mind me, I’m not here,” she whispered loudly, setting the tray on the bed.
“You... are, though,” Adora pointed out.
“What’s that?”
Glimmer turned to them, smiling. “We kind of agreed that it’d be best to just let Adora talk to you but it kind of felt wrong not to do something, and Bow suggested snacks and... I’ve been teleporting across Etheria for the last hour trying to find everyone’s favorite comfort food.”
Catra blinked, surprised. “Everyone?”
“Yup! I’m not too sure about some of these things, but you know, your choice if you like them or not. Mermista swears dried seaweed is good. And Scorpia seemed pretty confident you’d like... I dunno, she called them the red ones.”
“Oh!” Adora perked up.
“Horde thing, got it.” Glimmer laughed. “Anyway, we’ll be down in the meeting room, let us know if you need anything.”
“Can you... thank them for me?” Catra asked hesitantly. “And thank you for doing all the legwork.”
“I’m an awesome friend, what can I say?” Glimmer feigned humbleness, but there was a genuine smile on her face as she disappeared again. Adora was pressing forward a bit, eyes on the tray.
“You want to see what she brought, don’t you?”
“Yes.”
Catra stood, taking Adora’s hand to pull her up as well, and they went to settle on the bed. “Bets on who suggested what?”
Adora examined the tray. “Cake, hot chocolate, and brownies is definitely Bow and Glimmer. Red bars are Scorpia, seaweed is Mermista.”
“Tiny foods are Entrapta. Snowflake cookies must be Frosta. Green stuff.”
“Perfuma,” they concluded in one voice, exchanging smiles.
“What do you think this is?” Catra asked, picking up a round piece of bread with a hole in the middle.
“Oh, that’s a donut! I bet that was Netossa and Spinnerella, there’s this bakery outside of Bright Moon that they really love. They used to drop off treats for us if they were in the area.”
Catra carefully ripped it in half, offering a piece to Adora. It was sweet and chocolate-y and tasted really good. “I’ll try the seaweed if you try Perfuma’s green stuff,” she challenged. Adora puffed up, clearly ready.
“You’re on.”
They each picked up their chosen poisons and took a bite. The seaweed actually wasn’t that bad, Catra thought as she chewed. Thin and brittle and weird, but not bad. Adora, on the other hand, was choking on whatever she had tried.
“No green stuff, got it.”
Adora took a long sip of hot chocolate before she spoke again, her voice gentle. “Better?”
“Better than it was.”
It wasn’t ever completely better. But it was more than Catra could’ve hoped for when she had woken up that morning.
And that was enough.
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cistranny · 3 years
Note
2, 4, 8, 9, 10, 25
Ah!!!!!! I had my asks turned off apparently so this is the first one I got akjdkaj-
2 (favourite colour)
Yellow! It's so bright and pretty, absolutely a BANGER of a colour. Shout out to my man up there for creating this mad lad of a colour.
4 (fictional character I'd punch)
Oh god this is a long list, it's probably good this is just suck to fictional people because I have so many people in mind.
Dumbledore (Harry Potter)
All Might (My Hero Academia)
Snape (Harry Potter)
Shadow-weaver (She-ra)
That's a shortened version but it'll do! I don't hate All Might, I just have a lot of anger because of his actions :) the rest I hate-
8 (guy celebrity crush)
Hmm- I really liked Daveed Diggs for a while because yknow I, of course, had a Hamilton phase. So I'd say him and Corspe?
9 (girl celebrity crush)
Okay so I have more definite answers for this. Literally any woman with muscles, Zendaya and Mxmtoon. I mostly crush on fictional characters and my friends if I'm honest ;; I don't watch much TV with real people in it.
10 (enby celebrity crush)
Jazmin bean and Melanie Martinez! Jazmin bean is so much fun to look at and has such cool energy, I want to be them. Melanie Martinez has always been a crush of mine, because of course, but then I found out that they go by she/they and my heart went brr! Unsure if she's enby or just goes by those pronouns but to be safe I've put them in here :)
25 ( favourite god/ mythical figure)
I have to say that I'm in my Percy Jackson phase and have been since I was like 9, so I've been obsessing over Greek Gods for a while. I really like Artemis!!! She's so cool! Love her vibes and the whole eternal hunting thing! I also really like Persephone!!! Medusa has a cool myth and backstory too- really I just adore too many myths to give a proper answer ;;
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paracosmicat · 5 years
Text
Dear Catra,
I learned the word ‘daydreams’ today. Apparently it’s a word used to describe those fantasies you play out in your head. The ones it seems you’re in control of, but I’ve never really had control of my daydreams. 
 
If I did, I could have daydreamed about impressing Shadow Weaver. I could have spent hours picturing myself taking down the people I now would put my life on the line for. I could have even spent extra time mentally preparing for whatever's to come, but it was always you. 
 
I daydreamed about winning arguments we’ve had ages ago. Somehow finding out I had the upper hand years too late. Always planning out that perfect comeback in case whatever it was somehow brought up again. 
 
I daydreamed about our training sessions, the weird way it made me feel to have you so close. How I wanted to be so much closer, but instead did the only thing I knew how to do and fought harder. I stopped being able to rationalize the way my chest bursts everytime I see you, and turned it into adrenaline.
 
And then I left… But I didn’t stop daydreaming about you.
 
I daydreamed about warning you and offering what you've always seemed to want, to leave. I expected to have a moment where I could pull you aside, be able to share everything I've seen. I'd tell you about Glimmer, and maybe you'd get a little defensive because it's still you. But I'd look you in the eyes and tell you that I could never replace you, and your shoulders would relax. I wouldn't have to warn you about Bow because he has a way of making everyone fall in love with him. I pictured telling you a hundred times in a hundred different ways and there wasn't a single one in which you said no, except reality, of course. 
 
I daydreamed waking up next to you nearly every morning. You know those moments where you're not fully awake, but not fully asleep? Where any background noise seems to phase through you as you cuddle further into your pillow. There weren’t a lot of opportunities to sleep in when it came to the fright zone, so maybe you don't. Despite that,I somehow always manage to convince myself that you're by my feet. 
 
I daydreamed about you showing up, spur of the moment, finally ready to come with me. The guards would stop you before you had a chance, but I'd hear you yell my name. I'd run down and tell them not to hurt you, and they'd ignore me at first, but… Then I'd start over, too unrealistic. 
 
Sometimes it was more like vague concepts. I watched Spinnerella and Netossa hold hands once, and I couldn't get it out of my head for weeks. I'd trace my fingertips from your elbows down to your wrists. I could almost feel the soft skin of your palm as I slowly dragged my fingers down before intertwining our hands. I'd hold your hands whenever my mind wandered off in boring meetings, or I was having trouble sleeping, or even if I was given a second alone. 
 
Sometimes I daydreamed about how you would fit into the little family I've formed since leaving. You and Glimmer could have worked past that initial hostility you have for each other, with a lot of time that is. Bow would unearth your trama in the span of one week, which might make you a little wary of him, but overall you’d get along. Angella would have grown to love you, maybe even look after you. 
 
But who you are in my head is someone that doesn’t exist anymore, or maybe she never existed. I don't know if I can accept that, that we always would have wound up this way. 
 
Maybe if I let you take the lead, you always talked about leaving, I could have offered to go with you. I'd have to figure out some way to ease you into She Ra and the whole rebellion thing, of course. Except that, even then, even if I knew everything I know now, you'd still end up feeling betrayed somehow. You'd get bored and decide you want to go home eventually, and the second I hesitate you'd pick up on it. No matter what I do, even in my head, we always end up here. 
 
We could have been happy, we should have been happy. How did we end up like this? How did we get so far away from each other?
 
So much of my life has centered around you. I grew up with this constant responsibility for you. I know it's not your fault, it's mine, but I felt like I was failing you for so long. Looking back, I should have snapped that thread so much sooner, but letting go of that felt like I was letting go of you. I guess it is.
 
I can't remember what my intention for writing this letter was. I think it started out as a love letter, or a confession of some kind, maybe it's some long memorial to the version of you that I knew. But I want to get one thing clear, this is a warning. 
 
You wanted me to see you as an enemy? Well, I'm not pleading with you anymore, I'm not falling into your traps anymore, and I'm definitely not going to hold back. 
 
I never wanted this,
 
I miss you.
 
You got what you wanted, I hope it was worth it. 
 
                                      Love, 
                                      Adora
(ao3 link)
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