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#so many good writers!!
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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petricorah · 30 days
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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mi1kbomb · 9 months
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Ummmmm vavoom heres a fem aziracrow doodle ! Based off of mr gaiman's post here ! Tbh i just wanted to draw crowley with audrey hepburn hair sssssoooooooo yeah....
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tarteggs · 8 months
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vash and wolfwood argue about ghosts, and absolutely nothing else.
a comic i made for the fic lots of people, lots of sides have been taken by procrastinatingbookworm on ao3! i really enjoyed reading it and liked the imagery a lot, so i thought it would be fun to draw something based on it!! ^^
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I think about this post on a near daily basis and the thing that really gets me about it is that NOT ONLY does your Kim Points(TM), but YOU CAN ONLY GET THIS DIALOGUE IF HE ALREADY FEELS POSITIVELY ABOUT YOU.
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If your reputation with him is negative or zero, you get this instead:
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HE WILL ONLY THINK ABOUT HARRY WRESTLING A BEAR IF HE LIKES HARRY. I AM NOT NORMAL ABOUT THIS.
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e-flo · 3 months
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something really delightful to me about royalty AUs where zoro essentially saves sanji from germa (by marriage or pillage, whatever) and zoro's so much of "do whatever you want i don't care" that sanji decides "Bet i will take over your kitchens and bully you, how about that?" and of course zoro Loves that actually he might just Kiss him about that
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fleshadept · 2 years
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the love story being so central to our flag means death really is mindblowing. i haven’t stopped thinking about it for months. it is, to its core, a romance. that was the point. the queer romance wasn’t written in in the second or third season because the fandom picked up on the homoeroticism and made a ship popular. it wasn’t added in because the fans demanded it or because the actors pushed for it later on it wasn’t forced into slowburn by a network it was there the whole time.
when stede showed ed his secret closet that was on purpose an allegory, when they shared the marmalade bread that was romantic intentionally, when they rowed away from the burning party boat and ed was looking at stede that was him FALLING IN LOVE . that's how it was WRITTEN. ed really actually leaned in and almost kissed stede in the moonlight scene. and then. they actually kissed! like i know this is months old news now but i can’t get over how fucking different this feels to other queer romances i’ve seen. it is the core and central plot of the show and it’s beautiful. it’s funny it’s cute it’s heartwarming it’s GOOD. they did it.
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chrollohearttags · 4 months
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remember dear writers,
your writing is a privilege, not a right. It is shared with others and not for them.
write what makes you happy + not what everybody else claims they want because their minds change like the wind. That fic is still just as perfect with or without smut and thousands of notes.
people’s reading comprehension or lack thereof is not your problem. If they can’t understand your art, it’s not for them, period. Don’t let it discourage you. You are also not responsible for anyone else’s perception of your work.
POST YOUR WORK! Stop being scared and share that shit because the right audience will find you.
you are not a content machine. If these ‘readers’ can’t be vexed to care about your well-being and wanna unfollow bc you’re not pumping out fics everyday, FUCK EM. and I mean that wholeheartedly.
lastly, you are in competition with nobody. This is for fun and nothing else. Find your tribe, enjoy your fandom/fixation and leave the other shit to the birds. This is not high school, this is not Mean Girls + we’re all adults (I hope). We’re all a bunch of weirdos simping for drawings.
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strangersteddierthings · 11 months
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Porcelain Steve - Part 7
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
((TW for this part; period typical slurs and internalized homophobia. Read the tags before clicking readmore if you want the details))
Steve has been a porcelain doll for seven weeks when disaster strikes.
"What is that," Jeff says, because even though the words are in an order which would suggest that it's a question, the tone of voice Jeff uses decidedly is not questioning.
"What is whaaa-AH! Nothing! It's nothing!" Eddie, who was torso deep into his closet throwing things around to find his backup amp cord, turns to look at what Jeff was talking about, and is now launching himself across his room to stand between Jeff and Porcelain Steve. Porcelain Steve, who Eddie had lain on his bed, propped slightly on a pillow, headphones carefully perched on his little head, hooked to a cassette player currently playing the first hour of last week's Top 40 countdown that Eddie had taped for him (all three hours of it, leaving out the chatter of the radio show host. He'd had to use two tapes to get it all).
"Nothing sure looks a lot like a doll in headphones, Munson," Jeff has an amazing poker face but Eddie's certain he can see a bit of judgement underneath the carefully blank expression Jeff is wearing.
"I don't know what you're talking abo- hey! Hey, no, no, don't!" Eddie tries to bodily block Jeff when he moves forward and the two end up wrestling, a match that Eddie almost wins, if not for the hazard that is his messy room. He gets Jeff walked almost to the door before he steps wrong on something, ankle rolling and sending him down sideways. He clutches at Jeff but can't make purchase and Jeff, the bastard, does fuck-all to try and catch him. Instead, Jeff leaps out of arm's length, then lunges onto the bed as Eddie collapses to his floor.
Eddie frantically tries to stand and, in his haste, ends up with his feet tangled in a pile of dirty laundry and that sends him crashing down again, this time forward onto his hands and knees, so he gives up on standing and crawls the few short feet to the bed, finally looking up to see that the damage has been done.
Jeff has picked up Steve, holding him inches from his own face, eyes squinted in suspicion. Eddie is frozen, horrified and afraid, and can't bring himself to do anything as Jeff examines Steve closely, turning him around, poking his torso, flipping him upside down to examine his shoes more thoroughly. It's only when Jeff reached for the shirt, pinching the hem of it between two fingers that Eddie kicks back into action.
He lunges up, one knee on the bed, leaning over to grab Steve and yank him from Jeff's grip. His first instinct is to throw Steve over his shoulder, out of sight out of mind mentality, but as soon as he does, he realizes his mistake and twists, lunging to catch Steve in midair. He does manage to catch Steve, but it sends him bouncing off his dresser and almost back to the floor before he manager to regain his balance, where he proceeds to cradle Steve to his chest, which is heaving from the adrenaline, wrestling match, and subsequent dive after Steve.
Jeff is giving him a concerned look but something else piques his interest; Jeff reaches over and picks up the headphones, holding them up to one ear. His face goes through every emotion a human could possibly experience in less than fifteen seconds as he listens to whatever track was at the forty-ish minute mark on the Top 40 countdown.
Slowly, Jeff lowers the headphones, letting them drop to the bed before he gives Eddie a new, more judgmental, yet infinitely more concerned, look. "Eddie. What. The fuck."
Honestly, he's not sure there's anything he can say in response.
"Why- I don't... are you okay, man?" Jeff sounds both scared for Eddie, and scared of him, at the same time.
"I'm fine," Eddie manages to squeak out.
"Eddie," Jeff says seriously, "this is not fine. This is- this is insane behavior. You know that, right?"
"I've no idea what you mean," Eddie doesn't even know what he's defending himself from but his default response to anything is to defend himself. He grips Steve tightly around the torso with one hand and then moves both his hands to be behind his back so Jeff will stop staring at Steve.
"I mean this fuckin' insane shrine you have dedicated to Steve fucking Harrington. How did you even get a doll that looks like him. Did you- did you make that?"
Fuck. Holy fuck. What can he say to defend himself here? Is there a single way for him to come out of this not sounding deranged? If he agrees, let's Jeff's drawn conclusion be the truth, then that's all but confirmation to Steve about his big fat crush, so when Steve's back to being Steve he'll never look at Eddie again. Jeff might think he needs mental help, but he'll be here for Eddie. If he tries to deny the accusation, then he'll need an explanation. He'll have to tell Jeff something that make him seem less like a creepy stalker, but what? He can't tell the truth, not without letting everyone know he's going to tell Jeff. There's a whole other secret he'd have to let out to even have a chance of Jeff believing him.
Jeff must take his silence for acceptance or guilt, because he's speaking again. "I.... man, this is not healthy. Please tell me you aren't, like, hoarding a lock of his hair or his clothes or something."
Involuntarily, damningly, his eyes dart to the closet, where several of Steve's sweaters hang from when he'd borrowed them and never returned them. And it's not like Steve doesn't have several of Eddie's own articles of clothing, like his battle vest and a few shirts. But Jeff doesn't know they easily, willingly, swap clothes, so his eyes go wide and dart towards the closet, as if he can pick out which pieces belong to Steve on sight.
Actually, he probably can.
"This really isn't what it looks like," Eddie says because he has to say something. Being silent is too incriminating.
"I don't think you're aware of what this looks like," Jeff says, wiggling himself off of Eddie's bed to stand at the foot of it. "Of all the boys in Hawkins.... I knew you liked Steve but this is.... creepy. That doll looks so much like him that I recognized it. Does Steve know you're in love with him, or is this like a way to process your crush without having to-"
"Jeff!" Eddie yells, mortified. He can feel his whole face heat up, knows he must be bright red. Because Jeff just said, out loud and for Steve to hear, the thing that Eddie very much hasn't even said out loud to himself, even if he knows how he feels deep down.
Jeff must know he's overstepped some invisible boundary he wasn't even aware of because his face immediately shows regret. He takes a step forward and Eddie takes a step back.
Immediately, Jeff stops his forward momentum. "Shit, I'm sorry, Eddie. I'm sorry."
When Eddie answers, his voice sounds like he's been eating gravel, "Just, can you go wait in the living room? I'll be right out, and we can talk, or whatever, but can you just..."
A nod, and then Jeff is gone, closing the door behind him.
With shaking hands, Eddie brings Steve back to the front of him. Looks down at him. He's not even aware he's crying until he watches his tears mark Steve's tiny polo. He can't keep holding Steve. Can't keep looking at him. Not when- not when his best friend just outed him in the worst way possible. And Eddie can't even be upset or hurt about it because Jeff didn't know. He's teased Eddie about his crushes before, and in the safety of his own room, there was no reason for Jeff to have to watch what he was saying.
Even knowing that Steve is okay with Robin, loves her anyway, without the ability to confirm that Steve doesn't hate him right now, Eddie's going to freak out. But he can't. Jeff is waiting in the living room, and the band is waiting back at Gareth's. This was just- they were supposed to just grab the amp cable and get back, a fifteen-minute job at most, and now.
Now Eddie is staring down at Steve, willing himself to not have a panic attack.
"I'm sorry, Steve. I'm so sorry. You shouldn't have heard it like that, it s-should have come from me. It should- you-I'm sorry," Eddie gently underhand throws Steve onto the center of the bed. He lands face up and Eddie sinks to the floor because he can't stand anymore, and he can't really breath.
Steve knows Eddie's a fucking faggot now, and that he wants Steve, and there's no way he'll get to keep the friendship they had before this. There's no universe in which Steve isn't creeped out by this information. There has never been an instance where a straight boy found out about his crush on them and didn't abandon him. Not always cruelly, he'll admit. He's had friends that learned and just... slid from his life with no words and no fuss. Eddie just never spoke to them again because they never came back around, but they also never outed him.
That's what will happen with him and Steve. He'll quit inviting Eddie around, or calling when he's bored, and eventually it will get to the point that Eddie only sees him at BBQ's that Joyce drags him to.
Fuck. FUCK!
He's not sure how long he's on the floor but eventually, he finds the will to get back up and resume digging through his closet to find the amp cord. It doesn't take long, he was ridiculously close to finding it earlier, it seems.
Before leaving his room, he picks back up the cassette player and headphones. Silence comes from them, so he pops the tape out before flipping it to the B side and popping it back in. He puts the headphones around Steve's head again and presses play, doing his best to not actually look at Steve. He'll just have another breakdown if he does.
He trudges out of his room, closing the door behind himself before taking the short walk to the living room, where Jeff waiting on the couch, elbows on his knees, fingers steepled under his chin, eyes faraway as he stares towards the wall in front of him.
"Hey," Eddie says, to get his attention.
"Hey," Jeff says, sitting up straight and turning towards Eddie. "I'm sorry. Whatever I did, I'm sorry."
"Why are you apologizing? I'm the fucking psycho here," he sighs, leaning sideways against the kitchen counter, arms folded across his chest, hand clutching at the amp cord just for something to ground him.
"Forget that, whatever I did, or said, or whatever, you were- when you yelled my name. You looked terrified. Of me," Jeff almost whispers the last sentence, and if not for the stark silence in the trailer, Eddie wouldn't have heard.
"Not of you, Jeff," Eddie whispers back, but his voice doesn't stay quiet because 'quiet' isn't a thing Eddie does easily or often. "Of... of myself, and these- of how I feel- I'm a goddamned faggot and now that Ste- when Steve finds out I'll lose him! Like I've lost every fucking person who ever even suspected I was a fuckin' queer!"
Silence stretches between them, enough to make Eddie fidget, dropping his crossed arms to twist the amp cord about anxiously with both his hands.
"Look, man, I don't know what's, like, the appropriate thing to say so I'm just going for the honest thing. You got me. You'll never lose me. And all those other assholes that you think you lost? You're wrong. They lost you. And if Steve Harrington is gonna be another one of those, then you aren't losing him. 'Cause he was never really in your corner to begin with."
If this were anyone else, with the exception of his uncle, he would be able to hold it together better. But it's Jeff. His best friend. Who never believed Eddie committed unspeakable horrors over Spring Break last year. Who didn't question the strange, new friends he suddenly had afterwards; who accepted as the only explanation a softly spoken 'they saved me' and that was enough. Who had said 'ok, cool' in response to Eddie telling him he was gay, years ago now, and continued trying to find out if Eddie had a secret relationship, switching girlfriend for boyfriend like it wasn't a big deal (Eddie did not have a secret relationship; his good mood that week was the result of snooping for his birthday present and finding the guitar hidden under his uncle bed).
It's Jeff. So, Eddie does the most metal, manly thing he can and bursts into tears, blindly reaching for Jeff and pulling him off the couch so he can bear hug him and sob into his shirt.
"There, there, you big baby," Jeff rubs his back soothingly, "let it out. Then pull your sorry ass together, because Gareth and Brian are going to think we died in a car crash on the way here if we take much longer."
"Ah, fuck," Eddie manager to say around the sniffling he's trying to get control of, "you're right."
"You good, though?"
"Uh, I will be."
Jeff nods and steps back. "How about this. We go to practice, and then you can come to my place tonight and we can like, hangout and talk. If that's what you want."
He's already nodding as he says, "yeah. That would be good. I- uh, I have something to do after practice, but yeah, after that I'll come over."
Eddie tosses the amp cable to Jeff after they climb into the van and head off.
Halfway there, Jeff says, "you know Gareth and Brian are in your corner, too. If you ever feel like telling them one day."
"One day," Eddie agrees, "but today has already been... a lot."
Practice goes well, with some ribbing for their tardiness allowed. If Gareth and Brian notice Eddie's been crying recently, they keep it to themselves. Which is good, because Eddie cannot handle one more thing today.
A promise to meet up with Jeff later and Eddie's back home.
Back to where he left Steve, who will be laying in silence on his bed because it's been well over two hours since he and Jeff left, and the tape only held an hours' worth of music on each side. Back to the nightmare of not knowing if Steve hates him now, or if Eddie's, and this is the most likely scenario, being a bit overdramatic.
His uncle is home, so he greets him, asks after his day, gets told dinner is Fend For Yourself Night (which just means leftovers or a TV dinner), and gets asked about Steve. Because of course he does.
"You sure he went on a vacation willingly with those parents of his, and he ain't actually kidnapped and trapped somewhere?"
That's a little bit too true. If only Wayne knew. "Well, no. I'm not sure. All I know is what he said when he left."
Wayne gives him a look. One Eddie is used to seeing, that says 'I know more than you think but I'm waiting for you to tell me' and Eddie's a little afraid of what Wayne thinks he knows. So, instead of prying that box open, Eddie just says he's tired and goes to his room.
Steve is exactly where Eddie left him.
Suddenly, without reason or logic, Eddie is angry. He's so pissed at Steve for being gone for this long. For having transformed in the first place. For not being able to assure him they'll still be friends, regardless of Eddie's stupid crush.
He snatches Steve off the bed, hand clamping around one of Steve's arms and his torso so he can hold him up with one hand. Steve's face, permanently stuck into a blank expression, looks back. Even knowing that Steve sees and hears through this thing, Eddie's so angry at the doll. If Steve hadn't been turned into this stupid thing, if Eddie wasn't so helplessly in love with him, this wouldn't have happened. Eddie could have taken his own time telling Steve, instead of hearing his deepest secret spilled easily from Jeff's lips. Instead of this not knowing what Steve is thinking, or how he feels. Is he recoiling in disgust at the fact Eddie's making him look at his face? Or is Eddie being awarded the same kindness as Robin, a quiet acceptance that won't change their friendship?
Eddie doesn't know that answer and he hates it.
He's so angry with himself because he should know better. He's forcing his own insecurities onto Steve, about acceptance and caring, when nothing Steve's done since they've become friends is prove that he'll always be Eddie's friend and not even the apocalypse could change that.
"I'm going to hang out with Jeff, so you're gonna be alone a bit longer. Or maybe I should drop you off at Robin's when I go," Eddie goes to toss Steve back on the bed when something pinches his palm. It's a startling sharp pain, quick to fade, but it's surprising enough for Eddie to let go.
Eddie watches, horrified, as he falls to the floor. He twists in the air, landing with a dull thump and cracking sound on his left arm before falling onto his back.
"Shit. Shit! Fuck, Steve, I'm so sorry, I didn't mean to," Eddie is crouched, already in the process of reaching for Steve when he freezes.
There is a crack on Steve's left arm, a line that starts above his elbow on the inside of his arm and runs down and across his arm to his hand, where Steve's pinky finger is gone. Looking slightly to the side, Eddie can see the small porcelain piece that Steve is missing laying on the ground next to him. Eddie's own hand is hovering in the air above Steve, shaking.
This can't be- how did- Eddie wracks his brain. Was the crack there already? Did Eddie cause the crack when he bounced off his dresser earlier? When did it happen? Does that fucking matter when it's Eddie who broke a piece off him? If Steve didn't hate him before, he's got to now. Eddie doesn't have time to panic about this, he's got to- El. El can talk to Steve. Find out if he's okay. What if breaking him-
Eddie launches himself up and to his dresser, grabbing at the Walkie up there. He pulls the antenna up, clicks it on and tries not to actually shout as he says, "Code Red! Code fucking Red!" He lets off the talk button, counts to seven in his head, enough time, he reasons, for someone to respond before he repeats the process. "Code Red!! Code Red!"
He repeats this process for three minutes with no response. Where the fuck is everyone!? How is he supposed to- Oh! The phone!
He tears down the hall and to the phone. He must look a right state, because Wayne looks very concerned and is halfway to standing up when Eddie gets to the phone beside him. He yanks the phone up and dials the number for the Byers-Hopper household, holding up a shaking finger to Wayne, a silent plea to give him a moment.
It rings and rings and rings before the answering machine kicks in. Eddie presses down on the disconnect button before dialing the Wheelers' number next.
"Hello?"
"Mike! Code Red! Where the fuck is everyone and why aren't they answering!?"
"What?"
"Code Red! Where's Nancy. Put Nancy on."
"Dude, slow down, what's-"
"I broke St-it. I broke it and someone needs to get El here now. Code Red does not mean ask questions, Mike! It means Code. Fucking. Red."
"Shit, shit, right! I'll get Nancy and we'll get everyone- just- we'll be there soon."
Eddie slams the phone down and has to meet his uncle's eye now.
"Eddie. What is goin' on?"
Eddie inhales a breath and can feel his lower lip quivering. "It's- can we talk about it later? I promise I'm not the one hurt, or in trouble, or- it's not me, ok. I just-"
"Yer shakin' like a leaf boy. What's got you so spooked?"
Eddie just shakes his head and flees back to his room, slamming the door shut between him and his uncle. He can't bring himself to cross the room to Steve. He slides himself down the door to sit on the floor, pulling his knees up to hug.
"I'm so sorry, Steve. I'm sorry."
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blackbatcass · 6 months
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sometimes the ghost of kelley puckett (he is still alive) haunts me. does he know. does he even know. he’s so detached from the comics community and he’s such a private guy (I RESPECT THAT WHOLEHEARTEDLY) that i really and truly do not know if this man knows how much cassandra cain means to us. does he know batgirl 2000 is heralded as the bible of dc solo books, as a lot of people’s favorite comic ever written. does he know how much we love cass. how we write essays over her character and how amazing she is and how she changed our lives. does he know how adored his writing is. does he know he wrote the best comics character introduction of all time. does he even. know.
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aguademelon047 · 6 months
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Started season two of Loki I haven’t been queerbaited like this since I watched BBC Sherlock
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starryemeralds · 1 month
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WOAH, @cl-sasharcyzine PREORDERS OPEN TOMORROW!
remember that all proceeds go to Care For Gaza, and i'm so proud to have been apart of this project. 🩷💚
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quaranmine · 9 months
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i think the whole cringe is dead, radical sincerity, depth of genuine emotion, earnest effort, and unironic love thing that tumblr has going on the past few years has transformed my outlook on things and changed me for the better. but it does mean that now the people i know irl will give me strange looks for being too sappy or too poetic or too dedicated or too excited about about something because they're still stuck in their "well i only like this ironically" phase. guess that's their problem tho not mine <3
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untouchedsoap · 7 months
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there is something sooo fucking good about early seasons ian and mickey, about watching this summer fling turn into something more, the fear that elicited from mickey but him being unable to stop, finding those little moments hidden away and taking all this meaning from small gestures and persevering in dugouts and under bleachers and barely pressed confessions in the back of a church that is soo good for my brain
like i am very glad mickey gets to shout his love for ian from the mountain tops and also beat his love for ian into his dad's face but when he was clenching his teeth shut and his love for ian was coming out regardless ohhhhh baby i was eating
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andypantsx3 · 7 months
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writer moots & followers, please reblog with one thing about your writing that you are proudest of!!
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knowlesian · 3 months
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on one hand yes i will always argue that death of the author is a legit concept and lens and intent isn’t the whole ballgame but on the other hand it’s usually good to at least try to assess what a story is attempting to say, and people can indeed just be Bad At Analyzing Media
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