HAPPY HEAVENLY BIRTHDAY to Elvis Presley. When he turned 11, his mother Gladys took him to the Tupelo Hardware Company Store and bought him his first guitar: A 1947 Kay flat-top K19. He’d play this guitar throughout his school years and at his first Sun recording session. Also on this day: In 1956 his double-A single “Don’t Be Cruel/Hound Dog” went to #1 and stayed there for weeks. Fast forward to 1993 and the United States Post Office issued an Elvis Presley stamp.
Sidebar: 1n 1976 David Bowie demo’d the song “Golden Years” with Elvis in mind to cover it (for unclear reasons Elvis nixed it even after making a demo). Rewind to 1960 when Elvis recorded the song “Black Star” (later re-titled “Flaming Star”). That song directly inspired the Black Star theme of Bowie’s final work, and it’s remarkable that Bowie was also born on the same day as Elvis.
In 2022 Baz Luhrmann released the ELVIS film, a biopic that most people think “got it right,” portraying Elvis as channeling Pentacostal church rapture with juke joint energy into one voice, one vibration. He looms over me, be it through mindful study or cultural resonance—in 1989 I named my back-up The Rover Boys after the surname for The Million Dollar Quartet a.k.a Elvis’s legendary 1956 jam session with Johnny Cash, Jerry Lee Lewis, and Carl Perkins. Like many professional musicians, I started with cover bands playing in bars, and I’m certain I’ve learned many Elvis hits + in my solo set I do gospel songs that he favored.
Elvis’s “Can’t Help Falling in Love” is based on “Plaisir d’Amour,” a 1784 French chanson by Jean-Paul-Égide Martini, re-written by hit-making team Hugo & Luigi w/George David Weiss. The lyrics are informed by poet Alexander Pope and Bible verses. I always enjoyed the tune, but when I heard Bob Dylan cover it, I became inspired to play it. Dylan gave it a gospel flair, and that triangulation with God’s love is what I aim for when I do it. Here’s my cover of it with stories https://www.youtube.com/watch?v=ZEeb6uPiQWI&t=217s Meanwhile, HB EP
out of all the heliosphere characters which one was the hardest to do? Like in terms of desing, personality,overall role in the series,dynamic with other characters, etc
Thanks for asking! For the main cast, I'll be honest... it's Venus. I'm not sure if it's obvious enough, though. Luna was far easier to handle as a character, by comparison.
Don't get me wrong, I love Venus so much! It's just that I didn't know how to make her fit in when I first made Heliosphere, especially with the main cast. I wasn't sure either what direction to take for her besides being (formerly) femme fatale who's the voice of reason of the Solar System.
But now, she fits in a lot better. I made it so that she's still the voice of reason and also sort of Mercury's mentor! It was never that formal, one day he just boldly asked her "please make me your protégé!" and Venus just accepted it without hesitation, kind of nonchalantly. She may sound like she doesn't care, but she really does care. She's just not as emotive as Earth is. (Earth is extremely emotive)
She and Earth are exact opposites but they get along really well, but she and Mars are both introverted. Main difference is Mars is more emotional, she's more rational. And that she hides her pain a lot better than Mars ever does (reference to her thick atmosphere that hides intense pressure and heat deep inside).
Here is her relationships/links page with other characters in Toyhou.se! (could be subject to change anytime as I see fit)
Oh yeah. And I made her an opera singer! That's going to be an main trait of hers from now on. She and Haumea shared the same deal that I didn't know what to do with them, until I thought Haumea should be a ballerina (thanks to my best friend's suggestion) and she was fleshed out from there on out. I think they should totally hang out.
Standard Theme: Psyche (Flash Treatment) - Massive Attack
Battle Theme: She Moves Like a Knife - Perturbator
Boss Battle Theme: Sleepless Fever - Sea Oleena
Emotion Theme: Torn in Two Directions - Waterstrider
Bonus Singing Voice: Dh’èirich mi moch madainn cheòthar (I arose early on a misty morning) - Julie Fowlis
Bonus Lyric Theme: Bleed for Me - Digital Daggers
You won't taste the poison
Hidden in my kiss
You won't face the darkness
So I'll just walk right in
You can't outrun the wicked
I'll keep you standing still
You refuse to be the hunted
But I'm out for the kill
So I creep
To watch you bleed for me
So I creep
To watch you bleed for me
Bleed for me
Won't you bleed for me
On your knees for me
Won't you bleed for me
Bleed for me
Won't you bleed for me
On your knees for me
Won't you bleed for me
Tagged by: (I actually forgot who I stole this from whoops. Dx;;;;)
Tagging: @corvidamned, @frostise, @cxpperhead, @bluefeathrs, @sanguine-salvation, @question-marked, @cxpedcrusxder, @ghosts-of-gotham (For Nora!), @mute-call, @the-rorschach-mask, @king-crane, @behindslaughter, @ofwealthandtaste, @twcfaces, @ofdeomnes
pros of living in a region with a tumultuous past: has a political framework through which to comprehend international crises and the reaction of the international community to the aforementioned
cons of living in a region w a tumultuous past: constantly reminded of the hypocrisy of the international community AND the hypocrisy of your own country
I don't like it when the worship leader has a mic on and the mic is quite loud so you hear nothing besides his singing and piano. like yeah you can sing but this is not a concert. i wanna hear the congregation:(
one thing about me is that i'll rotate songs intensely for a roughly two-week period and when that happens to overlap with a period of travel (usually a conference in my line of work lol) then those songs are eternally pasted over a virulent strain of time and place. for example "all choked up (methyl ethyl remix)" by broncho, "frankenstein" by editors, and "half smoke" by walrus are all inextricably linked with walking across harvard bridge from the green T station somewhere in the city (i'm sorry i don't know boston THAT well) to the MIT campus where i was attending conferences for two weeks... i can't listen to a single one of these songs without being on that bridge
SATURDAY MUSIC VIDEO MATINEE: “Act Naturally”—Singer-songwriter and comedian Johnny Russell came up with the early 60s Bakersfield country music scene—famously with Buck Owens, who hit the big-time after recording Johnny’s song “Act Naturally.” In this video I tell the humorous and surprising “back story” of how that song wound its way through obstacles and objections before becoming a hit for Buck as well as Ringo Starr and The Beatles. It’s a lesson in sticking to your songwriting instincts even if it means breaking a hot date with your girlfriend!
anyway i'm totally vindicated in my opinion that verdi with a smaller orchestra works better because this pit is like half the size of the original called for instrumentation and it works great
If anyone's interested in knowing what T can do for your voice lmfao
Note that when I started T my range was like
F6-Ab2 so I wasn't exactly a vocal slouch or anything, and I have recordings of me hitting both of those apexes as a youngster. I was what you'd call a freakish dramatic soprano.
But then I did T for like a year and a half in 2018-2019 and it dropped my range from the above to like F2-F4 which was DEVASTATING. That halved my range.
But now, five years later? After stopping T in June of 2019 due to heart issues and severe voice grieving and dysphoria? My range is FIVE FUCKING OCTAVES and I can sing to the bottom of the piano yo!!!
I'm not saying everyone can do this that goes on T.
T is a process and it will likely change your range DRASTICALLY. But new things can come out of it. If I had never gone on T I wouldn't have gotten to tour in Europe as a lead bass in a choir or do some of the non profit musical work I've done.
I thought T ruined my voice for a long time. And I still miss being able to sing phantom of the Opera high notes some days. But I think what I can do now is sorta hella cool.
Ohhhh wait I think I figured out why I'm not enjoying the v8 and v9 albums as a whole as much as previous volumes:
Other volumes had songs where the lead singer sounds drastically different. To me, v8 and v9 all sound like it's the same person in the same voice. There's not as much diversity in vocals
Which is why listening to a song by itself or shuffled in with the other volumes I like them more than if I'm just listening to one volume at a time
[coming back to this after listening to a few older songs] or maybe there's just more diversity in the song styles in general, these past 2 volume's songs just feel very samey to me in a way I'm not really able to articulate. I get bored trying to go through the new ones when I don't for the older volumes