Language divides and building bridges.
Elesa’s feeling homesick. Emmet, bless his heart, tries to help by infodumping while Ingo frantically runs off to find water (crying is a very dehydrating experience).
((Would you look at that! The kids are picking up kantonese and galarian from each other!))
BONUS:
Heh. Callback.
Want to see more? Here’s the masterpost for submas!
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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found these old edits of cally’s home and veggie garden on clementine 🌱🍊🍅🥬🥕
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Bowie and Noah are both gay stereotypes, just of different times
Ok hear me out. I very much agree that Noah was written as "the gay kid" archetype bc that was the gimmick for gen 1. this is ESPECIALLY apperant in s1. like 90% of his line delivery had some amount of sass to it, as apposed to a straight up a deadpan(obviously that's present but rewatch it and tell me there's not an amount of flare to the delivery). some rapid fire queercoding. 1. the way he runs and his high pitched scream 2. his aversion to physical activity to a degree that distinguishes him from the rest of the cast 3. the ear kiss/cuddle. obviously a gay joke. that only scrapes the surface too(not even getting into s2/3 where the queercoding was him just having chemistry with various male characters). so obvious stereotype that was covered up by fresh TV with emma(JUSTICE FOR EMMA TOO I LOVE HER). personally I think he's gay but I can see him as bi too. just compare him to other 2000s gay characters. very clear similarity.
bowie IS canonically gay. and while I don't think he's the "this is my only personality trait" level of gay stereotype, I think it's clear there's aspects of his writing that are that. I'd complain more but Raj kind of displays existing as a gay character without stereotypes and most TD info we talk about is fanon anyway bc ultimately this is us giving way to much depth to a fake reality TV show(/pos). anyway he is but in a very different way. the way he dresses is the modern stereotype just like how noahs(button ups and sweater vests) is for his time. his attitude has a lighter air. more fun. he's built less skinny and more lean with sports abilities.
they're both very clearly gay characters but it's so interesting how they're very clear examples of the era. which ngl all of TD is. it's like watching the passage of time at certain points.
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Just look at Julia making THIS FACE when MK tells her she’s over her [minor] betrayal (which made Julia avoid her in concern of her reaction) and tell me they aren’t in love.
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oh also one thing that i realized just now: qbagi’s initial suspicion over what’s happening to qphil being tied to the federation is technically not wrong
you know what drew qphil’s deities’ interest to him and quesadilla island? the birdcage. rose said in her earliest message ”I could sense the bleeding heart of the one I once knew, far, far away”. the deities noticed qphil had disappeared, and maybe they were curious to know what had happened, but the thing that drove them to find him was rose’s want to help him. and if she really was the one that freed him from the cage (and it’s heavily hinted she was), that birdcage undeniably was the thing that launched all of this into action.
how the enderking figured out that qphil had been weakened? we don’t know, maybe he sensed it, maybe he had already been observing him, maybe he noticed rose leaving to look for qphil, it doesn’t really matter. what does matter is that the trauma qphil got from being locked in that cage is what gave the enderking the perfect opportunity to strike. and is what led us to where we are now in the story. so even thought the federation isn’t ultimately the one tormenting qphil right now, it can still all be traced back to them and their continual abuses of power :)
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