Tumgik
#so does martin!
mjulmjul · 1 year
Text
Tumblr media Tumblr media
Katya / Goncharov
21K notes · View notes
faultyvessel · 7 months
Text
Tumblr media
My favourite piece of TMA canon that no one ever discusses is the fact that Elias has canonically watched at least a little bit of ghost hunt YouTube. Even Martin can’t believe it.
3K notes · View notes
heartscrypt · 5 months
Text
Tumblr media
mfw im trying to explain to my coworker that having a paranoia induced breakdown is actually the most sane thing i can do rn given the situations i be in
bonus:
Tumblr media
1K notes · View notes
lithiumseven · 5 months
Text
Tumblr media
The sheer hilarity of Martin Scorsese beating out JENSEN ACKLES, noted Tumblr idol and madman in arguably one of his most batshit years because of Goncharov is sending me
984 notes · View notes
once-ina-blue-moon · 28 days
Text
Tumblr media
142 episodes in & I finally have designs for these guys
387 notes · View notes
crit20art · 9 months
Text
Tumblr media Tumblr media
[ID: two digital greyscale drawings of Jonathan Sims and Martin Blackwood from The Magnus Archives. Jon is depicted as a short, thin British-Pakistani man with many scars, and Martin is depicted as a tall, fat Vietnamese-Polish man with glasses.
Image 1 depicts Jon rescuing Martin from the Lonely in episode 159. Against a cloudy grey background, Martin, washed out, stands with his arms limp at his sides, looking vacantly aside. He is wearing a blazer. Jon wears an overlarge cardigan that fans out behind him as he reaches for Martin’s face with both hands. Many tendrils of negative space curl around Martin, and a few break over Jon’s legs and flow between his fingers.
Image 2 depicts the final moments of episode 200. Jon, unraveling into magnetic tape, floats in mid-air while Martin, standing on the ground, begins to drive a knife into Jon’s chest, cutting the tape. Blood rises from the wound, floating upward, the only color in the drawing. Jon gently touches Martin’s face and supports the arm holding the knife, while Martin sobs through gritted teeth and holds onto Jon’s wrist. The dark backdrop is lit by a beam of light behind Jon, which highlights the negative space between the ribbons of tape that compose Jon’s body. End ID.]
these drawings ended up being parallels of a sort so thought i would share them together for. maximum pain :,) if anyone’s wondering i’m still inconsolable about Them
1K notes · View notes
zephyruswrites536 · 6 months
Text
Ok, I heard an audio made by someone that had like “You swore to me! You swore to me you bastard!” Like that part with Martin and Jon with “running up that hill” playing In the background and it convinced me to get a classical piece and put it over MAG200 when Jon and Martin “die”- well I did- I had to cut it a bit but still- I think it’s pretty but also makes it even sadder- cause music does that.
Now. Obviously I am not a music or audio editor- I do not have the technical expertise of a podcast editor- but I have capcut! So enjoy- if you want to watch it- MAG 200 with Le Cygne by Camille Saint-Saëns in Le Carnaval des Animaux playing overtop
679 notes · View notes
gammija · 10 months
Text
idly thinking about an AU where Jon and Martin do manage to land in the same world, in roughly the same location, but separated by time.
Lots of time.
Jon arrives in Britain, in 1988. Martin also arrives in Britain, also in the 80's - the 1780s. Maybe it's the Web putting the pieces in new starting positions, maybe it's just happenstance. Who can say.
The first thing Martin does is look for Jon, of course. Unfortunately, he realizes pretty quickly that, if Jon is here, he's not anywhere near him. But Martin's not giving up that easily. If he's going to find him, he needs resources. So, with a knack for lying to wealthy old men, and using a minimal amount of historical knowledge, he makes a modest name for himself. Hopefully enough so that Jon will be able to find him, when he looks for him -
Because Martin hasn't been able to find a trace of him yet. Not as a real person in the world, and not as a reference in any old texts or stories about odd appearances of men with alien clothes, lots of scars, or piercing eyes.
A few years pass, without Martin finding any sign of Jon. Slowly, he has to come to terms with a few facts:
Firstly, that the Fears are definitely also in this world. In his search for Jon, he's come across far too many accounts that sound eerily familiar. Though they seem to have popped up in the world around the same time he did; He doesn't have any earlier records that consistently line up with the patterns he's familiar with. Which most likely means that they - he - are responsible for their existence in this world... Martin tries not to think about it.
Secondly, thankfully, this must mean that Jon didn't arrive centuries before he did, living and dying without anyone taking notice, which Martin had gotten more and more worried about. He wouldn't have arrived without the Fears being there too. No, if Jon is going to appear in this world, (and Martin is not going to think about the alternatives), he'll arrive in his future.
Maybe so far into the future that Martin won't even live to see him. In which case, however much he'd like to avoid thinking about it, Martin has to create something here and now. Something that will last beyond his lifetime. Something Jon will be able to find as soon as he looks for Martin, so at least Jon won't have to wonder what happened to him, will know that he did not arrive completely alone, that Martin did not abandon him.
Thirdly... through his search for Jon, Martin has amassed quite a little collection of esoteric and weird stories. And, though he did it 200 years in the future, he does have some experience running an organization that ostensibly researches the supernatural, which would also be a good way to keep track of any potential new Jon leads. He thinks of naming it after Jon, of course, but it's not like Jon is going to look for his own name first, is he? And it'd raise more questions than if he named it after himself.
Cue the bittersweet ending where Jon falls out of the sky on a sunny day in the middle of London, asks for someone named Martin Blackwood, and finds Blackwood Organization, a public collection of ghost stories dating back to the 1800. He is given a set of personal letters from the founder, to be hand delivered only to a man called Jonathan Sims as soon as he would walk in the door.
...Or -
After yet another few years, in which Martin has set up his organization and is part of a decent network of people with similar interests (though he dislikes most of them), he bumps into someone. Jonah Magnus. It's an incredibly odd experience, though in hindsight, it was bound to happen, considering the information he's after. Martin has the urge to kill him right there, but the man doesn't seem to be from the future. He's just a creepy guy. Younger than Martin, too, which is also weird. But he manages to shake it off, and doesn't see him again.
Though he does keep tabs on him. Seeing him has set Martin thinking. He's been getting older, and his modern constitution isn't faring great in Georgian times. The organization is doing okay, but he's not sure yet if it's really going to survive after he's, well, gone, which would defeat the whole point. With a few more years, could he make it stronger? Could he maybe even reunite with Jon in person?
Furthermore, with the Fears being now well established, it's only a matter of time before someone tries a ritual. No, Martin isn't going to try and do one first, that'd be really stupid, not to mention evil. He just has to make sure that the world actually survives for Jon to appear in it.
A plan begins to form. One he really doesn't like. But one that, the more he considers it, is very possible. He's quite sure now the Fears mostly operate on vibes. Sure, he's maybe not a full avatar, but through letting the public read stories about the fears, hasn't he kind of spread awful knowledge? Hasn't he seen a lot of terrible things in turn? The Eye was already fond of him, according to Jon.
And even if it were to go wrong... Martin would die in either case, and the only other person suffering would be Jonah. He can't find it in himself to feel too awful about that.
Jon falls out of the sky on a sunny day in 1986. After a short and panicked search, he walks through the doors of the Blackwood Organization, Hilltop Lane 148, Oxford. The receptionist greets him. She seems somewhat shocked as she does so, tells him to take a seat as she makes a call. He doesn't know what else to do, so he sits. The chairs are surprisingly comfortable.
A few minutes later, someone he doesn't at all recognize enters the foyer. He looks at Jon, stops, freezes. Jon stills as well.
The man is unfamiliar in every way. He's short, for one, his skin a darker complexion, hair curling in a way his never did. But those eyes, as soon as he sees them, he recognizes. Those are the eyes of the man he trusted to kill him.
1K notes · View notes
mpetrohero · 4 months
Text
Thinking about Jon and Martin and “I’d understand if you hate me right now.” and “What? No! Martin, I love you.”
Martin who has never known conflict and disagreement without resentment. Who’s mother looked at him only in disdain and hatred. Who’s father left when he was nine. Martin who is so sure that the man he loves would flip the tables 360 over an argument. Martin who definitely has abandonment issues that we don’t talk about enough.
Jon who doesn’t tell people how he feels. Who half the time doesn’t even know how he feels. Who grew up building walls and feigning skepticism. Jon who only ever said the words “I love you” to Martin and his cat (which, mind you, is very real of him). Jon who has spent years hiding from monsters and making decisions he never wanted to have to make, watching those he loved face the consequences beside him.
And how in the end, their love for one another juxtaposes many of the actions they perform on their own. They love each other so much that it changes their narrative. And in the end (just as they confessed to one another) that’s it. That’s the core of it. Their love.
They literally invented romance your honor. I hate them so much.
236 notes · View notes
therainbowtea · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Sketch dump! Some of these I plan on finishing, others were just doodles. Also yes, I HAVE gotten into Malevolent and WILL be drawing more of it soon!!! :D God that show is SOO fucking weird and I love it!
515 notes · View notes
cult-of-the-eye · 3 months
Text
Jonathan Sims loves methodically. He devises plans and writes conversational scripts for detailed questions to ask, he has reminders on his phone for when Martin has to take his medication, he knows exactly where his favourite takeout place is. He loves like he's trying to prove a point to Martin that he is in fact, in love with him.
201 notes · View notes
feraltwinkseb · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
October 22, 2023 - Austin, Texas Source: David Buono/Icon Sportswire via Getty Images & CHANDAN KHANNA/AFP via Getty Images
221 notes · View notes
nikkodikko · 7 months
Text
Martin K. Blackwood is the type of guy to hear a kitchen appliance go bee boop bup and immediately go bee boop bup
229 notes · View notes
taiturner · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
SAM CARPENTER & CHAD MEEKS-MARTIN Scream VI (2023) dir. Matt Bettinelli-Olpin & Tyler Gillett
402 notes · View notes
alice-dyers-spouse · 3 months
Text
the supporting main character in a podcast urge to fall head over heels in love with the most emotionally unavailable character in the whole podcast
143 notes · View notes
gammija · 11 days
Text
now im also still thinking about tma dnd au.... mostly i agree with jonny&alex' assignments. Signing a contract to work in the Archives is really signing a pact with the Eye, so everyone there multiclasses in warlock, but only Jon really gains levels in it because of all the xp he gets by reading statements. Tim is a fighter, Sasha a 'real' wizard, Martin a bard who performs poetry instead of playing an instrument, says he studied at the College of Lore, but really he's self-taught and not even level 3 in bard.
Species though. i mostly drew Jon as a tiefling cause i wanted to give him horns but really, a tiefling would be preoccupied with whether or not he's turning into a monster. Sasha can just be human, and i think Tim is a half-elf, charismatic, easily fitting in with most crowds.
On the one hand i want Martin to be tall. but on the other. he just is a halfling. easily underestimated, typically caring, not very fast, not easily immobilized by fear, and, considering how little he gets hurt or wounded compared to tma's other characters, definitely a certain kind of lucky
115 notes · View notes