#soundesign

[p2-psquaredmusic]

https://www.deezer.com/album/291018412?utm_source=analytics_sharing&utm_medium=mobile&utm_content=album-291018412&utm_campaign=system-message

#analog #analog synth #digital synth #soundesign #prog rock #jazzelectronica #jazz fusion #spotify #psquared #pedro prats nordelo #pedroprats #music #soundcloud #idm #korgvolca #dropandrollrecords #youtube #edm #instagram #electronicmusic #korg #acid #nativeinstruments #radium #volcabass #volcakeys #reggaedub

[catbearjournals]

#free format dj #freeformatdj #aesthetic #soundesign #Jae Kress #diy #music #nature #r&b #house #jungle #amalgams #Instagram

[praxidyke]

SPORTS

a working sony walkman costs $100+ on ebay, but I got this soundesign SPORTS for like $15

#soundesign #sony walkman #cassette tape #ignore the blutooth transmitter im not going for period correct

[tokyoautumn]

#paulfasel #johnpaulfasel #soundesign #originalscoremusic #bandasonora #podcastmusicdesign

[edduferreira]

Trilha sonora original, sound design e mixagem para série ID MTV Viacom, MTV Produced by: Tetas / @colletivodesign / We Make Magic / @camilavieirax Curatorship: @flaviazim Direction, Illustration, Script: @sebastian_dana_ Motion Design: @ricampana  Original Soundtrack /Sound Design / Mixing: @edduferreira  

#Mixing #soundesign #soundtrack #mtv #mtvid

[hexjulia]

the immortal story 1968 made me want to claw my face off (in a good way)

#the overwhelming sadness and [undefiable] the weird deeply 2nd hand shame inducing old man's voyeurism kink attempt the meditation on memory #on death aging and loss storytelling and the colours and the soundesign... #LIKE ON SOME LEVEL IT IS A COMEDY. it is!! but also it's all of the previous #DESPITE orson welles stupid fake nose. and also the inexplicably peroxide blond sailor

[schibborasso]

Conny Blank (1940-1987)

#producer #pioneer #soundesigner #innovator #krautrock #electronic pop-music #70s #80s #neu! #eno #bowie #ultravox #devo #kraftwerk #daf #eurythmics

[joehaupt]

Vintage SounDesign Transistor Radio In Presentation Box, Model SD-1820, AM Band Only, 8 Transistors, Also Sold As Model TR-1820, Made In Japan, Circa 1962 by Joe Haupt Via Flickr: This radio was produced under several brand names including Lincoln, Realtone, Truetone and Soundesign. All used the same model number, TR-1820. I have found one version of the Soundesign set whose box lists the model number as SD-1820. There is no model number on the actual radio itself.

#Vintage Soundesign Model TR-1820 Transistor Radio #Vintage Soundesign Model SD-1820 Transistor Radio #Vintage Soundesign Transistor Radios #Transistor Radio Collection #Transistor Radio #1960s Transistor Radios #flickr

[retroaudiophiledesigns]

Vintage Soundesign 8" track - ready to stream. [1973]

[datacode23]

新しいテスト ループ______××//// software: Cycling '74 Max/MSP/Jitter

#datacode #postdigital #audio #loop #test #soundesign #sounddesign #algorithmic #sequencer

[colddancesmusicalblog]

Most moving lines in each Enneagram Song:

One: "Ive spent my whole life searching desperately to find out grace requires nothing of me" is of course a tearjerker but "as if I could earn God's favor given time or at least congratulations" gets me too. I guess I too am desperate for approval and I'd do anything to get it, so mood.

Two: "And maybe I'll get around fixing myself too" and that AFTER the fact that "You know I'll take my heart clean apart if it helps yours beat". Is in the same song?! HOW IS THAT ALLOWED???

Three: "leave my greatest failures on display with an asterisk 'worthy of love anyway'" CRIES. The whole song is so damn sad and honest but dammit three ATE the conclusion line up out of all the songs.

Four: Four is really so galaxy brained and stuffed with metaphors and I haven't even dissected all of them yet but "Maybe I'm hiding behind metaphors maybe my heart needs to break to be sure" is very interesting, because I think it means a 4 hides behind their own artistic mask as protection and maybe they need to drop this mask for once to find out what they've been looking for even if it means getting hurt in the process. This whole song needs a 10 page poetry analysis. The word "Glorious" by itself is also sung so softly in this song in makes me cry.

Five: The songs lyrics aren't deeply vulnerable and I feel that's just the style of a five expressing their feelings. But "My Armour falls apart, as if I could let myself be seen, even deeply known. As if I was already brave enough to let go." Is still a favorite of mine. The music is also so pretty and stunning and that makes me tear up sometimes.

Six: "Is it courage or faith to show up everyday?" Hits me so hard in particular because each day always has me so worried about what could go wrong that I'd rather curl up in a blanket but I still get the energy to go through with it. "What would it feel like to put this baggage down? If I'm being honest I'm not sure I'd know how" also speaks to my soul.

Seven: Gosh the song is so vulnerable and sincere yet so optimistic about it. It's the heartfelt melody and soundesign (like the cheers and claps) that make me tear up the most but lines like "a secret handshake between me and my own life" or "I want to be here. Truly be here. To watch the ones I love bloom." also really wreck me. Sevens think in a way I could never think and they do it so easily and naturally and that's what gets me.

Eight: It's no secret by now that eight is my favorite. There's so many lines that really break my heart: "When I see fragile things. Helpless things. Broken things. I see the familiar." Or "I CANT afford to let myself be blindsided." Or "I'm just a kid who grew up scared enough to hold the door shut and bury my innocence." DUDE. The instrumentation of this song also really gets me. It's so dynamic, raw and emotional.

Nine: "wake up, fall in love AGAIN" or "wage war on gravity theres so much worth fighting for youll see" or "How do I forgive myself for losing so much time?". It's like the experience of wanting to stop existing and start living. This song, after having listened to the album in full has be sobbing into my pillow sometimes.

[p2-psquaredmusic]

#jazzelectronica #jazz fusion #jazz #soundesign #soundesigner #analog synth #analog #drillnbass #acidub #pedro prats nordelo #moog synthesizer #modal synthesizers #korg synthesizer

[knalovenge]

There’s a whole website of music to get into. Open your mind, open your heart and get into Kna-Lo Venge🙏🏾🔥🎶🎼🎵🎤🎧🎸🥁🎹 #knalovenge #artist #producer #soundesigner #visionary Knalovenge.com

[remixinc]

ANKLE BREAKERS from OCURENS on Vimeo.

ANKLE BREAKERS is a short experimental video around the basketball universe. - Director : Nathan Almeras & Antoine Moirin D.O.P : Antoine Moirin Edit : Nathan Almeras Players : Groove & Skillz Music & Soundesign : IPON Produced with the support of Ocurens & Monumental

[mixdown01]

Notes from research on showreels

I was looking up tips for creating a showreel - specifically one for sound - so compiled some of the stuff I found. The first source had a lot of SD tips as well, so I included them.

Here's all my notes and sources on what I read!

6 Tips For Creating Your First Sound Design Showreel: | A Sound Effect

[mostly for game design but still useful cause doing design for games would be a shout]

Start with a Stereo bed for all generic "base" things (room tone, wind, general ambience) than add SFX in mono for stuff that makes noise - and automate that to camera position

Unique soundscape and ambience for each different camera position

(more for games) Little things matter when doing foley, beef it up - when cloth moves it should move, zippers, bodyfalls and impacts can always be bigger than you think. Each chara has different outfit, therefore have fun with deciding how that outfit sounds when it moves

Make stereo SFX mono : When things in distance sound too 'wide' due to source mats, and therefore doesn't sound like its positioned correctly, make things mono.

Related to above - if source sounds too stereo but needs to sound wide, convert source SFX to mono and add stereo reverb + widening plugins (Valhalla Supermassive and iZotope Ozone Imager are free recommendations)

For redesigns, replace what music is doing in the scene with cinematic SFX (i.e: for a horror scene, add "metal hits, drones, and risers to emphasise all of the key story beats")

Short and snappy showreels for the win - around a minute is his rec, with 15 sec clips and 5 sec filler if needed

don't start it with 5 second of silence - add a little sound effect to start/end titles!

Build the perfect showreel: 10 top tips | Creative Bloq

[tips for first showreel build - mostly for animation but still has relevant tips]

Cut Ruthlessly - only your best work

Keep it short - 1 to 1.5 minutes in length - studios look at a lot of reels

Start and End well - begin and end the reel with your best work, specifically ending with your second best piece and starting with the first. But keep in mind that the rest should still be decent work

Think of showreel as an ad; which aren't usually more than 30 seconds long. You are selling something.

(More for animation) match your reel to the studio! for instance, don't put in Orc models if a studio does architecture visualization.

(more for animation) Indicate what you created - in student films often its group work, so be clear in what you contributed

(Animation but could be relevant to film portfolio) Show inner workings: Shot breakdowns, software used

Better to go for simple and well done than complex and mid

related- Technique beats individuality (might be more for animation, but could apply to film)

Be a Sound Designer - Episode #1 - Building a killer showreel - sounDesign

[Tips and examples of reels - relevant to first reels]

Should flow well - avoid choppy fade ins and outs

using existing footage of a film trailer, animation, etc and doing a redesign is alright for an entry level position if you have no other work - Make sure to credit properly

2 minutes is borderline too much. keep it around 1 minute with a snappy edit

Put your reel in your linkedin profile

MY THOUGHTS/IDEAS

once I get a rough idea of what to put into it, going into AE and/or Blender and mocking up some transitions and short filler to design to in order to transition from clip to clip could be a good idea

movies - Whats the best way of presenting a sound design showreel ? - Sound Design Stack Exchange

[people answer the above question]

reel should depend on who views it: Musuem curator, Film producer, ad agency...

Redesign again - make it interesting and pleasantly surprising.

particles and colors - theatres and museums, maybe, but def not for film and tv. Viewers want to see something they relate to

How to make a Sound Design Demo Reel (designingsound.org)

[pretty simple and goes over a lot of the above]

Label your responsibilities - make everything you did clear.

Add details to your credits - if your doing sound design, your doing audio editing as well most of the time. Foley Artist, Recording Engineer, VO record, ADR, mixing engineer, music editor, and music supervisor are all valid credits that you probably have done.

showreel - What to put in show reel - Sound Design Stack Exchange

[another Q mostly about content]

Include what you want to work in - i.e Game audio creation, commercial based prod/post prod audio, long term linear media like film, quick contract work like logos and short SD projects.

#languages #behindthescenes #showreel tips

[stageonrecht23]

FILMPLAN OPDRACHT

PREMISSE


ofwel thematiek / kernvraag / uitgangspunt van de filmmaker(s).

LOGLINE

De logline beschrijft het verhaal in 1 a 2 zinnen.

SYNOPSIS

Een korte samenvatting van de film, als je vastloopt denk aan Wie, wat, waar, wanneer, waarom. Als je de zin hiermee begint dan volgt het schrijven vaak vanzelf

MOTIVATIE

van de maker 
(bijvoorbeeld urgentie, oorspronkelijkheid en actualiteit). Wat motiveert je om deze film te maken.

GELAAGDHEID en/of complexiteit van de film. Welke kanten worden er belicht van het onderwerp, wie komen er aan het woord. Welke voors- tegens zijn er. Etc. Wat is de spanningsboog in de film.

PERSONAGES / SOCIAL ACTORS / EXPERTS 


casting / protagonist/antagonist en de rol van de maker. Omschrijving van wie er in de film aan het woord komen, wie wordt er gevolgd (waar krijgt de kijker een band mee?). Wie wordt er ingezet als expert. Kortom wie mogen er niet ontbreken om het verhaal te kunnen vertellen

LOCATIES Letterlijk de locaties waar gefilmd gaat worden. Deze zullen namelijk direct invloed hebben op de vorm- en stijlkeuzes.

VORM- STIJLKEUZES - Cameravoering - Licht - Geluid - Muziek / soundesign - Montage - Kleurcorrectie

LENGTE Hoe lang gaat de film duren?

VOORBEELDSCENES


twee uitgewerkte scenes ter onderbouwing van bovenstaande, bijvoorbeeld opening- of overgangscene. Omschrijving van hoe dat eruit gaat zien.

VISUAL EVIDENCE


beeld-schetsen / testen / foto’s e.d. uit research.

BEOOGDE DOELGROEP Voor wie is de film gemaakt, wie wilt deze film bekijken én wie moet deze film kijken.

DISTRIBUTIE Waar kan de film uiteindelijk bekeken worden, wie moeten daarvoor worden benaderd? Denk aan, filmfestivals, beurzen, televisie, streamingsdiensten, bedrijven die het intern kunnen gebruiken etc. Bronnen: https://allesoverfilm.nl/achtergronden/de-basisprincipes-voor-het-schrijven-van-een-goed-scenario/#stap2 https://www.studiegids-film.ahk.nl/2016-2017/productionele-informatie/formulieren-en-documenten/productie/filmplan-documentaire/

#opdracht