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#some of these are from the last ep
wasyago · 8 months
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they're a killer queeeeen
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tawus · 10 months
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HE'S SO FUCKING CUTE I CANT
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morii-moth · 6 months
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"this is me on day one of NO rendog !!"
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frau-kali · 3 months
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beaulesbian · 9 months
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Good Omens s2 - Crowley & heartbreak 💔
2x1 "The engine won't have properly warmed up by then." || 2x6 "Good luck."
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"What about all of you? Is there anything you want to add?"
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dribs-and-drabbles · 3 months
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You can't tell me that this
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doesn't have the same energy as this
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Nor that this
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doesn't have the same energy as this
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And similarly this
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doesn't have the same energy as this
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In that, whatever we think we're being shown in a trailer doesn't necessarily mean what we think it means.
Because surely you remember that this from the BBS ep 12 trailer
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became this in the show
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I don't for one second believe what we're being shown in the Last Twilight ep 12 trailer...apart from the colours, of course...because as we've seen umpteen times before, the colours don't lie.
And both Night and their mom are wearing Mhok's blue here, alongside Day who has a mixture of Mhok's blue, his own green...and Night's brown.
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I haven't had time to properly write about the design of this show (oh there have been so many things I've wanted to mention) but I do think Night is colour-coded brown, as shown brilliantly in ep 10's dinner scene, with Day wearing Mhok's blue in front (because he had plans to go and see him) and Night's brown behind...because as has been shown time and again, Night has always had Day's back.
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And with Night in a very vibrant blue at the end of ep 11, I firmly trust that he will have both Day and Mhok's back in ep 12, and that whatever the trailer for ep 12 is trying to make us think will happen will turn out to be another one of Aof's cleverly crafted ruses designed to make us lose our minds for a week.
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Must I remind you?
NEVER TRUST A THAI TRAILER
AND CERTAINLY NOT AN AOF NOPPHARNACH EPISODE TRAILER.
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fakeasmr · 1 year
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mmmm delicious subtext
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puppyeared · 4 months
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Tell me about a song you like right now, maybe an animation you just watched that made you think thoughts and feel things
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Only Acting by Kero Kero Bonito!! I want to make an animatic for Macaque using this song and some parts of Shadow Play and the s4 special.. although im still mapping it and deciding whether I want to use the radio edit or not lol
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carltonlassie · 9 months
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You're in Carcosa now
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brookheimer · 1 year
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from strike sparks by sharon olds
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flaine · 11 months
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TIMESTAMP ROULETTE ✩ 1.13 | Sectionals
“Look, all we have going for us is that we believe in ourselves and what we’re singing about. If we can show the judges that... we might have a shot at this thing.”
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hephaestuscrew · 1 month
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Lady Miss Clara Entwhistle
'Miss Entwhistle' or 'Miss Clara Entwhistle' is said 93 times across Seasons 1 and 2 of Victoriocity. 'Lady [Clara] Entwhistle' is never said until S3E4. I'm obsessed with the fact that every time Clara has introduced herself or been referred to by name - every time she's been 'Miss' rather than 'Lady' - it's been a symbol for her of how she's building her own life, separate from her family and their expectations for her. She could have adopted a whole new name if she wanted to entirely disguise her aristocratic family ties, but she choose a more subtle shift.
Before she came to London, how many times had she walked into rooms she didn't want to be in and been announced as 'Lady Clara Entwhistle'? Did it feel strange to her at first, the switch to introducing herself without any hint at her father's Earldom? Or did it just feel right, her name finally able to stand on its own, like she was trying to? 
How many situations has Clara been in since moving to London where her title would have commanded respect and made things easier? How many people has she met who would have been impressed that she was a member of the aristocracy, who might have cooperated more quickly or revealed information more easily had they known? In the confrontation with Merrick in the House of Commons, for example, would there have been quite so much jeering and disbelief from the benches at the words of an Earl's daughter, as opposed to a random unmarried female journalist? But she's never played that card - it's never felt worth it to her.
When we first meet Clara as she enters London, she says "Well, my mother's occupation is... Lady, I suppose. And I am a journalist." Lady is a role which defines her mother, who is appalled by the idea of having an occupation. "Why couldn’t you just have married a duke, moved to Saxony and died of scarlet fever like your sister?" is funny in its ridiculousness, but it's also horrifying; Clara's mother would prefer a dead daughter than a daughter who is living the life Clara wants. That's something that must weigh on her, even when the ties are cut. Coming from an environment like that, it's no wonder if she sees a life of autonomy and independence as inherently incompatible with any acknowledgement of the role in society she was born into. So she goes by 'Miss', and she doesn't seem to talk about her aristocratic heritage, and still she's asking herself "what it means to be free, for birds or people"...
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sparring-spirals · 1 month
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There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.
(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)
Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.
And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.
And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-
Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.
And then the fog clears, and they are a human.
(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.
Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)
Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.
Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.
Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.
"There is no loyalty with this blood." And after all- only living people bleed.
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avassharpe · 8 months
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Warrior Nun 1x10 | Revelation 2:10
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fairyroses · 1 year
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No one’s asking for your help. I’m only trying to save her, Clark.
— SMALLVILLE, “Apocalypse” (7.18)
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