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fledglingdoodles · 3 months

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Did a delightful little Small Omens Tattoo commission recently!

#good omens #good omens fanart #good omens au #ineffable husbands #crowley #aziraphale #small omens #figgy does art

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manofgayscience · 5 months

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Little omens 🥹 (+ man face Bildad)

In all honestly, I want to post my art here more. Yet I don’t do digital art so I don’t know how my art will be taken? If that makes any sense.

#good omens #aziraphale #crowley #adam young #bildad the shuhite #man face #gay #lgbtqia #lgbtq #i’m gay #bad post #small omens

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rubybranven · 2 years

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Hello there humans.

FINALLY MADE MY FIRST ANIMATION

#crowley x aziraphale #gabriel #small omens #tv omens #ineffable dumbasses #good omens memes

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floccinaucinihilipilificationa · 6 months

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#good omens #´hello friends!! how are you!!#I hope you're doing well! ( ´ ▽ ` )#I have a big cough but otherwise I am good! It's nothign bad I am just very slimey #usually I am not a cough person I am not sure where this is coming from #most of the time I just get a stuffy nose #has my nose gotten stronger #but there are good news too I have already found a VERY good chestnut to put into my pocket this autumn!! its very small! (❁´▽`❁)#it's been a very warm autumn in Germany so far so it has not really felt like fall yet #but yesterday it was all rainy and stormy and I had two new books and it was the best day possible to have a slimey cough (:#and now I feel SO much autumn I am close to buying a set of window colors #I do not know what I would to with the window colors I just have this strong urge in me to buy a window color set #the last time I did a window color was at the birtday of a class mate I think she turned 9 and I made a deer #but for some reason we did this craft 5 minutes before we all had to leave so we had to carry our window color deer home wet #unfortunatly for the deer and me I fell down the stairs of her house and smeared the deer all over me and i screamed the entire drive home #which wasn't very long but it probably felt very long for the mother who had a screaming child covered in window color deer inside her car

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vangreunen-art · 3 months

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8 hour painting💚 @neil-gaiman

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fuckyeahgoodomens · 3 months

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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

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abnormalpsychology · 1 year

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seven-winged-liar · 1 month

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Finished and sealed GO pots!

I love how they turned out <3

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hansoeii · 4 months

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little crowley sketch I did in class today!

#not really in clasd but during a small break #good omens #good omens fanart #crowley #david tenannt #my art #sketchbook

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faithsweird · 6 months

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How many angels can dance on an old gramophone?

Just the two of them

Edit: Ineffable Slowdancers is now available at my INPRNT shop!

You can find me in my other links here 🖤

#inktober #dancers #dance #ineffable idiots #ineffable husbands #aziracrow #crowley x aziraphale #aziraphale #crowley #angel crowley #angel #good omens 2 #good omens #good omens fanart #small artist #digital art

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fledglingdoodles · 3 months

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Last call to get some Small Omens Valentines if you want them delivered in time before the big day!

#good omens #good omens fanart #ineffable husbands #crowley #aziraphale #good omens au #valentines #valentines day #small omens #figgy does art #figgy has a shop

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pommegrantaire · 6 months

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well, heaven knows

that without you is how i disappear

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politeanarchy · 10 months

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On the left, Jordan Long as Officer Fred in Good Omens. On the right, Jordan Long as Guard #10 (Fred) in The Sandman.

Apparently, this man is Neil Gaiman's designated Fred.

#good omens #the sandman #small things I noticed #Jordan Long #Fred

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biceratops7 · 3 months

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hold- wait a fucking minute...

Beelzebub is acting really freaking weird in this scene.

Ok so I encourage you to rewatch it cause I can't really properly illustrate it in gifs, but they don't sound irritated, or even particularly intimidating. We know Beezlebub to be a very dry person, even in moments they want something and need to manipulate/ convince someone for it. So this abnormally animated and even somewhat friendly demeanor doesn't strike me as part of buttering Crowley up to get him to help them.

This is a weird line. We know Beelzebub isn't like Shax, they've been around a bit more and have a better grasp on things like tone and figurative language. There's almost no way they're unaware that saying this would immediately clue Crowley in to the fact that Heaven and Hell do in fact have communication, so they must want him to know. For whatever reason, it's important to them that Crowley knows they're a reputable source.

And then I remembered where I've heard that tone before.

It's nearly the exact same one Crowley uses to tell Aziraphale that he needs to protect them. It's the kind of tone you use when you need someone to read between the lines and understand more than you can safely tell them. Beelzebub is fully ready to believe Shax when they say Gabriel's in the bookshop, and acknowledge later that Aziraphale was a very fitting and likely candidate to harbor him. They know full well Crowley doesn't want jack shit to do with Hell, and would probably be offended if anything by anyone referring to his "nasty little heart". That is merely a performance to mask what they're really trying to tell him, which is that Aziraphale is in danger.

Without this detail Crowley very well could've turned Gabriel in to Heaven instead of Hell, he certainly doesn't see much difference between the two. Beelzebub is the reason he decisively doesn't, and races home in a panic.

And I think it's genuinely so sweet, this moment of understanding and comradery between them that goes unnoticed, even to Crowley. They drop the shtick and make sure that he knows the book of life is a real threat, and you only need to be merely involved in hiding him to be erased from it. Because to them, there's also the very real possibility that Crowley knows about Gabriel while Aziraphale doesn't, so they're double checking Crowley will not to tell him and instead go straight to them. There’s just something so protective in it.

#idk how to end this post #blah blah blah the queer experience of finding small ways to protect eachother #especially when there seems to be so precious few of you against everything #‘’I know what it’s like’’#’’please look out for mine; and I’ll look out for yours.’’#good omens #ineffable husbands #ineffable bureaucracy #Crowley #aziraphale #Gabriel #beezlebub #aziracrow #meta #analysis #biceratops

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fuckyeahgoodomens · 4 months

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(Mickey Ralph, the graphic designer of Good Omens, talks about showing the Bathgate Soho set to fans who won a visit to it :) <3)

#good omens #gos2 #season 2 #mickey ralph #bts #photos #bts photos #aziraphale #michael sheen #the small back room #maggie's record shop #soho #<3 #promo photos #show promo photos #2ep1 #2i1i2

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queenofthearchipelago · 8 months

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I know everyone's saying that come season 3 we'll have a kiss in 1941, but I'm still on the side of them having an almost kiss in 1941. It's probably because I love pain but imagine them after they get rid of the Nazi zombies for good, saving each other's lives in the process, they're in the bookshop talking as they usually do. Imagine the hour growing late, Crowley standing from his place on the couch to leave. Aziraphale walks him to the door, and there's just this moment that passes between them. Crowley's hand on the doorknob, and they aren't saying anything, but this time, they don't have to. I don't want to leave but I have to. Thank you for saving my life. I'm so relieved I was able to save yours. If anything happened to you, I'd... and they're just right there. So close. The last time an angel and a demon were this close to each other, it was in battle. But not here, not in this bookshop. Not with this angel and this demon. There's something else here. One day, when they have the freedom to allow themselves the thought, they'll call it love. But today... Aziraphale steps away.

"Why not?" Crowley whispers.

Aziraphale shakes his head at the ground, before looking back up into the curious, desperate, beautiful yellow eyes hidden behind Crowley's glasses.

"I can't," Aziraphale whispers back, something desperate painting itself deep in his eyes.

Crowley nods, reaching behind him for his hat hanging on the hat stand and placing it low on his head. Turning the doorknob, he gives Aziraphale a small bow and leaves.

It won't be until 1967 that Aziraphale finally finds the strength and the words to truly answer Crowley's question.

"You go too fast for me, Crowley."

#please tell me I'm not the only one hoping for this #good omens #good omens theories #ineffable husbands #good omens fanfic #I guess it's a small little something #thoughtsfromthequeen #good omens 1941

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