What is your favourite Doctor Who story?
TOURNAMENT MASTERPOST
synopses and propaganda under the cut
World Enough and Time/The Doctor Falls
Synopsis
The Doctor decides to test how good Missy has become by sending her on a trial run with Bill and Nardole. However, when things go wrong, the Doctor takes over. With Bill trapped in a different time zone, can the Doctor make it to her before it is too late, and who are all those people getting cured?
Propaganda no propaganda submitted
Heaven Sent
Synopsis
As if the death of his best friend wasn't enough, the Doctor's situation has only gotten worse. What initially started as an attempt to help clear someone of a false murder charge has evolved into to something much worse.
Now trapped in an old rusty castle in the middle of an ocean, the Time Lord is being stalked by a mysterious creature that only pauses when he gives up his deepest secrets. What does this thing want? And can the Doctor escape and find his way back home?
Propaganda no propaganda submitted
158 notes
·
View notes
I have solved jason todd discourse. The problem is that red hood/jason todd enjoyers are actually three completely different groups masquerading as one:
Fluff Jason Fans, who want him to be a pure hero, fully integrated into a loving and happy family. Desperate for his bloody reign of terror to be NBD and also not his fault. Huge fans of "good big brother Jason". Dislike when he is in any way bad.
Righteous Jason Crusaders, who want him to be a murderous antihero, estranged from his non-killing family but validated by the narrative. Desperate for him to show strong and consistent principles. Huge fans of "the people of Gotham actually love and respect Red Hood". Dislike when he is in any way wrong.
Tragedy Jason Lovers, who want him to be a traumatized kid come back wrong, haunting his family as he claws for satisfaction. Desperate for conflict that isn’t easily solved. Huge fans of when every character is being morally challenged and also miserable. Dislike when he is ever a clear-cut hero.
Therefore I propose henceforth Jason Todd comics, fic, analysis, and other discussion be clearly labelled with the appropriate category. This will solve all problems forever I think.
781 notes
·
View notes
I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.
A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.
But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.
And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.
And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.
He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.
We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.
We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.
The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.
And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.
And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.
It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.
73 notes
·
View notes
Ik the internet has collectively decided liking Hamilton is cringe bc ppl were writing real person fic, making founding father self inserts, and because anything that gets a big enough following must be mercilessly shunned after 6-12 months but like, I got surprise tickets to a matinee today as a bday gift and it really IS that good?
Like. I'm not USamerican. I'm not sitting here like "oh yes this is absolutely historically accurate and this is how everything went down and how these ppl were irl". Its a story. A historical adaptation. But it's a Damn Good Story. It's thematically compelling. It's emotionally resonant. It's about hunger and imagining death and ambition, about that desperation that drives you towards elusive satisfaction, about legacy and memory and the construction and telling of narratives, it's about UNEARNED GRACE and impossible forgiveness.
Like it really IS a good story, and as someone who only know these people as /characters/ and not historical figures, they're compelling characters? Their arcs are interesting? Hamilton and Burr as foils is so good? Washington as a model of leadership and of regret? Of legacy earned and unearned? ELIZA??MY EVERYTHING?? She's not a "main" character but the narrative hinges on her, when Hamilton is stripped bare of his ambition he thinks of her. She controls and saves the narrative, ultimately. It comes down to Eliza as the centre of it all, best of wives and best of women truly.
The music is a bop, the choreography fun, the set design simple but effective. Like? I get things that have a massive teen fandom can be annoying, and taking it as Historical Fact would be stupid. But as a story???? It really is that good?
Also we had an understudy as Hamilton and he was v young with such a soft higher voice and it REALLY worked esp in act 1 with the whole young scrappy hungry thing. He was also shorter than Eliza which imo. Perfect. Tiny man among a cast of largely very tall men and a few very tall women.
232 notes
·
View notes
My worst anxiety regarding season three of Good Omens is that the ending will be lovely, but that it will pass too quickly.
I trust that it will be a happy ending; we know it will be. And I want to see that. But almost more than I want to see that, I want to see them breathe. I don't want "they kissed and made up and went off to their cottage and clinked glasses whilst watching the sunset and saying witty sappy things, and everyone sighed, satisfied." That's not too different from what we got at the end of season one, and it's lovely, but these two have been waiting so long.
so. long.
And I want the ending to be long enough that there's space for that "finally." I want there to be room for their emotions. I want them to giggle like teenagers, I want them to find stupid excuses to kiss each other, I want them to hold each other and cry, I want them to talk about the things they always stopped themselves from talking about, I want them to address the complexity of their feelings. I want there to be some recognition of the relief, and of the wounds that still ache. I want to see them slowly, slowly relax into security. I want them to tentatively reach for each other, each time fearing that they won't be there, and each time collapsing under the weight of their relief to find that they are.
I want to see them make plans for their future and let themselves be hopeful about it. I want to watch the reality of their happy ending sink in. I want to watch them heal.
138 notes
·
View notes