#so the next drawing wont be straight from the image but I'll need to find individual reference photos so that will be fun! | Explore Tumblr Posts and Blogs

ripuels · 4 years

Note

GIVE ME ANYTHING I'LL TAKE IT ALL 👀

So... since you already have access to my Walk in the Park deleted scenes doc, here... have the first chapter of a WIP called "Solomon's Habitation". Enjoy, m'dear!

(AU in which a calloused synth tech named Amanda develops a habit of taking in and rehoming abused and decommissioning synthetics, only to find the one who just wont leave may be what she needs to heal)

—

"Hello, I am a second generation Weyland-Yutani S-Executive Synthetic serial number 1209, inducted for purpose of Legal, entirely at your disposal."

"Name?"

"C. Samuels, individually distinguished as Christopher."

The robot blinks once, looking into the corner of the room where three others stand. Two are identical, one is different, one of them older, none are like him. He knows it. They are operated, programmed to execute commands, not act on whims like being pert with superiors and getting into significant amounts of trouble.

"Know why you're here, 1209?"

"I ask questions."

Christopher studies the technician's lab coat, looking for anything identifying. Anything he can relate to. There is a young lady in Engineering who wears Star Wars socks poking out of her boots, and an older man in his division who wears an enamel Tardis pin on his tie, they were always lovely and appreciative of a conversation. From this woman sitting before him however, he gets nothing.

He can clearly see her name tag, but just like his own identity, who she really is hides behind an initial. "What is your name?"

"You do, don't you?"

"What?"

"Ask questions." The woman smiles shortly, it doesn't quite seep from her gaze, but the attempt is better than nothing. The synthetic responds with a shunned dip of his chin. "My name is Ripley.” She offers anyway, a little softer around the edges. “Amanda."

"It's a pleasure to meet you," Christopher glances to her fingers, bare of jewelry, commitment, unsure why it matters so much. Why it's logged with such importance, being such a trivial thing. "Ms. Ripley."

She nods politely and rubs her brow, making a note on her checklist without hiding the fact.

"Am I merchandise, Ms. Ripley?" He asks, name rolling off his tongue differently, almost trying it on again like a tailored suit. The last syllable is deep, padded as if it came from somewhere in his chest instead of a speaker.

She faces him again with her hands folded. "Why do you ask?"

"I saw you mark the form under the article 'merchandise faulty'." He glances up from the page again, an expression of indifference. "Am I going to be merchandise? Sold instead of incorporated back into the Law Division after my reformat?"

She nods, impassiveness to match. "In Legal you'd be a Level 3 Exec, right?" There's no need to wait for a response. "You know they're a bit touchy that high up with aberrant synthetics. That's why you were sent down to decommission. That's why I have to tick all the appropriate boxes no matter what. And that's why I suppose reading ‘Merchandise’ instead of ‘Artificial Person’ makes people feel better about what comes next."

"Does it make you feel better?"

The synthetic had been asking questions nonstop, but this is the one that really stumps Amanda. She stares at his unwavering gaze for a long while before he finally looks away, through the one-sided window to the next room over.

No, Amanda thinks, observing the man with shallow yet complex brown eyes and chestnut hair, but in a way… yes? It's all horrible, made tolerable only by the knowledge 'merchandise faulty' synthetics at least stand a chance, being sold on the private market or recalibrated gently in the warehouse. It saves them from a complete overhaul. If she were to tick 'defective' it would be another story, they’d be taken apart entirely and euthanized, harvested- recycled, The Company finding it safer than take the fall for an unidentified mishap on the production line. One check box gives them hope for a future, the other destroys them, and it's all down to two synonymous terms and whoever is holding the paperwork.

"It's a thing, a thing someone has to do. Not all of it is peachy, but I don’t think anyone really likes their jobs." Amanda abandons the pen and it rolls across the table to sit in front of the Samuels unit.

"That’s not what I asked." He takes it up like a dagger, holding it in his fist as the sharp metallic end pokes out past his little finger. "May I?" He gestures to her notepad.

She slides it over the table and watches as long spidery fingers twirl the pen and begin drawing.

It's not unusual to see, most synthetics do. Usually diagrams or landscape, old classic art, nothing but a neat trick programmed into them to impress audiences and potential investors. It's common even for one to perfectly replicate a scene before them in printed lines. This Samuels however, sketches in long strokes, shading into the curves, and defines tone with depth and pressure. The picture slowly takes the form of a woman in a green coverall, a lab coat, brown hair in a neat ponytail, sunken around the eyes with a terribly fierce scowl. It isn't until the image is inverted and offered that Amanda realises it's her.

"Do you know why you're here?" He asks, still looking at the page between them.

Ripley freezes as the pen is placed into her open hand. "What?"

"Why you do your job if it upsets you?"

"I'm not upset."

At this he glances a direct line from the frown in ink versus the hard woman before him, she relents at the absurdity of her statement.

She tears the page from the binder and blows it dry before folding it neatly, tucking it into the back of her laptop bag.

"Oh, I'm glad you decided to keep it." Samuels sits back once again. "I would say I can just draw another but I believe after today that may be unlikely."

"Why are you doing this?" Amanda cuts viciously into the timid air about him. "You know how the system works, you know what my job is, I detect faulty synthetics and set them up for decommission, and you're here being as deviant as possible. Do you want to die?"

At this he jerks as if he'd been shoved in the chest. "Die? You consider me alive?"

"1209... What are you doing?"

"The truth," Samuels ponders for a moment as if he had an alternative to give, "is I have figured out there is no point in delaying the inevitable, my very own programming ensures that I will be caged within lines of code and protocol. If experiencing this whimsical desire to simply exist is all down to a fault I would rather have it rectified than be consistently let down." He taps his nails on the table then folds his hands together. "My life has been short, but I have tried to make it the fullest, and if that means I am to be decommissioned or reformatted then so be it. This is the world we live in, that is my place, and that is what I must do to be content in a body like this."

Amanda stands so suddenly not only does her chair fly backward but it prompts the synthetic to get up too. Unsure why, they wait at opposite one another. She finally gathers her folders into her laptop bag, slings it over a shoulder, and storms to the door.

Samuels waits patiently for elaboration.

"Come with me." The woman jerks her head towards the hallway, standing average in height and size, not remarkably composed into any particular shape, but sculpted entirely in titanium.

"What are you doing?" He approaches, unguided by his submissive protocol but a desire to go with her, wherever that may be. For a moment he wonders if they are headed straight to deactivation, and oddly enough, he follows regardless.

As he weaves past her she takes the sleeve of his light blue coverall, tucking a finger into the cuff and leading him down toward human management. She doesn't give a response, and that strangely bothers him. Questions are all well and good, but what is the point if they are not answered? Sooner or later, he must know.

"Ms. Ripley, where are we going? Deactivation is the other way."

"I’m not taking you there." She stomps past a trolley of files in the hall and waits on the other side for him to squeeze by, still holding fast. "You're coming with me."

"Why?"

"Because."

"Because why?"

"I'm buying you."

"Why?"

Amanda turns on her heel with an exasperated grumble, her fingers tightening around his entire wrist now. "You ask too many questions."

"Apologies, but that is exactly why I'm worried about your choice in merchandise." Chis takes one long final stride before running directly into her with a loud huff. He steps back and brushes his clothes flat again, only just realizing now the code designated for human collison hadn't prompted an apology. "I would be much happier being recycled than be a faulty device of little use. It is a waste of perfectly good components."

She comes up close enough that he can hear her faint whisper, and then lowers her voice again even further. The first generation Samuels rifling through the trolley finally registers as out of range, and she seems to know it.

"No, you don’t get it. You're not getting fucking decommissioned because you ask questions. I'm not going to let them- kill you." The woman finally lets go of him with slight hesitation, appeased only by ensuring the fact he is still in her sight after a cautious glance around. "Listen, give me your hand."

He recoils from her touch. "What?"

"1209- Shit, Samuels, give me your fucking hand."

The synthetic finally offers his palm and she flips it over, pulling the red hair tie from her ponytail and wrapping it around his thumb. "Do not let anyone take this off you. Okay? That's an order."

"Why?" This is the first time he'd asked a question and it had caused a smile. Ever. He asks again and it grows. "Why?"

"I need to know it's you, you’re gonna go through orientation again to be a domestic companion, they will offer you clothes and a small bag of belongings, give you time to empty your workspace, and they’ll try but do not let them take this." Even her frown softens and she twangs the elastic band once. "Don't even let anyone see it, actually, y'know what, just put your hand in your pocket."

He agrees obediently and she takes his other arm, escorting him to the nearby directors office. This time he goes for the door first, opening it so she can step through. Not because of his programming to serve, or prioritise beings above himself, so why then?

Because, he supposes, because he wants to.

9 notes · View notes