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#so it’s inaccurate
triona-tribblescore · 1 month
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Concept from a few days ago that has been ROTTING my brain. BIKER ANGEL BABYYY!!! Something I didn't know I needed in life-
Hes so cool and like, idk I just need to consume more media where angel is being badass. DGMW!!! I LOVE HIS PRETTY FEM SIDE. But also I think ppl forget he's a chaos maker/ prankster/ turf war participator who will run you down without hesitation if in a fight uvu
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barblaz-arts · 2 months
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I get that Charlie's personality is probably inspired by Disney princesses, but i like to think that even her other day-to-day clothes are still some dapper fits that give off more a "Prince Charming" vibe
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aylendoesart · 3 months
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Nico in the jar
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pleucas · 10 months
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most feared duo in yokohama
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makanidotdot · 3 months
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lazycranberrydoodles · 2 months
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hua cheng's patience: infinite
hua cheng's impulse control: zero
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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metaldragoon · 10 months
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Chainsaw Man (2022)
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artpepkin · 4 days
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Silly inaccurate quotes doodle time <3
Nym belongs to me 🧡
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nevvn · 2 days
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saw a wizard meme and thought hm. what if it was solomon.
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petite-madame · 4 months
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"You old charmer you!" (Benoit Blanc & Phillip from Glass Onion) - 2024
- Phillip!! You old charmer you! I don't have time for this, I'm on a case!
- Cooome on! I'm sure the great Benoit Blanc has two minutes to dance with his adorable and loving husband. Doesn't it remind you of our honeymoon in Kyoto ? This little ryokan under the cherry trees, the charm of Gion...
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neighborhood-yogurt · 7 months
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Sorry to tell you this baby. but if your little fantasy story uses the word July, you done gone and canonized the Roman empire. Sorry bout it, but that's just how it shakes out sometimes, big boy.
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maklodes · 3 months
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Me: So, while men are not blessed with immortality like elves, it’s said that their ability to die and go beyond the physical world  is its own kind of gift. The stuff about Beren and Luthien kinda throws a wrench into this, since she could apparently stop being immortal as a full-blooded elf anyway, which makes it seem like the elves just get a better deal period, but regardless, most of the elves ultimately go to the blessed land of Valinor, which is in the far west, but removed from the circles of the world.
The Pure Land Buddhist in my head: The place in the far west is not quite the final escape, but as good as it gets while still being a sentient being. Right…
Me: Valinor is also the home of the Maiar and Valar, godlike beings. A renegade Vala, Melkor, is the overarching villain, but the main villain of the books is a renegade Maia loyal to Melkor (at least originally), Sauron. Anyway, Sauron put a lot of his power into a single artifact, a ring. This ring falls into the possession of the protagonists of The Hobbit and Lord of the Rings, and possession of the ring causes an obsessive attachment in whoever has it, and apparently allows them to live indefinitely, but it doesn’t bring them any real happiness or contentment.
The Pure Land Buddhist in my head: Okay, the circle/ring/wheel-shaped object keeps you miserably tethered to life and itself. The symbolism is a touch heavy-handed, but I can live with it.
Me: The author, John Ronald Reuel Tolkien, was a devout Catholic, and while not overtly allegorical in the fashion of his friend Clive Staples Lewis’s Narnia books, many see a great deal of Catholic influence in the Lord of the Rings mythos.
The Pure Land Buddhist in my head: (spitting out the tea he had coincidentally just started drinking) Catholic?
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jeeaark · 3 months
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Never seen an illithid recoil so fast when trying to give it smooches. Turns out there's a very good reason for it!
Wanted to draw my guardian boi one last time. First time the Emperor suggested it, got a lil affronted
Like, Squid bud, you don't think Greygold 'gets it'? You don't think Greygold had a bit of the 'don't belong's? the not-be-yourself-to-fit-in? Greygold gonna accept the shit out of you, buster. Gonna figure out dat squid biology one comedic lesson at a time.
Also. dat hair. I like to imagine when the emperor saw what would instantly gain Greygold's trust, the illithid was like-This is....Way too dreamy. Had to tone it down, Clark Kent dat Hunk-orc up with a hair-bun.
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yourdoorisunlocked · 3 months
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What A Dish, What A Doll! - Part 1
🎙️【 𝑷𝒂𝒓𝒕 𝑰 | 𝑷𝒂𝒓𝒕 𝑰𝑰 | 𝑷𝒂𝒓𝒕 𝑰𝑰𝑰 | 𝑷𝒂𝒓𝒕 𝑰𝑽 | 𝑷𝒂𝒓𝒕 𝑽 | 𝑷𝒂𝒓𝒕 𝑽𝑰 】🎙️
𝐀/𝐍: This was originally supposed to be pretty dark, but my mind clearly had other plans since I ended up writing a fluffy little fic about our favorite radio man lmao. I’ll probably write up the angstier fic, too, if this one does well.
Also, the Reader is AFAB, since that’s what I’m comfortable writing for as a girl myself.
. . .
𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 𝟐,𝟏𝟏𝟓 𝐍𝐨 𝐓𝐫𝐢𝐠𝐠𝐞𝐫 𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬
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. . . 
The door to Alastor’s manor creaked open for you, and with a grin you took the spare key he gave you from the lock and swung the door fully open to push yourself inside in an attempt to escape from the late winter chill. 
It was a late January night, meaning the serene moonlight washed over the snowy landscape as early as 5:00 P.M., making it dangerous for a lady like yourself to be wandering the streets of New Orleans late at night. 
But it had been months since you really had to worry about anything like that, since you had Alastor by your side to look out for you. Such a sweetheart to you, and a bit of a mama’s boy, too, judging by the pictures set atop the mantle just above the unlit fireplace.
The mere thought of your ever-enthusiastic smiling companion made you especially giddy as you kicked off your winter boots and shrugged your coat off your shoulders, placing it upon the antler-adorned coat rack and skipping past the staircase into the living room. 
Flopping on the couch, you reached over for the radio while cuddling up with a blanket, excited to hear the well-awaited voice of the man who had altered the direction of your life – undoubtedly for the better – and you were practically kicking your feet like a flustered schoolgirl who had received your first confession as Alastor’s voice rang through the small device, loud and clear for you to hear. 
“Good evening, New Orleans!” You couldn’t help but smile at his enthusiastic announcer’s voice that he normally used for his radio show, and the first time the two of you had met.
Though, Alastor was more relaxed around you nowadays, seeing no need to keep up the too-cheery facade his listeners had renowned and adored him for. You cherished moments when he was simply relaxed, content with a close-lipped smile and sitting beside you, whether it be reading, playing the piano with you, occasionally even pulling you into a spontaneous dance.
As you listened practically through the entire thing, you began to silently fantasize about your unpredictable yet darling radio host.
“Well, I’m afraid that’s all the time I have tonight, folks! I should be going, now. It's rather bad form to keep my doll waiting at home for me~,” He finished with a soft chuckle.
Blood rushed to your cheeks at that last little comment, practically cursing Alastor for his cheekiness, and he knew that you listened to his shows whenever you could.
"The au-diddly-dacity of that man..."
“Thank you for tuning in! See you next time~...” 
The radio returned to static for a few seconds, before a jaunty little tune began to play through the speakers, and it just so happened to be one of your personal favorites, one that you, no matter what mood, nor what you were doing, couldn't help but jump up and dance to.
And, of course, Alastor knew you loved it.
You sighed with content as you relaxed into his couch cushions, sinking into the blanket that Alastor had laid out for you since he'd found you constantly falling asleep to his voice on the radio when he returned home from work.
A pang of guilt thundered against your chest as your heart strained at the stinging reminder of how much of a burden you really were to Alastor. He was a good man, who helped you out when you were in a tough spot, you should at least repay the favor, right?
I should at least do something nice for him... He's been so good to me, even inviting me over for dinner more times than I can count.
He was the one who offered me that job at the radio station, hell, he even let me off early so I could listen to his show!
With a huff, and a newfound sense of energy, you got to work around the house, tidying up and lighting the fireplace, sparking a candle or two, and keeping the radio playing all throughout the thirty minutes you had spent cleaning, imagining the look on Alastor’s face when he returned.
You had even started on dinner, making a nice pot of venison soup, since it seemed to be his favorite. 
You pushed down the swell in your chest when you heard the doorbell ring, excitedly rushing over to a mirror and sweeping across your face and hair, making sure everything about you was in perfect shape. 
You opened the door, craning your neck a good amount to make eye contact with dark chocolate eyes staring down at you intently, almost illuminated in the moonlight, set against smooth caramel skin beneath a fluff of mocha brown hair.
“Hel-!” 
Alastor’s usual smile was smacked clean off his face at the sight of you standing before him, apron tied across your skirt with a few stains upon it, hair slightly amess but clearly put together.
"-Lo... My dear, what is the meaning of this?..." His tone seemed cheerful enough, if a bit bewildered as his eyes scanned your form once more, stopping upon the apron once again before returning his gaze to yours.
You looked so painfully, so heart throbbingly domestic that it nearly gave him a heart attack when he first opened the door. Such a submissive nature fed into other... primal desires of his that he wasn't fully prepared to delve into.
You smiled sheepishly up at him. "Why don't you come in? I've already started dinner," Alastor's trademark smile quirked his lips upward as he suddenly took your arm and headed inside, practically glowing as he headed straight for the kitchen.
"Oh, no, mister, you stay right there," you winked down at the radio host as you pulled him into a chair. "You've been working so late, let me handle dinner."
You truly piqued Alastor's interest when a familiar scent wafted past his nose, and he eyed you with surprise as you worked in the kitchen, pouring a hot, thick broth from the pot into a small bowl.
As you headed towards him, he tried his best not to absolutely melt in his seat as you served him with a smile, and he carefully took the steaming bowl from your hands. 
Venison, hm? Well don’t mind if I- 
AN: You know that one scene in Ratatouille where that critic takes a bite of his dish, and gets a flashback to when his mom used to cook for him? Imagine that but with Alastor. 
“Is it good?” Your soft, almost worried voice brought him back to reality, and as he met your hopeful, imploring gaze, Alastor nearly choked on his food as heat crept up to his cheeks, burning against his face and ears.
For just a moment, I thought I saw...
With wide eyes, you rushed over to him with a napkin, patting his back and looking over him with concern as his coughing ceased, and he took the cloth with a grateful, slightly wobbly smile. 
  “Was it really that bad...?” Your confidence wavered slightly as you stared down at Alastor, realizing the sudden proximity as electricity raced up your spine and lit your cheeks aflame.
Half-lidded cocoa-brown eyes searched the very depths of your soul, before he shook his head and murmured, "No, quite the opposite. I'm... I'm actually quite thankful for this, tonight." Though, it couldn't have come at a worse possible time, when he was finally squashing any sort of emotions he felt for you into the dirt, only for you to make them froth and rise to the surface yet again.
Why, he hadn't realized how long it had been since anyone had done anything like this for him!
Ah, his dear mama...
He recalled the last dish she ever made for him. Her house-famous Jambalaya that he had adored so much. It even managed to put his father in a good mood.
"A-Al? Alastor? Are you alright...?"
He hadn't even noticed that tears were streaming down his slim cheeks until he felt small droplets falling upon his lap.
"Oh, nothing. This... This all just reminded me of someone..." He shook his head and took his circle-rimmed glasses off his pointed nose, rubbing the fogginess off the glass as the gears turned in your head.
You raised an eyebrow. "Who...?" You then caught a glimpse of the photos set above fireplace just past the couch that faced away from the kitchen. Of course!
Immediate regret washed over you as you fretted over Alastor, apologizing meekly as you attempted to clean up the soup in front of him, but you were stopped as he gripped your wrist.
"I'm so sorry! I never meant to be such a burden, I just really wanted to do something nice for you, s-since you're always-"
"No, please, this has been a delightful surprise, darling." You froze at the pet name, heat creeping over your cheeks and tinging your ears a bright pink as Alastor released his grip upon your hand.
"You have never, never felt like a burden to me. I promise you that," he slid his hand from your wrist to your hand in an act of comfort, but it only served to make your face glow even redder.
"Now I'd like to finish the dinner you made for me. If you don't mind, of course," his usual cheekiness had returned when he spotted your slightly flustered face, and you nodded and returned to your seat promptly.
Alastor, being ever the chatterbox, resurrected the flowing conversation between you two for a good hour, as he recalled stories from his childhood, keeping you entertained throughout your dinner. Your laughter filled the hallway, your smile both wounding and freeing his heart, while you sat, mesmerized at his captivating storytelling and how he spoke with his hands, practically alight as he drank in each expression you gave him.
"Would you care for a dance, darling?" Alastor spoke up suddenly, the contents of his bowl completely gone as you eyed it. You shyly agreed as he smiled gently and pulled you into the living room.
Soft caramel brown hands wrapped around yours as Alastor's slender fingers held you close in a surprisingly tight grip against him, and you could feel the rise and fall of his chest, along with his rapidly beating heart despite his suave demeanor as he slowly danced along with you to one of the songs that had begun playing on the radio beside the fireplace.
Nothing but your dear friend's soft humming along with the sounds of the radio filled the silence between you in the moment, and you began to relax in his grip as you lazily kept up with his slow steps.
Put your head on my shoulder~
A slow dance between you two, with an occasional twirl as Alastor nearly swept you off your feet swept the minutes away, until the moon was well past the horizon and twilight fell upon the sky.
As he spun you around once more, a sudden gust of air swept past the pair of you, nearly blowing out the candle beside you.
Hold me in your arms, baby...
Alastor's eyes widened at the sight of a petite, elderly woman standing beside the doorway into the kitchen, watching the two of you intently, until her form faded from the door with a shimmer of light and a gentle smile.
Squeeze me oh-so tight, show me...
He gulped softly at the sight of the angel while you stared into his eyes, completely fixated upon his surprised open-mouthed stare as his gaze flickered from behind you to your lips.
You barely missed his darkening expression as you both began to sway slowly once again.
Show me, that you love me, too~...
"Would you like to stay the night, darling?" For the first time in his life, Alastor seemed unsure, maybe even nervous, as his dark brows creased together and his charming smile twitched at the corners of his lips. You smiled and reached up to smooth out the crease with your fingers.
You had no idea how he warred with himself, knowing that he'd be practically signing his soul away simply to be in your company.
Put your lips next to mine, dear~...
But... Perhaps this would be worth it.
Perhaps moments like these, when time slowed, where you both could block out the rest of the world and simply bask in each other's company would be worth the risk.
Won't you kiss me once, baby~?
Alastor had decided, right then and there as you stared up at him with nothing but adoration.
He'd have you. He had to. He was damned either way, but he'd storm the pearly gates themselves if he failed to drag you down with him.
Just a kiss goodnight, maybe...?
But, with immense relief, Alastor realized wouldn't take much persuasion as your eyes seemed to twinkle beside the flickering candlelight, and a gentle yet teasing smile played at your lips.
You and I will fall in love...
"Yes, I'd like that very much, Alastor."
. . . 
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𝐄𝐧𝐝 𝐍𝐨𝐭𝐞𝐬: Okay, I KNOW that 'Put Your Head On My Shoulder' was released in the 50s, BUT LET'S PRETEND IT WAS THE 20s, OKAY???
Anyway, I really enjoyed writing this first post, I might write a part two if the people want one. Maybe Alastor headcanons?? Who knows...
Let's just see how far this goes lmao.
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poorly-drawn-mdzs · 5 months
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[First] Prev <–-> Next
Hair Revealed. Heir Rejected.
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