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#so many fandoms so little time
breakaway71 · 1 year
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This thing I just started is essentially a JATP Orpheus/Eurydice thing with a dash of PJO mythology and a sprinkle of Hades characters. wtf am i doing and why, why do I have this odd addiction to giving Reggie mythological parentage??? (This is not a sequel to Good Dreams, Sweet Prince. Honestly, that would make more sense than this madness.) Anyway, breaking in my new laptop in style, obviously. 🤣
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lemonleafloser · 1 year
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8 Shows to get to know me
Thank you @sunshinereddie for the tag! It was so awesome reading about the shows you’re passionate about and getting to know you a bit better through this challenge 😁
Without further ado, let the challenge commence! In no particular order, because it was hard enough choosing just 8 😂
1) Supernatural
I also discovered this show as a teen and instantly fell in love with the world and of course Destiel. This show got me through some rough times and still can both calm me down while hyping me up at the same time. Spn also helped with my coulrophobia. Supernatural walked so IT could run 😍
2) Torchwood
I mean come on! An adult Dr Who spin-off revolving around Captain Jack Harkness?! Torchwood gave me my first shipping experience (JANTO FOREVER! 😭) I also just LIVE practical effects and so this show (mainly the first two seasons) always feels super nostalgic to me. It has the perfect balance of Monster of the Week mixed with comedy and emotions!! Also still get very emotional when I think about Tosh and Owen ❤️
3)Glee
Ok, yes. Controversial and in hindsight (pretty shit and definitely not PC) but it still is dear to my heart. As a theatre kid who LOVES musicals, this was obviously gonna be a show I watched religiously in HS when it was still on the air. I still get emotional when I think about Cory and Naya. Though the show hasn’t aged well, it still is nostalgic to me and I still prefer some glee covers to the original’s. If ya curious lemme know 😂
4) Queer As Folk (US 2000-2005)
My bestie and I started watching this when we were like 13 and it maybe wasn’t age appropriate but who cares. It hold a special place in my heart and as much as I would love for there to have been a more diverse representation, it still brings me a lot of nostalgia. This show also helped me start to figure some stuff out as well. It kinda gave me the key to the closet (I mean I still couldn’t find the lock but still😂)
5) Brothers and Sisters
Sally Field! That’s all that needs to be said!! This show is just 👌🏻 when I started watching it as a tween it made me feel so mature 😂 so much drama but also a lot of love.
6)Brooklyn Nine-Nine
I mean if you’ve seen even one episode y’all know why this show freaking SLAYS! The character dynamics, the comedic structure and just the representation for Latina and queer peeps is awesome! Also Andy Samberg is just already freaking awesome so there’s that too!
7) Our Flag Means Death
GAY PIRATES! I REPEAT-GAY PIRATES! I love this show so much and am hella excited about season two! Which was filmed in NZ (kiwi pride!) also the fact that this is a mainstream show and the two leads are kiwi and they keep their accents in the show. This show makes me so proud to be a kiwi and it’s also just a freaking HILLARIOUS and chaotic ride ❤️
8) Wellington Paranormal
Now I’m not sure if this What We Do In The Shadows spin off has made it outside of NZ but it centres around Officer O’Leary and Officer Minogue (The two police officers that show up in the movie)
I grew up in Wellington (21 years) and now I live in Hawkes Bay so I always put on this show when I’m feeling a bit homesick. Also it’s just a great example of kiwi humour as well (It’s also hilarious that I know a bunch of people that have appeared in this show from my drama school 😂) like seriously the whole two degrees of separation in NZ is pretty legit 😂
That awkward moment when you forget to tag people to pass the challenge on because you were too focussed at the task at hand….
Alrighty!
@shadowvampiress @dontcallmeeds @berry-biscuit
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luna-lovegreat · 1 month
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I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
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So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
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Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
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He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
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Also- because of his placement in this scene
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I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
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Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
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Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
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Art and comic from Jojo @linkeduniverse au :)))
#epona is so important#Lu four#linkeduniverse#linked universe#I work with horses and#Epona is INCREDIBLE- she's extremely attuned to humans and emotions. she doesn't scare easily and can keep her cool in a fight#but it's still super stressful to suddenly be in a fairly large and populated town- separated from her person#and for such an empathetic horse? Four going and TALKING to her- gently petting her nose and just being near her#means so so much! that literally matters so much to a horses mental state in a foreign situation- just having company#he checked on Epona and gave her company like !!!!!! it's so considerate and means so much for Epona! Four I love you !!!!!#uhhhh yeah!#with the food- I don't think the innkeeper would have free/complimentary food out- but wars wallet def had it covered#then wild showed up with potions in a cooking frenzy- but four was still shown with food behind him- he thought of everything#I don't know what's gonna happen with the shadow crystal and stuff. but no matter what happens in the future- this matters.#he did a ton of small things no one else thought of it matters he cares so much didjdkdksjfjj#I have a lot of posts I'm making/editing and trying to get to. I'm just a little gal trying my best :/#so many ideas and so little time... I love you guys and this fandom so much :))#(if I said anything off or offensive let me know... I'm always nervous about that but I want to hear from you if I'm wrong)#(also you are so so cool and valuable don't forget that ok? I love you and you are important)#:)
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yelena-bellova · 2 years
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your all time favorite characters for the ask game? 💕
padmé amidala, leia organa and c3po from star wars, steve rogers and natasha romanoff from marvel, dustin henderson and steve harrington from stranger things, and chandler bing from friends.
anonymously (or not) ask me anything you want to know about me
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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doctorsiren · 6 months
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So I said this in the tags of my last post, but then I went wacky and doodled up some pages of this other AU idea that stemmed from the idea of that comic I did
In this AU, Miles goes to Diego Armando’s office a few weeks after the Fawles trial. There is no cocky, arrogant, or smug air about him like there was during the trial and instead he seems really shaken and nervous. Diego’s like “hey what’s wrong?” And Miles is quiet but then says that he needs help. He tells Diego that he can’t get the image of Fawles’s suicide out of his head and that he has no one he can talk to about this. Diego asks about Miles’s mentor, but Miles says that there’s absolutely no way he could ever go to his mentor for help with emotional stuff because it would show “weakness” and he also isn’t comfortable with von Karma. To make a long story short (because I’ve thought so much about this), Miles ends up pleading with Diego to protect him from von Karma just in case he goes after him for switching sides to be a defense attorney. He knows that von Karma will see him as weak and a traitor for switching teams after a single case, but Miles can’t be someone he’s not. Diego points out that Miles seems to be trying to be who von Karma wanted him to be. So he asks Miles what he wants to be, and Miles responds by saying he wants to be his dad (just like in my 1985 animatic 😭).
So Miles decides to renounce prosecution. He rips off his cravat and throws it in the garbage in Diego’s office and declares that he’ll become a defense attorney. He also asks Diego is he could be his mentor to help him in both being better at defense law and also just being better with interacting with people.
He joins the Grossberg Law Offices and works alongside Mia and Diego to gather evidence on Dahlia Hawthorne, as he now too believes that she has done terrible things.
After Diego is poisoned, Miles freaks out because people just keep dying or getting hurt around him and it scares him. (Oh…baby boy just wait until Mia dies too-)
He takes the case to defend Phoenix, gets TERRIFIED when Phoenix eats the poison necklace, and then at the end, Phoenix was like “oh wow! You’re a defense attorney now?? Lmao when did that happen??” Bc he had been too busy simping over Dahlia. But Miles tells him that he should still pursue law so that they could work together and also so that Phoenix’s law classes and studying wouldn’t have gone to waste. So Phoenix becomes a lawyer and works with Miles and Mia at the Fey & Co Law Offices until she dies and then it becomes Edgeworth & Co Law Offices because he had been a lawyer for longer.
I like the idea that in this AU, Phoenix and Miles obviously have huge crushes on each other, but these idiots still refuse to acknowledge or admit it <3
Also :((( when Diego wakes up, he still goes on his whole antagonist arc as Godot, and Miles refuses to tell Phoenix the truth about who he is. See, I also like the idea that in this AU, Nick and Miles are still as cagey with their past and truths as they are in normal AA
As you can see, I am perfectly normal !! I think about ace attorney a very normal amount!! 🤭
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summoningspark · 3 months
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so i may or may not have printed out the entirety of @anonymousalchemist's amazing fic like a bird, like a stone onto three Very Large pieces of paper.
you might be asking, why, fay? why did you print out an entire 53k fic for a video game you've never played? well you see, if you read it, you would understand.
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wigglebox · 6 months
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Suptober Extended [x] - Day 16 || Crossover [inspo]
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Fandom's weird need to strip away characters' complexity to reduce them into an extremely flat and reductive moral binary where everyone fits into a neat little black & white box of either "victim" or "abuser" is so exhausting and
so
fucking
BORING.
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xraytheredx · 7 months
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It's been such a long time since I've fallen so hard for a project. All the work put into Welcome Home so far has been so vibrant and amazing, and things are just getting started! Of course I had to draw something for it! 😊💖 (Several somethings, to be more accurate! XD)
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lord-squiggletits · 2 months
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The reason this fandom hates IDW Optimus isn't because he's a cop (plenty of people are fine with Prowl) or because he's a bastard (most characters in IDW are) but because he commits the crime of being an actual person who's messy, flawed, and makes a shitload of high stakes mistakes fitting for the intense situations and pressure he's put under constantly.
But we can't have Optimus actually react to his situations by lashing out or being unpleasant, no, he has to have the personality of a cardboard cutout of G1 whose only defining personality traits are "dad, funny, nice," and if he ever vents negative emotions it can only ever be #relatable depression or him being sad on his own without ever letting it show during the important parts of the story. If Optimus dares do things like be angry or frustrated or bitter it's just a sign that he's a bastard and LITERALLY the worst Optimus ever. If Optimus ever makes mistakes or does wrong things in the heat of anger/frustration/stress it's because he's just an evil bastard with no redeeming traits.
God forbid Optimus go through an unending gauntlet of war, politics, atrocities, near-complete loneliness, and a seemingly endless cycle of violence for his entire life and come out of it kind of bitter, angry, and tired of dealing with people's shit. He's not allowed to be a realistic person, context doesn't matter, sympathy doesnt matter. IDW Optimus doesn't fulfill the fandom's fantasies of Father Figure or Perfect Cultural Icon or Twinky Fucktoy and since that's the only reason most people care about Optimus in general, the fandom collectively trashes on IDW OP.
All because he can't fit into the overly simplified and childlike double standard the fandom has where if any other character is messy and flawed, that's good writing and interesting and compelling, but if OPTIMUS is messy and flawed, he's Literally The Worst and he's an asshole for no other reason than He Sucks, context be damned
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nightgoodomens · 5 days
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Anyone else want to smack the fans who are still acting like David and Georgia are couple’s goals and ask the fans “what the fuck is wrong with you???” Just me?
I just saw another “she’s clearly joking!!!” and I just block. Block. Block. Fuck off. Block.
We are just jealous! Fuck, of what? We just make things up! Why the fuck we keep on getting things right then? We just hate them for no reason! I could write an essay why I have a problem with either and it still would be reduced to *covers ears* lalalala no you’re just sexist. Also apparently we just do this to have massive following and interaction… erm… last time I checked neither pays on tumblr and if anything you lose followers and get hate here when you open your mouth to say anything but worship so… what?
They will find any excuse in the world instead of simply saying “well maybe they simply don’t see this as a joke because it isn’t funny anymore”.
If I was a fan of someone who I would constantly need to excuse, I wouldn’t be a fan of them anymore.
Tiresome shit.
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bizarrelittlemew · 12 days
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speechless because @xoxoemynn sent me custom-made commemorative coasters and a mug of the time david jenkins reblogged my gifset i mean PLEASE 😭😭😭
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I'M IN TEARS EMY WHAT DID I DO TO DESERVE YOU. NOT GONNA TALK ABOUT THE CARD BECAUSE I WILL CRY FR AGAIN
i was already so grateful you'd send along the stuff i ordered (and the most well-traveled lil vampire guy who has now found a purple crocodino boyfriend in denmark, look at them!!) and then you did all this what the fuck 😭
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(i got the t-shirt and a few of the stickers myself but i was NOT PREPARED FOR ALL THIS)
i'm struggling to find words for how touched i am and how lucky i feel to have you in my life 😭
i think this might have healed something in me from having the cancellation happen on my birthday (😔✌️) like this fandom is incredible and has helped me meet people who mean so much to me, i couldn't imagine my life without you 💖💖💖 marianne you're the kindest loveliest person and you deserve all the best in the world, thank you for being just the way you are 🥹💗
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shima-draws · 8 months
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i'm a little sad at how sparse steddyhands and stizzy art and writing is on here now after the finale (thankfully, i am still digging through the couple thousand fics up on ao3 so i'm not totally bereft)
because during the airing of the season there was new stuff in the tags every day, sometimes even every few hours, but i think the finale really punched all of us in the face
there's lots of good stuff from before s2 to go digging through of course, and ao3 and twitter still have some new art and fic and memes if you go looking for it, but the difference from before and now seems a bit stark
don't misunderstand me, this isn't me being defeatist, just being a bit melancholy (and mad at the s2 finale tbh lol) about it. shout out to the regulars i see in the tags still making stuff and posting jokes, ya'll are doing the most and i wish you all the passion and motivation and time to create in the world <3
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ruinscollector · 11 months
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(SPIDERVERSE SPOILERS)
Just sharing this thought here too, for your consideration (also, bc I can't stop *imagining scenarios*)
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