Tumgik
#so i'm following my own cultural rules
writergeekrhw · 1 year
Note
There's been a lot of talk over the years about whether Ferengi are a antisemitic stereotyoe. Given that DS9 had more Jewish actors and creative staff, what do you think of that discourse?
Was this something that was kept in mind when reinventing the Ferengi from how they were in TNG?
I can tell you the INTENTION of the Ferengi was to satirize capitalism and the West. Ferengi derives from the Persian "Farangi," i.e. Franks, people from France. More broadly, it came to mean "Western European." Hence "Farangistan" = Europe. Farang/i spread to other languages, notably Thai where it now means "foreigner."
Farang - Wikipedia
So, the Ferengi are intended to be us. Westerners, even more specifically Americans. The original TNG bible compares them to 18th and 19th century Yankee traders. Sexist and greedy, patriarchal and dishonest.
I'm pretty sure this was the intention of their look too, especially the noses. Big noses are common in Asian caricatures of Westerners. Check out the Thai sculpture in the link above. According to my father, for example, the Rhade tribe from the Vietnamese Highlands called Americans "big noses" and when he was their military advisor, he was Captain Big Nose.
And then TNG cast a ton of Jewish actors as early Ferengi, and a lot of people saw them completely differently. (Aside, I've heard from some Asian fans that they perceive Ferengi as caricatures of the Cantonese, which speaks to how different cultures see them.)
We were definitely aware of this issue when DS9 came along, and I largely followed the lead of our Jewish-American showrunners on how to handle it. Generally, by digging deep into three different main Ferengi characters and several recurring, I hope we transcended the stereotypes.
We showed Ferengi not as whip-wielding pirate/raiders (not a Jewish trope btw, see Yankee traders), but as a small business owner, a handyman/engineer, and an aspiring Starfleet officer, all struggling with issues of cultural assimilation and grappling with their own culture's shortcomings when it comes to women and greed.
When writing the Ferengi, I drew from my own (white bread, Catholic, Army brat) background, so for example, I saw the Rules of Acquisition not as some kind of take on the Talmud, but as a satire of Western self-help business books, a kind of "How to Win Friends and Influence People," meets "The Devil's Dictionary." The Ferengi afterlife is based on my vague understanding of Chinese traditions I grew up around in San Francisco, etc.
I'm not sure we fully separated the Ferengi from the baggage they came to us with, but we definitely tried.
3K notes · View notes
ukrainian-psycho · 8 months
Text
Everyone hates the Ventrue calling them boring and insufferable with their grindset-mindset and while most of it is true, if you dig into the clan's culture there isn't much that makes them worse than other clans really, there's a lot of endearing qualities that also explain why are they stupid like this. So here's some of my favorite facts and bits of the in clan lore (some of these traditions are applicable for cammies or for those in the clan-clan, done with the Agoge etc; an anarch ventrue obv doesn't have to follow no rule).
Blood preference is made up. It's in their head. There were incidents of a ventrue changing their preference, takes a huge effort but nothing says you can’t. Many ancient ones perished because there's no more Yugoslavian blood or whatever and they couldn't get used to any other. The biggest problem of the Clan of Kings is that they all think they all have an imaginary lactose intolerance they absolutely will die for.
Unlike other clans who let their progeny run around doing fuck all you are responsible for your childe. Providing for them first time, teaching them to hunt, all that regardless if they want to go through the Agoge or join the clan. As a capital V Ventrue you have to respect their choice. Being a deadbeat sire is generally frowned upon.
Actually, everyone in the clan feels entitled to your childe. Any clan member has the right to show up on your doorstep whenever because they thought of something profound to say to the fledgling or give you an advice on how to mentor them. Turning them away is impolite. Absolutely insufferable.
When in a serious trouble you can always ask a fellow clans-mate for help and even if they hate your ass they have to help and do a good job at that lest they want to lose some dignitas. You are expected to return the favor obviously.
Deathnights! 🥳🎉🎉. The thought that any kindred care for birthdays (or deathnights, the time you were embraced) is already silly but the fact that it's ventrues who care about this so much is especially funny. Yeah you sire sucks, but she invited Paris Hilton and got you a new car for your sweet 160. If it's an elder's deathnight you can even rizz them and it's all in good fun!
The general opinion that your local venture is an e*lon m*usk type o guy and not a gas station manager doesn't help. In the digital era even the most powerful ventrue have to influence from the shadows which is quite a hit on their ego. Others settle for less.
They are the smallest clan. The key to survival is resilience and mutual support. Trust no one, not even the other ventrue but you know they've got your back because you've got theirs. Fucked up, however "familial" bonds like sire-childe and such are much valued.
Wholesome-ish, ventrue cliques. Many looove chess and have chess clubs. Both as a hobby and often preferring to solve personal disputes over a game. Then, Philosophes and Diplomats. The first one is just a bunch of an armchair philosophers. The other can be considered as "progressive" and want to build bridges with other clans and think the Camarilla needs to be more cooperative and inviting. The elders often snark at the "friendly ventrues" but at the end of the night it is the Diplomats they send out to represent the clan and do the talking and make peace with others. There's also a club for neonates just to bitch about their hard unlife without the restrictions of the etiquette. Btw look up the Olympian clique on your own lmao, I'm not even delving into that.
And to be fair, there's so much etiquette. You're being told what to wear, what to gift, how to act.
don't argue with those younger than you, embarrassing them in the act. Don't argue with elders because it's disrespectful. Don't argue with your peers because arguing is stupid. If someone really pissed you off please submit a request to your closest ventrue primogen and wait 15-20 business nights to be informed if you have a go at killing their ass. This is not a joke. Always show up as a united front at all times.
Be respectful and treat other clans as you would have wanted to be treated. Even if they are ugly, annoying, or unhinged. At the end of the night the inquisition will come for all of us.
The Agoge sucks. Everyone hates it. It fucks you up but complaining is for pussies so drink some cocained up blood or get a therapist like everybody else. Suck it up.
Crying in the boardroom is not allowed. No public display of emotions or feelings is allowed. The purpose of it is to minimize the amount of conflict between each other and other clans but it's the next best thing to Lasombra's catholic guilt in terms of repressing yourself.
Older ones have a hard time keeping up with technology, the concept of email is on par with other paranormal forces. The Board risks their unlives traveling to an in-person meeting to resolve something that could have been a 10 minute conference call. If you are a neonate who knows what a DVR is you've got quite some power.
889 notes · View notes
Note
Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜
Tumblr media
No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www
Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.
I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.
We got it? Good 👍 Read more below the cut!!
Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:
In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.
With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.
Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.
Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.
Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)
Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.
All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:
Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.
Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.
Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.
Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.
Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.
Vetting and formal approval from the senate. lmao good luck with that
Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)
Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.
I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.
All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.
176 notes · View notes
dduane · 7 months
Text
Re: Magic systems
kosmonaunt asked:
I have the weird hyper-fixation of wanting to know all their is about The Speech and just how everything works!! I love learning about how power systems work, and it helps since I’m trying to develop my own. I’m always stuck on soft or hard magic systems. Since I don’t know all there is to really know about my system. Do you have tips on crafting magic systems? How do you feel about someone being inspired by pieces of your system?
Inspiration is fine! What you want to make sure you do with whatever inspires you, though, is to work hard to make your own take on it different from or better than what you borrowed. Around here we refer to this as "the magpie principle:" if you're going to pick up and play with/make off with a bright and shiny idea, you need to be working to produce something even brighter and shinier as your part of the "exchange". Whether or not you succeed at this (or can succeed), either sometimes or never at all, isn't the point. The point is to always be trying.
As regards building magic systems: there were three different ones in the foreground or background of my first novel alone—all of them with features that at this end of time I can recognize as being inspired by elements of magic systems in other writers' work. But by the time I'd more fully developed them, each had become something unique. The system I'm probably better known for—the system based on the wizardly Speech and its use—sprang more or less automatically from the increasingly complex answers to the question, "What if there was a manual that could tell you the truth about/the secrets of what makes the world go?". (Because once you answer one question, another pops up. "Where did that manual come from? What're you supposed to do with it? What's wizardry for?" Etc., etc.) I've spent the last few decades, on and off, answering that question in ways that (intentionally) mirror the main characters' exploration of the art of wizardry, and what it means to engage in the business of errantry in a world that mostly thinks wizards are a fairy tale.
Before getting into describing my own approach to building a system, I needed to take a little time to look around and make sure I knew what you meant when you mentioned hard and soft magic. My best guess is that you're referring to what a lot of people are calling "Sanderson's Three Laws of Magic" (fairly enough, as Brandon calls them that himself). I had a look, and have come to the conclusion that they're more general guidelines than laws... as in each of his three essays on the subject, Brandon no sooner names his basic laws/principles than he starts punching holes through them to make room for systems that don't follow them rigidly. (And frankly I find this kind of endearing.)
With his first one, in particular, I have no quarrel at all: the concept that in one kind of magic, which for his purposes he defines as the "hard" kind, rules are extremely important. (Which is why I'm kind of horrified that he apparently got dogpiled about this take on a Worldcon panel, because to me it seems so intuitive. Some of the best fantasy storytellers I know, like this one, would agree with him.) Then later he gets on to the equally valid ideas that limitations on magic are really important, and that culturally interconnecting multiple systems is useful; and here too we're in agreement. This is reassuring to me, considering that I built my first four systems—all of which feature approaches resting on similar concepts—while Sanderson was between four and six years old. :)
People using Sanderson's Laws will look at the three systems in the Middle Kingdoms books and classify them as varying sorts of relatively hard magic, with their power rooted in two or maybe three different sources. (The blue Fire is a gift of the Divine, nearly lost since ancient times and much damaged, but now slowly being recovered: sorcery is a language-based art in which no one's terribly sure where its power comes from: and the so-called "royal magics" probably started out as a blood sorcery that over centuries was shifted toward very specific uses by the power of the demigod-descendants who employed it.)
The Young Wizards novels, though, feature an extremely hard magic deeply rooted in science and (more or less under the hood) very, very rules-intensive... while its power relies on correct use of the language used to create the Universe, and the active cooperation of the Powers still busy about that work. And this is the reason why, though people are going to naturally be curious about the Speech itself, no one's going to hear very much from me about its actual words.
This is because the Speech is canonically described as so powerful that its use is something you can feel in your body and mind (and theoretically your spirit): bone-shaking, life-changing, unmistakable. And there's no way that made-up words on the page can realistically be expected to evoke physical sensations like that in the reader... or like the sense of the universe going silent around you, leaning in to listen, as you speak your spell. The careful writer knows that it's unwise to attempt to produce responses in the reader that, when they fail, will only emphasize how that thing is not happening, and stands a good chance of shattering the illusion one’s trying to weave.
So a Speech-word gets dropped here and a phrase there, but no one's ever going to get enough of it out of me to try to build a spell. Readers are better at doing that work for themselves in their own heads, out of hints and whispers. Over ten books and their interstitial material, there are plenty of those scattered through the text: not to mention the most basic principles of wizardry, which are laid out before the end of the first chapter of the first book in the series. So I'll leave you to get on with deducing what you can from canon.
Meanwhile, if I was about to build a new system, I'd look at my main characters—in the setting of their home cultures—and ask myself for answers to these questions:
What do they want more than anything?
Why can't they have it?
What kind of power will help them get it?
When they do eventually get within reach of the power / the desired thing... what will its achievement cost them?
And will they pay the price?
...Because the payment of such prices is where you find out what your heroes are worth. (Or aren't.) The above arc succinctly describes, in broad strokes, both The Door into Fire and So You Want To Be A Wizard, and a good number of the books that follow them. (Because why abandon what works, or try to fix what's not broken?) :)
With answers to the questions above you can start feeling your way toward what you need—always looking closely at the cultures your characters spring from, and how those cultures will shape their response to the magic they seek. (Or that finds them.) Maybe it's no surprise that the preferred arc structure of a writer who was a psychiatric nurse will be deeply involved with questions of motivation: because motivation is at the heart of almost all human behavior. Find the motivation and you find the character's heart—and, often enough, what kind of magic they need to make their desire and intention overflow into triumph.
...There are quite a few "How to design your magic system" pages out there. You might glance at these to see if there's anything useful in them for you:
How To Build An Amazing Magic System For Your Fantasy Novel
How To Create A Magic System In Six Simple Steps
Building Your Magic System: A Full Recipe
How To Create A Rational Magic System
However, my favorite is the "So You Want To Write A Functional Magic System" page at TV Tropes, which is nicely arranged yet also completely nonprescriptive—a pick-'n'-mix jar of prompts, things other writers have done that've worked, and generally useful ideas. (And try not to vanish too far down the many interconnected rabbitholes...) :)
Now get out there, build the world, and make the magic(s).
Tumblr media
276 notes · View notes
osaemu · 9 months
Text
Tumblr media
✩ ‧ ˚. THE RULES: please take a minute to read the terms and conditions for browsing my blog!
here's my DNI criteria. warning, this blog may contain [N]SFW, dark content, and untagged spoilers. if you can't handle any of that, then don't follow. read through the remainder of my rules to avoid being blocked and to find my masterlist.
Tumblr media
✩ ‧ ˚. OVERVIEW
do not plagiarize, translate, or repost my writing/graphics anywhere.
do not send a summary of one of my plots to another writer and ask them to write it with a different character.
inspiration from writing/themes/graphics is discouraged unless you ask me first.
inspiration ≠ plagiarism. inspiration means you were mentally stimulated by another work to write one of your own. plagiarism means you used the original's ideas as your own. just because i said you could take inspiration does not mean your post can be a mirror image of mine.
Tumblr media
✩ ‧ ˚. INTERACTIONS
i'm always happy to chat via my inbox, and all interactions with me or my posts are more than welcome! that being said, please refrain from getting overly comfortable with me unless we're close: i'm a naturally distant person, so just keep that in mind.
anon hate gets ridiculed or deleted, depends on my mood. want me to take you seriously? send it off anon.
discourse is whatever. if there's something you want to clear up, send me an ask off anon and i'll either reply privately or dm you myself.
don't ask me to be mutuals. likewise, if i break the mutual, don't reach out and ask why. i softblock to break the mutual and hardblock if you made me uncomfortable.
blocked/unfollowed? there's a lot of possible reasons why: here's the complete list. don't come into my inbox/dms and ask why, you'll just get ignored.
Tumblr media
✩ ‧ ˚. WRITING
i don't have a consistent posting schedule. sometimes, i'll post three times a week, and other times, three times a month. i have a life, and tumblr is not my number one priority.
i don't take requests, but suggestions, thirsts, and brainrots are always welcome.
i write for fem!readers (afab + she/her prns). occasionally, i'll write for gn!readers, but i don't go out of my way to do so.
do not ask me to write readers with a specific race, body type, disorder, religion, culture, etc. click motive in my pinned post for my masterlist.
do not ask me to write incest/stepcest, sex toys, piss kinks, daddy/mommy kinks, period sex, foot fetishes, lactation, scat/vomit, etc.
i don't have a taglist and i usually don't write part two's. i don't care if people ask, it's not something i'll block you for.
Tumblr media
332 notes · View notes
lynxgriffin · 7 months
Note
Since we've got plenty of time to reflect, who do you the Knight is? (I'm very much hoping it's Papyrus)
Okay! So! 
While I uh, think that Jaru is super wrong on almost all his theories, I've got one major exception where I think he is correct, and that’s the identity of the Knight:
(This is kinda long, so going under the read more)
Namely, that the Knight is Gerson’s soul tied to a particular object and brought to life in the Dark World. Although for me personally, I’m going to tweak that idea quite a bit because I think it can actually tie in really nicely with my current theories on Ralsei’s identity and nature. 
We keep getting little references to Gerson brought up here and there in both chapters: there’s a drawing of a turtle monster in the abandoned classroom, done by Alvin. It’s presumably either Alvin himself or his dad, Gerson, and I’m guessing it’s the latter. We have books written by Gerson in multiple places, a memorial bench for him, and then Alvin’s conversation about him in the graveyard by his headstone. Alvin also mumbles something about “did I do the right thing?” to Gerson’s grave. As long as you initiate a conversation with Alvin, the game makes sure that you don't miss that extra bit, which is a little telling.
We know that Gerson was originally a historian, and then later turned to writing fiction, and wrote a beloved fiction series that fans still send his family letters about after his death. 
What do we know about the nature of the Dark Worlds? They’re basically imagination and fantasy brought to life. While they certainly seem to have a full history outside of what we experience, with characters that remember each other even from other Dark Worlds, they’re only “given form” when a dark fountain is opened. Any Lightner with determination can stab the earth, and a dark, inky substance can spew from it and give a world of fantasy its own form. The Darkners frequently talk about how Lightners give them direction and purpose in their lives.
So…question! How many of you have used a fountain pen?
I have used those before. They’re quite sharp, and using them very often feels like scratching or stabbing the paper. Black ink spews forth, and from this black ink…you can create whole worlds of fiction! Worlds that other people can interact with! 
We know that Gerson wrote beloved fiction well into his old age. What if he knew his time was coming, but still had stories to tell? What if he didn’t want to stop? Alvin says how his dust was sprinkled on a hammer and buried in the earth, and that this is considered the appropriate monster cultural ritual for helping a soul pass to the afterlife. But Alvin also appears to have done something that is still really troubling him. Maybe Alvin, either at his father's request or based on his own wants, didn’t actually follow the appropriate cultural funeral rites, and somehow helped his father’s soul attach to a different beloved object…a fountain pen that he’d use to write down his story ideas. And if that object gets brought to life with a dark fountain, you could get the Knight: the soul of a writer, filtered exclusively through their favorite writing tool, unwilling to stop creating.
I think it would make sense on a few logical and thematic levels:
It explains how the Knight is able to get around and open the fountains: the same way that Ralsei is able to do the weird things he does. They’re both Darkners carrying Lightner souls, so they can bend the rules.
It explains Queen’s insistence that Lightners are the ones that can create fountains, while King hates Lightners but seems to fully trust the Knight…a Darkner with a Lightner soul can meet both those people's expectations.  
It sets up the Knight as a foil to Ralsei: they’re both the same kind of special Dark World being, both believing that they are fulfilling their roles and serving the Lightners, but coming to vastly different conclusions about how to do that. 
It explains the Knight’s motivations: not that he’s actually trying to destroy the world or anything, but that he’s trying to serve the Lightners. He knows very well how much joy and positivity his fiction has brought to Lightners in the past. How could more of that be anything bad? This is his purpose, what he was made to do. Not doing it is virtually unthinkable.
And I think that in turn keeps him following in the footsteps of how Toby usually writes his villains…rarely if ever fully malicious, but utterly convinced that they’re doing the right thing, or that they have no choice in the matter. 
And of course that ties in with one of Deltarune’s themes: the balance between reality and fantasy. The Knight has no more ties with reality, and therefore is focused exclusively on creating more fantasy and having it supplant reality, upsetting the balance between them. 
And this is extremely speculative, but I've been thinking about how Toby mentioned that chapter three will be a bit of an odd one out, that it's more about trying weird things than advancing a lot of plot. Kind of an interesting thing to note since Kris just made a fountain that should take us into chapter three. If the Dark Worlds are in some way shaped by the will of the Lightner that makes them, then chapter three indicates that Kris's will manifests more as just...trying out stuff rather than something purposeful. Kris makes a fountain because they really want to keep up this special hangout with their friends. But the Knight? He's making narratives.
358 notes · View notes
starberry-cupcake · 18 days
Text
Tumblr media
Hello, I haven't had time to read as much as I would want but I'm here with an update regardless, because if I don't keep these constant, I'm gonna forget things and this, so far, seems like a book in which I don't wanna forget things.
previously, in harrowbean the ninth:
this happened
currently, after "parodos" and ch. 1:
so I'm making up a timeline in my head with the information at hand
which is never straightforward
that'd be too easy, here in tlt we like to be kept on our toes
we like to be punched in the gut when we least expect it
so get ready for bad math
Tumblr media
this would probably make our good friend palmolive atreides weep
I'm sorry palomilve's force ghost, I'm doing my best
SO
the first entry was the night of the emperor being terminated
the "parodos" bit (we'll get to that) is 14 months before the emperor is snuffed out
ch. 1 is nine months before the emperor kicks the bucket
I believe act 1 is going to be happening around that time, since ch. 2 seems to be following without another indication
because of what happens in "parodos" aka flashback, aka prologue 2: elecric bogaloo, we can attempt to estimate when the events of gideon happened
harrowbean tells ortus in the flashback that he's gonna train with aiglamene for 12 weeks
let's assume that's kind of the amount of time gideon trained, plus the time it took harrow to plot how to girlsplain, gatekeep and gaslight gideon into it
the only one girlbossing here is camilla, I don't make the rules
so, if gideon and harrow were ready to leave the ninth somewhere around 2-3 months after the flashback, it'd be circa 11 months before the events in the prologue
and ch. 1 starts 9 months before the events in the prologue
so gideon might have happened somewhere around 11-10 months before the prologue
I can't tell how long they were in canaan house (it felt like 12 years and 5 minutes at the same time) but I think about a month is mostly right, given that once bodies start dropping, things are all happening together
all of this is relative, since time in space is ????
but I need to do this for my own peace of mind
if you give me time measurements I'm gonna measure, ok?
I need to organize things
I know I will end up making a graphic at some point I just know it
this is what I get for calling palmolive a turbonerd
ANYWAY, MOVING ON
or, moving back, since we're in prologue 2: electric bogaloo aka flashback time
here we have ortus (the one we knew, not the one we will get to know, according to the characters list) telling harrow he doesn't wanna go to the field trip
this is ortus
Tumblr media
if you're wondering why I don't nickname ortus, I'll repeat myself but "orto" means "ass" where I'm from, so that's enough to remember him by
harrow is like "I know you're underqualified but we're understaffed, so it is what it is"
the important part is that harrowbean says she sees the barbie in the freezer walking about
like a ghost or whatnot
she refers to her as "the body" and I assume that's barbie in the ice cube because someone reblogged my recap where I mentioned her and tagged
Tumblr media
ever since then I've been wondering why she was referred to as The Body and now I'm gonna assume this is it
Tumblr media
so harrow tells ortus he needs to hide the fact that she's mentally unstable
[non funny side note: masking is unbearable and it's awful we live in a social and cultural environment where we feel pressured to do it, especially when you're an adult having to fulfill expectations of supposedly "age-specific" activities and responsibilities, it's exhausting and I cried about that in therapy a mere week ago so, hitting hard, this bit
don't let people make you feel "less than" because the way in which you navigate the world and your experiences is different from what's expected in some theoretical socially constructed category
and fuck everyone who, in order to put people down in arguments online, ever make fun of those who aren't mentally, economically or socially as independent as what the category of an adult is supposed to be to them
argue with concepts, argue with opinions and facts, don't tear people down in the name of "moral upper hand" by telling people they're losers for needing help
side note done]
so, harrow entered the whole canaan thing not only carrying the weight of her house, her family and her entire people
she also came into it believing she's not mentally sound and seeing The Body walking around unnoticed by other people
whether or not her visions are mentally unsettled or something that actually happens because she opened the tomb, just the whole situation of her birth is enough to make anyone collapse, so we got you, harrowbean
we're here for you
and all that without mentioning what it'd be like seeing your girlfriend cavalier impale herself in front of you
I'm taking liberties with the 'girlfriend' bit but idk
so, next we know, 5 months have passed from that and harrowcita is struggling in her new environment of the clown emperor's ship
she is made to carry gideon's sword and she can't
she can't seem to know what to do or to communicate with said knowledge and she's throwing up a lot
WHICH IS GREAT!!!!!
I mean, it's not great that she's suffering
but it's GREAT because if she can't communicate with gideon's slurped soul, maybe it means gideon's soul has not been slurped AT ALL
more fuel for my wishful thinking of gideon's soul returning to her and getting regenerated and saved and being alive
I also like very much this situation in which harrow sees the sword as personified and they hate each other without gideon
it's like prim's cat in the hunger games with katniss
but with an inanimate object
I'm really liking that dynamic
is like they both miss her and can't relate to each other
ALSO barbie body ice cube is still there
just chillin' and being silently supportive, I think
not sure what her deal is but what if she's not the bad one here? because this emperor kind of sucks tbh
not in a 'he's evil' way but in a 'idk if he know what he's doing' way
I don't know about this guy tbh
so we're leaving off with harrow being mentally and physically struggling, ghost barbie roamin' the rooms, voices of people organizing stock and gideon in my head like this, walking in limbo to get back to us
Tumblr media
also, another day without camilla
Tumblr media
I thought I wasn't gonna have much to say and this is so long, I'm so sorry...
79 notes · View notes
demigod-of-the-agni · 6 months
Text
#LongPost: A Few Hyper-Specific Things About India for India-Based Stories and Art
No this isn't a cry for more Indian-rep in Spider-Verse stories. (It is.)
Anyway. I recently went to India, and after returning to my hometown in Tamil Nadu, I reintegrated a whole slew of memories and collated new facts.. And considering I've been wanting to do one of these for quite some time (and because I need a new variety of Pavitr Prabhakar content), I thought it'd be cool if I shared some of my experiences and ideas with you.
It's best to take this with caution, though: the only places I've been to are Tiruchirappalli, Madurai, and a few towns located close to the Eastern Ghats, so my knowledge is heavily South India-based. I know for a fact that there are various similarities and differences between other geo-cultural areas of India, which is I why I've linked the other cool India Resources here as well.
In Which I Ramble About Pavitr's Character Design and the Indian Cultural Stuff Related to It by @chaos-and-sparkles (+ my addition + @neptune432's addition)
A culture post for the girlie pops (and non-girlie pops) looking to write Pavitr Prabhakar accurately by @summer-blues-stuff (+ my addition + @fandomsfeminismandme addition)
Also a timely reminder of @writingwithcolor's wonderful resources on writing about South Asian characters respectfully and sincerely
Now, for the things I've noticed in South India..
ANIMALS
There are a lot of street dogs. Like... a lot of them. And honestly it's so hard not to go up to one and give them a snack or two. The most notable dog breed is the Indian pariah and they can be found all over India. Mixed dog breeds are also common and results in a variety of features like differences in build and coat colours.
Tumblr media Tumblr media
There are also other types of animals are pretty common to see alongside the roads.
Cattle are seen a lot (cows and bulls are easy to distinguish; cows (left) have udders and a small hump on their back, while bulls (right) are generally stockier and have a super-defined hump on their back). I'm pretty sure the specific cow breed is the sahiwal cow. They are either herded into paddocks for grazing or can be found wandering city streets on their own.
Tumblr media Tumblr media
Goats are often herded by farmers into large masses of wool and horns and are guided to paddocks to graze. Sometimes, like cattle, they'll be found wandering city streets on their own.
Tumblr media
Chickens are usually kept close to stalls and homes. These chickens are not plump and fluffy like most Western chickens, but are quite skinny. Mottled feather colours are usually a result of mixed chicken breeds. In Tamil Nadu, the most common chicken breed is the asil chicken.
Various birds are often seen flying around traffic if they’re not disappearing into the sky, the most common being crows, pigeons and mynahs. (The chart below on the right is not an inexhaustive list of birds; you best search them up yourself.)
Tumblr media Tumblr media
TRANSPORT
There is obviously a huge amount of trucks and lorries and buses. They all have beautiful designs or crazy LEDs or large detailed fluorescent / iridescent stickers that are impossible to ignore, whether it be at high noon or midnight.
Tumblr media Tumblr media
Expanding on that, the most common method of transport are motorcyclse or scooties, cars, and autos.
Also, as expected: traffic is insane. It’s horrible. It’s exhilarating. Western honking is akin to swearing, but here? Honk whenever you want. Honk if you’re happy or if you’re sad. You get a million dollars if you honk. You need to honk. It’s more important than breathing
Similarly, road rules don’t exist. Well, they do, and the Indian government does everything it can to make sure people do follow the rules, but based on the aforementioned honking, most people don't. Everyone just drives. Most bikers and motorcyclists don’t wear helmets. Only a few people wear seatbelts. Cars and motorcycles drive on the wrong side of the road and right into oncoming traffic. The chance of someone dying is 99% but it’s countered by desi stubbornness.
Tumblr media
ENVIRONMENT & INFRASTRUCTURE
Houses and buildings are painted different colours!!! Pastel pinks and purples and deep teal hues, either plain colours or decorated with elaborate murals. This also applies to interiors. I reckon it was surprising to a lot of people when they were confronted with Mumbattan's vibrant colours, but honestly: coloured buildings slap, and it's based on the real thing. They are a sight to behold. Couple that with the architecture and oh boy- you've got such a beautiful environment.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
From @jettpack's concept art for Mumbattan buildings
Tumblr media
jettpack's concept art of the Mumbattan collider
Tumblr media Tumblr media
From @chenfelicia's concept and colour keys of Mumbattan
Don't be shy to really immerse in crazy descriptors - that's how you capture the liveliness of cities like Madurai and Mumbai and ultimately, their physical manifestations like Mumbattan.
Funny enough, movie posters and political banners and flyers are EVERYWHERE. They’re huge and take up entire billboards, or congregate along walls so it becomes practically a collage. It's impossible to ignore the image of "Makkal Selvan" Vijay Sethupathi about to beat some poor loser into a pulp with a stick, or the political parties roasting each other on paper with impressive photoshopped graphics.
Tumblr media Tumblr media
To tie in to the point about transport: there are hundreds of coffee stalls and snack shops and one-of-a-kind food stands. You can’t go 200 metres without running into one, either on the highway or in the city. I remember having jaggery coffee on my first night in India, and guys- it tasted so fucking good. I only wish I can transfer the taste to you. Absolutely splendid.
The climate in India is generally very humid and warm, but that doesn't mean we don't get cooler days; it is obviously cooler on winter nights. Also I've heard from many conflicting sources on India's seasonal weather (probably due to India's geograpghy), so you will have to talk to someone who is from India to really confirm. I've somewhat boiled it down to five seasons:
Summer - May-Jun; very hot (35-45ºC/95-113ºF), characterised by shrinking water bodies and droughts if there aren't any rainfalls; this time is good for plant growth/harvest if you've successfully managed water supplies
Monsoon - Jul-Aug; (34ºC/93ºF) very variable in terms of timing, characterised by torrential rains and floodings; the raining itself probably lodges somewhere in Jun-Sept but the aftereffects are felt long after the rains have stopped
Autumn - Sept-Nov; cooler but humid (25-35ºC/77-95ºF), and generally much drier since it transitions from autumn to winter
Winter - Dec-Feb; much colder, but the extent is dependent on geographic regions (20-25ºC/68-77ºF)
Spring - Mar-Apr; humid (33ºC/91ºF), sudden downpours, only occasionally do you get pleasant weather in this time
PEOPLE AND CULTURE
For some reason, there are still loud speakers blaring out music across the roads and as far as a few city blocks. I honestly thought that that had died out by the time my parents had graduated university, but it still seems like people like hearing music played at 120 decibels.
This is a complicated issue but people are not piss poor. Yes, India is a developing country, and yes there are slums and there are homeless and there are those who are stuck in a horrific sociocultural cycle, but people are rapidly getting into high-paying jobs at much higher rates than before. Overall, India is getting better; do us a favour and not have us be represented by the same poor struggle-riddled Indian stories that Hollywood and Western media is are fond of portraying.
@neptune432: One thing I think it's important to acknowledge though is how your experience in India changes depending on your caste. I feel like most of the indian voices talking online are savarna (I'm not an exception) so this doesn't get brought up as much. It's a complicated issue and one that I don't think non-indians (or savarna indians) should worry about tackling in their work, but it's worth saying because what's assumed to be everyday aspects of indian culture are actually specific to things like caste, class, and what region you're in. ex: in kerala, there are also examples of people eating on banana leaf with lots of vegan food for special occasions (namely during onam). but veganism is heavily tied to brahmanism so most of these people will be savarna. even if they eat meat otherwise, the specific interest in eating vegan for special occassions has clear implications. Though many people of different castes eat meat, it's a practice that gets discriminated against, being treated as barbaric and unclean. this is because of brahmanism and is usually only strictly followed by brahmins. dalits/bahujan usually face the worse treatment for their eating traditions. there's also the fact that hinduism is more of a recent term and a broad umbrella where many different gods and cultures have been put under (and usually done forcefully). a lot of local dieties and specific cultural practices come from outside the vedic traditions of aryans (upper caste north india), but now are treated almost as one thing. ex: kali is a south indian (dravidian) goddess who's still heavily worshipped there and who later got adapted to brahminical traditions. that's also why south indian practices of worship are different from the north and are discriminated against ex: north indians getting angry at the idea of worshipping kali by drinking alcohol and smoking even though it's an older tradition than theirs. these traditions are often connected to dalit/tribal cultures as well, which adds to why these traditions are attacked. Now, I don't feel comfortable with non-indians writing about india in general but I feel it's important to mention these things cos most people don't even realize they're only getting shown certain perspectives. How many people don't even know they're a north/south divide, for example? People are fed narrow viewpoints on India and assume that's everything to know. it's a problem cos that's what the brahminical forces in india want. This is all very general info too and I'm no expert so it's worth more research (like reading what dalits have said on their experiences). I'm not trying to criticize you btw, I just wanted to add some things cos this has been on my mind for a long time now. Couldn't have said it better myself, neptune!! (I barely mentioned it at all lmao) The caste system despite it being "abolished" still defines many traditions within India, and almost always in harmful ways. Like @summer-blues-stuff and I have mentioned in their post A culture post for the girlie pops under the Religion and caste section, it's best to leave the caste and social hierarchy alone even if you've done your research. That doesn't mean you shouldn't talk about it, it's just that people, especially those of non-South Asian decent, have to be extremely careful about it. Introductory resources on the caste system can be found on ABC, Pew Research and The Conversation.
Furthermore, the automatic assumption is that people living in shacks or remote villages have no access to greater populations and resources, which I'm happy to completely disprove. Guys: majority of the people living in my village, a rather remote village, have phones on them. Ranges from iPhones to Androids to good ol' Nokias.
(And, side note: as an Indian, I get amazingly pissed off when people's ringtones are set to maximum volume and play the same famous part of a famous song every time they get a call. Like shut the fuck up. At least quieten down? Please??)
(Also this might be a South Indian thing but Man some people are so entitled. Dudes you do not need to rub your ego into my face. Dudes you can, you know, keep all the cool things you think will get other people jealous out of the public eye. At this point I'm not jealous of what you Have, I'm pissed off at the Audacity To Think You Can Make Me Feel Bad About Myself With The Things That You Have).
Alright. Moving on.
Tiny temples and shrines are everywhere, dedicated to broad-Hinduism deities like Ganesh, Shakthi, or Vishnu; other times, they are shrines built for local deities that protect a particular village. For example, my village dedicated a little plot of water-logged land to a benevolent spirit called Subbamma, where people would leave offerings or place their sick/injured animals at the water's edge so that Subbamma could heal them. These tiny temples are almost always super colourful and amazingly detailed despite their small size
Tumblr media Tumblr media
It could be a whole month before a celebration like Diwali but it’s the perfect time to set off hundreds of fireworks and firecrackers. People are just inconsiderate in many ways, it seems.
Some women wear strings of jasmine flowers in their hair. This might be completely regional-based, but most if not all women, ranging from little kids to old ladies, will wear these strings of jasmine in their hair. It's supposed to represent good fortune and beauty, and it smells wonderful.
@esrev-redips: #i usually only visit the north side of india (went to banglore and or chennai once) but im pretty sure most women in mumbai wouldnt wear #flowers in their hair unless they were of an older generation #they dont in new delhi at least and i t h i n k you can compare them but im not sure since i dont live in india either Thank you esrev!!!!! glad to see an old hunch be confirmed!!!
Tumblr media Tumblr media Tumblr media
Normally you can wear any type of jasmine, but the common subtypes in Tamil Nadu are ஜாதிமல்லி (jathimalli; "Spanish jasmine"; left) and மல்லிப்பூ (mallipoo; right).
Tumblr media Tumblr media
Eating food from a plate made from a banana leaf is more than just an aesthetic, and is often reserved for certain occasions; other times we eat from metal or ceramic plates. I can't vouch for other areas of India but I've been told the reason why banana leaves are predominantly used for large gatherings is because they can signal to diners if the food is rotten or has been poisoned; supposedly the leaf itself starts rotting and releases liquid, but I personally have never seen this happen. But of course, there are also other reasons as to why banana leaves are used (all of which are valid) ranging from being an eco-friendly disposable plate, offloading nutrients into food, or even to make the food taste better. Pick whichever reason you like.
Tumblr media
I'm literally so hungry looking at this. (Realises this is a Pavitr thing to say.) Anyway.
FOOD RECS!!!!!!
Reblog with your favourite foods >:) The list will be routinely updated...
JAGGERY COFFEE (from me) - GOOD FUCKING STUFF. ACTUALLY. if you see it.. GET IT IMMEDIATELY
PANI PURI (from @esrev-redips) - #also you forgot to mention the PANI PURI STANDS AHHHHHH YUMYUMYUM | RRRR YOU'RE SO RIGHT. PANI PURI FOR LIFE ACTUALLY.
JASUBEN PIZZA (from @the-witch-forever-lives) - okay this is specific to Ahmedabad | okay but as specific as it may be that sounds and looks delicious??? hello??????
DABELI (from @the-witch-forever-lives) - this too???? also it LOOKS wonderful i need it right now actually
VADA PAV (from @the-witch-forever-lives) - Also Vada pav from Mumbai is so one of a kind | you are absolutely correct. vada pav is truly something magnificent
I think that's about all I can give you right now. This took me a while to type out. Feel free to ask any questions, or if you have anything you would like to add on, like anything I might have glossed over or your favourite desi foods, please do!!! I'll be sure to reblog your addition and update the original post.
The point is that this post can become one of those few other reference posts that artists and writers and other creatives can use if they ever want to make anything related to India, because it's genuinely so cool to see your culture represented so well in popular modern media.
(And in fanfic and fandom. Especially in fanfic and fandom. you have no idea how many times I've gone insane reading a Pavitr-centric fic or reading comments on Pavitr-related posts and it's just outdated ideas and harmful stereotypes and all sorts of sick bullshit, and it's always to the point where I physically have to go outside and bite into a fresh rhizome in order to ground myself. Like damn, people, you need to know things before you start creating)
So uh, I hope this was helpful if not interesting! Happy early Diwali everyone! Knowledge-over-ignorance and all that; hopefully this post does that notion justice!
207 notes · View notes
kierongillen · 2 months
Note
i have to know - as a disco elysium fan who didnt do disco, what would you say is essential disco listening for me?
I'm hugely behind on the asks, but I have to answer this one, because I'm going to answer a connected but completely different question, and then maybe then loop back to you. I'm just looking for an excuse to ramble, and do the writer equivalent of a warm-up sketch (i.e. waste time).
My apologies.
If you wake up and decide that you want to get into a whole genre of music, there's basically two tactics.
(There's also the "Why would anyone care to get into something they don't care about", which is one of the few things I have a "There's two sorts of people..." response to - those who when presented by something unknown either think "why should I know about that?" or "why don't I know about that?" I'm the latter, and it's served me well.)
The first tactic is simple.
Jump on a genre with Best Of in the title and follow your pleasure response. Here's a Spotify one. What interests you? What excited you? What makes you laugh? Probably explore more of that. If not, indulge widely, and see what sticks. At a glance, Disco playlists seem to have the problem of most playlists, in that strictly not everything on it is disco per se. For example, Dancing Queen strictly speaking isn't a disco song - but it's a song about disco, in every way. But if anything has found its way on a playlist, it's found its way on for a reason.
In your case, you're interested in what Disco resonates with Disco Elysium. Which I've bought for C, but not played, but I'm aware of in a "if I was still a games journalist, this is clearly one I would write a lot about." I spent years writing about Planescape Torment, and I know a spiritual successor when I see one.
This makes me think the area you want is basically the classier end - the big bleak emotions, the chilliness, the control, lonely on a dancefloor, lonely everywhere, oh-so-much cocaine, and - to steal Paul Lester's line - glass mountains on fire.
Which leads back to the second way of getting into a genre of music - which is to hit a major artist, and hit them hard.
When asked about "how shall I get into a band" my advice is actually the opposite of what I'm about to give. If you just want to get into a band, get Best Of, see what tracks you like, then go to the albums they're from. But if you're trying to get into a whole genre of music, that's a more serious endeavour, and may reward the opposite approach.
Basically pick a key album from a key band, and get into it, and grow from there. Read about the band - you don't need much, but a little helps. Learn how to listen to what their tracks do. And then you use that band as the single point of knowledge you have to orientate yourself to everything else you listen afterwarads.
There's a huge danger to this - basically, no-one is more ignorant than someone with a little knowledge. You have to be aware that you are the person who knows a bit about Boss Baby, and using that to get into things other than Boss Baby.
The strength is that it's a more holistic, lived in knowledge than just skimming the surface. You understand the music better as an artifact of their times, made by people, responding to their specific situation - which adds different flavours to your appreciation of it. Sure, your own response and how it finds a place in your life is always the thing which over-rules anything else - but the more you can listen for, the more you can hear, the more you can get from a work of art.
Anyway - I'm telling you to go and listen to Risque by Chic.
Tumblr media
Chic are basically fucking awesome. If you don't know Disco at all, the opening Good Times chilly ironic take on American late-seventies culture is a great and (I suspect) Disco Elysium relevant intro. You'll know it as a sample, if nothing else, and the eight minutes version that opens Risque is a great way to think about it as both music for dancing (it is endless) and music for listening (it is boundless).
I got Risque as Paul Lester went to bat for it so hard in the Unknown Pleasures book the Maker stuck on the cover in 1995 (it was covering 20 albums that had fell out of the critical conversation, and it absolutely changed the dirction of my listening in the period). Here's Lester writing about Risque more recently for a taste, as the original piece doesn't appear to be online. I just read it in my copy, and it's a burst of love, describing it Disco as music about love - never sex, only love, and mainly love that is denied. That seems solid, at least for the best of chic.
Risque is the Chic album that Lloyd from Phonogram would have been listening to, certainly. I know I did.
(Plus At Last I Am Free from C'est Chic, obv)
There's a lot of Chic to listen to - their own work, especially in the period, and all their productions. Their work with Sister Sledge is of particular import - Lost In Music was one of the working title for Phonogram, and you can see and hear why. They're also the Disco band whose influence is perhaps most obvious in other bands. Everyone liked Chic. No Chic, no Orange Juice, no Orange Juice, no Smiths, etc.
Sister Sledge was the first live band I was at. My mum went to see them when she was eight and a half months pregnant. The temptration to say I'd have heard Lost in Music then and sold is tempting, but ahistorical - it's well before their work with Chic.
Anyway - get into Chic. It'll make your life better - and when your life isn't better, it's a superior context to lose yourself.
However, to go back to your question, as a Disco Elysium fan, I'm not sure it's actually THIS Disco you're looking for.
How about Disco Inferno?
Tumblr media
Not Disco at all, but most like itself than anything else, which sounds like what I understand about Disco Elysium. right?
(DI Goes Pop is the starting place)
119 notes · View notes
decolonize-the-left · 3 months
Note
Hi, I saw you other post and wanted to contribute to the discussion if that's cool.
I'm white, grew up middle class in the suburbs. My parents were both first generation immigrants. I grew up connected to their culture, their parents were Catholics from Northern Ireland who came to the US with their kids during the Troubles due to the violence there. But both of my parents were also pro assimilation; they taught me about my family history, but I wasn't meant to talk about it with others outside of our culture. I didn't understand that as a child, but I later learned that it's because they were afraid of being judged and were worried that it may decrease their social standing.
They are both conservatives, always voting red, and they constantly talk about how immigrants do harm and are terrible for this country to others, acting as though they themselves aren't the children of immigrants. Their parents fled violence and discrimination, yet they judge other people for doing the same. They see themselves as the exception. They're white, and see themselves as entitled to all of the benefits of that.
When I was in middle school, I started becoming aware of the contradictions present in the house I grew up in. I realised I was queer, I started experiencing more misogyny, and I started making friends and finding support in punk/anarchist spaces in my hometown. When I started to push back against my parents, I was met with anger and indignation. How are I not want what their parents "fought so hard" to get? Why couldn't I just accept the privilege and be happy with it? How could I find kinship and community outside of the spheres of whiteness? Why couldn't I just be cishet, and follow those rules to preserve my family's "dignity"?
What was especially crazy to me is that though they felt a "connection" to their Irish culture, the moment I began supporting Irish republicanism and Irish socialists/communists, I was suddenly a traitor. I was somehow a traitor for opposing the oppression that Britian wrought, entirely because I was applying that to other people. They want Ireland free from the British Empire, but they are against Landback in the US, Palestinian sovereignty, and other movements against colonialism arcoss the world. Basically - its not okay when they do it to us, but its okay when we do it to others. They also support kicking the brits out of Northern Ireland, but don't support the destruction of the capitalist policies that have hurt and killed thousands of people. Their people too!
When I got kicked out, I was taken in and supported by the punks, antifascists, anarchists, and communists of my community; a support that I had never seen before. The suburbs were always lonely, cut off from the rest of the town, and people there would rather die than ask others for help. The difference was insane. I'm broke now, disabled, uninsured, and struggling financially, but I have, like, actual friends. I have a community. We all pass the same $20 back and forth to each other to make ends meet, we pool money to buy things in bulk so we all have enough, we go all in on one Costco membership every year to make it easier. I have support here, even if I don't have the same degree of "comfort".
What I gathered from all this is that white immigrants and their children occupy a very weird place in American whiteness, especially those who came to this country fleeing poverty and/or violence. They're traitors to other immigrants, in thinking that they're somehow "more superior" due to their connection to whiteness. They're willing to throw anyone and everyone under the bus to further their own social standing. They feel especially entitled to it, believing that other white people just had it handed to them rather than having to fight for it, but are also terrified of other white people realising that. They put on a great show of whiteness in the hopes that being accepted into this group will makes them safer, while beating down others looking for safety.
I think Irish Americans are especially guilty of this, specifically Irish Catholics. They use the very real oppression and violence that their parent/grandparents faced to deflect from their own shittiness, while also keeping that under wraps around other white people, lest they be seen as less American.
The difference is insane. I don't know how they live like that, genuinely. They're so wrapped up in their privilege and their identity as white that they deprive themselves of real human connection. They beat others down with glee while exempting themselves from the same rhetoric.
I don't have a nice, clean end to this ask, this is more of a collection of observations than anything else. I think international solidarity is required to fix the problems in this world, but I genuinely don't know how to reach some of these people. They have a death grip on whiteness at the expense of their own humanity.
I never responded to this because I didn't know how or what to say; anon said it all already and there was nothing to add.
I am constantly thinking about the things being said here.
"we pass the same $20 back and forth to each other to make ends meet" and "they're so wrapped up in their privilege and their identity as white that they deprive themselves of real human connection" live in my head rent free
108 notes · View notes
schizoid-culture-is · 11 days
Note
schizoid culture is wishing our chronic apathy wasn't so glamourized yet demonized at the same time. not caring about certain things and certain people is so cool, you're a free spirit! you don't owe anything to anybody, you follow your own rules. but when it comes to *other* things and *other* people, not caring means you are a fucking monster walking on earth. what do you MEAN you don't care about me?? what the fuck do you mean you don't care about this thing? why are you like this? there is pure evil inside of you, you're not meant to be existing among society.
and the funny thing is, i'm also generally apathetic towards this. i don't care what they think of me. it's inconvenient to have the expectation of having to explain and defend yourself thrusted upon you by someone you cannot begin to fathom even slightly caring about, and if there is something that beats my apathy is my annoyance at being inconvenienced.
-
59 notes · View notes
squeakintothevoid · 1 month
Text
Exmormon thoughts on the Book of Mormon Musical:
Tumblr media
The whole thing was spectacularly irreverent
*does some googling* oh its written by the creators of south park, that makes sense
The bright and cheery forced smiles of the missionaries are accurate
The set is amazing, with it looking like an lds temple and everything. The backdrop with the clouds and the planets even looks like the giant murals they have in the temple visitors centers
Tumblr media Tumblr media
I love the salt lake city backdrop with the mormon temple right in the middle surrounded by the more obvious corporations like McDonald's and stuff. Did you know the LDS church owns a mall in the same city? It even has a little river going through it
Tumblr media
The spooky mormon hell dream sequence was the best thing i've ever witnessed. Especially as somebody who really did get guilt-fueled nightmares, albeit not as theatrical and hellish lol
Seeing the cups of coffee dancing in hell alongside Jeffrey Dahmer and Adolf Hitler was the best, my favorite moment
Tumblr media
The song about turning off your uncomfortable/unapproved thoughts was also amazing. The actual phrase commonly used is putting the thought "on your shelf" to set it aside to think about later. There's literally a song they teach to toddlers about never frowning because nobody likes it and making yourself smile instead.
Tumblr media
Hearing people crack up about things you used to believe sucks but finally you are surrounded by people who agree that this is ridiculous rather than people who think you are the crazy one for doubting
Mormons don't actually think Jesus was blond but they do think he visited America and most of the art makes him look northern European
Mormons don't really believe in a traditional hell or that Jesus hates you for sinning, but the level of guilt is still the same. Like that might as well be the case because your eternal afterlife is still at stake.
Tumblr media
The "I Am Africa" song is so on point. Missionaries go to a foreign country and really do start wearing their traditional clothes and keep speaking the language even after coming home as if they really are part of the culture now
I was not expecting to see punk rock Darth Vader or Yoda or lieutenant Uhura or Sam and Frodo.
Tumblr media
When Elder Price said "fuck," that was a blessed moment
I'm so glad I never actually went on a mission and could only relate so much. But that dedication to following all the rules in the missionary handbook is REAL and not even as intense as they portrayed it at times. The religious scrupulosity OCD is like no other. Like it's not unheard of for a missionary to keep working on their mission even if their mom or someone died while they were away.
There are still so many weird things about growing up mormon that they didn't even touch on. Like heaven being an MLM, multiple levels and everything.
Thanks for the read, feel free to ask any questions if you're curious because I like complaining about mormonism lol
61 notes · View notes
Text
It sorta bothers me that post-series people are still complaining about 3Below being disconnected from the rest of Tales of Arcadia. For me, it was a refreshing break from the densely-packed fantasy lore and an intriguing peek at the way the universe beyond Arcadia and Earth functions. I liked the character arcs and interpersonal connections. And there was ample room for me to come up with a bunch of my own headcanons, which I love! I absolutely love being able to slot pieces of my own mind and soul into an existing world! I don't like shows where I'm told how every little detail works, that's way too much to remember. Instead I want enough to create an idea of the rules and how things might have gone/might continue to go and fill in whatever else I want.
Also, I think 3Below was SUPPOSED to be a lot more connected before Wizards got cut down. Tons of ideas didn't make it into the limited series run- I remember hearing stuff about Mordred being involved, a lost Krel arc, and I'm sure a lot of lore that would have bound the worlds together more closely. When they mentioned Gaylen's core came from Earth, there was clearly supposed to be more to that, but it got cut out. I'm like 93% sure Gaylen was a being who was part of or similar to the Arcane Order, but was drawn to the cosmos rather than to a part of the Earth. That would indicate that Akiridion tech and magic are compatible because Akiridions' energy-based life was initially magical, but those roots were largely forgotten because of how old a civilization Akiridion is. They've been spacefaring since humans were cavepeople. If the Order existed from the primeval dawn of the world, and Gaylen left not long after that, Akiridion could be millenia ahead of Earth. Or, heck, maybe Earth was the first or only livable world, and Gaylen created the Order to look after it before going off to try to find or create life elsewhere. I always headcanoned that Seklos was more powerful than most Akiridions or even the Royals that came after her, given the fact her core alone was enough to stop Gaylen while in the modern era it requires two royal cores. Maybe she was created by Gaylen to be Akiridion's version of an Arcane Order type being, and she created normal Akiridions, which she then had kids with, diluting her power in the Royals that followed. There's so much ancient history to unpack from just the tidbits we were given.
As for the modern era, there seems to very distinctly be a major intergalactic connection. The drunk ship operator in episode 3 of 3b s1 that the Zerons interrogate talks about ship classifications, which indicates a universal or at least an interplanetary system of ship ratings. We also see interplanetary tourism, and signs that Akiridion is one of the most advanced and influential planets out there.
3Below doesn't need to continue the plot of Trollhunters to be a valid part of Tales of Arcadia. It brought an energy to ToA that was somewhere between Star Trek TNG and Babylon 5, and I love how it expands the weirdness of Arcadia. If it was supposed to be a continuation of Trollhunters, they would have made more Trollhunters. But it's not Trollhunters, it's 3Below. And Wizards isn't Trollhunters either! I honestly think that Camelot, Douxie, and the world of wizards could have been written such that the Trollhunters cast was much less focal, and that if they'd given the show the time it needed and deserved to tell its story, it would have been fleshed-out and fascinating all on its own, with or without the TH gang. Where are the magic users beyond the reach of Camelot? Are there merfolk, sirens, harpies, dryads, more dragons, or other sapient races living on Earth with their own civilizations and magic and cultures? There are so many worlds and so many potential stories out there, on Earth and beyond, in the Tales of Arcadia universe. Arcadia just happens to be the narrative meshing point of them all. And I think that's a really cool way to build a universe.
Anyway, thanks for coming to my TED talk, here's more Akiridion development as a treat for making it this far.
70 notes · View notes
yuri-is-online · 9 months
Note
Hello, hello! Congrats on making the 300 follower milestone!👍 Well done! For the event, can I request prompt no. 17 with Riddle, Leona and Jamil, please? Thank you and kudos!
Tumblr media
17. Kissing under the fireworks
Thank you friend! Very on brand request for Jamil ha ha. I accidentally made Leona's part angsty I am so sorry
notes: they/them pronouns used for Yuu, Riddle is a bit awkward, references to the events at the very end of Ch. 5/beginning of Ch. 6 (Leona- hurt with heavy focus on comfort), references to the events of the Firelit Sky Event (Jamil- nothing too specific). Check out the rest of the requests on my masterlist here.
Tumblr media
Riddle
"Are you ok Riddle? You're really tense." You ask and wonder if it was smart, the comment makes Riddle even more rigid to a degree that has to be painful. "I can let go of your hand-"
"No!" You shouldn't be so surprised how loudly he protests, emphasizing his point by intertwining your fingers without his usual embarrassment. "We are on a date so we are holding hands." Seeing that this does not persuade you he less certainly adds: "I want to hold your hand."
"I want to hold your hand too." You reassure him, squeezing his hand to emphasize the point making Riddle practically glow with happiness. He squeezes your hand as you both settle into the colosseum bleachers waiting for the fireworks show to begin. There is a part of you that wonders what Riddle has planned, he always has some sort of itinerary when you go on dates which sounds annoying but in practice is sort of cute. Riddle needs structure to feel comfortable, and if he needs to make a mental checklist to feel comfortable holding your hand you don't mind. He's relaxing into you the longer you spend together, eventually that checklist will fade into habit and Riddle will be able to hold your hand without looking smug every time he looks down at your intertwined fingers.
Fireworks burst into the sky illuminating that smug smile and the flicker of uncertainty as his blue grey eyes focus on your lips. A normal person might not think of giving their partner a kiss as a rule, but Riddle does. Clumsily he closes the distance and bumps more than he kisses your cheek, immediately sending his mind into a panic when you turn to him confused.
But then you smile, happiness bathed in red, blue, green as you lean forward to help him achieve his goal. You kiss him and melt away all thoughts of rules and obligation under a wave of wonder and happiness.
Leona
It's strange to see Leona up this late. Stranger still that this is, apparently, completely of his own free will. "I'm surprised you asked me to come, I thought you'd hate stuff like this."
"And I'm surprised you're this excited over somethin' this simple." He neither confirms or denies your accusation, instead settling himself close to your side on the shockingly nice blanket he had insisted on bringing onto the green.
"I've never seen magic fireworks before." You mutter, and Leona is merciful enough not to laugh out loud. It's weird, this soft way he's treating you. Not that you're complaining exactly, after the incident with Grim you barely got a chance to really enjoy any of the culture fair. You didn't go out to see any of the booths past Riddle's tour until Leona dragged you out of bed this afternoon in a trope reversal that stunned you too much to properly protest. There's a part of you that wonders, well more like worries, that Leona's only really taken you around today out of some misguided sense of obligation; you can't see him ever doing anything out of pity.
Not when he braces you against his chest just before the show begins, not when he makes sure you are comfortable with the level of noise, or how he makes sure not to put too much pressure on your wound when he nuzzles himself into your neck as the show truly starts. No, there's nothing resembling pity in the way Leona looks at you.
"Beautiful, aren't they?" He contentedly murmurs in your ear, pressing a brief kiss to your cheek before you drag him back to you for a longer one on your lips.
No, there's nothing resembling pity in the way Leona looks at you; just love, and maybe an annoyingly smug sense of satisfaction.
Jamil
"Before you start, I know what I said last year and I do not want to hear about it." You aren't certain why Jamil is bringing this up now when he hadn't while inviting you. Maybe because the last time you were under these canopies you weren't friends, so the numerous less than kind things he's said about you are whirling around in his mind.
You wonder what that Jamil would think if he saw this Jamil holding you in his lap while you wait for the show to start. He'd probably have a stroke.
"I don't really remember what you're talking about." You had been really excited about seeing fireworks and having fun dressing up to really think about Jamil being, well, a bit of a sourpuss. "Besides it can't be worse than anything else you've ever said about me." Jamil is far from sour now, the smile on his face as he pulls you up to your feet to begin dancing in tune with the show is exceptionally mischievous.
"It wasn't about you really, even if I wasn't conscious of it I knew I wanted to bring you back here someday." That's news to you, sure he said he felt bad about making more work for you and had made sure to dance with you during that show, but it's not like he'd had his eye on you before his overblot. As if he could read your mind, or maybe to be more accurate as if he had been trying to provoke that exact thought, he makes sure to dance more intimately than he did last time, reaching to hold you in his arms as the climax of the show explodes above you. The first kiss is brief, a gentle peck because he wants to get a good look at you in your outfit bathed in the firelit sky before the second.
It had been an idle thought then, but if that Jamil could see this one his smug satisfaction would outweigh the embarrassment. To be anyone's first choice was a win, to be yours? A complete and total victory.
292 notes · View notes
olderthannetfic · 3 months
Note
Hi hi! I have a question and I apologise if it's impertinent but I really didn't have anyone else to ask. I'm new to ao3 and I'm still figuring out how it works. The problem is this- when I look up a character x reader, I'll see the tag included in many works that have oneshots but since it's a side character, more often than not the oneshot for the character hasn't been written and the tag has been there for months. Is it okay to do that or is it tagging something incorrectly? They say they'll write one eventually but they never do, y'know? To me it kind of feels like they're just trying to reach a wider audience but because of this I can't even filter tags and I have to manually search through the book to check if the character is included, especially when the chapters are titled only by numbers :')
Is it okay to tag things in advance like that?
--
Oh boy...
Wattpad refugees do tend to use AO3 "wrong", sometimes in ways that break the rules and sometimes just in ways I find annoying and against typical AO3 culture.
I'm assuming you are coming from Wattpad based on you calling a work or a fic a "book", which is a very, very Wattpad thing to do.
I'm assuming they are coming from Wattpad given the bad behavior you're describing and the fact that they're a x reader writer.
--
So, here's the thing, if you start writing a fic and there's any amount of the actual fic, even if it's pretty short and bad or in a weird format or whatever, it's still a valid fanwork. Most of the time, AO3 leaves it to the author to decide how to tag (aside from a very few things like death threats in the tags or failing to use the required archive warnings).
AO3 won't stop someone from tagging a future pairing that hasn't appeared yet.
--
But "books" of "oneshots" are such an obnoxious Wattpad thing. This is a completely stupid use of AO3 from the "Please send me prompts" part that is usually in there to the way that unrelated fics are smashed together.
It's not against the rules, but it's a crappy use of AO3 befitting of n00bs.
Sadly, old hands at AO3 also make shitty works that are unrelated stories mashed together. They're often a whole set of kinktober fics or something where the trope tags and the ship tags are accurate, but you can't tell which ones go with which ones without searching the whole fic.
We regularly complain about that on here.
--
A much better way to use AO3 is to make a series titled "My x Reader Oneshots" or "All of my kinktober fics" where each separate story is its own work with its own tags.
My assumption is that this person is using the inaccurate tag both to get more eyeballs on their existing work and because they probably take prompts for that ship or something. (I'm basing this on the kinds of things people say on their oneshot books on Wattpad. Maybe they don't actually take prompts since you haven't mentioned it.)
Some people just don't care that they're annoying others and messing up the tags, but I think some actually don't realize how AO3 filtering works and have no idea this behavior is a nuisance.
On a lot of sites, both Wattpad and algorithm-driven social media, unless a post/work is very popular, it disappears out of sight. Even an inaccurate tag doesn't do that much.
On AO3, one is getting a full list of everything with the tag, going back however far. It's a library catalogue for which you should use accurate data. But this writer is probably thinking of tags more as advertising and a way to get their name out there so readers can follow them pre-emptively. They mean to write the ship in the future, so it's not really inaccurate... (And, tbh, if it were a single work and the ship just hadn't appeared yet, I would agree with them even though those are frustrating too.)
--
So no, they should not do this.
But it's not actually against the rules.
I would mute the annoying people who do this.
58 notes · View notes
sakurabutterflyart · 4 months
Text
Floyd X Classical Troll Fem Reader
(As a person who enjoyed classical music or just a fan of violin. I've also been to a choir, which is totally a classical and different to singing pop. I base it a little of my experience.
But disclaimer. I still lack Classical music knowledge.  But I do write fanfictions for fun and wonder what happens when Pop and Classical music comes together.
Im no professional writer, English is not my first language either. This just happen to be one of my intrusive thoughts that needs to be written.)
My name is (Y/N), I've been living in Trollstopia since the beginning.  My family along with my fellow classical trolls just wanted to be open to new cultures, which is why we decided to move here.
Being a Classical Troll means I have to be professional all the time and a perfectionist, cause that's how my parents taught me about classical music.
So I followed the rules.  Even though I love music, sometimes I get sick of it. Like there's something wrong about it.
But then I met him... Floyd
Classical Trolls are so strict. That I was never used to be treated gently by someone that I never knew I needed.  Floyd makes my heart go softer, which honestly kinda scares me sometimes.
When I met him, I just happen to run into him. When he got lost in Trollstopia,  while visiting his brother Branch. He heard my violin playing. I actually heard a catchy pop song that is mixed with country from this song writer named Taylor Swift and surprisingly also a classical rock guitar from a rock Troll named Demo.
That I decided to play a pop song on that day after getting scolded by my conductor,  that I wanted to be left alone. I was a disappointment to my fellow classical trolls despite being the daughter of the Great Classical Troll. I was always told that I was the most difficult one to teach, like I was tone-deaf or something.
Being in a prestigious group is a lot of pressure already. Being there is so suffocating, traumatizing in fact from the way I get startled when I get scolded by everyone.  That I needed to go out and have time to enjoy music on my own. I played my violin with a famous Taylor swift music called Enchanted, also tried singing it after playing it. Trying to turn it into a classical version. I'm already a disappointment anyways, so what's the harm of singing a pop rock country song?
"Woah, you have a beautiful voice there miss." I was startled and almost had a heart attack,  when I turned around I spotted a Pop Troll. He must be from Pop village. "I like your version of that song that I just needed to see who played it."
I felt my face heating from embarrassment. I'm suppose to yell at him for scaring me, but instead I felt a chuckle escape from my throat of his comment. I was flattered, but of course I brushed it off by saying, "Nah I'm just messing around,  I hit the wrong notes."
Then I heard him giggled along and sat right next to me.
"Well to me your voice is beautiful.  Just like what me and my brother said about being in harmony.  We don't have to be perfect to be in harmony, we just have to be as we are."
"Hah! Really?" I scoffed, cause the #1 rule of being a Classical Troll is to make it perfect as possible.
"Really,  why else would me and my brothers manage to hit the family harmony and rescued me from a diamond prison? "
I stared at him wide eyed, a few seconds later I gasped. 
"No..." I whispered in amazement. He giggled at my reaction.
"Yes."
"NOOO..."
"YES."
"YOU'RE FROM BROZONE?! "
"YES!"
💛💛💛
With that we talked and talked, eventually became friends. Surprisingly,  we easily connected like we've known each other for a long time, despite our differences in culture.
At first it was pure respect and amazement. For being in Brozone who achieved the family harmony after a long time in history.
Our meetings became frequent, it's no longer as fellow musician, but as friends. I learned his name was Floyd. Being with Floyd, makes me feel safe. I have great sense of comfort around him.  I enjoyed spending time with him. That I myself surprisingly willing to go to parties on Pop Village just to see him.
Whenever i feel down and pressured from classical music. He knew exactly how to encourage me and keep my confidence up, even helped me hit the right notes by harmonizing with him. And as expected... his VERY gifted!
I've never felt such connection with anyone nor felt understood and comforted of my entire life. He made me laugh... and even cry at the same time from joy, which is very strange...
💛💛💛 A month passed by...
In a blink, it was just another day of our regular practice. But I was shocked that my conductor was more harsh than usual. Not only did he embarrassed me in front of my fellow choir mates,  he say cruel words that I will never become better nor do I belong there, that I'm better off not being in their group.
That I snapped and walk out from that suffocating rehearsal room.
I was really feeling thorn that even Floyd noticed.  That I was crying the whole night, that I'm pretty sure that my puffy eyes is still not gone. All the hardwork and time I gave, to only find out that I was never welcomed there to begin with.
That Floyd decided to drag me out of my pod, after being trapped there for almost a week. It was sunset, so the heat of the summer is gone that its a perfect time to have a picnic near the sea.
He decided to lay me down and relax, in this beautiful scenery . He brought my favorite snacks, the books we enjoyed together,  along with our favorite classical pop song that we've made together. As he continue to comfort me with his words and laughing along with his funny stories about his brothers.
We ended up in silence, enjoying the fresh breeze of wind. I was trapped in my room for a long time, that I didn't realized that there's a good spot to forget what happened.
I turned around to see Floyd facing me, eyes shut. I lay closer to him, running my fingers through his smooth red hair, causing him to wake up.
We ended up staring into each other in silence,  but a comfortable one. Without even thinking, I was caressing his cheeks. Feeling my heart beat wildly. I can feel his hands holding mine from where I held his face. He slid it down to my arms, caressing it too.
At that moment. Both of us were not thinking, but before we even knew it. I can feel the warmth of his lips unto mine. And it felt great. He then pushed me down towards the ground,  he was on top of me. Continue tasting my lips, with his palms pinning my wrist against the floor.
I was having a terrible week,  but never would've thought that it'll also be one of the best one. Where I can finally get to hold him this close and closer than ever before.
"I love you... Y/N." He whispered and continue to trail kisses unto my neck.
💛💛💛
A/N: What? Floyd being the bottom is getting cliche to all Floyd X reader I've read, him being bold is surprisingly good too hehe. I guess John Dory also mistaken his role to be the sensitive one. Almost.
85 notes · View notes