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#sorry it's rly long
seriousbrat · 3 months
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this says a lot about Snape's character development for me. There are many parallels drawn throughout the series between Harry and Snape; obviously, they're very different characters but there are similarities too.
I think here Snape is talking about himself. The teenaged Snape we see in the Pensieve is very much like this- emotional, heart on his sleeve, easily provoked, a definite wallower in sad memories... weak. Adult Snape, though he retains some of these characteristics that do emerge in stressful moments (in PoA we see how angrily he reacts to Sirius's escape, for instance) on the whole is a great deal more thoughtful, reserved, calculating, measured.
I think that Snape at some point had to force himself to become this. I think he actually relates to Harry here, and is giving him advice based on personal experience. In my fic he begins to learn to control his emotions partially out of a desire to protect Lily; he's fully aware that she's his weakness (or really, his strength, viewed a different way) and that openly displaying any sort of emotion towards her at all makes her vulnerable to the likes of Avery and Mulciber, who will have the perfect weapon to get to him if they want to.
Severus doesn't have the advantages of his peers, he's not pureblood, he wasn't born into money. If he wants to join the Death Eaters and rise in their ranks, he needs to be subtle, cunning, careful. he can't afford to be careless and entitled like mulciber or bellatrix or even sirius. what he's got to offer isn't his name or his money, it's his sheer talent and cleverness. moving on:
When Voldemort decides to go after Lily this becomes even more important. Imo the reason why Voldemort believes that Snape only "desired" Lily is because that's what Snape told him. He lied to Voldemort's face and told him something probably disgusting tbh because that's the only way Voldemort would accept it and agree, if it was a selfish, callous request that Voldemort could understand. We can see evidence of this here:
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Asking Voldemort to spare a mudblood because he was in love with her would likely not have gone over well- and as we know, Voldemort actually bore his request in mind, though obv didn't give enough of a fuck about Snape to follow through. Because although asking voldemort to spare her must have taken serious balls, Snape's mistake here was trusting someone inherently selfish to do something selfless for him.
Clearly he immediately realises this and goes to Dumbledore, which is when controlling his emotions becomes of paramount importance, because now he's working against perhaps the most highly accomplished legilimens of all time.
It's also interesting to me that Snape in this conversation is probably the character who is most forthright and informative with Harry in the whole of OotP until Dumbledore at the end; Harry actually learns a lot in this conversation. And Snape also kind of gives him credit which is interesting too:
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like for Snape that's high praise lmao. A shame because if he wasn't so bitter (i.e. didn't wear his heart on his sleeve so much around harry) then he might have actually been pretty helpful to Harry and a decent teacher. Again, during the Occlumency lessons his unrestrained emotion brought up by memories of James is a hindrance. He defies Dumbledore's orders to teach Harry Occlumency because of his emotional response to SWM, as well as honestly doing kind of a shit job before that (by not being empathetic and teaching Harry in a way that would've been actually productive.)
At this point Dumbledore believes that Harry learning Occlumency and controlling his emotions is of vital importance; he turns out to be wrong about this. In Harry's case, it turns out to be his emotional nature that saves him- unlike Snape, who is the opposite. Snape's journey is about learning that some things are more important than his selfish need to give into his own emotions.
By DH Snape's learned this lesson fully; his old hatred for James doesn't stop him from doing what has to be done, from giving Harry the tools he needs. Even in the final moments of his life, he can look past James and see Lily in Harry- and, by giving Harry the information that leads to his self-sacrifice, he can let her go.
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lorephobic · 5 months
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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dracula-enthusiast · 6 months
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obviously i enjoy cute happy cathartic chainshipping stuff but personally. to me. one of the reasons its so compelling is that they are two deeply incompatible people, trying to cling to each other anyway.
Lawrence, with his need for control and order, who was devoted enough to his family he was willing to cut off his own foot to try and save them, and Adam, who seemingly has no real direction in life, who cut off his parents for an unknown reason and who, in the original script anyway, was shown to be passively suicidal. a surgeon who has friends that are lawyers, and a freelance photographer who has friends like fucking Scott Tibbs.
they cannot be more different from each other. they're like puzzle pieces that don't fit, but by god are they going to try and force them together anyway because if they don't they'll lose the only other person in the world who understands what happened to them in that bathroom. and they can't afford to lose that they need that. they need the reassurance that what happened to them was real and that they made the right decisions and that they're okay now.
they would be messy and they would argue all the time and they would piss each other off to no end but they would be so incredibly dependent on each other that they would put in the effort to be together anyway. do u get it do u see my vision
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rox-of-iu · 10 months
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hulloo, i am here once again with cultivate....but not the usual one (~_~;)
so funny thing! i had most of these already done from before, but felt a bit silly so i didnt post them. but then (spoiler) we got Tao Ying in his fresh new look and like.. i had to draw him and post the rest of the gang along with him hksfh. so here, the sillays
🍑Tao Ying
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🐉Qing Mushu
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🦆 The Empress
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🐗The General
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aaand more sillies of the goobers
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aaaaand thats it hdjhdsjfhds so sorry for the long post lmao
characters yoinked from @neonghostcat cultivate
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yamsgarden · 5 months
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Dumb and Dumber shenanigans
For real tho, why is the Pesci figurine 335$?! I want it so bad... But...
GYAT DAMN
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ourfag · 2 months
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Forgive my asking, but what are you meant to do if you find hair in your food at a restaurant? Send the whole thing back to the kitchen? I'd of course send my food back over something larger or grosser, like a nail clipping, or multiple pieces of hair, but it seems like such a hassle for just one piece.
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soranker · 5 months
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hi….! any chance we can see your art process ? it’s fine if not! i was wondering if u do a sketch before your lines or you just skip directly to lineart? your art is very beautiful!
HI!!! AUGGHHHJHH THANK YOU SOOOO MUCH T__T my art style is kinda simple imo so my process is pretty bare-bones ^^;; there's not rly much too it!! it also kinda changes depending on how uhhhh lazy im feeling in the moment HAHA
probably around half of my drawings are straight to line art bc they're rly just doodles or things i decide to draw without any planning (but also im kinda impatient so i try to skip the sketching step if i can LOL...). but if i DO have a specific pose in mind for a drawing, i'll start with a sort of mannequin sketch or loose pass, then depending on how messy it is, ill either do the lineart pass on the layer on top or duplicate the sketch and then clean it up.
and then my coloring process is not sophisticated at all i just create a new layer and then paint bucket tool away LMAOOOO
here's an example of a drawing where i did sketch first ^_^
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alienaiver · 4 months
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"i thought you promised me you'd stop."
you don't mean to sound as angry as you do, nor as accusatory. it's merely a statement. aizawa isn't phased by the harsh sentence, though. he knows you.
he looks up from his laptop, stopping his hands from massaging the part between scalp and neck. he looks like a deer caught in the headlights - or more accurately to him, a cat caught at a crossroad. you can't figure out if he'll try to sneak away before explaining himself. both of you know that you're not going to let him.
you sigh and slump further against the doorframe, lifting a hand to your face. what are you going to do with him? he rolls away from the desk to face you properly, "i was... but it changed..."
you know what he means. it always changes. he promised he'd quit after raising a new generation of heroes; that he just wanted to follow his class to the door as an active pro hero. that he'd become a full-time teacher and retire from being a pro hero when his last class graduated - which they did, two years ago.
and yet, aizawa's filing a report after his afternoon patrol. he'd barely been able to eat dinner, his body not able to stomach much with all the stress and medication it's being put under.
for someone who hates medication, he sure is willing to take a lot in order to overcompensate at an already oversaturated jobmarket.
the stout and strong man you fell in love with has dwindled. he argues that he hasn't diminished nearly as much as all might, and you remind him that it's not a competition. that dealing with chronic pain and then losing a leg and an eye is cause for concern for anyone; his plate is full.
but then, a prodigy came around. one you love and has taken in as your own as well, supporting them both. and although aizawa's argument is always that he does it for the kid, said kid has begged him to retire since his second year in high school.
you sigh and let your arms fall and walk over to him, defeated. you stand in front of his desk chair, in front of him, and look into his eye before you start to run your hands through his hair. you're silent together for a moment.
"i'd like to grow old together."
he hums and leans into your touch, arms reaching out towards you, holding onto the sides of your thighs.
"me too."
a chuckle turns into a sigh for you before you give him a stern look. you understand him; this is his dream after all. this is everything he worked towards. the challenges he faces on a day to day basis are tough; but so is he.
you hold onto his face with your hands, your thumbs dragging over his cheeks, "can you take fewer shifts at least?"
he considers for a moment before his arms travel up to join yours, "i'll try."
try.
that is all you can ask of him, really. and you won't try for more; after all, this is also a part of him you fell in love with. this is also a part you chose to live with when you accepted the ring on your finger. he pulls gently at your hand to kiss said ring while maintaining eye contact and you huff out a breath before you smile.
"i'll hound you about this in another six month's time." you warn and he laughs, low and scratchy, before he nods, "and i'll be there to listen."
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floydleart · 3 months
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Just wanted to say I've been a yogscast fan since the very beginning of shadow if israphel and anyway I've recently rejoined the tumblr Fandom after a long hiatus and thank you so much for all your amazing art are rekindling my love for some of my first ever ships
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SOI is the best (also tysm <33333)
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autisticlancemcclain · 4 months
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hello all….i live…..i rise from the GRAVE (my bed i was sick)…..weak but determined……it is tuesday……it is time for the return of the wip wednesday poll
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mwagneto · 4 months
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people seeing gifs of the 15th doctor having gay little moments and going "ohh what's this show? i gotta watch it" is literally ending me not just coz of the concept that anyone can be unaware of doctor who but also bc like. while i do think it's a show ppl should watch in its entirety. DON'T DO IT FOR GAY REP LMAO. like it literally does have a lot of lgbt rep even all the way back in season 1 of 2005 fame but watching 13 seasons of doctor who coz something gay happens in the new eps is like. idk finding out there's a new pride and prejudice adaptation with a gay character in it and going ohhhh that sounds fun:) guess i'll go watch every adaptation ever made
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umbrace-ramble · 3 months
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One Piece and Being Different
I could talk long and wide about all the things I love about One Piece, from the worldbuilding to the character writing to the political/darker topics it touches, anything. But one of the main reasons I personally love it so much and I don't believe has been talked about as much as it should, is how much it celebrates otherness. This is very much an overarching theme in the series because pirates by themselves directly go against society's standards, but this is focused more on a character point.
Objectively speaking, most OP characters are freaks and weirdos and strange and off putting, and it's good! Luffy specially, and he is the MAIN character, celebrates and embodies this weirdness to the extreme, and it's incredible how he manages to push this idea to other people around him too. It happens time and time again that he will meet someone and, the more different they are, the more he instantly wants them to join his crew. He is so incredibly driven by the wonder of discovering things different to him that he only feels happy about their existence, he wants to know and have fun with and love them because they're different!
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And it has been acknowledged, the general effect Luffy has on people, how he manages to pull them to him like moth to a flame and recruit them to his side without even trying. It’s such incredible power, but it's also incredible how everybody around him, and especially his crew, always strive to become better for him, and most of the time becoming better, in OP, implies stop being normal. Being human, being acceptable by society's standards.
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Like damn, the whole character plot of Luffy's fight against Katakuri was Katakuri coming to realize that he doesn't have to put up a front for other people, that he can keep going being himself, without hiding his monstrous features. That is when Katakuri stops fighting for his family and starts fighting because he wants to. And even after Luffy wins that fight he is respectful of Katakuri's wishes and covers his mouth with his hat.
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Most of the Strawhat crew are really adopted strays, lost people and old enemies. They were othered, by people or circumstance, and Luffy gave them a home and a purpose. And in their increasing devotion to his cause, and through his constant love towards them, they have learned to stop being afraid of being different. Luffy will always accept them.
Franky had to quite literally rebuild himself into a living weapon, he chose to do that so his Battle Frankies couldn't be used against his will ever again, but despite being a cyborg he still looked mostly human. His pre-time skip design often shows how he pulls off his skin gloves to punch with his real metal hands. He was a criminal and shunned by his city and he was okay with that, but he still chose to blend in. After he joins Luffy he fully embraces himself and becomes quite extravagant in his own design, he is proud to show off his body modifications, he has fun with it, he accepts his cards and decides to use them at their full extent for Luffy. His metal parts in full display, painted with bright colors. Flame-shaped fists, changing his hairstyle at the push of a button, that is not someone trying to blend in anymore.
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Chopper is a character whose biggest fear has always been being an outcast. He was bullied out of his herd for not being reindeer enough, he was hunted down by humans for not being human enough. Eventually, however, he learns that in order to be able to keep going, to defend his newfound family, he will have to become a monster for them, and he is happy to, because he would do anything for them. He knows that they will never think less of him for being a monster, for being different. These are some of the most extreme examples but every single character in the crew reflects this theme in some way.
We have people with extremely bizarre powers, shapeshifters, furries, witches, made up creatures, zombies, talking animals, talking food, living skeletons, a whole kingdom of queers, sea monsters, dragons, human experiments and so much more. In a series that mixes so many genres, so many themes, so many types of characters, such outrageous and unconventional character designs could have been used for mockery, or simply used as villainous traits as so many other stories do. And they are certainly sometimes cause of mockery, but it's rarely ever malign. In OP this extreme otherness is often a source of awe, a positive trait, something to be admired. It certainly is for Luffy.
Luffy is a main character that exclusively judges people by their true selves, beyond what they may be saying or doing, with his very keen emotional intelligence. In the world of One Piece, where the maximum power is held by the World Goverment, an organization that actively shuns everything different and is willing to sacrifice anything for the continuity of censorship, power and control, that turns a blind eye towards unaffiliated countries, the slave trade, and the underworld, that is willing to create agreements with some of the most feared pirates and allow them to continue to exercise fear in exchange for their assistance as brute force, Luffy and his recurring thread of freedom and acceptance is beautifully fitting.
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azuneekun · 1 year
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Hi! I really love your art! I have a new farmer OC that I've been wanting to show off, but I don't know how to introduce them, do you have any tips? I would draw them but idk how
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i hope you have a good time introducing your farmer!
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aibyoutachi · 7 months
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For the souyo doodle requests, how about Yosuke getting ambushed by Yu's (and his, I guess lmao) herd of cats because he grabbed a bag from the kitchen that they thought was treats
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i feel like souji would keep picking up cats by "accident" and promise yosuke that no, he really won't do anything but feed it until he finds it a new home and now yosuke is that stereotypical grumpy dad who pretends he didn't want any of them but secretly loves and spoils them
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omegalomania · 1 year
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some kind soul uploaded the full q&a that fall out boy did the other night! here is a highlights reel of things that grabbed me while i was watching for those who don't have time to watch:
they have a rapport with the interviewer and have hung out with him a bunch. patrick says they spent like 30 minutes making fun of couches last they hung out lmao
pete describes working with neal avron as being held like an enchanted forest creature with him standing inches from pete's face and saying "what. are. the songs. about." and pete going "oh my god he's looking into my fucking soul rn"
when asked what their favorite meal is, andy says "mom's spaghetti" and doesn't elaborate, patrick says "sushi" and doesn't elaborate. pete says that he's like the joker and he's a simple man and today he had a full english breakfast and he didn't know what to do with half the stuff that showed up.
pete talks about discussing the name of "the beatles" with elliot ingham (their photographer) and says he finally understood that their name was a pun. he says about this "i'm not the sharpest tool in the shed" and doesn't realize he's referencing a meme. the crowd immediately fills him in that it's a lyric by smash mouth. andy clowns on him for this right after: "he's NOT the sharpest tool in the shed"
the host says that pete seems very intellectual. pete says "i PROMISE you that's not true."
when asked about formative musical influences andy and patrick both cite familiar names (andy namedrops drummers for bands like slayer and metallica, patrick says his dad being a folk singer was a huge influence and the 1989 danny elfman batman score). pete says joy division but says he's a visual person and most of his influences are movies.
there's a moment where patrick and pete banter and pete points at the host and says "he just told me i'm smart, i'm trying to live up to it!!" and patrick says in this very small high pitched voice "please be nice to pete!"
anyway pete says his biggest influences are "all the twilight movies except for the one where they introduce [i have no idea what he says here because the crowd promptly goes apeshit]" and also lego batman.
for newer artists patrick says he really likes the new zulu record and the new incendiary song. he says he also likes MSPAINT, alvvays, and another band i couldn't catch the name of
pete says he likes all of patrick's recommendations and says he also likes games we play. andy doesn't give any artists but says patrick gave a "great list" because he's VERY jet-lagged. he's keeping it together as best as he can tho lmao
when asked about if they would ever do a fashion runway show like they did in 2013, patrick says he was embarrassingly short for the whole thing. "i'm at like, bellybutton level." so he says he doubts they would ever be invited back to do something similar "unless they want a bunch of hobbits"
someone asks about producing and patrick gets really in depth with what producing is like and uses "from under the cork tree" as an example - "nobody puts baby in the corner" was barely adjusted from demo form but "sugar we're goin down" had totally different verses at first until they got better direction from the producer.
when asked about what their favorite video to film was, pete says youngblood chronicles WASN'T a lot of fun to make because it was like 9 months with fake blood in your hair and clothes that haven't been washed oNCE. he also didn't love doing the prosthetics for "love from the other side"
the host asks if they've seen the last of us and pete says yes but points at andy and says "he hasn't seen the last episode though so no spoilers!!!" which i thought was very sweet. he then follows that up with "just watch the fuckin episode so we can talk about it!"
patrick and andy said they shot a music video recently that was a "blast" but it's not out yet. pete calls it "very fun, very funny." the crowd starts cheering and patrick hastily says "YOU HAVEN'T SEEN IT! you're under NO obligation to like it! but if you do then that's good :)"
patrick says one of the best parts of being in a band is that they all have imposter syndrome but in different ways so they can build up each other's ideas even if they don't believe in their own.....
pete's very nervous about the lyrics to this album cause he's not sure they'll be relatable since he has a lot of "insane fears day to day about not existing." he went to a lot of places that were terrifying to him and he was like "should i talk about this to my therapist" but his therapist said "put this in your lyrics"
"heaven, iowa" was the song that took the longest to come together on this record. this is followed by a rly long anecdote from patrick that im putting in another post cause it honestly made me howl.
when asked about who they'd most like to collaborate with, andy without hesitation says "ourselves" and nothing else. pete says he wanted a kid cudi feature on the album but it didn't work out since he was either busy or ghosted them fldjflkdf
when asked what song are they tired of playing that they can't cut from the setlist and they DON'T want to answer. patrick says some songs have really high notes that are demanding physically for him but that's as specific as he gets lol
pete's like "well we've got this punk song we end all our shows with from one of our earlier albums and it gets very chaotic and sometimes it's a bit of a fancy crowd of people who are like 'i like centuries, i like some of their other songs....i write sins...' and before we start the song i'm like. oh god this is gonna be bad."
when asked about the songwriting process, patrick says: "pete sends me lyrics, i mine them for stuff i like, and....i hate starting answers like this i feel like i've been saying this all MONTH. so i have ADHD - " [crowd fucking goes wild]
when asked about which projects they're proudest of outside of fall out boy, patrick turns to andy and says "andy is very quiet about being in like thirty bands" but andy says he's proud of "all of it"
patrick remarks that he's heard some love for soul punk but is also super grateful he gets to do film and tv scoring now too! he says he likes that when he's talking to people and they ask what he does and if they don't know bands or anything he can say he likes scoring for film and tv and their eyes glaze over and there are no follow-up questions LMAO??
pete is proudest of the bands on his record label!
for favorite songs on the new record, patrick says he likes "what a time to be alive" and says the lyrics are "so tremendously pete"
pete likes "baby annihilation"
when asked about the most difficult song to play live, patrick said headfirst slide wasn't really that difficult even though he expected it to be. he says a lot of songs on mania were very challenging to play live, like young and menace. pete says "what a catch, donnie" was very hard for his "little brain" to play
at the end pete shouts out the host for being fantastic since they've hung out like 3 times now and he thinks he's a great dude to hang out with. andy inexplicably follows this up with "you look like a DAMN fine cup of coffee" and doesn't elaborate but patrick thinks that's his way of saying thank you too
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fyodorloveclub · 1 year
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omg i saw ango n’ came sprinting . . . sawbs thinking so heavy abt stressed fed up with work ango :< who binds ur wrists w his tie one day after work n’ just takes all his stress n’ anger out on you ! fucks u till he’s shooting blanks n’ u take it like da sweet littl angel of his dat u are :C
so many thoughts head full................ i can sooo see this for him like his life is always stressful das nothin new and he always tries to stay gentle and sweet with u but one day everything at da special division that can go wrong does and when he gets home he just snaps.....
u go to greet him when he gets home like u always do with a sweet cheek kiss instead he slams the door and drags you to the bedroom O.o after he throws u on the bed ur fuckin DROOLING watching him loosen his tie with one hand and unbutton his shirt with the other
before u even know whats happenin your wrists are bound together above ur head with his silken tie, he's whispering "be a good girl for me, yeah?" then ur panties are pulled to the side and he's already bottomed out WUAH
lets be fr. ango is BIG and so ur whimpering and whining at how bad it burns but he is angry and that anger needs to go somewhere! somewhere = ur pussy. u know ur gonna be so so sore and bruised tmrw with how hard he's fucking you and how tight ur wrists are bound, and how his fingers are digging into the plush of yr waist but shit does it feel good having him throw u around like this!!
ur literally just babbling and whining while he's sayin shit like "you like that baby? you like when i treat u like a toy?" and ur just nodding and crying fjgfjgjj
he's now come at least twice and you've lost count of ur own orgasms, cum squelching and dribbling out of your abused pussy with every thrust and you're yanking hard against the tie bc u want ur hands on him so bad but ur gonna stay where he puts u!! he's mad and ur gonna calm him down :)
afterwards he's so so sweet with u and has the most gentle aftercare, telling you how perfect and beautiful you are and how thankful he is for u as a reward for being such a good girl teheehhehe
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