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#so this stupid quote from my feverish brain
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Lando [hissing]: You can't hurt me anymore than you already have.
George:......
George: Is this about the last cookie?
Lando [glaring]: It was chocolate chip.
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boop-le-snoot · 3 years
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PARTY FAVOURS I CHAPTER 23
First time reader click here
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TW/Summary: brucetony x reader PRON. You have finally reached the point where there is real ✨spice✨. Also, m/m kissing. There will be mild m/m action from now on in the fic. I cannot stay away from the gay and I refuse to apologize. Brucetony nation how we feelin'?
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I padded quietly behind the glass divider, stripping off my lab coat and protective glasses to deposit them on the nearest flat surface. My joints popped as I stretched.
Bruce and I spent a lot of time in the lab together lately as Tony and Pete worked together on the kid's Spider Suit, something that was a tad above my level of understanding. I was much better with chemicals and cell division than I was with thermonuclear physics, me and Pete were two sides of the same coin. It was only recently that I had noticed exactly how much our respective science fields of choice complemented each other and it was a blessing that Tony and Bruce made us a little corner in their respective labs, a few square feet where I and Pete could literally do anything we wanted to.
A year ago, I would have said that science is a hobby of mine and not something I wanted to do full time. I was fully prepared to commit to medical or law school, to grow into a prestigious career that would multiply my wealth and acquire me friends in high places. My parents certainly expected me to continue cultivating the image of our family empire.
I wasn't so sure anymore. Tony and Bruce were so fucking happy in their little worlds, getting lost in their labs for days on end, creating, reinventing the world every single day. There weren't any words meaningful enough to describe how it made me feel, seeing my two men just vibing in their element. It seemed glaringly stupid the most famous thing they were for was the superhero side-gig they had, they were so much more than cannon fodder planet Earth considered them to be.
At some point during the night, Tony called for Bruce to assist him with a new feature on his suit, a kind of a very condensed, targeted explosive. These days Tony didn't hold back from discussing Stark trade secrets around me anymore, so I sent Bruce on his merry way and finished his tasks for him, carefully replicating his style of taking notes and observing the reactions. As usual, Friday ran most of the calculations so my brain wasn't muddled too much by annoying math. Out of four of us, Peter was the only crazy person to actually like doing the math - the spider bite must've screwed with his brains, I guess.
I would've been content to just hang back and observe the men thinking, but Bruce took notice of me hovering by the exit. The scientist froze and just looked back at me for a minute, eyes round and soft. I missed the exact moment my mouth curved into a warm smile and the time Bruce's goofy grin made an appearance.
"You done, Princess?" He asked, gesturing to his lab.
I nodded, padding over to him, easily settling into the warmth of his open arms. Tony smiled at me briefly, distracted by the equations on the holo-screens, reaching over to peck me on the cheek, not minding Bruce at all. Strangely enough, both men fit around me so easily, so naturally, I wondered if they'd planned this... Relationship. What were the chances of such a perfect fit for three people? Meanwhile, Bruce's other arm wrapped around Tony's shoulders and the engineer willingly fell into the embrace beside me.
"Keep it PG," Peter mumbled, eyeing the same equations with an annoyed stupor. Tony hummed, poking at the screen a bit.
"It's 2:30 AM, guys," I said, casting a glance at Pete who stubbornly rubbed his eyes but continued thinking so damn loudly. I could practically hear the sound of his brain overheating. "Spiders need sleep too," I reached over to poke Pete's arm.
"Shit, kid," Tony switched to concerned dad mode almost instantly, rubbing his face. "Go to bed. We'll finish tomorrow."
"I almost have it figured out," Peter refused to budge, frowning.
"I am one text away from Spidermom at all times," I threatened him, giggling, referring to Natasha's murder glare all of them were going to be subjected to should she find out Pete skipped on sleep in favor of science. Nat had some strong opinions regarding a healthy lifestyle for one Peter Parker.
"Spidermom," Pete scoffed but stood up nonetheless, blearily blinking his shiny eyes in the fluorescent lights of Tony's lab. "That makes you either my Spider-aunt or Spider-sibling," He sleepily made his way to hug me, embracing all three of us in the process. Peter's coordination was far from stellar when he was tired.
"I'm not one of the Spider Gang. I'm the..." I trailed off, unsure. Where exactly did I fit in? "I'm the human embodiment of Florida, a freeloader hippy aunt that shows up randomly with pot brownies. That, yes," My own brain was tired and not making much sense either.
Tony snorted. "Hot hippy aunt," His hand made way to my butt, giving it a discreet grope.
"It's not easy being the family disappointment but yet, here I am," I quoted a meme, high-fiving Peter on his way out. "So, Irondad confirmed," I raised an eyebrow at Tony who rolled his eyes, pulling me against his chest once the door behind Pete closed.
Bruce sighed, removing his glasses and letting them dangle freely around his neck, pushing them up against my back as he hugged me from behind, securely pressing me in between him and Tony. My body began to respond, a warm sensation spreading through my limbs and culminating at the side of my neck where Bruce pressed feather-light kisses along my jugular and up towards my ear.
Tony's lips captured my own, dry and chapped, moving lazily as if all three of us had all the time in the world. His calloused hand stroked my face, occasionally dipping to rake through Bruce's curls. The scientist himself was stroking my skin, hands slowly but surely making their way under the hem of Stephen's hoodie, tracing my hipbones. I couldn't resist doing the same to Tony, palming his back and sneaking a handful of his ass, making him chuckle into the kiss.
"Mind the goods," The engineer teased, parting briefly to chuck off his shirt carelessly. His jeans, belt-less, hung low on his hips, the prominent V looking as delicious as the most gourmet chocolate cake. My eyes followed the happy trail on their own accord, hands reaching out to pull him back towards me. Tony happily obliged, watching Bruce unzip my hoodie with sparkling eyes.
"I can't help myself. Why man have round butt if not for squish?" I squinted at him playfully, shrugging off the sleeves and relishing in the feeling of Bruce, shirtless and warm, resting his head on my shoulder.
"I have to agree," The scientist chuckled thoughtfully, both of us smirking at Tony who smoldered in response, all but bursting with smugness. "Bed?" Bruce inquired.
"Lab sex," Tony replied gleefully, steering us towards the bigger, sturdier tables in the back. Because, at the end of the day, Tony was Tony.
Bruce looked at me questioningly. I shrugged. "Lab sex," Before turning over and kissing him, faster and harder than last time. It was familiar and easy, the flow we had was amazing and it never once crossed my mind to be ashamed or apprehensive in the presence of my two men.
The chemistry between us three was intoxicating: they kept throwing small, appreciative glances at each other. Tony's eyes lingered on Bruce's strong arms, the scientist eyeing the engineer's chest and lips in turn.
My bra and panties were disposed of quickly, flying over our heads together with Tony's jeans; I palmed the visible erection while gasping into his mouth, licking my way into it lustfully. Bruce groaned behind me, my feverish kisses still fresh on his own lips, grinding into my ass with controlled movements. I couldn't resist moving with him, arching my back into his touch. The fingers along my spine left shockwaves in their wake.
Following the directions of my arms, Tony hopped onto the table, invitingly spreading his legs. My mouth watered - his thighs were absolutely fucking massive and kept me up at night more times than I'd cared to count. I wanted to bury my face in them, so bad.
"How do you wanna do this?" Bruce asked from behind me, having made quick work of the remainder of his clothes.
The warmth of his cock rubbed against my thighs. "God gave me three holes for a reason," I sassed, swallowing a moan. My next attempt at the very same thing wasn't as successful: Tony gasped at my words, something quiet and lewd, taking hold of my hair like he knew I loved, and steered my face in the direction of his cock. I mouthed at the wet spot on his boxers obediently, pushing my ass back towards the already naked scientist. Bruce was anything if not practical in disposing of his clothes.
He was not in a rush. Damn him, damn his self-control and damn both these sexy-ass, big-brained dorks. They wound me up so well with just a few gentle touches and words, doing nothing but mirroring each other's smug smirks over the top of my head. In a rush to enact some revenge, because I was a spiteful little shit, my fingers hastily peeled off Tony's boxers and went straight for the thing I knew made his eyes roll into the back of his skull.
"Fuck," As I predicted, Tony's eyes fluttered shut as he cursed and I made my way down his length, taking as much as I could of it in my mouth without warm-up. Tony's cock was absolutely delicious, thick and flushed.
Bruce hummed, running his fingers down the cleft of my ass and feeling at the dampness collected at my core, hot and sticky arousal that had me rubbing back onto his digits, needy. Two of his fingers slipped in with ease as he worked me open for his thick cock - Bruce knew how to take care of me, he felt the little spasms of my cunt as it greedily accepted the intrusion. "So good, baby girl," He cooed. I could feel the burn of his stare on my head as I bobbed it up and down on Tony's cock at a moderate pace.
There was no rush. Just three people enjoying themselves. Tony leaned back, on one hand, using the other to keep my hair out of my face, arc reactor illuminating the trio of us, giving his pleasure-filled face an ethereal tint. It became that much more surreal when his eyes met Bruce's: the sparkles only grew in quantity.
My moan, as Bruce slid inside of me with one smooth thrust, made Tony's thighs tense up and quiver. I was loud, always so, so the more Bruce rutted into me, the more desperate and breathy Tony became, feeling the vibrations around his cock, his hips meeting my mouth half-way. As soon as clever fingers touched my clit, I was done for, spasming around both men.
"Fuck, that's so good," Tony slurred, tightening his hold on me to the point of his knuckles turning white.
Bruce quickened, ever so responsive little groans leaving his mouth. "Hear that, Princess? Tony loves it," He purred encouragingly, making me grip Tony's thighs in desperation. The rumbly tone of Bruce's voice, coarse and rushed, was making me feel hotter than before; Tony groaned too, evidently having had the very same conclusion. Both men resonated each other's lust like an echo chamber, back and forth, until a cacophony of lewd grunts and moans was all that made sense. I was stuck in the middle of our combined longing, full and full.
My brain retreated, uncharacteristically quiet, leaving just the bare naked need to feel. So I did, I basked in the shared waves of bliss that didn't seem to end. I felt Tony fall first: the sound made it's way out of his chest, long and low, as he spilled in my mouth, twitching and pulsating, ropes of him coating me from the inside out. I swallowed the salty fluid, immediately placing my cheek atop his thigh to steady myself.
Bruce pounded on me something good, sharp, steady thrusts that made my breasts bounce and my inhales halt intermittently, out of rhythm. My exhaled air burned, the fire of my need all but scorching the soft flesh of Tony's leg.
With every stroke, I could feel another peak approach closer and closer. Tony's hand on my hair tightened, and so must've I - because an unholy growl left Bruce's mouth the very same moment.
"Huh," Tony's smug smirk was heard and not seen. "Princess, be good," He pulled my hair back, lifting my face to meet his eyes.
Words weren't forming for me, at all, so I blankly stared at the man who was positively leering down at me, mouth set in a mocking tilt. I hoped my eyes conveyed the utter devotion I felt towards the two men currently enjoying themselves to the fullest.
Behind me, Bruce growled again. "Don't think she knows how to, Tony," Startling me with the authoritative tone of his voice. I'm sure the man noticed the hot wave that his voice raised within me.
"Brat," Tony mocked, briefly sharing a look with Bruce. The engineer leaned in and carefully wrapped a hand around my throat, an array of stuttered gasps making their way onto his forearm - I saw the way the fine dark hairs stood up. He loved it, he loved my submission and my obedience, and most of all, he loved my unwillingness to go down without a fight.
Bruce crowded in on me, pushing me into a position that bordered on uncomfortable, adding tension to my body, tension that made me oversensitive and needy; hot and cold at the same time, on the brink of release but unable to reach it. Tony was still gripping my throat, firm pressure, as firm as the look he held me down with.
I saw the twitch of his mouth as he moved in to kiss me... And missed, much to my confusion - it lasted for a split second until I realized Tony didn't miss anything, ever. The two moans were a little too soft, a little too symphonic. As soon as my brain caught up with the fact Tony had just kissed Bruce, I was shivering, coming so violently, Tony had to strengthen the hold on me.
Bruce's fingertips dug into my stomach, my hips, his cock nestled so deeply inside of me, I felt every vein as my inner muscles milked him for all he's worth.
"Fuck," He groaned lowly and then he was coming too, one hand splayed across my stomach and the other grasping at Tony's shoulder. The engineer was holding both of us upright from the sheer force of our orgasms. I wasn't the only one who's legs shook.
We panted out our exhaustion, Tony's chuckle breaking the huff-huff-huff interlude. "Great to know that Jolly Green isn't a party crasher," The engineer wrapped his arms around me and Bruce.
"Tony," The scientist groaned.
"You'll be saying that more from now on," Tony saw the opportunity and he took it.
"I'm always down to tag-team Bruce," I couldn't resist adding.
He snorted. "Princess, you literally can't stand right now."
"Give me five minutes, a glass of water and a flat surface," I challenged him, knowing damn well that there would be round two and possibly three if judging only by the fact Tony's hands have had already ventured down to my breasts, palming them idly. "Tony, Bruce has, possibly, one of the most amazing cocks I've ever seen. Not being face to face with it, quite possibly, might be a crime."
Both of my men started laughing, one mortified and the other genuinely amused and I could not have been happier.
"And you've seen how many?" Bruce snarked, leading us to the elevator to go up to Tony's penthouse. The scientist's possessive streak was no joke and I fully expected to be held down and owned and bred in little less than an hour, nothing else in my head but the chase for my and their release.
It was my turn to laugh, equal parts amused and mortified. "Enough."
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thefudge · 4 years
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Do you have any Romanian (language or just content-wise) media recs? Particularly novels and poetry but really any must-sees/must-reads are welcome!
uuuu! 
my brain is too fried right now to do any kind of exhaustive list so i’m gonna rec a few things that i know you could get your hands on/available in translation:
for two thousand years, by mihail sebastian - really heartbreaking yet also lucid, adventurous and darkly humorous memoir of a Jewish writer in his youth at the height of nazism in romania (there’s even a Penguin classic of it)
diary of a short-sighted adolescent by mircea eliade - a funny and bittersweet bildungsroman about a bookish teenager who wants to read everything now and be the cleverest person alive while also struggling with being super lazy and unmotivated because he’s young and restless, it’s very #relatable. but it’s also fascinating to read this in opposition with “for two thousand years” because eliade entertained legionnaire nazi sympathies at one point. (also, you should check out his novellas too, especially the fantastic ones)
anything you can find in translation by gabriela adamesteanu - just lovely, delicate prose about growing up, being an adult, inhabiting your body and your feelings in an oppressive world 
the hatchet by mihail sadoveanu (apparently, there is a translation) - a lot of people give this novel flak, mostly because we had to read it in high school, but it’s a great and deceptively simple little novel that says a lot more about people than it cares to admit. the action takes you through several villages in the East-Carpathians, where a peasant woman goes in search of her missing husband. it’s a fascinating mixture of crime and folklore and mythology. 
any novella by costache negruzzi, but especially “alexandru lapusneanu”, another classic we had to read in school and which gets a lot of flak. it’s so bonkers and #quality-trash. let’s just say there’s a scene where the power-hungry voievod/prince lapusneanu enacts a red-wedding situation and builds a pyramid of freshly severed heads to impress his lady wife *swoon* 
the forest of the hanged by liviu rebreanu - i know people argue this isn’t his best novel, but it’s got the most heart. it’s the story of a soldier/philosopher in WW1 who falls in love with people again. that’s it. he falls in love with people, and the war and everything in between doesn’t matter anymore. or it matters only as it pertains to people, and people alone. 
gallants of the old court by mateiu caragiale - a bizarre gem of early 20th century Romanian nightlife, a wonderful, orgiastic fugue, feverish and infuriating. it’s mostly about rich men and social-climbers getting into existential trouble, but also into real trouble. normally, because the action takes place right before WW1, this would signify the end of an era. but we don’t really have a beginning or end. we are part-balkan, part-french imitators, part-whatever-sticks. nothing moves us, and everything does. and that’s why it’s a sort of love/hate letter to romanians 
in terms of poetry, some personal faves:  nichita stanescu, ana blandiana, monica pillat, marin sorescu,  a.e. baconsky, lucian blaga, emil brumaru, nora iuga, marta petreu, nina cassian. and yes, mihai eminescu, our national poet, though i’m often in two minds about him.  
poetry in translation is really hit and miss because of the “untranslatable”, so here’s two lines from a poem by nina cassian, because i want to show you what i mean:
            De când m-ai părăsit mă fac tot mai frumoasă             ca hoitul luminând în întuneric. 
this roughly and poetically translates to:
          Since you left me I’ve grown more beautiful
           like the corpse lighting the dark 
and this is sort of lovely on its own, but you’d need to know and hear and taste the word “hoit” in romanian to really feel the abjectness, because “hoit” is a smelly, ugly yet also alluring, already decomposing version of “cadavru” aka cadaver/corpse. also “ mă fac tot mai frumoasă” cannot be accurately summed up in “i’ve grown more beautiful”. a literal translation would be “I make myself more beautiful”. in romanian, this is obviously idiomatic and not literal. and yet, these strange self-reflexive valences make these lines strong and eerie, as if the speaker were authoring her beauty, shaping it out of clay and darkness and “hoit”,  like a butterfly cracking the corpse’s shell to get out, but also retaining some of its mesmerizing stench. why did i pause to do a close-reading of romanian poetry??? anyway, you catch my drift
in terms of movies, a recent one i really loved was sierranevada by cristi puiu, which is a neurotic family drama that drains you but also lifts you up 
and yeah, the hype is real, 4 months, 3 weeks and 2 days by cristi mungiu really is that good (about two young women trying to get an illegal abortion in communist romania. it won the palme d’or for very legit reasons. it breaks you in small ways. the very last shot of the film you’ll carry with you forever). i also liked graduation by cristi mungiu, where a young overachieving girl is about to graduate high school and go on to study abroad, until a terrible event unmoors both her and her family. the movie turns almost hallucinatory at one point, filled with ambiguity and a kind of sleep-walking quality 
tales from the golden age by cristi mungiu (him again!) is also fantastic for anyone who wants to get a taste of communist romania and the sad-funny absurdities of everyday life. this movie is split in 2 parts and the format is that of an anthology, almost like watching several short films at once. and there is one film in the anthology that always turns me inside out, and it’s really silly, it’s this bonnie and clyde type story about this girl and boy who meet at a party and devise an ingenious get-rich scam and just run around a few neighborhoods trying to put it into practice and it’s...the sweetest, most incomplete thing. there is such a strange, lovely connection there that never gets realized, and there is a MOMENT between them where he helps her step down from this ledge and he holds her briefly to him and i remember being in the cinema and thinking THIS, this is THE MOMENT where i felt these people were real. it was such an honest, lovely moment. like the equivalent of this song. ANYWAY, why am i rambling so much??? this ask was supposed to be SHORT. 
aferim! by radu jude is also a really neat movie and provides a look into the historical romanian/rroma relationship and why it’s so messed up, yet also so organic
the death of mr. lazarescu by cristi puiu is also a great little film about a man who gets sick and goes to the hospital. and...dies, as you can tell from the title. on the surface, he dies because of institutional ineptness and a broken healthcare system. at a deeper level, he dies because we no longer know how to help people. various hospital staff in the film do try to help him and fail for various stupid or quietly heartbreaking reasons. it’s a movie about being physically unable to care. there’s indifference, sure, but also this great exhaustion of the human spirit. but the movie is also darkly funny. might not be a great pandemic watch, but then again it might be exactly what you need 
there are soooo many other classics in terms of books (morometii by marin preda, for instance, about a patriarch in a small village in the South who slowly realizes the world he used to live in doesn’t have room for him anymore, and maybe it never had) but i’m gonna end on a quote from ion creanga, one of the most cryptic classics of romanian lit:
“Şi eu eram vesel ca vremea cea mai bună şi şturlubatic şi copilăros ca vântul în tulburea sa”
my translation: “and I was cheerful like the best weather and frolicsome and childish like the wind in its cloudiness” 
and again, the words in romanian and their particular sound and bite (”şturlubatic”, “tulburea”) immediately take me elsewhere. creanga writes about childhood, but it’s never really childhood. he writes as an adult who, in my opinion, was never really a child, but a weird, small god of the land. i mean the word “tulburea” can mean both “turmoil” and “muddiness”. the wind can be anguished, but also just a little cloudy, just a little hazy, shrinking its agony, howling it in the child. it’s eerie and gorgeous. so, that’s what he does: creanga writes about children as if they were wind-like spirits. he writes stories about devils and the peasants who trick them and school books filled with spit and flies, and warm eggs stolen from nests and fairy-tales of a world that is buried somewhere inside us, but not too deep, things hidden under our clothes or nails or even in our hair. and it’s all so physical and convoluted, just like his prose. and i don’t think anyone will ever make sense of him and that’s what makes him so discombobulatingly great.
anyway, this was supposed to be...like, really short! and not gassy! i’m sorry. i love waxing about all this gay stuff. i’m so gay about it. 
realistically tho, the nearest thing you’ll find in your local bookshop is probably books by famous ‘theater of the absurd’ playwright, eugen ionesco, or novels in translation by contemporary author mircea cartarescu. both are pretty good, so go for it! (if you want to start small, i’d recommend REM by mircea cartarescu, because it’s so trippy and meta and captures that summer holiday eeriness so well. it goes well with this romanian song sung in english)
okay byeeeee 
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voidstilesplease · 3 years
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By the Angel, TALK
Warning: THIS IS AN ANTI-CLARY AND JACE SPOILER RANT because I need an avenue to let out some of the steam I've been holding off since starting City of Fallen Angels. So PLEASE SKIP AHEAD because I don't want to burden you all with my reading woes.
This thing centers on the beginning of Chapter 9: From Fire Unto Fire and a little bit of Chapter 8. About eight pages of bad, bad romance set me off.
To start,
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The rest is under the cut, so you can go away now.
So, what's been happening to Clary and Jace thus far?
This book introduced them now as an official couple, picking up from the end of TMI Book 3: City of Glass. I don't remember their every scene since then to the point in Chapter 9 where I stopped, but basically, they're having relationship issues early on. They're less than two months into their relationship, and the drama is too frickin much. 
Jace has these weird dreams about murdering Clary and waking up guilty about his subconscious thoughts, so he goes angsting about it and avoiding her, snapping at her, being a total dick, and still question why people think they are on the brink of a break-up. 
So, Jace goes with Simon in the next few scenes, in his plight to get away from her as far as possible, yet still be somehow close by being around Clary's best friend to "protect" him, so his distant behavior will be reasonable and forgivable. Yeah, make that make sense. 🙄 But of course, one way or another, they're going to have to get to the confrontation part (that I still wish had been equivalent to an actual break-up), and so that's when Chapter 8 & 9 enters.
Chapter 8: Walk in Darkness pp. 185-186
Almost instantly, the light went out of them, and the remaining color drained out of his face. "I thought --- Simon said you weren't coming." ¹
[...] "So you only came because you thought I wouldn't be here? [...] Were you ever planning on talking to me again? [...] If you're going to break it off, the least you could do is tell me, not just stop talking to me and leave me to figure it out on my own."
"Why does everyone keep goddamn asking me if I'm going to break up with you? [...]²
First, what an asshole?! 
[1] So Jace finally in-your-face's Clary and confirms that he has been keeping his distance like Clary has the plague. He then has the audacity to [2] be annoyed for being questioned on his intentions of keeping the relationship that he has been actively evading for days!
I get that Jace sucks in romantic relationships and has been fucked up by his daddy-issues, but he has the Lightwoods. Heck, Alec is his parabatai. He sees working relationships, so he has to have known that you don't just stop talking to people close to you and have them not question the behavior, whether you're trying to pull away from them or not. Otherwise, then Jace is dumb for all that he's marketed as the "best" Shadowhunter in his age. Screw that.
---
“You talked to Simon about us?" Clary shook her head. "Why? Why aren't you talking to me?"
"Because I can't talk to you," Jace said. "I can't talk to you, I can't be with you, I can't even look at you."³
[3] Way to make a girl feel special, Jace. Oh, no, yeah. He's trying to do the opposite and push her away with some teenage boy angst that doesn't make any sense. Like, who says that, though, aside from dramatic love interests that can't make a better excuse for going emo? 
That line IS TOO DRAMATIC that it hurts, ugh. 🤮
Anyway, so Clary walks out after that. I don't sympathize with her, but I'd do the same. Who wouldn't? Unless you freeze in the ridiculousness of the situation, that is, which is also likely.
Chapter 9: From Fire Unto Fire pp. 190-195
Now, here's the real shit. I want to quote this entire six-page scene back to Cassie and scream at her.
Clary reached the door and burst out into the rain-drenched evening air. [...] and was about to race across the street against the light when a hand caught her arm and spun her around.
It was Jace. [...] "Clary, didn't you hear me calling you?"
"Let go of me." Her voice shook.
"No. Not until you talk to me."⁴
[4] DUDE, what even happened to your I CAN'T TALK TO YOU, I CAN'T EVEN LOOK AT YOU speech, huh? Be consistent for once, apart from your douchebag routine. Make up your mind, Jace.
---
Still holding her by the arm, he half-dragged her around the van and into a narrow alley that bordered the Alto Bar. ⁵
[5] Man, I love a bit of rough loving in my literature, but I'm so pissed at you, Jace, don't even. Lay the hell off.
---
"I was going to tell you that I was trying to help out Simon. [...]
"And you couldn't tell me? Couldn't text me a single line letting me know where you were?"⁶ [...]
[...]
"I think," he said slowly, "that I thought that the closest thing to being with you was being with Simon. Watching out for him. I had some stupid idea that you'd realize I was doing it for you and forgive me---"⁷
[6] Addressing the lack of communication, that's a great path to follow. These two need to talk so bad. [7] But this line? Sucks Balls. You could be with her, Jacey, and save all the readers your drama if you only pull your head out of your ass and try to communicate. It's like you're allergic to it.
---
She took a step back, blindly, and nearly tripped over an abandoned speaker. Her bag slid to the ground as she put her hand out to right herself, but Jace was already there. He moved forward to catch her, and kept moving until her back hit the alley wall, and his arms were around her, and he was kissing her frantically.⁸
[8] Not only is this achingly cheesy, but it's also totally not the way they should be going off about their situation. They were already talking -arguing, yes, but they're still using words to reach out, and their relationship absolutely cannot be healthy without them. Thus far, they have spoken so less in comparison with the times they've spent canoodling. They're not solving anything by having drama on one second and getting it on with dramatic kissing on the next.
I don't care what Clary says about being so lost in love with Jace. He's treating her like shit. The least he can do is give her answers that she has the right to demand from him. Kissing is not an answer. But, well, maybe to Clary, it is because the next parts from page 192 to 194 are spent on softcore porn in a dark alley under the frickin rain. I bet that's a very romantic setting in their minds, huh.
---
And now this part:
It was nerve-wracking. She could feel the feverish heat that came off him; her hands were still on his shoulders, but it wasn't enough. She wanted him wrapped around her, holding her tight. "W-why," she breathed. "can't you talk to me? Why can't you look at me?"
He ducked his head down to look into her face. His eyes, surrounded by lashes darkened with rainwater, were impossibly gold.
"Because I love you."⁹
[9] Is that supposed to make me tingle? SET ME ON FIRE, but that is the lousiest I love you in books that I have ever read. AND IT'S THE ONLY ONE THAT DOESN'T MAKE SENSE, at all!
Shut up with this, can you please. It's not romantic at all. It's a dumb excuse and an even dumber love from the two dumbest people in this whole frickin series. Oh my god.
Clary, realistically, will frown at this answer. She will pull the hell away and spat him in the face with how demeaning his love is if it can make her sick to the stomach with thinking he has already gone bored and is only cooking the perfect way to cut off their connection. He hasn't given her a sound reason, only desperate declarations of love like he's trying to convince them both that it's true. And it doesn't make sense how she's still plastered around him in the cold, trying to convince the readers that every word from Jace has deeper meanings that she understands no matter how gibberish they are. I'm not buying that, okay? Stop selling your larger-than-life connection bullshit because that isn't real.
You've only been together for two months, okay? The strongest you can feel for each other is lust. And it's showing.
---
His hands slid down to her waist and he kissed her, long and lingering, making her shudder.
She pulled away, "That doesn't make any sense."
"Neither does this," he said, "but I don't care. I'm sick of trying to pretend I can live without you. Don't you understand that? Can't you see it's killing me?"¹⁰
She stared at him. She could see that he meant what he said [...] Her desire for answers battled the more primal part of her brain, and lost. "Kiss me then,"¹¹
[10] NOBODY THREATENED YOU UNDER BLADE TO DO THAT BULLSHIT, so shut the hell up with the whining. [11] and Clary, I am so disappointed. You've both just drained me, and I'm dry inside like a raisin.
The next paragraphs describe their very erotic kissing against the wall. Jace, propping her up and her legs around his waist bull crap. Seriously? Am I supposed to believe these two are, what sixteen?- up until Isabelle thankfully ruins their moment by kicking a garbage can that would look better with Jace and Clary in it tbh.
---
And the nastiest horseshit of all:
Clary looked at Jace. At any other time, they would have laughed together at Isabelle's moodiness, but there was no humor in his expression, and she knew immediately that whatever they had had between them ---whatever had blossomed out of his momentary lack of control--- it was gone now. [...]
"Jace---" she took a step toward him.
"Don't," he said, his voice very rough. "I can't."¹²
And then he was gone [...]
[12] No, I frickin CANNOT. His actions keep on contradicting his words, and he's fickle and can't decide which mood to settle, and it's so exhausting, honestly. He wasted a few pages for a cosmic, meaningless declaration of feelings. They're empty words. At this point, I believe the writing only strives to convince the readers that these characters care for each other but is shitty at showing it.
It's not love, because they say it is love.
---
I was already gaining hope for this book, and then one simple few-pages scene with clace squishes it, smearing the innards on my face.
Honestly, TALK OR TAKE A BREAK. This back and forth can't continue throughout the rest of the book or -heaven forbid- the rest of the series. Or at least, put these characters in the background if they really must drag on this problem, because I care not a lick.
Bye.
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Text
If Found (Chapter 1)
AN: A Fluff-as-Fuck Penpals Story because we’re in a fuckin’ pandemic and I want to write about yearning, goddamnit. I have no outline, no plan and am just going wild with it. 
Synopsis: After losing a notebook in a Brooklyn bar two years ago, Alana Miles has lost a few more things and gained some others. Lost? Her tiny Brooklyn apartment, her first love-turned fiancé, their shared cat. Gained? A small rental house in her hometown, a second book deal, a rescue bulldog and a facelss email pen pal she may or may not be falling for. (AO3)
Wordcount: 1,530
September 2020
It’s a little early to be up for a Saturday, but she cracks open her laptop anyway— careful not to jostle the sleeping bulldog deep snoring across her legs. Alana has tried to let herself sleep in on weekends, lately. With the weekdays full of deadlines, interviews and long calls with her editor normally kicking off before her morning coffee’s kicked in, the few blissful hours of no screens and light-blocking blinds on Saturdays were usually her favorite thing. Usually.
It’s not her fault, though. Because of stupid timezones, there was a message waiting for her that she’d be itching to see and even after years (plural) of back-and-forth emails with her accidental pen pal, the little rush of seeing where the conversation would go next was enough to make her a bit more of a morning person (even when she doesn’t have to be). 
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Subject: RE: RE: RE: The Not-Divorce is Finalized! 
A, 
Sure, okay, I believe you.
I know you said you were fine and I understand I’m maybe half-obligated by the terms of our friendship to take that at face value and instead pivot to asking you about your day or the book proposal or whether you got around to reading that book I sent you (it’s a chapbook, honestly, and you pretty much read for a living). And I will ask those things. 
But I wanted to add, RE: your point on “closure not even being a fuckin’ real thing” that I’m not sure if I agree. Provided you’re giving yourself the grace to step away and close the chapters, relationships, painful memories in order to open something up, it’s as real as you want to make it. 
But what you’re going through (all of it), it’s draining and exhausting and you’re carrying a lot. Closing a door doesn’t mean everything’s resolved behind the door, just that you’ve resolved to let yourself be on the other side. 
I think you’re brave and good, if that helps. And I hope you’ll read that goddamn chapbook so we can talk about it.  
Yours, 
KC
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Welp. That’ll need coffee to respond to, she thought, slowly inching her legs out from under Bruce (who let out an insulted snort before snuffling back into the duvet) and heading out to the kitchen. 
Mug in hand, she made her way out to the porch and took in the fall morning: the lake’s got the beginning reflections of red and orange showing through and the smell of burning leaves (they still do that out here) is already making its way to her door. The tiny one bedroom house she’d been renting is about five minutes from where she grew up (where her parents still live). It’s modest (if maybe cramped) but has big windows, a monthly rent that doesn’t drain her bank account beyond recovery and lets her be close to her mom for doctor’s appointments and long meetings with specialists that she trades off with her sister and brother. 
She leaves the door open a crack, since Bruce is unlikely to last long in the bed alone before stumbling out to his sunny porch bed, and takes a seat on her own “grown-up porch couch” — an oversized wicker basket chair her little brother salvaged from a friends’ student house and spray painted white to look less wretched, paired with some overly fluffy pillows her twin sister bought her. She cracked open her computer again and tried to figure out how she’d respond.
She tried, not infrequently, to picture KC. She was sure he was good looking, despite that name feeling so deeply undignified and childish for a man in his forties. (Or is he fifty by now? A funny thing about surprise pen pals is you never really exchange birthdates or A/S/L — and, in their case, they just went for the emotional jugular). She imagined a doe-eyed John Cusack-type (maybe a bit more “High Fidelity,” actually) or, of course, a Tom Hanks “You’ve Got Mail” has crossed her mind but neither really ever felt right. 
She knew a lot about him, after nearly two years of correspondence. He’s told her about the long scar going up his stomach that he got in a motorcycle accident (how he’ll forget its there even after 20 years); she knows he works in film but simply says “I help people tell lies for a living” when she asks for specifics; she knows he fell in love a few years back, after thinking he was never going to fall in love again (and that he has a gift for emphasizing the sweet of a bittersweet ending) and she know she’s a Virgo with a Cancer moon. He knew a lot about her, too: He knew birds freaked her out, that she was in the middle of final proofs of her first book and the proposal on her second; he knew she broke off an engagement (and thus a relationship spanning nearly all of her 20s) in the last year and reflexively performed being cavalier about it; he knew her mom was sick and that she left the life (the one she secretly wasn’t all that wild about) in Brooklyn to be closer to her.
It’s funny the way these little stories and pieces of ourselves can be assembled to make a person feel so whole and so close, even if they’re thousands of miles away and you’ve never seen their face and you probably wouldn’t have met if it weren’t for the right amount of happy accidents flowing in succession. 
He was her happy accident and, if she were the fate-believing type she’d believe it was some of that kismet that brought him to that Fort Green bar on that rainy afternoon. She’d been transcribing some notes in one of her many junk-ish notebooks (full of story ideas, a few email addresses and phone numbers for sources, a scribbled quote, some ticket stubs and a lone piece of gum between the back pages (whoops) — all organized by chaos) and got a call from Brandon, her then-fiancé reminding her that they’d need to leave their Greenpoint apartment for his department chair’s dinner party on the Upper West Side (a thing she’d forgotten she’d agreed to do) shortly and if she was still stopping to grab the wine. 
In her rush to settle up her tab, scamper to the liquor store next door and procure a fancy-ass bottle for the academic circle jerk, she left the notebook behind. Luckily, she’d remembered to scrawl her email in the front cover that time —she wasn’t going to let some rando find her address!
KC, as he told her later in one of their subsequent emails, found it and “began trying to decipher its many, many mysteries (the gum, for example).” 
She couldn’t be mad, she 100 percent would’ve done the same thing if fate, kismet, the universe’s funky algorithm, who knows, left someone else’s brain-dump to her doorstep. Between that confession (and the charming apology that came with it), the emails just didn’t stop — long after he’d sent the book back. 
Despite this two year friendship, she hasn’t seen his face — and only recently heard his voice. She knows he’s older than her 34 years by a not-small amount.  (He doesn’t have an instagram or a Twitter and when she asked him why he responded “Oh, that. What would I do with that stuff, really?”) And 95% of the time it doesn’t bother her. But then she sees emails like that and thinks of his deep, thoughtful voice (the calm, intentional pauses when he speaks that make everything go soft and quiet over the phone line) and something in her twitches. 
It’s been a long 18 months of being very single and maybe, just maybe it’s messing with her head to have such careful, considerate attention 4-8 (depending on how much they write and how busy they are) times a week. 
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Subject: Doors Open & Closed — moving on.
KC, 
That poet soul of yours is working overtime today, bud. It’s too early for my icy heart to thaw the way it needs to if I’m going to adequately respond, so take this: I know. You’re right. I’ll try. Thank you. 
And try to let it be the end of this for now. 
I’m digitally and spiritually cleansing this space and cracking open this sad  pamphlet of a book you sent me. Stand by for my thoughts. 
Chilliest regards (with a gooey center), 
A
P.S. You promised me that shortlist of “films I need to watch now that I work from home and can watch movies all day.” Keep in mind, my attention span is like my love life: short, sad and ridiculous. 
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She hits send and quickly checks in on the few dangling work emails that couldn’t wait until Monday. It’ll be a few hours before her West Coaster pen pal is up and a few more before he’s near a screen. He’s an early riser, but more of a yoga, outdoors-y, going jogging (ugh) kind than a feverish AM emailer. But she’ll forgive him that one (admittedly well-adjusted) flaw for now.
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cordiforms--a · 5 years
Note
I was reading your rules and had to ask: why pearlmethyst? Not trying to be rude! Just curious abour your take on the ship
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*   OKAY,   this  has  been  sitting  in  the  askbox  for  a  few  days  now.   i've  been  kind  of  staring  at  it,  trying  to  figure  out  how  best  to  answer  without  writing  a  wall.   i've  had  no  success,  so  here  goes  anyway.amethyst  is  literally  pearl's  perfect  other.   amethyst  is  pearl's  most  ideal  partner  in  every  sense  of  that  phrase.   mind  you,  they  can  also  be  absolutely  terrible  for  each  other  for  the  exact  reasons  that  they're  wonderful  for  each  other.  the  relationship  will  only  work  if  pearl  and  amethyst  are  healthier,  more  self-actualized  individuals  than  they  were  in,  say,  season  one.   that  having  been  said,  here's  why  they  work.   i'm  mostly  going  to  be  talking  about  this  from  pearl's  point  of  view,  because  amethyst's  pov  is  at  the  jurisdiction  of  the  ever  lovely  @thuskindlyiscatter / @roughedaround.anyway,  opposites  attract.   i  know,  i  know   —   that's  a  cheap  way  to  start  off,  but  it's  true!   pearl  needs  someone  to  counteract  her  strict  realism  and  rationalism,  someone  to  make  her  laugh,  someone  to  loosen  her  shoulders.   not  to  quote  becky,  but  remember  how  they  said  that  opal  is  a  peace  pearl  and  amethyst  can't  really  find  on  their  own?   they  bring  each  other  balance.   it's  that  sweet,  sweet  "she  was  the  kite  and  i  was  the  line"  dynamic.   they  suit  each  other  perfectly  in  this  regard;   pearl  grounds  amethyst,  and  amethyst  reminds  pearl  that  it's  okay  to  drift  for  a  little  while.   like,  at  a  most  base  level,  amethyst  brings  such  adventure  and  joy  and  laughter  into  her  life,  while  also  providing  pearl  with  something  to  protect  and  care  for.   kill  me.and  in  that  vein,  like.   amethyst  is  a  force  of  nature,  you  know?   pearl  loves  adventure,  but  she  has  that  good  ol'  fear  of  (large)  change.   amethyst  is  a  constant,  a  touchstone;  she's  always  there,  a  warm  and  familiar  presence.   and  pearl  doesn't  even  have  the  time  to  be  paranoid  about  it!   she  tends  to  stew  in  her  own  anxiety  and  mull  over  every  last  potential  bad  outcome.   she  has  difficulty  reading  other  people  sometimes,  which  mixes  terribly  with  the  fact  that  she's  hypersensitive  to  atmospheres  and  mood  changes.   pearl  can't  read  the  room  for  the  life  of  her,  but  she  knows  when  something  is  awry.   she's  able  to  tell  when  something  is  even  slightly  wrong,  but  she  won't  be  able  to  pinpoint  it,  and  so  she'll  automatically  make  a  mountain  out  of  a  molehill.   she  assumes  the  worst;  her  brain  jumps  to  the  "they're  growing  tired  of  me,"  "i've  done  something  wrong,"  etc,. etc.   and  when  pearl  IS  experiencing  these  fears,  she  gets  to  self-sabotaging.   she  starts  desperately  trying  to  circumvent  them  by  behaving  in  ways  that  ultimately  realize  them.   (i.e.,   isolating  in  hopes  that  the  person  will  follow  her  or  getting  so  unbearably,  nervously  clingy  that  she  pushes  them  away)but  amethyst  never  lets  that  happen  in  the  first  place!   she  never  gives  pearl  the  time  to  consider  these  stupid  fucking  fears!   pearl  can't  sit  and  wonder  if  amethyst  is  getting  bored  of  her  when  amethyst  is  in  her  face  all  the  time  like  HEY,  PAY  ATTENTION  TO  ME,  I  ADORE  YOU!   and  amethyst  doesn't  even  do  it  on  purpose,  that's  the  funny  thing.   she's  just  naturally  Like That.   and  amethyst  is  such  an  easy  read  too?   there's  virtually  no  guesswork!!   amethyst  is  super  transparent;  you  know  when  she  is  and  isn't  upset.   it  works  perfectly  for  pearl.and  i  have  more  shit  to  say.   like  i  could  talk  abt  how  important  it  is  that  amethyst  is  the  only  one  of  the  crystal  gems  who  hasn't  experienced  homeworld  conditioning.   i  could  talk  about  how  pearl  is  a  stupidly  romantic  individual  and  how  she's  so,  so  blown  away  by  the  fact  that  out  of  all  the  amethysts  that  could  have  emerged  late,  it  was  this  one.   it  almost  feels  like  fate!   not  that  she  believes  in  that  sort  of  thing,  of  course.   ...but  god  knows,  sometimes,  just  sometimes,  when  they're  lying  down  together  and  amethyst  has  defiantly  made  herself  the  big  spoon  despite  the  position  being  so  awkward  bc  of  their  height  difference  —  pearl  can  almost  believe  in  destiny.   every  choice  in  her  life  has  led  her  to  this  moment,  this  peace.   a  billion  and  one  things  could  have  happened  to  lead  them  in  different  directions,  but  here  they  are  despite  it  all.AND  OKAY  WAIT  HERE'S  THE  IMPORTANT  THING:  it  isn't...  obsessive.   pearl's  love  for  amethyst  isn't  a  feverish,  intense  "i'm  going  to  pour  100%  of  myself  into  this/you";  it's  a  very  sweet,  very  calm  "at  last."   it's  a  very  simple  "of  course."   in  me  and  august's  SACRED  LORE,  pearl  and  amethyst  don't  even  HAVE  a  big  confession  or  an  "okay,  we're  together  now"  moment.   it  literally  just  sort  of  HAPPENS.   like...  they  sink  into  each  other  over  the  period  of  a  couple  of  months  and  reach  an  unspoken  understanding.   like  JESUS  CHRIST. ANYWAY,  I'VE  GONE  ON  TOO  LONG  SO  JUST  TAKE  MY  WORD  FOR  IT.   amethyst  is  pearl's  perfect  opposite,  perfect  other.   thx  for  coming  to  jem's  rock  talk.
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