It’s solar and wind and tidal and geothermal and hydropower.
It’s plant-based diets and regenerative livestock farming and insect protein and lab-grown meat.
It’s electric cars and reliable public transit and decreasing how far and how often we travel.
It’s growing your own vegetables and community gardens and vertical farms and supporting local producers.
It’s rewilding the countryside and greening cities.
It’s getting people active and improving disabled access.
It’s making your own clothes and buying or swapping sustainable stuff with your neighbours.
It’s the right to repair and reducing consumption in the first place.
It’s greater land rights for the commons and indigenous peoples and creating protected areas.
It’s radical, drastic change and community consensus.
It’s labour rights and less work.
It’s science and arts.
It’s theoretical academic thought and concrete practical action.
It’s signing petitions and campaigning and protesting and civil disobedience.
It’s sailboats and zeppelins.
It’s the speculative and the possible.
It’s raising living standards and curbing consumerism.
It’s global and local.
It’s me and you.
Climate solutions look different for everyone, and we all have something to offer.
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I've been on a bit ob a Russell Crowe movie binge in the past few weeks and since he is almost sixty now, many of the movies I've watched were consequently older movies. and when I watched them, it struck me again, how much hollywood has changed in the last few decades when it comes to depicting men.
take Gladiator for example from the year 2000. Russell Crowe plays basically an action hero in it. he is a big, muscly dude, who is very strong and uses that strength to defeat his enemies. and this is what he looks like:
looks like a strong man, right?
in the same year, Hugh Jackman as Wolverine looked like this in the first X-men movie:
in 2013 the same character played by the same actor looked like this:
it's a bit much, isn't it? I mean, he looks so skinny.
and if we go even further back: look at what the womanizer character Face from the A-team looked like in the 80s show vs the 2010 movie reboot:
maybe the difference isn't that big but it really startled me when I watched that movie for the first time. in my mind there was no reason why Face should be particularly muscular since he is the charming one not the one known for being particularly strong.
if we go even further back, look at the charmin womanizer character Hawkeye in M*A*S*H from the 70's.
I know he's a doctor and there is no reason for him to be ripped but I got the feeling if they did the show now, he would be.
I don't know what my point really is I'm just saying I got a bit nostalgic when watching these men. I cannot be the only one who'd rather see more of this:
than this:
also, as a sidenote: Russell Crowe gained a lot of weight for the nice guys and he is a fucking powerhouse in that film, like, when he punches someone, you really feel it because of the weight that is behind it and the shere mass of his body.
(even if this may look different, he's about to break Ryan Gosling's character's arm. I couldn't find a gif of him punching someone but I swear it looks painfull as hell.)
so, in short: can we get big, heavy action guys back? cause I'm tired of seeing these skinny, despite being muscular dudes who look dehydrated as hell and on steroids.
and can we stop making characters ripped just for the sake of it? cause I'd rather cuddle with a guy looking like Hawkeye than one looking like Face from the new A-team movie.
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There are many new friends on the archive, and many are young and have only known social media, which is why I wanted to say something!
Ao3 does not have an algorithm! It isn't a social media site, it's an archive.
Posting fics on Tumblr isn't the same as posting fics on Ao3
Ao3 is like a giant virtual bookshelf, and everyone is able to add their own stories to the bookshelf, all stored with different tags and different fandoms. Works are automatically sorted by newest to oldest, but filters, looking at bookmarks, and using the search function can change that.
Certain works are not pushed to the top like social media posts. More kudos and reads don't push a single work to more viewers by some algorithm. Unless otherwise filtered, works will be at the top of the page based on how recent it was posted.
Smaller fandoms get less views, less kudos, less bookmarks, and larger fandoms get more simply because of the number of people inside the fandom.
Ao3 is a giant virtual bookshelf- there is no algorithm, and there is no man behind the shelf pushing certain books forward.
Happy reading, and if you'd like to have more people notice a fic, why not share it with them! Send a dm to a fandom friend and it might turn into one of their favorite fics!
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Okay if requests are open can I kindly request malleus and grim silliness?
Also hi hello I love your art sm :3 it's so silly and cute :33
best ive got is some cocomelon shit
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day 80
just thought itd be fun to do a silly lil redraw of this doodle from year 1, but digitally and less wonky and small
i have a suspicion the dash is gonna make it look absolute dogshit so make sure to click thru for better quality
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another really fantastic detail from the s2 finale regarding Leo's powers... I've always loved the hell out of what they did cinematically with it, it looks and feels incredible and kicks total ass. initially I was under the impression that he was replacing his portals with his swords; that he was "traveling through" them per-say. but here --
...we can actually see Leo materializing SEPARATELY from his sword! you can see in the following frame he actually dissipates again and his sword continues flying along the same path untouched, inertia unaffected.
...and then he materializes again to properly align with it and catch it!
he's entirely not in contact with it but is implied to have already crossed spacetime. which means Leo can just... Do That. he's rapidly bending space to transmit his goddamn subatomic particles to a new location. the purpose of the swords isn't to do the portaling; it's to work as a landing pad. it's a vector point by which he re-solidifies the mass he's transporting. a familiar homing beacon he can align himself with on the fly.
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