i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
i know people are good because of this: the universe often assigns me side quests. in a circular strangeness; despite my inability to locate my-own-anything, i am almost-always finding someone else's lost things. dogs, coats, phones, cash, laptops. it happens so often it's almost tiring; suddenly being looped into a tiny amount of detective work.
but when i'm with other people who are not used to this: the response is almost invariably delight. yes, maybe they are simply thrilled by the mystery. it's just... they light up so much. i think maybe more... i think they like the opportunity to do something kind.
a few weeks ago, i was at a bar and i found a wallet as soon as we stepped outside. i felt nervous to ask for help, worried i would be holding up the night. i picked it up and said go on without me, i should help this get back to its home.
instead, three people pulled out their phones - to find him on facebook, to help cancel his credit cards. two people went back into the bar to tell the bartender, two others went calling down the street. group texts, facebook posts, instagram stories. people, without even seeing what happened, start offering help to me. fifteen minutes and: someone knows someone who knows the guy. the cheer that went up - just for finding him, just for this small thing. someone gets him on the phone. strangers dance around me, hopping on their feet - are you the girl that found that wallet? good for you, that's a good thing you're doing/same thing happened to me and somebody did what you're doing and i thank god everyday for people like you/i can't believe you found him so fast this is so exciting
i gave it back to him in a parking lot. i watched his shoulders sag with relief. there was cash in it still - he checked the pocket, and then sheepishly held the money out to me. i didn't take it. i held up my hands. "it's no problem, man. i know you'd do the same for me."
i don't know him, to be honest. i don't know if he is the same kind of person i am. but he nodded at me.
and i know people are good. i know people are good, because the way this story ends isn't surprising. we wave goodbye awkwardly. my friend loops their arm around me.
"i can't believe we got it back to him," they said. "i'm going to be riding that high for weeks."
I definitely think it takes Eddie a while to accept that Steve changed. He remembers what he was like in high school.
When Steve asks him out, for whatever reason, Eddie says yes. But he’s determined not to fall in love, because deep down Harrington’s still a dick. But he’s cute, and Eddie can smile and play pretend.
But then! Steve goes full happy relationship mode, he tells Robin (obv), introduces Eddie to the other adults as his bf, and is just generally being sweet.
MY SWEET ANON I HOPE YOU'LL STILL SEE THIS!!!
I'm so sorry it took me ages to answer this one! But I really loved the idea of this (the good ol' steddie + misunderstanding about what they mean to each other with a dash of terrible communication skills my beloved) so i wanted to give it my proper attention, which i didn't have enough time for over the past few months. Buuut the words have finally found their way to my keyboard so here is the first part of what probably will turn into a 3-part ficlet, I hope it's something like what you had in mind when you sent this ask to me <3
---
Eddie has been acting weird all day. Maybe Steve is too much of a romantic, but he can't help it: he wanted to celebrate this day. Exactly a month ago, he asked Eddie out. And it's been good. They've spent a lot of time together. They've been on lots of dates, spent plenty of nights together... But today, things are different, somehow. Eddie is different. He turned Steve down for a dinner date, he didn't stop by Family Video during lunchtime, and when Steve shows up at the trailer to surprise him with flowers, he merely frowns and pulls back from their kiss before it can even properly get started.
'Everything alright?' Steve asks, trying to catch his boyfriend's gaze – which isn't exactly easy with how Eddie is turning away from him to not-so-gently put the flowers down in a corner of the trailer's living room.
'Yeah, sure,' Eddie mumbles, not really looking at him. 'It's just – I didn't really expect to see you today. We didn't have plans.'
Steve chuckles, trying to get the tension out of his chest. 'Didn't know I was expected to schedule an appointment before coming here.' He tries to play it off as a joke, but the tone of his voice doesn't really want to cooperate.
Eddie finally turns back towards him and Steve catches the end of an eye-roll.
'I'm just not feeling too great today, alright?' It sounds a bit stiff and Steve pauses. He wonders if he did something wrong, if he somehow invaded Eddie's space – even though he has showed up at the trailer on countless evenings in the past month.
'What's wrong?'
'Nothing,' Eddie answers, a little bit too fast. 'I told you, I'm not feeling so well.'
And now that he can see his face properly, Steve notices that Eddie is indeed looking paler than usual.
'Hey, don't worry about it,' he says. 'I can stay to take care of you, if you want to. We don't have to do anything. You can go to bed early and I'll keep you company. I can make you some soup, read to you... You could've just told me you're not feeling good, you know. I would've picked up some fruit on my way over here and stopped by the library for you.'
'You don't have to do any of that, Steve.'
Steve tries to ignore the fact that it's been ages since Eddie has last called him by his official first name. He doesn't like the sound of it.
'But I want to,' he says instead. He takes a step towards Eddie, lifts his arms to wrap them around him – but Eddie swats his arms away before he can properly embrace him.
'Don't.' He sounds cold and detached, so different from how he usually sounds. 'Don't act like this is something it isn't.'
'Like this is something –' Steve echoes, completely caught off-guard by this turn of events. 'Like what?'
'Jesus Christ, you really don't know when to stop, do you?'
'What?' He takes a stumbling step backwards, driven away by the force in Eddie's words.
'We're not – like that,' Eddie stutters out. 'We're just fucking around, aren't we? So you don't need to pretend. You don't need to bring me flowers. You don't need to take care of me when I'm sick. You don't owe me anything, alright? You can go home.'
Steve takes another step backwards, until his back collides with the door of the trailer. He blindly grabs the door handle behind him.
'Alright,' he says, trying desperately not to let his voice tremble audibly. 'I hear you, loud and clear. I'll – I'll leave you alone, then.'
Read pt2 here
(Edit: it's actually 5 parts now. You can read the whole thing on ao3 here)
Do you think Jason fucks or makes love to his girlfriend/wife?
it's both at the same time - he fucks passionately
in missionary, he's resting his elbows right next to your head, trapping you in this little space as he stares down at his beloved - taking in every single one of the sounds you let out and every single scrunch of your eyebrows and the way your lips part and the way your chest keeps brushing up against his stronger and bigger one. he's pressing kisses all over your face - kissing away the tears of pleasure brimming in your eyes while smiling into your skin. when he feels you getting close to your high, he cradles your face, squishing your cheeks together and forcing you to look at him. this is definitely one of his favourite things of all time - your pretty little orgasm face, eyes rolling right back into your head and your body trembling under his. he's so in love with you.
and i think he would absolutely love prone bone position; he's putting almost all of his weight on top of you and it's almost too much but it feels so fucking good; he's whispering praise into your ear while he's so deep inside you it's making it hard for you to breathe; his one hand is under your head/neck almost like a chokehold but it's not too rough, he just wants to keep you close; his hips roll into yours at a steady pace, pushing you into the mattress. and when you cum, he doesn't stop - fucking you through your orgasm and straight towards the next one.
i know u didn't ask for positions but your question just got me thinking hehehe anyway merry christmas nonnie!! thank u for the ask i hope u like it!!
there's such an interesting extra layer to amity and her relationships (especially w luz) that gets revealed when you learn that not only is she an abuse victim herself, but she is also the child of an abusive marriage
like not only was she personally abused/neglected and taught that she doesn't deserve to have her boundaries respected and won't get positive attention unless maybe she "earns it" by being useful and overachieving, but also her main example of a romantic partnership involved one partner exploiting the other and treating him as an expendable tool
in all of her relationships (platonic, romantic, familial), amity learns to give and receive kindness, learns to respect and set boundaries, learns that the value of herself and others aren't dictated by achievements or usefulness. she's breaking the toxic patterns that her parents taught her via their treatment of her.
but with her romantic relationship with luz, not only is she learning all of the above, but she's also breaking the toxic patterns of a romantic relationship that she would have learned from watching her parents.
when she shows kindness to luz, loves luz wholeheartedly even when she makes mistakes or causes problems, respects luz's privacy and boundaries, she is treating her girlfriend in a way that opposes the way her mother treated her own husband.
when she learns that she doesn't need to be useful or else risk abandonment/punishment, she's learning that she shouldn't accept or expect to be treated by her girlfriend the same way that her father was treated by his own wife.
i just. i love stories about characters breaking cycles. and i love luz and amity's relationship so much. it's very much not the kind of relationship i'm invested in the same way i am invested in with ships between adults. but rather like, it's a relationship between these two young people who are learning to healthily navigate this kind of relationship for the first time in their lives and it's really sweet.
They're still there. They're in there. They're in they're body but yet they're so far gone. the infections like a parasite and yet two was trying to fight it, they were scared and they wanted gaty. Not just to protect her but to feel the person that they felt close and comfortable around, and to take them both to the couch, they could've went for anyone. But they went for GATY. they could've killed her but they didn't. There's something so strangely endearing about that. Truly. Even when they're voice is being used to lure gaty in a sense I feel two geniunely wanted to help, they're so far gone, the little details, not just with how they move but with how they SPEAK. they're practically the host for a parasite and yet. They're still there.
Fun little silly thought I had about the Lair Games and specifically Leo deliberately losing is all the reasons he could have for doing so.
My favorite headcanon for his main motivation is that Splinter wasn’t proud of him anymore.
I imagine that, in the beginning, winning the Lair Games was Leo’s opportunity to shine. He wasn’t artistic or the baby of the family like Mikey, wasn’t a tech genius who created amazing inventions like Donnie, wasn’t the eldest who was insanely strong and dependable like Raph. So he had to shine somewhere else- anywhere else- and what better way to get attention than to be a winner? A champion?
And then he won too much. And it wasn’t special anymore. He got too big headed, too cocky, he knew this was his element and he ran with it.
Splinter’s words of congratulations slowly petered out. Suddenly, there was no real reason to win.
Winning feels empty when the only one cheering you on is yourself.
So- Leo schemed. And he’s a great schemer, fooling his whole family (and Donnie did deserve a win- people were way happier when he won.)
He even gave up his prized possession! His room!
Though he knows his brothers probably think it’s a bad prize. A terrible one, even.
Leo doesn’t sleep much as is, though. So Dad’s snores were more comforting than anything. It was reassuring to hear him so clearly alive and close by.
Even if the distance between them was larger than Leo’d like.
He’d just have to find something else, something more to show his dad that Leo was someone to trust, to be proud of, to love.
He gets his chance soon after, when he needs to pull off a plan against Big Mama at his dad’s side. Leo can only hope this victory is one that has a lasting effect when his father looks at him with pride once more.