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fivecenturiesverse · 10 months

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full discography for the “your love is standing next to me” series

Small Town Satan, (IP, Single, 1991)

“gotta run from myself // if I wanna outrun Matthew Hopkins // got blood on my hands // but I swear it’s from holding my own guts in”

Car Trunk’s Bloody, (NBB, Single, 1992)

“we got out // but I’m still wringing out bloody clothes // got weapons crusted black // in the trunk of my car”

Grand Canyon Through Town, (NBB, Single, 1993)

“she’s looking down the canyon // where daylily and larkspur grow // columbine and yarrow // wondering how Arizona came east”

“and when the gorge opens up // and swallows us down, down, darling // and our footprints, erased from the school bleachers // and the parking lots cave in like sink holes // just take my hand and we can fly // when the gorge opens up”

Iron Briars, (NBB, Album, 1994)

Iron Briars

“candle wax pools // still spool of fire gold // through iron the tennis // goes one way // then the next // one moment home // the next some place else // candle wax pools // but who lit the candle?”

Summer at Skull Rock

“war council by the great rock // had a few girls up here // when the weather was nicer // now summer sits storm heavy // and the flies hum in the shade // and the stink of loam rises // don’t think me and girls’ll be back again”

Eyeless House

“party town // pool fill up with blue sound // and spirits // (take a sip) of her soul or his // (take a sip) of whatever they offer round”

Tennis At The Country Club

“eighties lovers say: // just back from Greece, // European holiday // to Rome or Nice // country club girls // in tennis skirts // and mommy’s pearls // so the ball boy flirts. // you’re by the fence: // all American dirt // an’ no money sense // ball boy says // “twenty love” // but I think you’re // another kinda love”

Supine

“laying where the Dali clock drips // in the bed of pine needles // and the nest of second hands // time runs grey // not ichor bright // slow like a camel // and the eye of a needle // aureate sand in the hourglass // unblinking or maybe sleeping”

Racket

Flashy Car

Empty Master Bedroom

Tunnels

Whistles Moonlight

The Strangest Shade, (IP, Album, 1994)

The Strangest Shade

“jade’s a shade too bright and she // wades out beside me into the Styx // black dye bleeding from her little midnight dress // slack goes her mouth // and it isn’t dye but blood // hand to her stomach // I let Jade die // in the jade black waters // of Hades’ Styx”

Ghosts in Newspaper Print

“there’s a ghost sitting // on the wall where the clock should // she raises a finger to her lips // and it’s stained last years date // in newspaper ink // I want to go back, weather permitting”

Big City Satan

Glass Shards

Galactica Girl

Adeline

“she tastes like brine // my sweet Adeline // never seen a girl so fine // it’s like deep sea diving when our lips align // my girl so vulpine // and I cannot divine // why she wants to entwine // with me as her Valentine // the sweetest Adeline // how does outshine // even the coastline // rhyming goldmine”

Bo Peep

“we held tight the lambs // him and I // (him and I) // and stamped them // with our paint mark // so we might find them // when the world got dark”

“now they carry age // and heavy pelts of wool // still carrying our mark // in the eyes and the soul // and tells the world we were here // before they could stake a claim”

Corroded Coffin

Viscera

Ash Weekdays Ending in Y (For Preachers), (BTBB, Album, 1995)

Un-Nuclear Families

“miracles align when it’s you and I // facing down monsters as > mom and dad”

“don’t take my hand if it doesn’t feel right // God I hope > it feels right // feel like both my hands are left // and my feet forget to dance // and our kids are watching // ours since God made our shoulders wide // to hide them and build like Noah // a home from the kraken’s ribcage”

Winter Birds Love Ladies Too

“a little birdie tells me // to take one of seven deadly sins // like an old lady’s purse toffee // and stick my teeth together”

Ash Weekdays

“doesn’t hurt to try // if the day ends in ‘y’ // doesn’t hurt to try // till it does”

In My Palms

“however the time passes // like palm ashes through my fingers // the indent of your teeth // against the bone of my knuckle // feels like yesterday and today // and it will be tomorrow”

Was My Girl

She Is

Found Deep

For Preachers

Days Ending In

There’s Nothing Under the Bed, (NBB, Album, 1997)

Lost in Fairy Land

“lately when the house grows cold // I feel memories thought lost // creeping out of the dark // with white spider’s legs // they grow and grow // inch closer and closer // I feel memories thought lost // in the fires of fairy land”

Breaker Box

Dwell

Sarah

Maria

There’s Nothing Under the Bed

Eyes!

Eyes II

Bridal Style

Witches Screamer, (IP, Single, 1999)

“moons come crashing down // like asteroids of love”

“like asteroids of love // in the fever dream // where time waxes and wanes // falls wide open, gibbous // and lets the wide river time // draw past in slow and marching number”

Miracle Haze, (NBB, Album, 2000)

Fungi Funky

“beyond wasted babe, you think the sky crashes down”

Miracle Haze

“loving you like a bruise // don’t fade to that miracle haze // purple wine stain like a storm brews”

What He Said In Nonsense

“just try falling, it doesn’t matter why // promise it won’t hurt if it doesn’t”

“and it’s like sunlight // on my poor face // red lightning fades like capillaries // you bloodless but alive enough to smile”

Marmalade Mornings

Lavender, Allium

Space Out

Forage

Amelia

Pizza Van Greens

Cheapened Scars, (IP, Album, 2003)

Dream the Law Maker

“miraculous doesn’t fade like cheap scars // keep drinking pinot noir with panda eyes”

“she’s the asteroid and fever dream // it’s a miraculous, world cracking love // the cusp of greatness it seems // us with the wine-stain devotion // that won’t wash out // like rocks even time can’t carve aside”

Long Drive By Compass

“what I said that day, and why I left // haunt me like you in the back seat // from Cincinnati, on”

“long drive by nautical means // (magic compass) show me a way that ain’t home // feel like I’m swimming in you still // angry words like the choppy sea // first saw the sea with you // now you’re not beside me it seems // that life is a long drive by nautical means”

“your eyes in the back seat // from Cincinnati on // your dark eyes too warm // when your mouth is that cold”

Loveless Loser Overture

“sun strike me down now if I’m wrong // strike me down now // strike me down // bloodless like king kong”

“a V of geese silhouettes // marking the season turn // like the browning leaves // and cold north winds // horizon afire with sunset // strike me down now // or send me home”

Pantyhose Doorknob

On The Run Blind

Shades

Motel Blues

Cheapened Scars

Stealing Candy From ‘Em is Easy, Try Killing For, (BTBB, Album, 2005)

Killing For Candy

“killing for you ain’t sweeter // but sometimes it’s easier // than taking loving hold of loving hand”

On the Road to Hell

“little council // full of words learnt // on the edge of death // and the cusp of life // I want to set school desks // amidst the rocks // and leave them to learn // while I ride // to the valley of death”

Dirty Mattress Portals

Aftermath

Back of the Gymnasium

“only time our paths cross // you drinking water like it’s life blood // sweaty bangs and short shorts // watching me sell out // to the after school flood”

Magic’s Name is Numbered

“magic’s a little girl (magic’s the little girl) // who talks on the radio (talks on the radio) // magic’s a little girl (magic’s the little girl) // standing next to me (standing in front of me) // when our days are numbered (numbered, darling) // magic’s that little girl (that little magic girl) // who rides the lightning storm”

Childhood Sweet Tooth

“he took a dance (she took a dance) // out on that gym made ballet score // she’s in her eyes (like the world spins past) // he’s in his eyes (like the sun awakens you) // they’re dancing up a storm // bright like nebulas made candyfloss (like liquorice black holes) // they took a dance (gym made ballet score)”

Quarry

Arcade Parking Lots

Fungi Funky Reprise, (NBB, Single, 2006)

“we know we’re madder // than that hatter // oh darling, at and with and -ly in // and something in-between // did you really think the sky would crash down? // when it’s you and me?”

The Orange Tree House, (NBB, Album, 2007)

Lionesses Stalk My Kitchen

“the girls bring in the carcass // rotting, foetid, technicoloured fleece of dreams // they say eat it, like toffees, this time swallow // and oh, my heads falling at the seams // and something in my heart is hollow // carrion crows hop on my lion’s deadly sin // the girls loll in the sun // and wait for us to eat”

“wrinkles and sun damage // on Leonid leonine eyes // textures my fingertips have known // counted, loved // smoothed and designed // an image of time // I: the architect”

Scarlette

“wind rush in the Corvette // her eyes starlit // and her kisses like orbit // eyes like chocolate // big bang started with a turn of the faucet // to meet Scarlette // brink where stars are darkest // her eyes starlit // and her kisses like orbit // eyes like chocolate”

Greenwich Mean Time

“time feels like rust on a porch swing // like flowers growing where the earth // opens her mouth to sing // time feels like that, on summer days”

Polarise / Polar Rise / Polaroid

“_polarise opinion, doe eyes // darling knows she’s too good for Polaroid // but digital’s for the tabloid // let me take a picture girl in Vogue // polar ice will rise // before your looks polarise // Polaroid like it’s eighties, darling // doe eyes, and kissing girls // is in vogue”

Oranges

Bella

1990

Guest Room

Suntrap Garden

Gilded, (IP, Single, 2008)

“it was girls hopping stepping stone rocks // below the boulders of your gallery // (take your pick, liege) // beer sweating up in the copse // please don’t ask for Mallory // she don’t want to join the gilded folk // or to float that blue sound soak // girl on the stepping stones alone // someone said her name is Sloane”

“soft eyed king // and Sloane // outside the stars and Mallory // dance the wizard dance // John and the innocent // tied by strings”

Daffodils In Autumn, (NBB, Single, 2009)

“don’t turn your eyes from that rear-view // I’m in the mirror calling, don’t look at the road ahead”

“Leala follows God across the sky // in your wing mirror // held by spider web strings // into blue and bird sound sky // into grey overcast // ahead on the road // songs and stars dance // Leala holds her peace // I’m in the mirror calling, please”

Wish Monsters Stayed Dreaming, (BTBB, Album, 2013)

Second Look

“honey, I’ve gotta feeling somethin’s outside // don’t take a second look, I don’t wanna know”

Where Are We Going Now

“I’m looking in the mirror, can’t see you now // (passenger seat, darling) // you were meant to haunt me, I’m still looking back // (passenger seat, darling)”

“sun don’t matter if the moon’s looking on // like miracles in solar flares // lighting us both just enough to see by”

Stayed Dreaming

Wishing Well

Flowers, No Note

Shoulder To

Tableau

Open Season

Salmon Run

Northern Lights Off Switch

Corner of the Dance Floor

Gonna Be Abput Yoou, (IP, Single, 2014)

“made you a promise // built on our ash-soaked rudiments // like cornerstones bleeding tequila come new year’s eve // but I made you a promise, spirit eyed or not // this songs gonna be about you”

“call me back on things I said // say nothings changed // but the sun don’t burn so bad // love was something I did to you // now it’s something I drown in // call me back on the things I said // I’m gonna uphold promises, I’m gonna tear down threats”

“made you a promise // built on our ash-soaked rudiments // like cornerstones bleeding come midsummer // I made you a promise, fat fingered or not // this songs gonna be about you”

All This Way Please, (IP, Album, 2015)

Love’s A Lake

“on the heart shaped bank // waits youth in the wings // watching as we plunge // to the brackish jade waters sank // where hell awaits, eerily sings // for them, I think // we return from the brink”

Hellfire

All This Way

“_wet paper // tears beneath my feet // and we go tumbling // one year to the next // hardly a moment to grab on // and make memories // even in the slow heat of morning // and the hum of summer afternoons”

Pleasing

Begging You On the Way (Out)

Devil’s Tang — erine

Drowning Tax

Georgia

Elephant in the Room

The Forest Out Back, (NBB, Album, 2016)

Eden’s

On Moss

“time like hot soup // afternoons like treacle wells // until the flowers droop // and curl their petals // into bedtime kisses // the mosquitoes and the stars // and laughter gells // tears in the dark // where monsters still sleep // by the sundial mark”

The Forest Out Back

Skull Rock Revisited

“sunbeams through spring leaves // us at the altar that holds minds // the lake deepens ahead like warning clouds // the children kneel about us // and we bind our hands // sunbeams through spring leaves // at the boulder of love born again”

Oaken

Sunbed Wilderness

The Valley

School’s Out

Wine Stain

Sundress

Ellie

Blood in the Water’s Good for Drowners, (BTBB, Album, 2023)

Lady Jane Grey of the Basketball Team

“tell them what you want // an’ don’t line up that shot // tell them what you want, hold it up to vaunt // don’t let it be the crown baby, it’s thorns baby // I’ve given up that throne, isn’t mine to haunt”

“lion’s mane and pool aquamarine // don’t open up your mouth // and show us the hollows // they took your fangs, baby // and with it the crown”

Entwined

“side by side (by side) // entwined at the mountaintop // no more time to bide (to bide) // just us at the world’s stop // where time goes on (the great beyond)”

Letters for the Bold

“whole constellations fall // the moment we breathe // and stars flicker out and die // and the blackness of space overwhelms // the phone line clicks // somewhere I’m still breathing”

“you said the moon falls // you said that space is nothing // but what’s that now creeping over the garden walls // if space is nothing // where do monsters breathe // and flicker // and die”

Ice Rings Like Saturn

“there isn’t time to talk // I’ve been hiding in dark spaces // there’s only time to sing there // only time to write // darling, I’ve tried talking // in the dark spaces”

Sun-Bleached Bones

“blood in sun soaked water // do you feel like you’re drowning now? // SPF and pool noodle, space suit left back stage”

“I’ve been hiding, back seat and rear-view // but been loving you since y days”

“it’s always been bats for us and bats don’t swim // but there’s blood in sun soaked water // and your bones are white like mine // let me touch them, when I can see not moonlit // when the biggest star looks close // do you feel like you’re drowning now?”

In Legalese: Can’t Tell You More ft. Tammy Thompson

“What did you say to me, hello? That the fires burn yellow? // Now I’ll take you by the elbow “baby, forecast says snow” // You say it’s August, you doing blow? // I’ll say it’s this town, baby! This fucking town! // Fires burn black and snows year round // And dead don’t mean dead until you see it first hand // What did you say to me, hello? That the fires burn yellow? // Now I’ll take you by the elbow “baby, forecast says snow” // You say it’s August, you doing blow? // Blossoms open with teeth and tongues // And the bats are really vampires, baby. // I can’t tell you again, it’s this fucking town. // In the snows // With vampires // And petal maws // This fucking town // Don’t ask me on air // (Oh babe, please don’t) // Can’t say more, babe // Don’t ask me on air // (Small print, baby) // In the snows // With vampires // And petal maws // This fucking town // When the gorge opens up”

Silver

“dying isn’t so much one silence // but one mellow moment // and another // honeyed sweet // and going silver // like slow worms and iron // feels like becoming the earth // before it eats you”

“curling in the coffins // with silver bones // fusing to ancient stones”

Blood in the Water

Good for Drowners

Memories in Triplicate

Treasure Map

spent the afternoon adding songs to the incompleted albums. this (should be) a complete list of all the lyrics i wrote for any of the songs. as with all my fics i welcome transformative media (just use the inspired by function on ao3/tag me) so feel free to go wild if you want to write any of the rest of these songs. it’s been fun writing the series and i hope you enjoyed it to!

love fives

#someone asked for this #so here you all go

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moronicromantic · 10 months

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Someone asked for a post on punctuation months ago. I haven’t gotten to it until now. My apologies. I’m using proper punctuation here because it’s meant to help. Most of this information is just what I remember learning. There are probably more uses for each section, but I can’t describe everything well enough. Keep in mind that this is American English, not British English. British English and American English have different words and rules. I learned English as a second language, yes, but I learned American English. Please be mindful of that as you continue.

Question marks ( ? ) are used to indicate a question. You don’t need a full stop when using a question mark.

Is that my shirt?

Why are you wearing my shirt?

Exclamation marks ( ! ) are used at the end of a sentence to indicate a strong feeling of emotion. They add emphasis to the sentence. You don’t need a full stop when using an exclamation mark.

I can’t believe it!

That’s amazing!

Semicolons ( ; ) can be used as a replacement for a period (full stop) when you have two closely linked independent clauses next to each other. Independent clauses can stand as their own sentences. They don’t necessarily need any extra information to make sense.

Call me tomorrow; you can give me an answer then.

You can also use a semicolon before words like however, but only when they introduce a complete sentence and when you put a comma after.

Bring any two items for the charity event; however, toiletries and shoes are in short supply.

Semicolons are also used when there are commas within a list.

We will be traveling to Rome, Italy; Nice, France; Madrid, Spain; and Berlin, Germany.

Colons ( : ) are not the same as a semicolon. They are explanations of different things. They may introduce a list, an explanation, or a quote. Colons can connect independent clauses with lists and nouns.

Here is what I need: paper, a ruler, paint, and a pen.

If there are two or more complete sentences following a colon, capitalize the beginning of each sentence.

My mom taught me three rules: Be honest. Be vigilant. Never hurt others.

Dashes ( — ) add emphasis, just as many other types of punctuation do. However, they can also change the tone of a sentence. They usually indicate a dramatic pause or an interruption of some sort.

You’re the one, the only one, I want to marry.

You’re the one—the only one—I want to marry.

Dashes can separate unnecessary information from the rest of a sentence.

Maria—my friend from tennis—got married on Wednesday.

Dashes can show an interruption in dialogue.

Eloise screamed, “Help! I need someone to help! My sister is fall—“

Dashes are also used to show a duration of time.

It is from 1:35–6:25.

Hyphens ( - ) bring words together.

They can connect individual words to make different phrases.

State-of-the-art.

Off-campus.

Hyphens can help to make new words, like original compound verbs.

Video-games.

Hyphens can also be used to connect two last names from different people.

Mary Smith-Johnson.

Arianna Rivera-Hughes.

Quotation marks ( “ “ ) are used most often in dialogue. Capitalize the first word if you have a complete quotation.

Marianna said, “There is nothing more unfortunate than a man who is too blind to see his faults but has eyes perfect for seeing women.”

If you are continuing a sentence, don’t capitalize the quoted material.

Marianna told us that it is “unfortunate” to see a man who is “too blind to see his faults but has eyes perfect for seeing women.”

Parenthesis ( ) are used to enclose clarifying information that isn’t necessary to understand the sentence. Periods go inside parenthesis when the whole sentence is in the parenthesis. Otherwise, the period goes outside.

Please read my research. (You'll be shocked.)

Please read my research (you'll be shocked).

Commas ( , ) can be used to separate a list of things.

We need to buy apples, blueberries, bananas, and strawberries.

I have been to Japan, Taiwan, Italy, and France.

The sentence above is also an example of the Oxford comma. This is the comma used before “and” in lists.

Without the Oxford comma: We need to buy apples, blueberries, bananas and strawberries.

With the Oxford comma: We need to buy apples, blueberries, bananas, and strawberries.

Commas are also used to to separate independent clauses that are joined by any of these conjunctions: and, but, for, or, nor, so, yet.

The performance was over, but the crowd refused to leave.

I spent an hour explaining the equation, yet my brother still didn’t understand.

Commas can also be used to separate nonessential or nonrestrictive clauses from the main clause.

The dog ran down the road, wagging its tail.

My brother, who used to be a teacher, is retiring in May.

Commas are also used to introduce and interrupt dialogue.

Marianne laughed, “I have never seen you so devastated. And for what? This?”

“I don’t understand,” Laura sniffled, “why you have such little empathy.”

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