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#so many feelings
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okay everyone take ur t shirts now
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tilions · 2 months
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→ elros & elrond — the first king of númenor and the lord of the last homely house
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oraclesandomens · 10 months
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“Oh Lord, Oh Lord, what have I done? I've fallen in love with a man on the run. Oh Lord, Oh Lord, I'm begging you please—Don't take that sinner from me.
Oh Lord, Oh Lord, what do I do? I've fallen for someone who's nothing like you. He's raised on the edge of the devil's backbone. Oh, I just wanna take him home. I just want to take him home.
Oh Lord, Oh Lord, he's somewhere between a hangman's knot, and three mouths to feed. There wasn't a wrong or a right he could choose. He did what he had to do. Oh, he did what he had to do.
Don't care if he's guilty. Don't care if he's not. He's good and he's bad and he's all that I've got. Oh Lord, Oh Lord, I'm begging you please—Don't take that sinner from me.
Oh, don’t take that sinner from me.”
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soaring-trash · 19 days
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You guys ever wonder if and when the pull will get too strong for Imogen? Because i do. Constantly.
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stevie-petey · 2 months
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episode seven: the mind flayer
Steve, who is leaning next to Dustin and you, snaps his finger. “Like the Germans?” “Uh… The Nazis?” Your brother looks at you, silently urging you to shut the teen up, and you pinch your nose again and sigh. “Oh, buddy.” You loop your arm through his and pat Steve’s shoulder. “Let’s just listen, okay?”
Summary: jonathan is back and has a lot of questions and you have even more for him, the gang gets back together and ties will to a chair, you tell the kid a story to distract him from his demons, steve is a confused mess but at least youre with him, and someone makes a surprise appearance (her name rhymes with shell).
Rating: general, cursing
Warnings: use of y/n, fem!reader, talk of death and grief, violence and blood
Words: 12.1k
Before you swing in: long time no see ! lots has happened, and this chapter was a pain for so many reasons, but shes here and i love her and i so sincerely hope yall enjoy :)
-
Stumbling blindly through dark woods while holding your bloodied ribcage has never been your favorite activity. Neither is following after a bunch of Demodogs to probably once again sacrifice your life to save others, yet here you are.
Steve has a gentle hand resting on the small of your back as he helps you navigate the woods. Dustin is to your left, scanning for anything that could possibly trip you as the three of you walk in a line. Lucas and Max follow, both of whom watch you with weary eyes.
Sure, you probably don’t look too good, but honestly. You’ve been objectively worse.
“You’re positive that was Dart?” Lucas asks, breaking the silence.
“Yes,” Dustin sighs next to you, kicking at a twig in your way. “He had the same exact yellow pattern on his butt.”
“Why do you have his butt memorized?” You mumble under your breath, which Steve chuckles at.
Max shakes her head. “But he was tiny two days ago.”
“Well, he’s molted three times already.” Dustin kicks at another twig, this time with more anger behind it. He’s on edge, and you know he’s worried that somehow Lucas will figure out that he kept Dart all this time.
You’d help the kid, but he dug his own grave.
“Malted?” Steve asks, looking over to you to see if you’re hearing what he’s hearing.
“No, buddy.” You shake your head at him, slightly endeared by the confusion on his face.
“Molted,” your brother clarifies. “Shed his skin to make room for growth, like hornworms.”
“I don’t think Steve knows what hornworms are, Dustin.”
The boy sighs, knowing you’re right, and continues to walk.
Max, however, won’t let the topic go. “When’s he gonna molt again?”
“It's gotta be soon.” Dustin responds, now looking around tiredly. He doesn’t have to tell you, but you saw how quickly Dart grew overnight; he’s grown at an alarming rate. “When he does he’ll be fully grown, or close to it.”
“And so will his friends,” you say grimly.
It’s quiet for a moment after that, your words unnerving the group. Everyone but Max had to deal with a fully grown Demogorgon last year, and none of you have forgotten how terrifying it had been. You all still have scars from it, both metaphorically and physically.
After a minute or so, Steve tries to lighten up the situation. “Well, at least there isn’t another cat for them to eat–”
“Steve–” But you’re too late, Lucas has already picked up on what the teen is saying.
The boy shoves past you and whips around to face Dustin, angrier than you’ve ever seen him. “Wait, a cat? Dart ate a cat?”
“No, what? No!” Your brother is a terrible liar.
“What are you talking about? He ate Mews–” Your elbow digs into Steve’s side, causing him to hunch over and wheeze. “Shit.”
You force Steve’s head up so that he looks at you while you forcefully whisper, “Stop. Talking.”
“Mews? Who’s Mews?”
You turn to Max. “It’s nothing–”
“It’s their cat,” Steve wheezes out, still not at all understanding the situation.
“Steve!” You and Dustin screech at the same time. God, maybe it does make sense that he’s barely graduating high school.
“I knew it! You kept him!” Lucas shouts at Dustin, before turning to you with hurt in his eyes. “And you let him hide it from the party?”
You wince. “I had a suspicion, but by the time I found out it had already been too late and–”
“He missed me. He wanted to come home… and Y/N just happened to not know about it for a while.” Dustin interrupts, trying to appease his friend, but it doesn’t work.
“Bullshit!”
“I didn’t know he was a Demogorgon, okay?”
“Oh, so now you admit it?”
You try to intervene, you’ve always hated when the boys fight. “Listen, what’s done is done and it’s too late to be angry now.”
Lucas scoffs. “I crawled into a dumpster to find Dart!”
“And that was a conscious decision that you made–”
“Guys!” Max steps in. “Who cares? We have to go.”
“I care!” Lucas faces Dustin again. “You put the party in jeopardy! You broke the rule of law!”
“So did you!” You’ve never heard anger like this come out from Dustin. It isn’t an anger that spills over from a regular argument. Your eyes flicker to Max and you know that the anger is one that stems from hurt.
You remember how excited Dustin had been to tell you about his crush on the girl. Now, after she came here with Lucas, you fear you may have to have a code blue soon with your brother about young love and heartbreak. Unrequited crushes suck.
The kids all begin to scream at one another and you’re too tired to try and intervene again. Technically, they’re all right. Lucas shouldn’t have told Max everything, Dustin shouldn’t have hid Dart, and both boys shouldn’t continuously treat Max like some weird outsider.
As they argue, Steve rubs small circles in your back, sensing how exhausted you are. While your bleeding may have stopped, you still feel woozy from the blood loss and could really go for some water and food right now.
“They’ll figure it out,” he assures you, breath warm against your ear, and all you can do is sigh.
You’re about to tell Steve that maybe you should all walk back home, it’s late and the kids are all too mad at one another to be of any help, but then you hear screeching coming from the distance.
You both freeze.
Slowly, the two of you step away from the kids to follow after the sound. They’re too busy arguing to notice, but the screeching continues to grow louder and you share a look with Steve. This isn’t good.
“Hey guys?” Steve calls towards the kids, hand never leaving your back.
The kids continue to argue, ignoring him, and you bring your fingers to your lips and let out a high pitched whistle. “Idiots!” Lucas, Dustin, and Max all go quiet, looking over at you. More screeches fill the silence, and you tilt your head towards the sound. “Hear that? Shall we continue to fight or are we done here?”
Steve flashes his light towards the source of the sound and beckons for the kids to follow. You stay behind, both of you silently agreeing that he’ll lead and you’ll make sure everyone is safe. Lucas and Dustin immediately follow, but Max lingers.
“Hey, you comin’?” You ask, motioning towards where the boys have all gone.
“Why are we headed towards the sound?”
“Because it’s what we do,” you shrug. “Welcome to the party.”
Max blinks at you, in disbelief, and it breaks your heart that she has to come to terms with all of this. Taking the risk, you reach towards her hand, offering her time to pull away, but she doesn’t. She lets you grab her hand and you squeeze it, giving her a soft smile. “I’m right here.”
The girl exhales, still guarded, yet she finally nods at your words. She seems to believe you, which you’re thankful for, and together the two of you follow after the others. The five of you approach the overlook, all of Hawkins visible. There’s a layer of thick fog covering the town, the screeches ominous as the town is blanketed.
“I don’t see him,” Dustin mumbles next to you, though he slowly links his fingers through yours, quietly confessing to you that he’s scared.
You squeeze his hand. “Lucas, do you think your binoculars can see that far?”
The boy brings them up to his eyes, and within a few seconds he seems to have spotted the source. He swallows, lowers the binoculars, and says, “It’s the lab.”
“They’re going back home.” You whisper, feeling defeated more than anything else. It somehow always comes back to that fucking lab. Will’s episodes, Mike’s silence, Nancy and Jonathan taking the burden of bringing the entire lab down themselves.
You now understand the immense anger Nancy felt that day during lunch, when you had all been at Jonathan’s car and she created her genius plan. How badly she wanted to make the assholes pay for what they did to Hawkins. To Will. To Barb. To sweet El.
“We have to follow.” You say, an edge to your voice. Your side sears with pain, your ankle sending phantom pains up your leg. Dustin clings onto your hand like his life depends on it. You’re sick of suffering the consequences that Hawkin’s Lab has brought upon itself.
You begin to walk down the overlook, steps slow and careful, and while the kids glance uncertainly at one another, Steve doesn’t hesitate to follow after you. –
As you approach the gate to the lab, you see a car with headlights parked in front of it. Two figures stand at the edge of the forest line, watching.
Other people are here.
You bring your knives out and flick the handle so that the blades extend. Steve stands next to you, his own bat raised after seeing your fear, and you nod at one another to slowly begin approaching.
“Hello?” One of the figures shouts, their voice oddly familiar.
You stop.
“Who’s there?” The voice shouts again, and this time you recognize it.
It’s Jonathan.
Immediately you start to run, damning the pain in your side, and when you break through the treeline and see Jonathan standing there with Nancy, both of them safe and sound, you start to run even faster.
When Jonathan sees that it’s you, he starts to run as well and within seconds the two of you are a tangle of arms and limbs. He hugs you fiercely, his cologne familiar and you hadn’t known how homesick you were until you felt his arms around you.
“Bug,” Jonathan exhales with relief, squeezing you even tighter. He brings a hand to your hair and cradles your head, his fingers sure and strong and familiar as always. You bury your face in his neck, feeling all the pain and exhaustion from today begin to dissipate.
Nancy walks over and lays a hand on your arm as you’re still wrapped around Jonathan. “I’m glad you’re okay.”
“I’m glad you guys are okay,” you sniff, you’re not sure why you’re crying. “God, I’ve had the weirdest two days of my life–”
“Steve?” Jonathan and Nancy suddenly say at the same time.
You pull away from your friend and let out a chuckle. Steve and the kids have now joined, confusion on all of their faces. “Like I said, it’s been a weird few days.”
“Nancy?” Steve walks over, his eyes going back and forth between you and the girl. He feels an overwhelming mixture of emotions overtake him. He notices the way Jonathan’s arm is still wrapped around you as you stand close to his side, and he notices the way Nancy avoids his eyes. Something burns within his chest.
“Jonathan?” Dustin narrows his eyes at the boy, and you can’t help but laugh.
Jonathan and Nancy approach the others and you slowly follow, taking your time. Nancy reaches Steve first. “What are you doing here?”
“What are you doing here?” Steve retorts.
“We’re looking for Mike and Will.”
You grab Nancy’s jacket. “Are they okay? Did something happen?”
“They’re not in there, are they?” Dustin motions towards the lab, fear in his voice.
Nancy lowers her voice. “We’re not sure.”
Jonathan senses there’s something else going on. “Why?”
Right on cue, the Demodogs begin to screech from the lab. Next to you, you feel Jonathan stiffen with fear. You know, without having to ask, that his family is stuck inside the lab. Suddenly the gash in your side stings in pain and you clutch at it and let out a wince. Hearing this, Jonathan finally realizes that you’re covered in blood.
“Oh my god,” his hands fall to your side as he scans for any other injuries. “You’re bleeding, oh my god.”
“I’m okay–”
“Fuck, bug. It looks bad–”
“Had a minor setback, we’re all good now though.”
Jonathan shakes his head at you, his eyes dripping with guilt; you know he’s already placed the blame upon himself long before he speaks. “I should’ve been there. I knew something was wrong when you didn’t call, and then Nance and I came back to my home being wrecked and you weren’t at your place and I was worried sick and thought you were dead–”
You grab his hands, forcing him to slow down and breathe. “Hey, look at me.” Slowly, his eyes meet yours. “I’m okay, bee. I had to protect the kids, and I had Steve. I’m right here.”
Jonathan looks over at Steve, who is stuck in some argument between Nancy and the kids, and he lets out a tired laugh. He can’t believe that he’s here right now, tired and delirious from a long trip with Nancy as you hold his hands, your own blood covering them, while Steve spares you worried glances. “Friends with him again, then?”
“It was inevitable.” You sigh, knowing how heavy your words are. Truly, it was inevitable. He’s too much like you, your wounds a matching pair, and you never stood a chance against the inevitability. He’s an extension of you now, you can no longer deny this.
“Are you really okay, though?” Jonathan asks you, still concerned about how much blood is on you. He feels this tug within him, pulling at his chest to encase you within his arms and to never, ever let you out of his sight again.
There’s still a slight limp in your step that Jonathan sees when he thinks you aren’t looking, the scar on your upper arm is harsh against the smooth skin he’s come to memorize, disrupting the topography of your body. Now, you’ve once again gotten hurt because of him. Your favorite cardigan is ripped and bloodied and Jonathan knows it’s one more scar he’s inexplicably given you.
The scars may fade, but he knows he’ll never be able to forgive himself. It’s the same heavy weight you feel within yourself over Will’s disappearance.
You notice that Jonathan’s eyes have glazed over in despair and you kiss his knuckles, bringing him back to you. “I promise I am.”
He nods, though he still looks unsure, but he pulls you in again for another hug. For a moment, everything is still. It reminds you of when you had been in Jonathan’s car last Christmas as he drove you home, the memories between you had gone still. You close your eyes, like you had last year, and for a moment nothing has changed.
“The power’s back!” Nancy exclaims, effectively shutting everyone up about who has seen what when.
You pull away from Jonathan. The urgence in her voice reminds you that everything has changed. There’s a scar on your upper arm that now has a matching scar on your ribcage. Jonathan has bags underneath his eyes that seem like they'll never go away.
You look away from him and look over at the kids and see, in Dustin’s and Lucas’ faces, the familiar fear and acceptance that they’re inevitably in danger. Steve catches your eye and he nods, indicating that whatever happens next, he’s ready whenever you are.
The seven of you quickly make your way back towards the lab’s gate, and Jonathan is the first to get there with you following close behind. The two of you stand in the patrol panel, Jonathan aggressively hitting the button designated for opening the gate, but nothing seems to be happening.
Suddenly Dustin barges in, roughly shoving past Jonathan and mumbling a soft sorry to you.
“Let me try.” Jonathan doesn’t move, which only aggravates your brother further and he flings the teen back. “Let me try, Jonathan!”
Jonathan looks at you incredulously, still having no idea why Dustin seems to suddenly hate him, and you stifle a laugh as you watch the boy repeatedly hit the button while nothing happens.
“Son of a bitch!” Dustin groans, still trying and failing to open the gate.
“Move over,” you shoulder past the kid and start pressing the button yourself. “It probably just doesn’t like you guys.”
Dustin and Jonathan both scoff at you, but you ignore them as you continue to press the button. You were mostly doing it to distract yourself, give your anxious mind something to do, but after a simple few taps, the gates unlock.
You cheer, immensely happy with yourself. “I did it! You guys just really do just suck!”
Jonathan shakes his head at you but offers his hand for you to high five, which you gladly do. As for your brother, he sticks his tongue out at you in retaliation. You ignore the kid and follow Jonathan outside to join the others.
Once the gates have fully opened, you, Nancy, Jonathan, and Steve all begin speaking at once.
“I’ll go,” you all say in unison.
The kids all stare at one another, wondering how this will go. It didn’t escape their notice that Jonathan and Nancy were alone together, and that Steve’s worry over you has strings attached to unspoken truths.
They may be young, but they can sense the tension between you and the teens pretty easily.
“No, someone has to stay with the kids.” Nancy reasons, looking over at Jonathan to back her up, and his eyes draw to hers naturally.
You see this, and you wonder when they became such a cohesive team.
“Bug, what are you thinking?” He asks, knowing that ultimately it’s your call. When it comes to the kids, you’re the one to turn to.
You bite your lip, unsure. Max, Lucas, and Dustin all stare at you, and you know the two boys want you to stay with them. They’ve been through hell tonight, so have you, but then you think about whatever has happened in the lab to Will and Mike.
Sighing, you walk over to Jonathan. “Nance is right. I’ll stay behind with Steve while you and her drive to the lab. They’ll need all the help they can get, and I’m currently in no condition to fight.”
Jonathan’s eyes once again fall to your wrapped side, uncertain if you’ll be safe enough out here. “You sure?”
“I’m sure, bee.” You kiss his cheek, fucking terrified something will go wrong. The lab is crawling with Demodogs. “Promise you’ll be careful?”
“Always,” he cups your face and brings his forehead to yours. “I’ll come back.”
You relish in the warmth and let out a shaky exhale. “Go get Will.”
The moment between you two is intimate; everyone around you looks away. Nancy stares down at her feet while Steve clenches his jaw.
After a few more seconds, you finally release yourself from Jonathan’s hold and turn towards Nancy. “That goes for you as well, Wheeler. Stay safe.”
She nods at you, spares Steve one last glance, and then follows after Jonathan into the car. Within seconds, they speed off down the road, towards Hawkin’s Lab as more Demodogs screech in the distance.
“Well that was awkward.” Max breaks the silence. “Sensing there’s a lot of history there.”
You snort, admiring the girl’s wit, and tiredly lean against the gate’s post. “Still have a lot to catch up on, Max.”
Steve doesn’t say anything, he just gently leans next to you against his own post and flips his flashlight in his hand.
Dustin starts to pace while Lucas stares at the sky, as if willing away every problem from the day, which you want to do yourself. However, your best friend is currently very close to a death lab that Will and Mike are inexplicably trapped in.
You try to calm your breathing, knowing it’s no use getting yourself worked up, but you’re terrified. Steve sees your unease and does his best to comfort you. “Hey, they’ll be okay. Jonathan is a smart guy and Nancy is tough as hell.”
Hearing Nancy’s name coming out of his mouth makes you realize that you haven’t asked him how he’s feeling about all of this, which makes you feel even shittier. He confessed to you last night how he still loves her, and here you are, worried about your friend who the guy’s ex girlfriend showed up with.
“Are you okay?” You ask him softly, worried you’ll scare him away.
Steve doesn’t ask what you mean; he knows and lets out a dry laugh. “Not the most ideal situation.”
You’re about to say more, but something seems to catch Max’s attention. “Guys?”
You look towards where she’s pointing and you hear the faint sounds of tires squealing against concrete. The same sound Billy’s car had made in the school parking lot days ago. As you piece this together, headlights light up the gate and the honking starts.
Immediately you and Steve rush over to the kids and push them away, narrowly avoiding being hit. As soon as the road is cleared, Hopper’s familiar truck brakes in front of you.
“Let’s go,” the man gruffs out, and you’ve never been happier to see that obnoxious cop’s face.
Steve runs over to the passenger door and holds it open while you usher the kids to go inside. “Come on, let’s go! Go, go, go!”
One by one you get the kids seated in the truck, and once you and Steve make sure they’re in safely, he motions for you to go next before he climbs inside and slams the door shut. You end up squished up front, in between Hopper and Steve.
“Drive!” You scream, and Hopper doesn’t need to be told twice before he stomps on the gas and follows after Jonathan’s car.
It’s silent for a few minutes as everyone steadies their breathing, processing what’s just happened. You rub at your side, the rough movements from earlier having upset the wound. Hopper notices this and raises an eyebrow at you. “Lose a fight?”
“Mhm,” you see that he’s dressed in hospital scrubs and raise your own eyebrows. “Got checked into a psych ward?”
Hopper lets out a short laugh and you can see the exhaustion behind his eyes, but he plays along and you’re grateful for it. “Yeah, figured it was time.”
The Byers’ home is a disaster when you walk in. The walls are covered with pictures drawn by Will, a map that he somehow came to piece together, of an entire underground tunnel system that the Demodogs now reside in.
You sit on the ground next to Will, who has been placed on the couch while he’s still unconscious, and you hold his cold, limp hand as Jonathan kneels next to the boy and strokes his hair.
“I’m sorry, bud.” He whispers, voice breaking. “I’m sorry I wasn’t there. I should have been there.”
You grab Jonathan’s own hand. “He wouldn’t blame you. You couldn’t have known.”
Nancy places a hand on his shoulder as she watches over him, a certain concern in her eyes that you’ve never quite seen before. She’s always been the most guarded out of the three of you, but now she’s rubbing comforting circles into Jonathan’s back; you’ve never seen her so open before, so affectionate with someone.
You noticed how much closer they seemed earlier at the lab, how the tension between them now appears to be gone. You know that something happened on their spy adventure, you know they’d been alone together, probably gotten a motel room, even. Your stomach twists at the thought, but Will’s cold hand is a reminder that none of that matters right now. Like last year, he comes first.
“We’ll figure it out, bee. We always do.” You kiss Jonathan’s cheek, not knowing how many more times you’ll be able to do so, and you try to memorize how his face feels pressed against yours, the way your nose buries into his skin and the way he leans into the kiss each and every time.
Jonathan sniffles and thanks you, pulling you into his side as he continues to stroke Will’s hair. Nancy remains standing, and when you look up to offer her to sit next to you, you finally notice Steve standing in the corner, watching.
He’s holding himself as he watches the three of you and, despite how he tries to hide it, you see Steve wipe at his nose and blink away tears; he’s never looked so small before, and your heart breaks for him as he walks out of the room.
You excuse yourself to follow after him, bypassing Hopper who is angrily trying to contact some government people to alert them about Hawkin’s Lab.
Steve walks into the kitchen and faces the drawings on the wall, his back turned away from everyone in a pathetic attempt to gain some privacy. Slowly, you approach him and stand to his left. You know he senses your presence, but he continues to stare straight ahead.
“You want to talk about it?” You ask, voice low so no one else in the kitchen can hear.
Steve closes his eyes and shakes his head, it’s all of a response he can give you right now. He’s worried that if he tries to speak, he’ll start crying. His worst fear has come true. He’s been replaced.
Tentatively, you grab his hand and bring your lips to his ear. “Can I?”
You feel Steve shiver, his breath is shaky, and though he isn’t quite sure what you’re asking him, he nods anyways.
He will always say yes to you.
The moment Steve nods, you tug at the hand you’re holding and bring his arms around you; he practically melts in your arms. Releasing another shaky breath, he buries his face in your hair and inhales your perfume as if gasping for air. He brings a hand to your hair as he cradles the back of your head, bringing you even closer together.
For the first time in Steve’s life, his mind goes quiet.
You’re aware of everyone else in the room, you know you’ll have to deal with the kids’ nosy questions later, but you don’t care. Steve needs you, and the way he’s clinging onto you as you hug tells you everything you need to know.
He’s barely holding it together, so you discretely shift so that the others can’t see as you attempt to piece him back together with your arms tightening around him and your fingers intertwining through his hair as well.
Your ribs scream in protest as you lean against the boy, but the pain reassures you that you are alive and sharing this pain with someone you’ve come to care deeply about.
“I’m here,” you whisper, feeling Steve’s body shake at the reassurance. “It’s just you and me right now, okay?”
He nods, still too scared to speak. The two of you remain interlocked in the kitchen you grew up in, surrounded by Will’s drawings and memories of early morning breakfasts with Jonathan, and Dustin watches from the kitchen table.
Lucas watches as well and shares a glance with your brother, who can only shake his head and sigh. He knows, sooner or later, that he’ll have to ask you about Steve, he’s never seen you like this before, not even with Jonathan, but for now he leaves you both alone.
When Hopper angrily hangs up the phone, Dustin uses it as an opportunity to distract himself. “They didn’t believe you, did they?”
“We’ll see,” Hopper sighs, tired.
“‘We’ll see’? We can’t just sit here while those things are loose!” Mike exclaims, his foot tapping nervously underneath the table.
The chief sighs again, now spotting you and Steve still holding each other in the corner. “Hey, Henderson and pretty boy, get a room. Mike, we stay here and we wait for help.”
Hearing your name, you finally break apart from Steve and send Hopper an embarrassed glare, clearing your throat. Steve clears his throat as well and takes several steps away from you. His cheeks flaming red.
“Did he call me pretty boy?” Steve whispers to you, but you shush him, instead walking over to Mike, who has now started to tap his foot even more aggressively.
Standing behind the boy, you rub his shoulder, unsure how to help the boy. You know he’s worried about Will and he’s always hated waiting almost as much as you do. At your touch, Mike turns his head to look up at you, and the fire that’s always been in his eyes has died.
You look around the table, it’s quiet. Max is playing with her fingernails, Lucas is staring at the table with tears in his eyes, and Dustin is watching as you try to comfort Mike. All the kids are in their own state of shock and grief. They’re too young for all of this.
Meanwhile, Steve hangs back by the corner, knowing that this is what you do best: you take care of people. He watches as you furrow your brows for a second, a slight quirk he’s picked up about you, and slowly he sees you piece together how to help the kids you love so dearly.
You start with leaning against the table, wedged between Dustin and Mike, and somehow–Steve has always wondered how you do this–you light up the cold room with warmth.
“I’m sorry you had to go through all of this by yourself,” you stroke Mike’s hair, it’s rare that you get to do this, but he remains numb to your touch. “Had I known any of this would happen, I would’ve made you more fudge brownies.”
Though it’s small, almost imperceptible, Mike lets out a tiny huff, a placeholder of a laugh.
At least it’s a start.
You whisper more words to him as Dustin leans against your back, grounded by your presence, and Max watches this with interested yet envious eyes. She still has yet to grow used to your kindness, to the love you share with the boys: a sibling relationship she’s never had before.
As you’re comforting Mike, his eyes wander towards the living room and suddenly he gets up. You watch, curious as to what he’s doing, as he grabs a cube and delicately rolls it around in his hand.
“Did you guys know that Bob was the original founder of Hawkins AV?”
At the mention of Bob’s name, you bring Dustin closer to you. With everything that’s happened tonight, the reminder of the man’s death fills you with raw, unfiltered grief. When you arrived at the Byers home and found a distraught Joyce, you knew.
Bob is dead, and he has taken all the kindness he shared with you. He was a sweet man, one who took you in without any question as soon as he started dating Joyce, a man who offered you rides to work and encouraged you to stop by his own job any time. The same man who brought the woman who is like a second mother to you, back to life.
Your heart breaks for Joyce, for Will and Jonathan and all the other kids.
Bob Newby truly was a superhero, everyone he ever interacted with came out a better person because of it. He never left anyone without a smile on their face, and now he’s gone.
Once you’ve managed to swallow down your grief, you voice from the kitchen, “I didn’t know that.”
Mike turns to you. “He petitioned the school to start it and everything, and then he had a fund-raiser for equipment. Mr. Clark learned everything from him.” There’s light in his voice as he approaches the table again, a spark as if the fire is trying to relight itself. “Pretty awesome, right?”
Dustin and Lucas nod, faint smiles on their own faces. “Yeah.”
Mike sets the cube down. “We can’t let him die in vain.”
You agree with him, but how could you possibly accomplish something like that>
“What do you want to do, Mike?” Dustin lifts his head up, frustrated. “The Chief’s right on this. We can’t stop those Demodogs on our own.”
“Demodogs?” Max finally speaks up.
You sigh, tired of hearing your brother’s explanation of his made up name. “Please don’t ask–”
“Demogorgon, dog. Demodog.” Your brother explains, and you pinch the bridge of your nose. “Demodogs. It’s like a compound… It’s like a play on words–”
“Okay!” You and Max say at once, cutting off his spiel.
“I mean, when it was just Dart, maybe…”
You snort at Dustin. “Tell that to my ribcage.”
The boy glares at you and Lucas takes over, reigning you both back in. “But there’s an army now.”
“Precisely,” Dustin sighs in defeat.
Mike, who has been quiet the entire conversation, realizes something. “His army.”
Steve looks around, confused. “What do you mean?”
“His army!” Mike faces everyone, and the fire behind his eyes now fully alive, and you know he’s come up with some genius plan like his sister always does. “Maybe if we stop him, we can stop his army too.”
Dustin and Lucas share a glance and seem to be understanding what Mike is saying, but you look to Steve, equally as lost as he is, before Mike runs out the room while the others follow.
“Any idea what that kid is saying?” The teen asks you, but you shake your head.
“On a good day, I understand maybe a quarter of what Mike says. However, with significant blood loss and no real meals in me, I’m afraid I have no fucking idea what’s happening.”
“Cool,” Steve steps closer to you and motions for you to guide the way. “Let’s follow, then.”
You find the kids in Will’s room, all standing over a picture that the boy drew. In it is a looming figure with four long limbs, its figure thin and haunting as it stalks over the picture. Seeing the drawing, you get an uneasy feeling.
“The doctor said it was like a virus, it infected him.” Mike is explaining, speaking so fast you can barely keep up as you and Steve stand in the doorway.
“What virus?” You ask, now standing next to the kids.
Mike hands you the picture. “The shadow monster, it got Will that day at the field.”
“And this virus… It’s connecting him to the tunnels?” Max seems to be following along better than you are, which is quite depressing.
“The tunnels, monsters, the Upside Down, everything.”
Something within your stomach drops, the familiar weight of guilt follows it. “Will is still connected to the Upside Down?”
“Whoa, slow down,” Steve steps in now, sensing your panic, and tries to rectify the situation. “Let’s all just slow down.”
Mike groans. “The shadow monster is inside everything, and if the vines feel something like pain, then so does Will.”
Again, guilt throws itself against you with all its weight, and you feel each thud against your body like a hammer feels a nail.
Lucas nods. “And so does Dart.”
“Like what Mr. Clark taught us. The hive mind.” Mike follows.
You’re silent, staring at the picture still in your hands.
Steve crosses his arms. “Hive mind?”
“A collective consciousness, a super organism.” You hear Dustin clarify, but it’s all beginning to blur together for you.
All you can think is that you’re the reason Will has become entangled in all of this, in alternate dimensions, infected with a monster so powerful that it can create vast tunnels underneath your feet and monsters bred to kill.
Mike is on a roll now, it’s all clicking together. “And this is the thing that controls everything. It’s the brain–”
“Like the mind flayer,” Dustin realizes, which causes both Lucas and Mike to stop in their tracks.
It seems the boys have figured it all out, then.
And it seems to you that old scars will never fade, not in the way that they should.
Swallowing down your nausea and tears and guilt, you finally speak. “Explain everything to me.”
Dustin throws the DnD book onto the Byers’ kitchen table, beginning to explain everything as everyone gathers around.
You stand next to him, Steve to your right, and watch as your brother commands the room as if he was born to do so. As he explains, you look around and everyone. Jonathan stands next to Lucas, facing across from you, and Nancy finds herself standing to your left, worried.
“Oh my god, none of this is real,” Hopper is already over the entire situation, which annoys you. “This is a kid’s game.”
“I’m sorry, but those Demodogs that just attacked us are logical to you?” You snap at the cop, completely baffled that he for some reason decided to draw the line at a DnD reference rather than literal demons from another dimension.
Hopper narrows his eyes at you, but before he can say anything, Jonathan shrugs his shoulders. “Y/N has a point, you know.”
“Okay, before we all start fighting, I just want to point out that this,” Dustin points to the book on the table. “Is a manuel, and it’s not for kids. Unless you know something that we don’t, this is the best metaphor–”
“Analogy.” Lucas interrupts.
“Analogy, that’s what you’re worried about?” You grab at Dustin’s jacket to try and settle him down, but he’s angry and annoyed and you know it’s been a long day for everyone. “Fine. An analogy for understanding whatever the hell this is!”
Nancy sees you struggling with the boy and tries to step in. “Okay, so this mind flamer thing–”
“Flayer,” you gently correct.
“What does it want?”
Dustin bites his lip. “To conquer us, basically. It believes it’s the master race.”
Steve, who is leaning next to Dustin and you, snaps his finger. “Like the Germans?”
“Uh… The Nazis?” Your brother looks at you, silently urging you to shut the teen up, and you pinch your nose again and sigh.
“Oh, buddy.” You loop your arm through his and pat Steve’s shoulder. “Let’s just listen, okay?”
Steve tries to say more but you hold your finger up, indicating that you won’t listen to whatever he’s about to say, and he rolls his eyes at you but rests his free hand against the one you have on his arm.
However, when Lucas announces that you could all be dealing with the end of the world, Steve lets out a dry laugh and tries to pull away from you, freaking out. “That’s great! That’s really great, jesus!”
You pull him back by the arm, forcing him to stand next to you and calm down, and he doesn’t try to fight it. Though he’s scared out of his fucking mind and in over his head, he listens to your silent command and comes back to you. Once he’s still, you unwrap your arm from his and bring that hand to the back of his neck, playing with the baby hairs there to try and soothe him.
Steve leans into your touch, his shoulders start to relax, and you know he’s slowly calming down.
Jonathan sees this interaction and catches your eye, and when he has your attention, he flashes you a knowing smirk as he mouths, friendly, aren’t we?
You narrow your eyes and subtly point between him and Nancy, mouthing back, you’re one to talk, which effectively shuts Jonathan up and he diverts his eyes again, going back to focusing on what Dustin and the others are saying.
“No, no fireballs,” Dustin is explaining to Hopper. “Instead, you–uh. You summon an undead army and… Uh, because… Zombies, ya know? They don’t–uh, have brains and the–the mind flayer, it, uh, likes brains.”
When your brother sees you shaking your head in disappointment and Hopper’s barely controlled anger, he quickly finishes with, “It’s just a game.”
You nudge his shoulder with yours. “You did well explaining, buddy.”
Dustin gives you a weak thumbs up as Hopper angrily throws the book down. “What the hell are we doing here?”
“I thought we were waiting for your military backup.” Dustin retorts, and you quickly raise your hand for a high five, which he gladly accepts.
Hopper sees this and rolls his eyes. “We are!”
“But even if they come, how are they gonna stop this? You can’t just shoot this with guns!” Mike quips, and you give him a high five as well.
“You don’t know that! We don’t know anything!” Hopper roars, and it takes everything within you not to flinch at his raised voice.
“We do know, actually.” You say, voice quiet but stern as you try to steady your heartbeat. You’ve never, ever been able to hear a man yelling at you without some form of panic clawing at your chest. ��Ask Nancy about the guns. We fought a fully grown Demodog last year, you seem to conveniently forget that.”
Hopper clenches his jaw. “Every time I start to like you, you piss me off again.”
“It’s a skill.”
Everyone begins to argue again, Hopper with you while Dustin, Lucas, and Mike take your side to try and reason with the cop, before a frail, broken voice silences you all.
“They’re right.” Joyce stumbles from her room, her face still wet with tears as grief overtakes her.
“Mrs. Byers,” you breathe out, immediately walking over to the woman to stand by her side, but she gently pushes you away.
“We have to kill it.” Anger slowly spills into her voice. “I want to kill it.”
Hopper joins your side now, the two of you surrounding the woman. “Me too, Joyce. Okay? But how do we do that? We don’t exactly know what we’re dealing with here.”
“We don’t know what could happen to Will,” you urge, understanding Joyce’s anger but terrified of how it may affect her son.
“If anyone knows how to destroy this thing, it’s Will.” Mike begins to walk over to the boy, who is still knocked out cold on the couch. “He’s connected to it. He’ll know its weakness.”
Everyone stands in the living room now, and dread encases its hand around your throat. You don’t want to make Will any more involved in this than he needs to be, he’s been through too much.
Max cocks her head. “I thought we couldn’t trust him anymore. That he’s a spy for the mind flayer now.”
“We can always trust Will.” There’s an edge to your voice, and Jonathan has to grab your hand to steady you.
Mike nods, understanding what you’re trying to voice. “I know, Y/N. We can always trust him, and he can’t spy if he doesn’t know where he is.”
Somehow, Steve gets paired up with Nancy to cover the inside of the Byers’ shed with tarps.
One minute Steve had been standing behind you in the living room as Mike explained his plan, and the next minute he was being auctioned off to join his ex in a small shed while you got to happily team up with Jonathan and his mom.
It was unfair, really.
While he’s moping about his luck, Nancy hesitantly looks at Steve, clearly also as equally uncomfortable in the silence. She lingers as Steve begins to hang up another tarp and she tears a piece of tape for him, waiting.
She watches as Steve’s body stretches the length of the wall and realizes that this is the first time they’ve been alone together since their conversation at school, and that his languid movements are foreign to her.
Nancy hasn’t seen him so at ease in a long, long time.
She thinks about how you’d been with him these last few days while she had been with Jonathan, and she wonders what else may have possibly changed in such a short amount of time.
“Hey,” she finally says, the silence clawing at her. “What you did, um… Helping the kids, that was really cool.”
Steve still looks at Nancy with such sincerity and warmth, something that makes her stomach twist with guilt. He doesn’t know what she’s done just yet, and she doesn’t know if he has a right to even care at all.
“Yeah,” he exhales, breaking the eye contact first. “Those little shits are real trouble, ya know?”
Nancy finds herself laughing, grateful he seems open to talking to her. “Believe me, I know.”
“It’s a miracle that Y/N survived so long on her own.” Steve says absentmindedly, returning to hanging up the tarp.
Hearing your name causes Nancy’s stomach to twist again. Steve may not have pieced everything together just yet, but she knows that you have. You’ve always been able to read people well, too well, even.
Jonathan wasn’t yours and she wasn’t Steve’s, yet Nancy feels an overwhelming sense of guilt for the two of you.
“It’s nice that you were there for her,” Nancy avoids looking at Steve again.
“Y/N has been there for everyone else, so I figured it was time that someone was finally there for her?” He shakes his head, unsure what he’s even saying. “I just… I wanted to help her.”
Nancy doesn’t say anything, she only nods and continues tearing off more pieces of tape.
You’re too good, everyone knows this, and sometimes Nancy finds herself resenting you for it, even though none of it is your fault.
Jonathan tears down another bedsheet from the clothing line and tosses it into the growing pile of sheets and bedding in your arms; he yanks them down, you catch, and then he cuts the lines with the knives you loaned him.
“You sure this is gonna work?” Jonathan asks his mom, who has joined the two of you to collect her own pile of sheets to cover the shed.
Joyce nods, the familiar frantic look in her eyes from last year is now back. “He knew who I was. He’s still in there. It’s gonna work, it has to.”
You peek from behind the pile of cloth you’re holding. “Who knows, maybe we can finally prove whether or not Freud’s theory of consciousness is correct.”
Jonathan doesn’t understand what you mean, but Joyce sends you a grateful smile, appreciative that you’re trying to remain optimistic despite the situation, and then leaves before her son can question the plan once more.
As soon as the two of you are alone, Jonathan puts your switchblade in his pocket and then faces you, not wasting a second to finally have you to himself. “Okay, tell me everything I missed while I was gone.”
His eager curiosity makes you smile. “I appreciate the enthusiasm, but aren’t we on a time limit?”
“I think we can spare a few minutes, bug.”
“Fine, but at least grab some of these sheets so I can actually look at you while I talk.”
Jonathan laughs and does as he’s told, grabbing some of the cloth you’re holding and lessening the weight of it for you. Once he’s able to see your face, he smiles warmly at you. “Hi,”
“Hi, bee.” The greeting drips from your mouth like pure honey, and with two simple words, Jonathan can feel himself finally begin to relax.
“So,” he wiggles his eyebrows at you. “Go on.”
You take a deep breath, knowing that what you’re about to tell Jonathan will remove the carefree smile on his face. He’ll only blame himself, and you hate the responsibility he seems to feel for you.
“The only major thing, well… Besides the Demodogs, is that I spilled milk all over Billy, the guy you punched at the Halloween party.”
Jonathan gapes at you. “What?”
“Yeah, it was kinda awesome, honestly. He was being a bitch, accusing me and Steve of getting together to piss you and Nance off, and he was just being an overall creep, so… I spilled milk on him to get him to shut up so that Steve wouldn’t end up knocking the guy out.”
“Wait, Steve was there?” He tries to keep his voice level, but even Jonathan can hear the underlying hurt within his voice.
He’s not sure why the hurt is there, or why the thought of Steve being the one now protecting you sends a punch to his throat.
“Yeah,” you frown at him, confused by his sudden shift in mood. “He was with me in the lunchroom, wanted to know where you and Nance had run off to.”
Jonathan swallows. “I’m glad he was there, bug.”
And he is, he knows he is, but he also knows that it’s getting harder and harder to ignore the shift that has come between the two of you. How it was only thirty minutes ago that you had wrapped your arm around Steve’s, not Jonathan’s.
He clears his throat. “So, about Steve…”
“What about him?” You feign ignorance, but Jonathan sees the blush that has started to spread across your face.
“You’re blushing, bug.” It hurts him to tease, but he knows he has to. Jonathan has to play the role he had been given when he was twelve and had met you that day on Nancy’s front porch.
The same girl he slept with last night, who he has come to love with such devotion that he still struggles to accept within himself.
They haven’t talked about it, at least not yet, but all the unsaid truths between you and Jonathan hang over him. He can feel the lines and threads and strings all closing in on you two, and he knows you can also sense it as well.
“It’s nothing, bee.” You start walking towards the shed, uncomfortable now. You don’t want Jonathan’s teasing, not when it comes to Steve; it’s too painful, you still haven’t quite come to terms with your newfound feelings for the boy.
Not when you haven’t laid your feelings for Jonathan to rest, yet.
It wouldn’t be fair to Steve.
Jonathan steps in front of you, blocking your path. He feels as if he’s about to lose you, and for the first time since he’s met you, he doesn’t know how to make you stay. “Hey, I’m sorry. It’s just… I know you.”
His words burn.
“Let’s just get back to the shed–”
“Bug,” he blocks your path again. He’s not ready to lose you just yet, but he knows he will soon. It’s inevitable. “I know you, and when you’re around Steve, you just… You’re different, a–a good different, and–”
“Jonathan, I really don’t want to talk about this,” you plead, but he hears the at least not with you that goes unsaid. “Why don’t you focus on your newly formed relationship with Nancy, okay?”
Jonathan stumbles over his feet. “You–you know?”
“I know you,” you echo his words from moments ago, with its melancholy and all.
He sighs, steps to the side, and lets you go.
It’s quiet after that.
In the shed, everyone busies themselves with their tasks.
You, Steve, and Lucas run around with nail guns and tape for those who need it. The rest of the kids work as a unit, helping one another with covering every inch of wall they can find. Meanwhile, Nancy wraps newspaper around the poles while Jonathan carries Will through the door.
Seeing Will, limp within Jonathan’s arms, only reminds you of the dead body that had been pulled from the quarry last year.
Only this time it really is Will.
Together, you and Jonathan gently place the boy in the chair and tie him. You ignore the way your heart clenches as you knot the cords together; you’re doing this to save him. Joyce prepares the medicine needed to knock Will out, in case anything happens, and as you watch, Lucas and Mike switch on the overhead lamps, blinding you.
“Christ,” you mumble, holding your hand up to shield your eyes from the light.
“It works,” Mike looks at you, hopeful. “It’s gonna work.”
Hopper steps forward, facing everyone. “If you aren’t related to the Byers family, get out.” While everyone begins to leave, you and Mike remain where you are. When Hopper sees this, he frowns. “What did I just say?”
Dustin and Steve linger in the doorway, both silently asking you what the plan is, and you give them a slight nod to indicate that it’s okay. You’ll join them later, right now Will needs you and you sure as hell aren’t leaving Mike and Jonathan alone to deal with this.
“Y/N is family, Hop.” Joyce stands next to you, placing a hand on your shoulder.
You smile at her before facing the chief. “I’m staying.”
“Me, too.” Mike echos, standing his own ground against the man, and you refrain from giving him another high five for his bravery.
Better not to upset Hopper too much more.
The man in question groans, too tired to argue. “Fine, you two can stay, but only because I know that if I don’t let Henderson stay then Jonathan will probably have a panic attack or something.”
Jonathan shrugs. “Probably.”
Dustin rushes over to you and gives you a tight hug. “Be careful.”
“I will,” you kiss the top of his hat, catching Steve’s eye in the process. “Take care of him, please?”
Steve nods, without any hesitation to do as you’ve asked. “Of course.”
And with that, the door to the shed closes as the last of the group leaves.
It’s silent after that, and you take a second to admire the work everyone did. The shed is completely unrecognizable, and the lights will only further limit Will’s vision. A part of you truly believes that this plan could work, but you’ve long since stopped letting your hope get the better of you.
“Alright, you ready?” Hopper looks over at Joyce, holding the ammonia needed to wake Will up.
“Yeah,” the woman crosses her arms, and you want to reach out and hold her.
Everyone is quiet as Hopper crouches in front of Will and dabs some ammonia onto a cotton ball. Then, slowly, he brings it up to the boy’s face and waits for him to inhale. When he does, Will’s eyes snap open and he inhales so sharply that you’re worried he’s hurt himself.
You stand in between Mike and Jonathan, and seeing the pure fear on Will’s face brings tears to your eyes. He reminds you of a deer, small and frail, with eyes so full of fear that it makes you ache.
Will’s eyes dart around the room, and when he notices that he’s tied to the chair, he begins to tug at the cords. “What–what is this? Why am I tied up?”
“Will, we just wanna talk to you,” Joyce softly tells him, now eye level with the boy as she does her best to calm him down. “We’re not gonna hurt you.”
“Where am I?” The fear that had once been in Will’s voice is gone, now replaced with an anger that seems so foreign to associate with the boy.
Hopper joins now, showing him the picture of the mind flayer that he drew. “You recognize this?”
Will shakes his head and looks over at you, now realizing that you’re there, and you force yourself to look away. He’s always been the sweetest boy, but he killed so many innocent people today, even if he hadn’t meant to.
You trust Will, you do, but you remind yourself that the boy in front of you isn’t really him.
“We wanna help you,” Joyce tries to reassure him again. “But to do that, we have to understand how to kill it.”
At the mention of killing, Will’s eyes widen as more anger seeps through him, now shouting at his mother, “Why am I tied up? Why am I tied up? Why am I tied up?”
He begins to thrash around, throwing his head back against the wall as he repeatedly screams and begs to be let go. The lights are now flickering and immediately you draw Mike into your chest, trying to mask your own tears as you comfort him.
Jonathan clings behind you, his arms wrapped around your waist as he buries his face into your shoulder, and blindly you reach behind yourself so you can hold him as well. When you feel his tears spill against your skin, you wrap your arms tighter around Mike and cry.
Will continues to scream, becoming more and more violent, and something demonic seems to crawl into his vocal chords as he screams.
You hold Mike and Jonathan tighter against you, doing everything you can to be there for the boys. You knew this would be difficult, but as the lights continue to flicker and Will’s pale face quickly becomes paler with every plea, you feel weak.
With Jonathan behind you and Mike in front of you, both boys clinging onto you as sobs wrack your own body, it becomes unclear who is being held up and who is the one holding.
Hopper has his own arms wrapped around Will, and slowly, miraculously, his pleas begin to fade off. Exhaustion seems to overtake the boy, as he starts to mumble more than scream, and with every exhaled breath, the light’s flickering settles down.
Finally, silence.
The only sound in the shed is Will’s labored breaths, alongside your own.
Joyce sits in the chair placed in front of Will, takes a moment to find her words, and then asks the boy, “Do you know what March 22nd is?”
You do, it’s Will’s birthday, and you listen as Joyce talks about his eighth birthday and how she had gotten him a giant box of crayons and he had used all the colors to draw a rainbow ship. With every word, more despair and love fills the woman’s voice as she reflects on how proud she is of him, how much she loves him, and you have to turn away for a moment to wipe at your eyes.
After Joyce has finished her story, you all see something within Will. As if he’s coming back to himself, his eyes no longer holding the malic from earlier.
Jonathan detangles himself from you and wipes his eyes as well, taking a deep breath to calm himself. “Do you remember the day dad left?”
You turn around, already knowing the story that he’s about to tell, and you press a soft kiss to Mike’s forehead before joining Jonathan at Will’s side. He can’t be alone when he retells this story, because he hadn’t been alone when it happened.
“We stayed up all night building Castle Byers,” Jonathan reflects, nudging you as you crouch down in front of Will as well. “It was Y/N’s idea to build it just the way you drew it.”
“You loved the idea,” your voice cracks, but you try to hide it so that you don’t scare the boy.
You remember how Will’s face lit up when you surprised him with the idea. He hadn’t left his room in hours, blaming himself for Lonnie leaving, and Jonathan had shown up at your window, in tears as he confessed that he didn’t know how to help Will.
After yanking the teen into your room and sitting him down on your bed, you had told him that Will simply needed someone there for him, to remind him that he was good and lovely and that everything that Lonnie had ever said was wrong.
Later that day, the two of you showed up to the hardware store; two young teens with only pocket change as currency, and you’d bought all the supplies needed for Castle Byers.
“And it took so long because you were so bad at hammering.” The fondness of the memory causes Jonathan to laugh, and you do so as well as you remember just how many times Will had accidentally hit his fingers rather than the nail. “You missed the nail every time.”
“I thought you’d lose a finger, honestly.” You add, which Joyce laughs at.
Jonathan continues. “And then it started raining, but we stayed out there anyway. All of us were sick for like a week after that… But we just had to finish it, didn’t we? We just had to.”
You squeeze the teen’s hand and lean in closer to Will, sensing that it’s now your turn to speak. “Do you know what my nickname is for you?”
Will slowly nods, his eyes going to Jonathan and then back to you, indicating that he understands he’s your little bee.
“Little bee, that’s right.” It isn’t difficult to reminisce on your favorite memory with the boy, it comes to you immediately. “After we all had gotten the cold, do you remember the awful flu that Jonathan and Dustin somehow got like a week afterwards?”
Jonathan snorts, remembering how annoyed he had been for being so sick for so long. He had missed two whole weeks of school, and you were the one who had to bring his assignments to him and help with his homework.
“That weekend, our moms decided that it made more sense to send Jonathan to my house so he and Dustin could quarantine together, so I stayed at your house and we spent the entire weekend alone. Just you and me.”
You smile softly, the memory fresh and warm like an early spring day. You love Jonathan and Dustin endlessly, but being alone with Will was special. A rare occasion that the two of you always relished in. “That weekend, we watched all your favorite movies and I taught you how to bake the cookies you love so much… You taught me how to draw, and together we were happy.”
Your voice breaks again, the warmth of the memory slightly stings as you gaze into Will’s sunken eyes. Two years ago you had all of Will, his happiness genuine and his heart kind, and now you’re terrified you’ll never have that version of him back ever again.
Jonathan notices your hesitancy and strokes your face gently. “Go on,”
You grab the hand on your face and kiss it, grateful for the strength he’s loaning you. “We–we were almost sad when Dustin and Jonathan got better, because we had enjoyed our little weekend getaway.”
Joyce lets out a shaky breath as she reaches for you as well, her hand landing against your shoulder, a place she has long since inhabited for herself whenever she wants to express her love for you. She knows how fiercely you love her sons, and she remembers all the laughter and joy she heard that weekend within her home, a home that had long since stopped being warm for her.
“That weekend…” You force down the sobs that threaten to spill over. You have to finish the story, to remind Will of who he is again. He has to come back to you. “That weekend, you became my little bee.”
As soon as you say Will’s nickname, you lean away from the boy and try to collect yourself. You’ve said all that you physically can for now, and you hope it was enough. You hope, more than anything, that it will be enough to bring Will home again.
Mike steps forward now, and Will turns his head to him. “Do you remember the first day that we met?”
You notice the tear that falls down the boy’s face, and you lean your head against Jonathan’s shoulder in exhaustion as you listen to his story. It’s one you’ve never heard before, and it’s rare to see Mike so vulnerable with his feelings.
“It was… It was the first day of kindergarten. I knew nobody. I had no friends, and–and I just felt so alone and so scared but–” More tears come. “I saw you on the swings and you were alone, too. You were just swinging by yourself.”
Jonathan’s hand finds your hair as you both listen, and you know he’s thinking the same as you. How finding your person in a world so vast and lonely can bring you to life.
“I just walked up to you and… I asked. I asked if you wanted to be my friend, and you said yes.” Mike swallows, now diverting his eyes away from everyone. “You said yes, and it was the best thing I’ve ever done.”
Mike finishes with more tears, and you walk over to him so that he can hide his face against you. You know he wants to be alone right now, that he hates how exposed his emotions are, and as soon as you’ve wrapped your arms around the boy he buries his face in your chest and softly cries.
You do your best to shield him from the world.
Meanwhile, Joyce tries again to reach Will. “Will, baby. If you’re in there, just please… Please talk to us. Please, honey, can you do that for me? I love you so much.”
Something seems to collapse within Will, he fights back tears as his breathing becomes labored again. For a moment, you think it’s worked, that he’ll finally come back and you’ll have your little bee again.
“Let me go.” Will demands again, and you feel everyone’s heart in the room drop.
It’s quiet for several moments, but there’s a faint tapping that you hear. You don’t know where it’s coming from, but you’re sure that it hadn’t been there moments ago. You look around the room and see Hopper doing the same.
When your eyes meet his, he tilts his head at you as if to ask if you hear it too. You nod, and Hopper looks around once more before he freezes.
“Out,” Hopper suddenly orders, leaving no time for anyone to argue as he flings the shed door open and marches towards the Byers home.
“What happened?” Dustin immediately asks as soon as you enter the house.
“We think we found something,” you inform him, pointing to Hopper, who has now sat down at the kitchen table with a pen and paper.
Everyone gathers around him as he starts to scribble a series of lines and dots. “I think he’s talking, just not with words.
“What is that?” Steve asks, lost as to how lines and dots are so important.
“Morse code,” all the boys answer in unison.
Steve leans over you and whispers, “Why do they always do that?”
“You get used to it. Now shush.”
Hopper spells out the letters he remembers Will tapping. “H-E-R-E.”
“Here.” Everyone says out loud.
“Will is still in there. He’s talking to us.” The chief says, looking at Joyce.
Your eyes meet Jonathan’s and an idea comes to you. “If the memories we’re telling him are working, then what about music?”
Hopper thinks for a moment, but Jonathan has already run to his room to grab his stereo and cassette tapes, understanding exactly what you’re thinking.
A plan forms from there.
You, Jonathan, Mike, and Joyce all take turns telling Will stories while his favorite song plays. Should I Stay or Should I Go? Plays within the shed as memories fill it with warmth and Hopper taps out on a walkie everything that Will taps.
Inside the house, the kids, Nancy, and Steve all listen to the walkie and write down the morse code to decipher what Will is saying.
Jonathan tells him about real music, Mike recounts the time Will saved the party during one of their campaigns, Joyce talks about a kind moment from his childhood, and you tell him about the wonderful drawing he made for your birthday. The one of you, Jonathan, and the party fighting a dragon.
“You drew me as a princess and Jonathan laughed when he saw it. Said it was very fitting.” You say, nervously watching as Will frantically taps against his chair. “When you gave me the picture, I think I almost squeezed you to death when I hugged you. It’s still the best birthday gift I’ve ever been given–”
The sound of a telephone ringing cuts you off, and Will snaps his head up, no longer paying any attention to you.
You freeze, now realizing that the music has shut off. Will has to have heard it, and you know he’ll figure out where you guys are. His eyes droop shut and you slowly back away into Jonathan, who grabs you and pulls you even further away. He’s tense, you both are.
“Hey, can you hear me?” Joyce tries to draw Will back in, but he’s starting to pant as his eyes flutter rapidly underneath his eyelids.
“It knows. It knows where we are.” Hopper says as Joyce reaches for the sedative.
With one fluid movement, she injects Will and immediately he knocks out. His head falls forward, his breathing now back to normal. You pull at Joyce so that she faces you. “Did we knock him out in time?”
She doesn’t say anything, and Hopper runs outside while Jonathan and Mike join. The two of you stand in the shed alone, silent, both filled with dread.
Jonathan comes running back in. “They’re coming!”
“Shit!” You scramble to help him untie Will and you and Hopper use your knives to speed up the process. Your hands are shaking, but there’s no time to steady them.
Once Will is untied, Jonathan throws him over his shoulder and runs to the house. Joyce and Hopper follow and you grab Mike’s hand to make sure you don’t lose him. As you run, you hear the familiar screeches of the Demodogs and the hair on the back of your neck stands up.
They’re close.
Inside, you take the lead and shove everyone out of the kitchen. “Get to the living room. Now!”
“Y/N, what’s going on?” Steve is at your side now, his voice soft with fear.
You’re about to reassure him that it’ll be okay, to lie through your teeth, but then you see the kids by the windows and groan. “Get away from the windows!”
They scurry away and Hopper steps in, holding a shotgun that he offers to Jonathan. “Do you know how to use this?”
Jonathan looks around as if Hopper has asked someone else. “What?”
“Can you use this?”
While Jonathan stumbles over his words, Nancy confidently walks over. “I can.”
Hopper nods and tosses her the gun before turning to you, “I saw the switchblade earlier. Use it.”
You flick your wrist and extend the blades, doing as you’re told.
Everyone gathers around, with an assortment of weapons, and you get the insane urge to laugh. Of course you’re back here a year later, standing in Jonathan’s living room as monsters from another dimension threaten your loved ones.
Jonathan stands in front of Joyce while you stand in front of Dustin, knives raised to your face. Steve stands in front of you, his back facing you as he wields his bat, ready to defend you and your brother.
You make sure to keep an eye on Lucas and Max, who are to your left, trusting that Nancy has Mike as she and Hopper raise their guns.
All eyes are on the windows, no one says anything as you all wait. With every passing second, the howls and screeches outside get louder. Then, a loud screech comes from your right, and everyone turns around.
“What are they doing?” Nancy asks no one in particular, her voice shaky but her aim firm and strong.
You see the bushes rustling through the windows, and another snarl comes from the other side that causes you all to scream. There’s commotion outside, a series of screeches and thuds, and your body tenses, preparing itself to fight.
Suddenly, the screeching stops, and through the window a giant body gets thrown.
You scream and Steve shoves you and Dustin further behind him, but your brother realizes before you do what’s happened. “Holy shit.”
The Demodog lays motionless on the floor, its body limp, and you realize with a relieved sigh that it’s dead.
“Is it dead?” Max asks, as you all begin to approach its corpse.
“It is,” you confirm, too scared to ask the question of what the fuck killed it.
As Hopper pokes at the Demodog with his shoe, the front door creaks open, and everyone turns in alarm with weapons at the ready. The lock turns, and you feel a familiar sense of static. It’s been a year since you’ve felt the sensation, a year since the girl who could control things with her mind disappeared and left her memory behind.
It’s El.
She walks in, and you drop your knife in shock when you see that it’s her.
She’s grown so much since you last saw her, her hair is longer and she’s gotten taller. Her clothes are all black, her eyes smudged with makeup. Mike steps forward, you see the way his eyes fill with adoration.
You let out a soft cry, all the guilt and grief you’ve felt over the girl finally lifts, and you can breathe again.
She’s back.
El is alive.
-
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raeneism · 8 days
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Trying to figure out why i get so attached and feel so much because of fictional characters and situations to the point it’s genuinely overwhelming so i searched it up and. No. you don’t understand I do not imagine myself being friends with characters or being in a relationship with them or merely existing in that world i think about them and their relationships and their gut wrenching world ending trauma obsessively to the point it is unbearable. to the point it is PAINFUL. i don’t want to be them, I don’t WANT them, i simply need to comfort them in a way that is not humanly possible and it pains me i cannot cope with it
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chronicowboy · 10 months
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i can't stop thinking about how much kids love to ask questions especially crazy ones that adults would never think of asking and how one of christopher's first lines in the show is about whether or not dogs know they're dogs and i think about eddie, who probably never got to ask a lot of those questions because he was forced to grow up so fast so young, making sure chris knows that those questions are valued and wonderful and make him all the better and then i think about evan "i'm the guy with the answers" buckley who has always been so childlike in his curiosity, who would take every one of chris' questions so seriously, who would give long thoughtful answers or go away and look it up so he had the answer next time even if chris didn't remember the question to begin with and i just. they're the perfect family. they're so fucking full of love and they all complement each other so perfectly and it's just. FUCK.
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lacallemojada · 1 year
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We are married and I intend to stay married.
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yiangchen · 7 months
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it's so tragic funny that while i was watching t100, jroth was so adamant that there was nothing romantic there with bellarke, that it literally made me doubt what was very clearly being written as romantic (and it actually was. like, we know this now. it has been confirmed).
looking back, bellarke could have kissed at so many different points in the show, without changing anything else but having them kiss, and it would have made perfect sense. it would have flowed. it would have aligned with their relationship development.
just think about it. 1x09. unity day. is this a bit early? yes. but do they have the chemistry? yes. and have they had sufficient build up for two characters to have their first kiss? yes. honestly more than a lot of ships that happen in the first season of their show. especially since day trip just happened! plus, the flirting during unity day was...not subtle.
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listen...she wanted to kiss him here so bad. seriously though. clarke could have and that would have been a very natural progression of this scene. it would have especially fit the early drop ship days vibe.
(or you could add in a scene where clarke finds him later, now sufficiently buzzed, they flirt some more, then she kisses him, and bellamy's like, "woah, woah, princess, what are you doing?" but he's smiling and she just shrugs with a smile and goes in to kiss him again, saying "having fun", and bellamy says, "you're drunk" and clarke is exasperated saying, "well you told me to!" and bellamy laughs, very amused, and from the look in his eyes, you can tell that he is also very very VERY smitten.)
if you still think that's too soon, yeah, i tend to agree. i love the idea of s1 bellarke in fanfic, but for the show, i prefer a bit more of slowburn. so let's push it to season 2. no, that's not a true slowburn, but still, you had to wait a little for it, and a lot of shows do this successfully. so anyway. 2x05. post iconic reunion hug, shot in a very romantic way i might add.
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bellamy is watching clarke sleep by the fire, she wakes, we have some platonic gazing with firelight flickering across their faces...
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we all know how the scene goes. he reassures her. he confides in her. she reassures him back.
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i'm sorry, but the way they are looking at each other here? dude, if they had been sitting any closer, they could have kissed. i tend to think it would be more in character for clarke to initiate a first kiss with bellamy in s1-4, but in this scene, i 100% could see bellamy going in to kiss her after this.
(and yes, i'm aware that octavia was pretending to be asleep this whole time, but honestly, her reaction to them would have added some much needed levity to the situation. octavia is a bellarke shipper, after all. also, some people might say that this would make clarke's "i love you" to finn less believable, but i disagree. you can have feelings for two people at the same time. i mean, she literally kisses lxa very quickly after finn's death sooo yeah...plus, it would have made the bellarke angst of s2b/3 even better.)
maybe you still want more of a slowburn though, and that is perfectly fair, which brings me to s3, which in my opinion would have been one of the best seasons for canon bellarke. alright. 3x05. hakeldama yup! it was prime time for a first kiss. i mean, all the build up of s1/2 obviously, but also...this had just happened:
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but anyway...back to hakeldama. this is the peak of their angst. nothing tops it.
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but then, after the heat of the moment, the softness comes in. as it always does with these two. they wind up sharing the softest, most romantic scene in this entire show (fight me).
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that last gif, man...at this point, i think they would both go in for the kiss. mutually initiated. god, it would have fit the scene so well!
(some people might say that this would invalidate clarke's love for lxa, considering everything that happens two eps later, but again, i disagree. like i said before, you can have feelings for two people at the same time. people might also say that this would undermine bellamy's relationship with gina, but you know what? the whole fucking narrative undermined that relationship, so i really don't care. i loved gina, but if clarke can kiss lxa right after finn's death, then bellamy can kiss clarke right after gina's death. this show is messy, okay? and bellarke are messy as fuckkkk.)
still think it would be too early? okay. season 4 then. very recently, i realized how easy making bellarke canon in s4 would have been, holyyyy. starting off in 4x03. bellamy is sleeping on the couch and clarke watches him sleep with the softest smile on her face (i'm still crying about this btw). i can't find the right gif, but you all know the smile! then clarke is struggling so bellamy wakes up and is there to support her, making a declaration that has romantic undertones, it just does!
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and then clarke lowkey makes a move on him lmao. for real though?? what was this???
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i would only change one thing here. he takes a seat beside her first and then puts his hand on her shoulder. so that way they are eye level (aka kissing level).
when she lifts her head off their hands, their faces would be so close. maybe bellamy would tuck a lock of hair behind her ear, not realizing how intimate that kind of thing is until he does it. i could see them kissing here. clarke would initiate. although, i think it would be so much better if it was just an almost kiss. bellamy tells her she should get some sleep right before it happens.
and then in 4x06...
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it's actually so funny how she says that and then she's like 'oh no. that sounded like it implied something. i did not mean to imply.'
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and bellamy's over here like 'omg she's implying.'
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which leads to him literally about to confess. i'm sorry, but there is no other way to interpret....
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and of course clarke interrupts, but this is the moment, you guys! this could have been the moment.
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right after this, before roan's interruption, there's a pause, and then clarke kisses him. it's a quick one. the kind of kiss where she has both of her hands on his face and he's so stunned by it that his eyebrows raise in surprise and before he can even process that it's happened, she's pulled back and they're looking at each other, a bit in awe, both surprised that she just did that.
then in 4x09, we actually get to see the reunion!! and it's the running kind. just like 2x05. only this time, after they run to each other and hug, bellamy pulls back and takes her face in his hands to examine her for injuries, and once he realizes she's okay, probably after she reassures him and puts a hand on his face, then he kisses her, but they both go in for it (and i cry).
in 4x13, i would change the location of the head and heart scene. somewhere more private...a bedroom (!). so, after this moment:
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and bellamy turns away, upset, clarke pulls him back to face her and takes his face in her hands. his eyes are watery. so are hers. she kisses him. one thing leads to another and we get the sex scene we deserved!! then they're lying in bed, cuddling. bellamy's head is on her chest and clarke's playing with his hair. that's when she decides to ruin the moment lmao and continues the head and heart convo with "we've been through a lot together, you and i." i can just see it so well. they would shift so that they're laying on their sides, facing one another. maybe clarke's fingers play with the hair at the nape of his neck now. when she says he has a big heart, her palm rests on his bare chest. when she says he has to use his head too, her fingers of her other hand shift from his neck to his temple. when bellamy says, "i've got you for that," clarke kisses him. their foreheads stay touching for a few breathes, then she pulls back to look at him and says that raven's premonition came true. like...am i crazy or would this have worked so well?? literally the same dialogue but...they're together.
(plus, this could have led to clarke raising bellamy's kid--august--along with madi over those six years they are separated, i'm just saying!)
maybe you still think that season 5 was the ultimate time for bellarke to go canon, and you know what? i honestly might just agree. the set up was there with clarke calling bellamy every day for 2,199 days. the potential was there. madi was the biggest bellarke shipper i swear. she wanted them to be together even more than all of us combined i think. for a bellarke kiss though, you would almost have to drastically change the course of events...unless you go with 5x13 and blecho have broken up earlier in the season. after clarke wakes bellamy from cryo (still crying about this moment, yeah!), i could see them having a moment.
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before jordan walks in, maybe clarke helps bellamy out of the pod, and once they're both standing, bellamy would finally make his move. instead of bellamy asking why they're the only ones there, clarke does. bellamy tells her, "we'll figure it out, clarke, but first, i have something i wanna say." maybe he does something soft, like take her hand or brush her hair behind her ear. clarke is staring at him, not quite believing what is happening right now, but deep down, she knows. he tells her, "those six years without you were the worst of my life and i don't wanna waste any more time." clarke is wearing a watery smile, still not quite sure she believes what she's hearing. she tells him, "i radioed you every day you were gone." bellamy's whole face lights up and he tells her, "i know." their foreheads touch. both of his hands are cradling her cheeks, her hands are cradling his wrists. she whispers his name. it's the kind of kiss where the time before the kiss is excruciatingly long, but once they kiss, it becomes much more urgent as they finally give in to all of the feelings. god. would have been ICONIC.
plus, they both looked absolutely gorgeous in this scene. hello???
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would have been one hell of an aesthetically pleasing first kiss holyyyy. then jordan interrupts and makes some comment about how his mom and dad were right all along :)
if not season 5 though...moving onto season 6. 6x10 to be exact. i know i've said that other times were the ultimate time for canon bellarke, but this episode is too! or right after it in 6x11. there are two scenarios that i see playing out here. (in both, blecho have broken up previously.)
in the first scenario, it's 6x10. as soon as bellamy saves clarke and she wakes up, instead of going in to hug him, i swear when i was watching it that i really thought she was going in for the kiss. that was the one and only time where i legitimately thought they were about to kiss while watching. it had never made more sense than in that moment. even with all of jroth's attempted brainwashing, my mind was stronger in that moment. it saw it coming. or at least i thought i did lmao. i know they didn't actually kiss.
but listen.
they really should have.
clarke is literally looking at him like this:
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come on, man.
i usually say that bellamy should be the one initiating post s4, but in this moment, it would have been clarke.
and if not then, the other scenario is that they hug as usual. clarke gets some rest as usual. but when she wakes up in 6x11 and bellamy is at her side, they are in a separate private tent. they have that same conversation that they do. they argue about clarke risking her life again. but then...
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he tells her, "hey, i just got you back." he says it firm but soft. i see bellamy initiating the kiss here, especially since he's almost lost her twice now, but once clarke realizes that this is really happening, that after all this time he wants her just as much as she wants him, she would for sure be the one initiating everything else. she would be sitting in his lap making out with him so fast jfsldkjfaslk and you know what? good for her!! they either just kiss a lot here, laying down on the bed, all tangled up together, and then they're interrupted, or maybe, just for once, they're allowed to be happy, uninterrupted, and they sleep together. either way. natural progression.
that's really the point of this longwinded post. so many times it could have happened. all of them a nature progression of the story that was being told.
then comes season 7...
there are no words.
6x13 left them off in a perfect place...
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the set up was literally right there! they should have kissed in 7x01!! they should have lived happily ever after with madi in a seaside cabin situated in a field of gold!!
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smuggonifico-lmao · 8 months
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...I will always put my family first
I have feelings about these four little mystical beings,,,,
You two are giving me so many feelings' I also learned how to draw swans just for this dbcdhwbfch
@tangledinink @dryad-druid
(also the tumblr squicked up the quality i think :( stupid website)
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Eurylochus: Dude it was the scariest thing we've ever encountered.
Odyssesus: What was it?!
Circe: *waves* hi
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tttrashmouth · 4 months
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jrwi riptide, episode 115 mood board
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wayneprincess · 5 months
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Okay but guys
guys
JUSTICE LEAGUE IS AVAILABLE ON NETFLIX IN MY HOME COUNTRY
I live in Eastern Europe and I thought that it's never gonna happen yet here I am ugly crying (I am a grown ass, 26 years old woman with Master's degree in Psychology and a corporate job)
It is only 26 first episodes up to the 'Savage time" yet it is here and it is with my beloved Polish dubbing
IT'S STILL UNMATCHED IN QUALITY OF STORYTELLING AND SUBTLE HUMOR AND DYNAMICS BETWEEN CHARACTERS
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therealchromodynamic · 5 months
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intj lookin-ass frame
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frostbeees · 10 months
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“trip of a lifetime”
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panpuntastic · 10 months
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Look I cannot shut up about Nimona just yet.
The fact Bal and Ambrosius kiss, they're so much in love, they show it through the little things like knowing what the other hates, what he cannot eat, they have a tradition to go and eat nachos.
The fact Nimona isn't just a martyr. The fact that she fights back through the whole movie.
All my life I looked for representation in media, and I always found that the queer person dies at the end. If they're in a relationship one of them dies, the other is left with just their partners memory. Either that or they have to escape from the hate, live in secrecy. There was never a happy ending for us; and let's not even open the can of worms that is the queerbaiting in media.
I love this movie bc it gives me the joy of enjoying a story where we are seen.
It's so cathartic. It's so freeing.
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