Tumgik
#singing along to 'a case of you'
a-wild-things-rambles · 8 months
Text
hometown hypocrisy
and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown
and we got fires burning in our souls and the scars to prove it, what do you know but the rains putting us out drowning our sparks and our shouts
and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again
and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown
and blood seeping through our clothes violence begets violence, don't ya know but these fists are my hometown pride gritted teeth and bloodshot eyes
and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again
'and the bloods beating down' is the 2nd chorus/prechorus [look i changed the structure but im not editing my analysis i dont want it to get longer]
'and the fogs setting in' is the [main]chorus [planned to use a diffrent tone to musicaly distinguish it from teh verses and pre/2nd chorus][is in italics]
and 'we got fires' is teh 1st verse and 'blood seeping thru our clothes' is the second
NOTE: should be spoken or sung for optimal beat with contractions, but for readability has been mostly uncontracted. also idk how to spell what do you know contracted right.
the chorus is much later in the singers life than the pre chorus & the two verses, the hypocrisy is that the singer wants to both escape and go back to his hometown.
the younger singer always uses plural, to symbolize community, until 'these fists are my hometown pride' almost at the end. he refutes the cycle of violence by owning his violence as part of himself- his link to his hometown.
in addition, he has become the active perpetrator of violence, [previous references were 'we all fall down' [something else to him] and 'we got the scars to prove it' which is implied to be violence perpetrated unknowingly to each other because of 'fires burning in our souls'- when they get close, they hurt each other unintentionally] he now links his sense of self to violence, and thus when he loses his ability to do violence, he loses his self, and his link to his hometown, becoming the older singer
but by doing this he also will inevitably refute his hometown, by linking it intrinsically to violence, becoming the older singer who sings the chorus when he can no longer have that link to his self or his hometown because he can no longer do violence [his inability shown by him being 'beaten down' by the rain/oppressive atmosphere], i did want to expand on this, writing more verses to show the fall and how he ended up as the chorus person but it didnt work. heres the scrapped third verse
but soon those fists turned weak what do you know? you aint at your peak stress and violence aint good for your heart and you find that your bodys now falling apart
it can also be seen as by growing up to become a perpetrator and someone with power, he is now distant from his people and community, the solidarity is formed from their shared victimhood so when he steps out of that/rejects it, he loses the community [also becoming part of the violent cycle means getting rejected] [also the chorus says 'twisted road' we dont know what happened to make him fall, thats up to the readers interpretation] [transmasc journey of realizing your masculinity then becoming ostracised][or disability]
"guess its true, you can never go home again" is the only exception to the rhyming scheme, and it gives it emphasis, it was more noticeable before the chorus was squished together [previously each half line was its own line until 'guess its true'] fuck it it can take up space on yalls dashboards its getting split again
'bloodshot eyes' can be interpreted many different ways, from crying to injury to rage, each suggesting different meanings and affecting the text in diffrent ways
7 notes · View notes
knightofleo · 2 years
Audio
Neko Case | Deep Red Bells
DEEEEEEEEEEEEEEEEEP REEEED BEEEEEE-
Tumblr media
69 notes · View notes
le-velo-pour-dru · 10 months
Text
I FORGOT HOW MUCH I LOVE DR. HORRIBLE'S SING-ALONG BLOG RAAAAAAA‼️‼️‼️
10 notes · View notes
starswallowingsea · 2 years
Photo
Tumblr media
Alma de luz, piel de marfil, dicen que tú no eres de aquí
Thank you @ekourege for helping me pick this one out
56 notes · View notes
modernmutiny · 1 year
Text
God I have an entire week off for the first time in my adult life so obviously I'm taking full advantage and drank an entire bottle of pink Whitney bc in an idiot and i fucking forgot how heavy vodka makes my teeth feel and that's really cramping my style >:(
5 notes · View notes
carcarrot · 11 months
Text
my high level of anxiety around people vs. my need to jam out and sing along
4 notes · View notes
Text
♡ tagging system! Ψ
Tumblr media
♡ general! Ψ
✖ #♡ ~ you overlooked the true angel ~ Ψ ~ important!
this tag will be used for updates about us, about the blog, and anything we consider an important announcement— like if another mod were to join, or if we were to go on a hiatus.
✖ #♡ ~ everyone can sing along to this pop song ~ Ψ ~ promotion!
we’ll use this tag when promoting other blogs by reblogging their pinned posts or making our own posts promoting them!
✖ #♡ ~ don't we all want to be loved? ~ Ψ ~ asks!
this tag will be used when answering a non-request ask, so basically for chatting with our followers! it will be paired with the talk tag of whoever answers.
✖ #♡ ~ this contract is just in case ~ Ψ ~ requests!
this tag will be used for asks that are requests, and request asks will be posted as the terms are queued! use this tag to check if your term is in the queue yet.
✖ #♡ ~ get lost in the part and play ~ Ψ ~ reblogs!
this tag will be on any posts we reblog from other coining blogs or other blogs in general, so if you’re just here for terms, you can block it if you like!
Tumblr media
Ψ angel's tags
✖ #Ψ ~ shut up and give me your signature ~ Ψ ~ coining!
the coining tags will be used for when angel or devil coin & post a label, if you want to know who made the flag or if you wish to sort by one system’s creations for any reason.
✖ #Ψ ~ so sayeth the angel ~ Ψ ~ talking!
the talking tags will be used for answering non-request asks, making posts not related to the blog, or reblog discussion chains with other blogs. they can be paired with virtually any other tag on this list and serve as an indicator of who made a specific post.
Tumblr media
♡ devil's tags
✖ #♡ ~ preach to me myself and i ~ ♡ ~ coining!
✖ #♡ ~ so sayeth the devil ~ ♡ ~ talking!
Tumblr media
1 note · View note
terrainofheartfelt · 1 year
Note
I'm sorry I have to disagree. When in Rome is Dan's post breakup song for Blair. Because it's musicians Dan would actually listen to imo. Can easily picture a tear rolling down his cheek as he listens on the flight to Rome
Did…did you mean the song “The Promise” by When in Rome? or is it one of the several songs titled “When in Rome” that comes up on the Spotify search function?
If the latter, then please let me know the artist bc I’m now curious and want to listen! If the former…. I don’t really see it. Or hear it, like, When in Rome (the group) sound more like they are to Rufus’ taste. Rufus Humphrey, confirmed Wham! stan, never forget.
But a plurality of music hcs can exist! But I shall continue pushing my own musical agenda on this blog o’ mine. That song bops though.
Either way, we were both wrong on this ask, because Dan’s breakup music is absolutely him listening to Blue on vinyl on repeat ala Jessica Day.
3 notes · View notes
deadsetobsessions · 4 months
Text
Danny’s Wayne adoption bait. The guy that owns the bodega knows it. Everyone and their mothers knows it. Danny, on the other hand, had no clue. To be fair, he had just crash landed in this dimension a week ago and his back was still sore from the weird design the car had.
(It’s only three weeks of homelessness later does Danny realize that he crash landed on the Batmobile. Whoops. Oh well. He’ll blame it on Clockwork if the vigilante asks after repair costs.)
(Bruce, on the other hand, is scouring the streets for this kid the car cams caught- oddly static filled footage- because his mind jumped to the worst case scenarios: a suicidal meta or a meta being threatened or a meta in a trafficking scheme or even worse all three at once and Bruce just can’t because there is a child in danger, he doesn’t have time to sleep.)
Danny rubbed at his back, eyes going watery at the memory. Sure, his wounds have healed over by now but the- heh- phantom pain is no joke. He shuddered, huddling closer to his threadbare hoodie. His only saving grace from getting jumped while walking the streets of Gotham at night is his invisibility and intangibility. Also, he’s floating, so “walking” doesn’t apply to him.
He’s gotta check on the kid he saved yesterday from a mugging, so Danny hurried along to the depilated apartment complex the kid was squatting in. Turning visible and tangible as he turns the corner, Danny glanced around for Amy.
“Danny!”
“Hey, kiddo. Doing alright?”
“Yeah! Come meet my gang!”
Danny felt his eyebrows rise to form Jazz’s exasperated look. Ouch. Waving the pain of losing Jazz away, Danny smiled at the excited girl.
“A gang? I wasn’t aware I was being brought to your almighty group.”
“Yeah! Uh, you actually helped a bunch of us so…”
Danny thought back to all those times he punted crooks away from robbing kids and shrugged. Yeah, what Amy said was likely.
“Kay, kiddo.”
She scowled, and Danny didn’t have the heart to tell her it looked more like a pout.
“You’re just a teenager.”
“Well, you’re a just a kid.”
Danny cackled as she chased him down the street, trying to kick his shins.
Life is good, even if he’s homeless and hungry.
——
“Jason.”
“Old man.” Jason mocks back, pausing his tasks. He waits as Bruce struggles to put his thoughts and feelings into words.
“There’s… a meta.”
“In Gotham?” Jason tilts back, hands halfway to his guns as a silent offer. Bruce shakes his head.
“A child. In Crime Alley.”
“In my turf?” Jason’s disquieting demeanor quickly swapped to a protective one.
“Trafficking, I think. Male, black hair…”
“Shit. Get Dickwing back here, he’s good with traumatized kids. I’ll go look for him.” Jason’s already moving, mind filtering through the kids he knows might have information to offer.
Bruce nods, shoulders relaxing. Jason smacks down the lump in his throat at the subtle sing of trust. “I’ll get Oracle and Red Robin on it.”
Jason morphs from Jay to Red Hood in one smooth step, helmet firmly placed on his head. He grunts in agreement, slinging his legs over his motorcycle. He roars off, mind half filled with tearing apart whatever traffickers dared to shit near his territory and the other half filled with worry for this possible kid.
——
Danny, as the Bats become aware of his existence, hands Amy and her kiddie gang a bag of fancy beef jerky.
“Try these with peanut butter, it’s kind of good.”
Amy stares at him, the judgement of an eight year old more piercing than anything he’s ever experienced.
“You’re fucking weird-”
“Language!” He squawks.
“-but sure, whatever you say, boss.”
“Boss?!”
The kids ignores his alarmed face.
6K notes · View notes
sagittariangirl27 · 10 months
Text
1 note · View note
luveline · 8 months
Text
𝐢𝐟 𝐭𝐡𝐢𝐧𝐠𝐬 𝐠𝐨 𝐛𝐚𝐝 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
when an unknown intruder breaks into your apartment, you call hotch. he races to make it to you in time. requested here. fem!reader, 3.7k
cw home invasion, assault, attempted sexual assault, reader is badly hurt/held at gunpoint, please read with care for the content warnings above
˚ʚ♡ɞ˚
"Hotch?" you whisper into the phone, your voice barely audible. 
"Who is this?" 
Hotch doesn't always look at who's calling at night, he just answers. Bad habit. You curl in on yourself where you're on your knees in the closet, trying not to wheeze breathlessly down the receiver. "Hotch, it's me. I need you to come and help me." 
"What's wrong?" He doesn't ask why you're whispering. "Are you at home?" 
"There's someone in my apartment." 
"You're sure?" 
You shift backwards into the embrace of your hanging coats and dresses. It feels as though tens of hands are petting your shoulders, a shiver racing along your spine as a floorboard creaks somewhere in your kitchen. 
"I heard them open my door. I don't have my taser, I…" You stop talking when you hear more movement, terrified you'll be discovered. Regret clings to you. How many times has Morgan offered to teach you self defence personally? "I don't know how they got inside."
It doesn't take more than that for Hotch to click into work mode. "Stay on the phone with me. Don't talk. I'm going to put you on hold to call Morgan. I will be ten seconds at most. Don't panic. Don't hang up. If you think you can leave without being seen or heard, leave, but if you can't, don't show him where you are." 
The invader's footsteps track to the bedroom. You know at once that your tired mind isn't hallucinating a bad scenario to keep you up —this is real. 
You had the hindsight to close your laptop and push it under the bed along with your go-bag, a rucksack full of clothes that you take on cases in different states as part of the BAU. You'd made a quick assessment —your job more than prepared you for this— based on the little information you had. Either the invader knows nothing about you and has assumed you'd be home, or they watch you enough to think you'd be elsewhere. If they think you're here, you're in danger of being assaulted, kidnapped, or murdered. If they think you're away, you're in danger of being robbed. One scenario is a thousand times more preferable than the other. 
You can't help but think of the horrible things you've seen. You know intimately what kind of damage one person can do to someone at their mercy. 
The hold sound is a quiet droning that freaks you out. If you can hear it, the intruder might be able to, too. Like the low hum of the fridge at night or the bumping of the dyer. 
You hang up the phone. 
"I know you're here." 
Your pulse flies through the roof. It pounds so hard you can feel it everywhere, the tip of your nose, your eyelashes. You look through the dark of your closet and panic in the fullest definition of the word. Your heart can't sustain this for long. 
You failed to think of a third possibility. The intruder watches you enough to know you're home. The BAU has a lot of enemies. Anyone could be waiting for you on the other side of the door.
"Come out and I'll be kind," the intruder sing-songs.
You type out a text with shaking hands, your message nearly illegible. 
They knowa 8m hjome. Cant talkk dontcall me
Thirty seconds elapse. A reply comes through. You smother the chirp with your chest. It sounds loud as a shot in the relative quiet. 
Police dispatch 5mins. I'm 10mins. Morgan 12. I will be there as soon as I can. Protect yourself 
That's easy for him to say. You drop your phone in defeat but scramble to pick it up again when you realise it's your best weapon. Or… You crawl to the opposite end of the closet to your shoe rack and slide the shoes apart with honey slow movements, your breath coming in quick, too-loud pants. You never expected to feel this way, you thought you'd know exactly what to do, how to react, but this feels outside of reality. 
You brace the long heel of a shoe between your fingers. Your hand is a vice. 
In your bedroom, the intruder goads you. "I know you're home, Y/N. There's only so many places for me to look, you know? But if you make me check each one, I'll be unhappy when I find you." 
What the fuck? you think. Breaking apart the fear like a knife is anger, a new shot of adrenaline. Who is this guy? You want to spring from the closet and show him how unhappy you are, but your chances of survival improve the longer you can hide. If he has a gun, that's it. You could be dead in the next two minutes. No amount of anger would save you. 
You could be dead in the next two minutes. 
thank you dpr everything, for being my friend aaron, you text. You know how embarrassing it will be to have said goodbye if nothing bad happens to you, but you also know how haunted Hotch will be if he can't get to you in time. You aren't foolish enough to unravel your feelings for him over text, but you're sentimental enough to think they'd matter to him. He'd want to know. 
If things go bad please knoeew that I loved my life and my work and you and the tram more than anything
After a moment, you add, If things don't go bad please nevrr mentiom this 
Footsteps at the closet door. A pause that feels gargantuan, the silence so heavy it threatens to snap the floorboards beneath your knees. 
"Found you." 
You leap up and throw yourself at the closet door as hard as you can, gasping when it swings on the hinges and clips your opposition in the leg. You don't think, you don't look at his face, you simply drive the point of your shoe into his collar. 
He gasps. Something hard and rigid whips upward, your neck snapping to one side as the skin of your cheek splits, gunmetal glancing off of bone. You drop down onto your ass, half out of necessity and half to get away from the pain. You can't outrun it, nor can you escape the forthcoming assault, grunting in shock as the bottom of the gun comes down atop your head. It was likely meant to incapacitate you, but all it does is hurt. 
You flip onto your front, stagger onto your hands and knees, and launch yourself up through the bedroom doorway. You only have to get away. 
He sweeps your legs from under you barely ten feet down the hall. 
You fall. Your knees hit the hallway slats and your face follows, the nerve endings in your teeth ringing one by one and your eyes tearing up as your nose makes a huge thwacking sound. Gasping, you rush to cover your face though the damage is done. Your gasp turns to a sob, hands quickly wetted by blood. 
"Stupid bitch," he hisses. 
You crawl into the kitchen. He steps on the back of your thigh. 
"I have a G43 pointed straight at the back of your fucking head."
"Good for you?" you say, eyes squeezed closed. 
You whimper as he grinds his foot into your leg. 
"Don't think I won't use it when I'm done with you." 
You shake your head from side to side. That can't be what he's here for.
You should ask him what he wants, or threaten him with the approaching police sirens. You should've tried to climb out of your fire escape. You should've set the door alarm as soon as you came home, but you're just so fucking tired lately you must've forgot. Everything feels like a chore. Right now, you're exhausted. 
"What are you going to do?" he asks you. 
You won't negotiate. You don't answer.
Forceful, no time to protect yourself, he kicks you in the side of the face. It hurts worse than the fall, that shattering pain like a firework under your skin. You struggle to keep your mouth shut, hoping that your whining cry is less audible to him than it is to you, scrambling backward toward the cabinets. You're defeated. Maybe you deserve it, for it to happen so easily. Three minutes and you're down. 
"I asked you what are you going to do, Agent?" 
"What am I supposed to say?" you ask. Even to your own ears, you sound pathetic. 
"Whatever I want you to. Now get up, honey." You cringe. "Unless you want to stay on the floor like a dog?" 
"Don't call me that," you say, wincing at the grinding sensation of your jaw. 
"What, a dog? Or… honey?" His tone is smug. "I thought you'd like that. It's what your boss calls you, isn't it? Late at night when he drops you off. Not strictly professional." 
You groan and turn onto your side. The police sirens are getting close. You live in a busy place near a main road, the sirens could be for anybody, but you need them to be for you.
"Get up, honey. You can pretend I'm him, if you like. I'll make it easy on you. I can be nice." 
You deliberate. Do as he says, or risk further agitation. Do what he says. Live to see the end of the night. 
Or drag it out. Give Hotch enough time to get here. 
"You'll pretend to be him?" you ask, sniffing. You can't tell if you're crying or there's blood on your face. 
"Aw. To begin with, sure." 
You sit up. For the first time, you look your attacker in the face. It's difficult to tear your eyes from the barrel, but you do. He has a cruel face, as tall and formidable as Hotch is but with none of his lightness. You put on your softest expression, gazing at him through tears. When you speak, the fear is real, even if you're attempting a facade. "You'll be gentle?" 
"No. You think he'd be gentle? Agent Hotchner?" His lip curls in disgust.
"I don't know," you mumble, looking down at the floor. "You said you'd be nice." 
"We both know you don't like nice." 
"I do," you say, finding your footing in the charade, the sorry victim, whatever he needs you to be for now. You hate giving him anything, but you know in the moment that you'll do what you need to do to save yourself from injury. "I haven't… I haven't done stuff in a long time, I can't just rush into things." 
The gun makes a quiet clicking sound as he points it with more fervour. "Like I believe that. You're probably fucking Hotchner on the side." 
There, that jealousy. He's been watching you, he knows where you live, what you want, and he's still convinced that you're fucking Hotch. It's not logical.
You cling to the threads, trying to pull apart his composure. You'd assumed him an anger-excitation rapist, unafraid to hurt you as he already has, but now you're thinking something else. 
"You think I'm sleeping with my boss? Why?" 
"Besides your constant need to be touching him? It's disgusting, you throw yourself at someone who doesn't want you. You're pathetic. I can make you better." 
You see movement in the corner of your vision. Dark hair, a stony expression. Hotch stands at the precipice of the kitchen in a bulletproof vest, a finger to his lips. Sh. 
Your relief knocks a breath out of you. The invader takes it for pain at being read. 
"Look," he says, softer. Not genuine softness, but practised. As soon as you give in, he'll drop it. You're both acting for one another, but only one of you is a profiler. "You'll forget all about Agent Hotchner once we're done. So just get up." 
You hold out your hand. His eyes light up with malice as he leans down to take it, his gun finally aimed away from your face. 
Hotch moves in. 
"Drop the weapon." 
Your attacker whirls. Hotch doesn't hesitate. Front sight, controlled trigger press, follow through. A bang like a clap of thunder fills the room. 
You flinch down into yourself. Everything goes a little white for a while, people running into the room, a gun skittling across your kitchen tile. Your ears ring from the bang of two bullets and you're sure you've been hit, you're hurting so much, but hands squeeze under your arms to tell you otherwise. 
"You're okay," Hotch says, knee against your thigh, face ducked down to meet your eyes. "Hey, can you hear me?" 
You shake your head. You can hear him, but you're far from okay. Hotch bites commands over his shoulder, holding your waist in his hands like he's worried you'll slip out of them. Tight. Too tight. You suck in as big a breath as you can manage and choke on it, coughing, the wild sting of your wounds a ringer. 
"You did so well," he says as he catalogues your injuries, his frown deepening. He tilts your head up to the light. 
"I knew you were on your way," you deflect.
"You were talking him down." 
"No, I was surrendering." 
"You didn't give in until you saw me. You weren't surrendering." 
"But I would have," you whisper, closing your eyes.
"Doing what you need to to survive isn't easy. But you do it." 
You hang your head. 
— 
Hotch winces at the sound of your skin being sewn closed. Morgan sits beside you in the back of the ambulance holding your hand, your fingers twitching between his with every tug. They dosed you and applied a general anaesthesia, but the pain is pervasive. His eyes keep moving back to your hand in Morgan's. He isn't jealous —he's annoyed with himself. Hotch should be the one holding your hand.
He should've hugged you. The absence of it feels awkward between you, though he's positive that that's the last thing you're thinking of right now.
"Will you have to set her nose?" Morgan asks. 
The paramedic shakes his head. "Not broken. Just very badly bruised. Even the bone." 
"That doesn't need a cast?" 
Hotch should hold your hand, should hug you, should be organising the scene. Should, should, should. The only thing he's managed to do since he incapacitated your stranger is watch you for signs of life. 
You're despondent. In shock, no doubt. You let your friends pass you from place to place with little more than pained sighs for input.
JJ does an excellent job of surveying the goings on, while Rossi and Reid take care of some of the bigger questions: who is this guy, what did he want, and how did it come to happen? 
What did he want? Hotch can guess. Rage collects like the heart of a furnace, a molten cup of steel in his throat as what he heard you say plays over and over in his head. 
You'll be gentle? 
No. You think he'd be gentle? Agent Hotchner?
He'll never forget the way you sounded asking that question. Terrified, begging for a scrap of mercy. 
Emily approaches from behind. "We have a name." Hotch tips his head to show he's listening. "Paulo Danvers. He was part of a crew that installed her security parameters a few months ago. He was vetted. This shouldn't have happened." 
"No, it shouldn't have." Hotch lowers his tone, "She said she wasn't sure she set the lock." 
"It wouldn't have mattered. He disengaged it from the outside." Emily takes a few steps closer to the ambulance. "Hey. Morgan taking care of you?" 
"Don't I always?" Morgan asks, clapping your arm gently. 
You don't answer. 
"What, you're not talking to me?" Emily asks. She's not mad, the opposite. Concern lines her eyes, thin brows pinching together at the starts, though she does her best to smile through it. 
"I don't feel well," you say quietly. 
"Yeah? You're not squeamish, are you?" 
"Don't think so." 
"It's shock," says the paramedic. 
"What's your pain like?" Hotch asks. He's the only person you'll give a straight answer to. "Bad?" 
"Yeah." Your hand is lax in Morgan's. 
"I can give you slow release tramadol to last the night or codeine pretty much immediately. It's up to you. And I'm really not comfortable with releasing you without next of kin. Do you have family in the area?" 
You shake your head. "It's just Hotch. Agent Hotchner," you correct yourself, nodding at him.
"You're her partner?" the paramedic asks. He can sense the disapproval. 
"Her boss." 
"Not her partner?" 
"He's my closest friend," you say. 
He's never heard you say that before, but it's true. 
"I wish you were my boss," the paramedic jokes, turning back to her supplies as she peels off her gloves. "Maybe I'd get better sick pay." 
You're given slow release tramadol and officially pronounced to be on the mend. If he didn't have an FBI badge, you'd be spending the night on a ward. He'd prefer if you did, but you clearly don't want to be somewhere alone right now, and he just wants to give you what you want after having your choices held over your head.  
He's not offended when Emily asks if you'd prefer to stay with her. It's harrowing what might have happened to you had you not heard the initial break in, and the perpetrator would've been a man like Hotch. Tall, white, dark-haired. He wouldn't blame you for needing space from him to feel safe tonight, but he's relieved when you turn her down. 
"You don't have to act like something happened to me," you say.
Hotch clicks down the locks of his car and turns on the overhead light. You squirm in the passenger seat, looking wrecked. Your chin is split, your nose a dark purple mess cut by white splint. You have a cut on your cheek and another just above your eye. 
"You don't think something happened?" he asks, hands on his legs. He can tell you wish he would start the car and take you home without pressing. 
"No, I know, I look awful, but he didn't do anything to me." Why is it so hard to say what it could have been? "You don't have to act like I'm gonna wig if you touch me." 
"You won't mind if I hug you?" he asks. 
"No. No, I want you to." 
It's thankfully a short gap to cover as Hotch leans over the console. He's careful of your face and still you mumble a tired, "Ouch," in his ear.
He rubs your back, slow and soft. "You okay?" he asks. 
You don't answer for a while. It doesn't matter, Hotch'll sit here in his parked car for hours if you want him to, hands on your hunched back. Your face hides away. He can feel and hear your distress building, and he wants you to cry if you need to, but it'll hurt.
"Sh," he hushes you gently, "it's okay." 
"I'm fine." You sound welled up. 
"Someone broke into your home and held you at gunpoint. You don't have to be fine." 
"Yeah, I do. It's my job." 
"No, that's not your job," he says, closing his eyes. "This has nothing to do with your job. This is about something bad happening to you. Don't put walls up now. It won't work, it never does." 
He tries to back away in case you're overwhelmed.
"Wait," you say, your panic like a cough. 
"I'm not going anywhere," he says. 
You sniffle, nodding into his chest. Hotch has comforted a hundred victims of violent assault. He's held the faces of women he didn't know hoping to give them something solid to lean on. But it's different with you, because you and Hotch aren't simply friends. There's a deeper vein of affection, and tonight's event is a jagged slash against it, bringing every unbidden feeling he has for you to the surface. He can't get how scared you sounded out of his head. He knows that feeling is still there. 
"How did you get here so fast?" you asked. 
"I took the side road. And went unavoidably fast." 
You make a small, small sound. He's known you for long enough to understand what it demarcates, unsurprised when the trembling of your shoulders turns to pained shaking. Hotch holds you delicately. He's done so much in his life, made a thousand and one mistakes, used a heavy hand when he could've been sweeter. He's determined to get this part right. 
"I'm with you now," he says. "I'm sorry I couldn't–" This is harder than he imagined. He presses on. "Couldn't protect you from the start." 
"You know why I called you?" you ask, your tone similarly soft. 
Hotch doesn't bother answering. The answer is unsaid, loudly heard. 
"I knew you'd come," you finish.
He puts a hand on your neck to encourage you into place, kissing the side of your head. Hotch will always come when you call. 
That night, you ask to sleep in his room. I'll sleep on the floor, just don't want to be alone. You're in ragtag clothes he'd scraped together for you, and after helping you wash the blood from your hair and face, you're even more impossible to say no to than usual, looking small in a way you haven't before. Hotch sets you up in bed next to him and wonders if he'll ever sleep next to someone he hasn't let down. 
You put that notion straight in your sleep. Hotch lays awake sick with the idea that he's failed you, and you, frowning, snoring, covered in cuts, curl into his side. You cling to his arm so hard he's certain you're awake at first, a bouquet of bruises painted across your cheek. 
Hotch pulls the blanket up over your shoulder, planting a chaste kiss to your forehead. 
He whispers your name, not sure what he'd say if you answered. 
˚ʚ♡ɞ˚
thank you for reading! I hope you enjoyed♡ I haven't written long form (ish) for Hotch in a while so I'm nervous but I hope it's good!! let me know also if you'd like a second part cos usually I don't feel like there's much left to tell but for this one the could actually confess :o
5K notes · View notes
gamorxa · 1 month
Text
Tumblr media
RESTLESS NIGHTS •°. *࿐
Tumblr media Tumblr media
PAIRINGS— paul atreides x valkyrie!reader
SUMMARY—from a young age you’ve been paul atreides’ personal apprentice, your duty being to remain professional in protecting the life of the heir to the house of atreides. however, things change after a rainy night of comforting paul after he awakens from one of his terrible visions.
NOTE—this is my first time writing and publishing anything like this for a character, but after seeing dune two i just had to. expect more creations from me in the future. Constructive criticism is welcome, just keep it nice and kind. let me know how i did!
word count: 1.2k
Tumblr media
Valkyries are very protective beings. In battle, their ultimate purpose is to carry the fallen warriors that perished in combat, and were worthy of eternal paradise, to Valhalla where their souls would reside in blissful harmony. However, there wasn’t just one type of valkyrie. A heroine valkyrie is what you were — the kind that only guarded the lives of those dearest to them. Your dearest was no one, but the son of the duke of atreides.
When you were first assigned to the house of atreides you just barely reached the ripe age of seven years old. In those times, your duty merely consisted of being the only company around his age the young boy had in his life. Innocent soft exchanges of giggles escaped from dimpled cheeks that ached from continuous smiles. Small pieces of grass littered the wild heads of curly hair the two of you possessed from previously rolling in the freshly cut grass the maintenance keepers recently trimmed. Within years, the grass turned to responsibilities, and the dimples into abstract bruises from the numerous sparing lessons shared between the two of you. Thus, your years of childish assignments were gone.
Now, you reside in the chambers next door to the young heir in case of any and all emergencies. You lie awake in your pristine silk sheets staring at the ceiling. The thunderous Caladan rain pelted down onto glass windows surrounding you, keeping you awake. This was your first night back from your annual trip to the emperor's headquarters where your sisters remain. No other planets you’ve ever visited didn’t have rain as loud as Caladan’s.
A loud groan breaks the song of raindrops singing along the windows.
You bolt out of bed and grab a dagger with the valkyries signature emblem on the hilt. Your hands turn white in contrast to your usual brown skin from how tight you hold it. Raising to the balls of your feet to remain as silent as possible, you trudge over to the door, leaving the comfort of your room. The marble flooring in the hallway tickles the bottom of your feet, but you barely notice due to your desperation to find the source the sound came from.
More thunder cracks. Another groan.
Your head sharply turns to the left toward Paul's room. Your body turns rigid.
Oh no.
Sprinting, you throw open his mahogany dark wood door making it slam into the back wall. There in rumpled sheets lies the source. His limbs are tangled in his blanket as he thrashes around in his bed, his face scrunched up in an expression of pure anguish. Wild brown curls surround him like a halo while the moonlight shines on his pale skin. He looks like an angel. A fallen angel.
“Paul,” you mumbled, letting your dagger slip from your hands.
He stirs in his sheets, letting out another low groan.
Rushing to the side of his bed, you dropped to your knees and cradle his face scanning the rest of body. Just in case.
“Paul!” you repeated.
He bolts up abruptly making your hands fall onto the bed. He’s panting as he looks around frantically before resting his eyes on you. His expression softens.
“Y/n?” His voice is raspier than normal due to the hours of restless sleep.
“It's okay, it’s okay,” you cooed. Your face filled with concern as you brush some of his wild hair out of his face. “I’m here.”
He sighs out the majority of the tension built up, rubbing his face from sleep with his trembling hands.
“More visions?” Your voice is so soft it tickles his ears creating a blanket of comfort. He doesn’t understand how a strong warrior could possess such a comforting voice, but that's one of the reasons he liked you so much. You never failed to make his worries disappear — not with a voice like that.
He only nods.
“Want to talk about it?” You rise from your spot on the floor to sit on the side of his bed making you at eye level and in closer proximity to the stressed boy. His eyes are slightly glossed over, and he’s avoiding eye contact as if he’s embarrassed.
“No,” he looks down in his lap before locking eyes with you, “I thought you were on your trip?”
You shake your head, “I came home early.”
Home. You saying it so casually almost makes Paul visibly melt.
“I missed you,” he whispers. His words hang in the air like a forbidden secret. Well, it was forbidden seeing as the relationship between the two of you was meant to be strictly professional. However, you two managed to lay on the thin layer of gray area in the matter.
You could only bashfully turn your head away towards the window. You hated how he’d say things like that in random moments. More so, you hated how much your cheeks would turn warm and your lips would scrunch to the corner of your face showcasing a deep dimple in the apple of your cheeks. The rain was still coming down harder without any plans to stop for the night.
The boy grabs your chin with his pointer finger and thumb and redirects your attention to his face. You could only look down at your lap before eventually looking into his eyes.
Desire. Burning desire is what his eyes scream as he looks at you.
You escape his hands and rise to leave a painfully lingering kiss on his forehead.
“Get some rest, Mr. Atreides.” You say, slightly teasing as you move to get off the bed. However, he reaches for your hand stopping your movements.
“Stay,” he pleads with desperation laced in his tone.
You hesitate.
“Please, Y/n, I need you.” His eyes are low and bright from the moonlight still coating the inside of his room. His blanket lies low on his waist hiding his boxers, and showcasing his chest of lean and faint abs from his weeks of training. He looked so…
“Fine,” the words slip from your mouth before you realize. Before you know it, he’s scooting over and raising the covers to allow you to easily slip into his sheets. They’re warm from his body heat making you release a sigh of breath you didn’t know you were holding.
He looks at your chest before shyly looking you in the eyes, “Can I-”
You tiredly nod your head and open your arms out welcomingly. The boy immediately goes to rest his head on your chest, wrapping his arms around your waist and tangling his legs with yours. This position feels completely natural and comforting from numerous other nights just like this one in the past. Your hands go to his curls and start massaging his head.
“Thank you,” he rasps out, barely staying awake, “I don’t know what I’d do without you.”
“Always,” you started, “I’ll always be here.”
You look down to find that the tired boy has already fallen asleep. With a small smile on your face you look up at the ceiling as more lighting cracks outside. You close your eyes assuming he missed your words.
He heard them. He always does.
Tumblr media
680 notes · View notes