Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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I’m literally drooling over the thought of sensitive Bucky whimpering and whining while fucking your tits and thighs he’s so pathetic and needy all he wants is to make you feel good and to fill you with his cum even if it overstimulates him
Okay, tit fucking is great and all but thigh fucking is SO underrated in my humble opinion. Could just be the fact I've got a small chest though lmao
It's so fun when you're already really into it and the insides of your thighs are all slick. I feel like Bucky would lose it, getting to see your face and look in your eyes and enjoy your body.
It's a nice one to do while laid on your side, facing each other. Although the angle isn't quite right for him to slip inside you, it's fun to explore the other ways your bodies can steal pleasure from one another.
"This isn't going to work, sweetheart." You can't help but laugh, having already tried everything you can think of to make the height difference work. There's no way to keep this romantic and intimate in that position because there's just no chance of aligning your bodies properly to allow him to press inside you.
"Maybe not. But it feels nice anyway." His eyes flutter shut, gliding his dick over the smooth, soft, warm insides of your thighs, encouraged by how slick and easy your arousal makes the movement.
You adjust yourself to bring your other thigh on top of his length, closing him in on both sides.
You're wet enough that friction doesn't impede his movement too much and there's something oddly romantic about it. Maybe it's his hand smoothing the back of your head or his other hand up your back, pulling your body closer to his.
It's so intimate, watching his face as he whines your name, rutting senselessly against your thighs. The little flush to his cheeks is beautiful and you can't resist kissing the thin sheen of sweat on his forehead. The thick duvet on top of you both, coupled with your combined body heat means the room is far hotter than you'd planned.
You take a second to reach between your bodies, spreading your wet folds and readjusting his length, letting him drag his cock against your neglected clit with each stroke and oh, that's pretty mind-blowing.
"O-oh my God." He whines, desperately fucking himself against your wet cunt, rather than into it. It's a different kind of pleasure to being inside you and while they're not comparable sensations, it doesn't stop this from feeling fantastic.
"Fuck, that's good." You groan, rolling your hips to meet his. Your fingers dip between you once more, gathering some of your slick arousal, using it to glide your fingertips over the underside of his shaft and over his balls.
"Holy shit, that's - fuck." Bucky's hardly got a coherent thought left in his head. He's closed in on both sides by your wet, soft thighs and now your fingers are giving him a different sensation underneath while pressing him against your soaked sex.
"I know, baby. Feels good, doesn't it?" Your fingertips trail lightly back and forth over the underside of his shaft, focusing on the inch or so beneath the tip.
"I can't... I need to cum." He groans, thrusting frantically, clinging to your body to keep you close. Within a few seconds, you feel his dick pulse under your fingertips, his cum coating the inside of your thighs in hot, thick, messy spurts.
He doesn't waste a second, kissing your forehead before kissing your neck and whispering "Good girl. Now let me watch you get yourself off with my cum on your fingertips."
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toji with prompt 5 pretty please
𖦹 ˚ ✩ . ❝what they're like with kids.❞
★ synopsis. toji with kids.
★ featuring. toji fushiguro.
★ formatting. headcanons. (from this list.)
★ notes. husband! toji, he's a good dad for once, sfw, so much fluff, megumi and tsumiki are your kids.
꒰౨ৎ — author’s note. i KNOW what my bio says but i'm multifaceted. literally so in love with this deadbeat and i hope it shows. thank u as always for requesting and sorry for the wait !!꒱
★彡 TOJI FUSHIGURO.
The first time Toji ever felt genuine love was when he put that pretty golden band on your finger.
The second was when he looked into Tsumiki’s big, brown eyes for the first time.
Then the third came with a small head of black hair and the name he’d chosen long before he'd known whether his kid would be a boy or a girl: Megumi.
From then on, life was a journey for him.
Growing up, Tsumiki was much calmer than Megumi, who would fuss and cry at every little thing. His papa wouldn't read to him long enough? He'd bawl his eyes out. He couldn't reach the fridge handle because his legs were too stubby? Waterworks. His toy was missing after he'd been the one to misplace it? He'd throw a fit.
Toji would honestly curse himself for even thinking he could fall asleep for more than 20 minutes before his son would toddle into the room, promptly disturbing his dad's nap by pouncing onto his stomach or latching onto his arm.
You, however, found it pretty funny.
"Shit's not anythin' to giggle about," Toji would grumble at you, his beauty sleep interrupted as you laughed, glaring at Megumi as he clambered onto his father's chest, bouncing his bottom up and down and beating on him with his tiny fists.
There have been multiple instances where Megumi's been in a good mood, though. You'll never forget the pictures you took of him napping, holding his big sister's hand in his smaller one as they both rested on top of Toji's large chest, his hands cradling both their heads while he snored.
Toji is so bad at not cursing in front of his kids. It's a horrible habit, but he can't seem to grasp the fact that 4-year-olds aren't supposed to be saying the same unsavory words that roll off his tongue so easily.
"Fuck!" he'd let it slip a few times when he accidentally hurt himself, and in typical kid fashion, they were always around to hear something they shouldn't.
"Fuk?" The fact that Megumi was the very picture of innocence while such a filthy word came tumbling out of his mouth (and paired with a smile!) rattled his father.
"What's 'fuck'?" Tsumiki asked, barely much older than her brother. Toji could only pray you didn't hear that.
"Wh— not so loud! Don't repeat that shi— that stuff. Yer gonna get me in trouble with Mama."
(you indeed did hear and he got his ass beat later)
Calls Megumi and Tsumiki 'rugrats.'
He didn't realize just how little time he'd have for romance with his kids around. Every single time Toji leans in to press his lips on his yours, no matter where you two may be, they come running from around the corner (apparently, they'd been watching for a while), darting between your legs and making fake retching noises as they giggle at the scowl on their dad's face.
Toji's the kind of dad to lose one kid in the store, turn around to ask the other kid where their sibling went, only to find them both gone LMFAO.
Stiffens up when he hears an "I love you," or even when he receives a hug from either one of his children. Hugs take some coaxing from you, but he doesn't dislike them (he'd never admit it, what with his tough guy persona, but Toji's kids make him so soft inside.)
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Prompt: Spock’s hands are injured and since Vulcan hands are so sensitive he can’t help but cry about it
"Shit," Jim is saying, over and over, as he digs the salve out of his bag. "Shit, hang on, shit—"
Spock, for his part, is biting down on his cheek so hard that he tastes blood, his hands held out in front of him and shaking. The burns aren't severe, but the pain is enough for his telepathic bonds to be burned themselves.
The storm rages outside the cave they've found themselves in. Lightning had struck as they were running to find shelter, causing a fire. Jim was trapped and Spock didn't give it a second thought when he pulled the burning debris off of Jim, his hands scalding from the embers.
"Jim," he croaks out, his voice shaking despite his best efforts. He doesn't know what he's asking for.
Jim uncaps the salve, hands steady as he scoops out a dollop. "This will hurt," he says. "I'm sorry."
Spock grits his teeth and lets out a small cry of pain as Jim, as careful as he is, painfully applies the salve to the burns dotting Spock's fingertips. Jim then wraps each finger in medical tape, wincing at every hiss and sharp breath that Spock takes.
"The comms," Spock manages to get out, "are they—"
"Still down because of the storm." Jim sits back on his heels, face pale and drawn. He wipes his forehead with his arm. "Damn it, Spock. I'm sorry."
"It's of no consequence," Spock lies, biting down harder on his cheek. The pain is mounting; not just the burn, but the lack of feeling he has in his hands. It's like he's been thrown into the dark with nothing but fire and pain to accompany him.
Something in his face must betray the true extent of his pain because Jim suddenly looks stricken, eyes wide. Spock realizes, belatedly, that there are tears streaming down his cheeks.
"What can I do?" Jim asks, his voice steadier than the panic Spock sees in his eyes.
"I cannot—" Spock sucks in a breath. Tries to steady himself, unsuccessfully. "Without touch..."
Jim nods, like he understands. With Spock, he always seems to understand. "Your telepathy. It's dependent on your hands."
"Yes. It's..." Spock squeezes his eyes shut at another wave of pain. "The burns are painful. But the lack of connection to my environment may be... worse."
Jim grips Spock's wrists, which are undamaged from the flames. It's like a balm over Spock's wounds; an anchor in the darkness. Jim's expression is intent. "What about my touch? Does it help?"
Spock could sigh with relief. It's like he's found home again, after groping in the dark for so long. "Yes," he says, gratefully.
Jim's hands grip just a fraction tighter, his fingers imprinting into Spock's skin. "Then I will continue to do so, as long as you need it."
The pain is already receding, Spock falling into the comforting warmth that is Jim's presence. "That may be a very long time," he says, a little more honestly than he would like.
Jim smiles. He releases one of Spock's wrists, but only to run a thumb across Spock's temple. "Forever, if you need it," he promises softly.
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