#soundtracks

[doyoulikethissong-poll]

Maximum the Hormone - What's Up, People?! 2007

Maximum the Hormone is a Japanese heavy metal/hardcore punk band from Hachiōji, Tokyo, formed in March 1997. Their line-up has consisted of vocalist Daisuke-han, drummer Nao, guitarist Maximum the Ryo-kun, and bassist Ue-chang since 1999. Each member alternates singing lead vocals, often within the same song, with the exception of Ue-chang, who provides backup vocals almost exclusively.

The group is best known for their unconventional and experimental style of alternative metal music. Over their career, they have found success incorporating elements of heavy metal, hardcore punk, hip hop, pop, funk, and ska into their sound. Stylistically, their music runs the gamut from being dark and serious, to ironic or humorous, often with drastic shifts in tempo and mood over the course of a song. The band's eclectic nature frequently draws comparisons to System of a Down.

Bu-ikikaesu is their third studio album. It was the band's first album to chart on the Oricon charts, debuting at number five and selling 70,000 copies in its first week, after which it remained on the charts for seventy-eight weeks. The RIAJ certified the album Gold, selling more than 100,000 copies in Japan and 250,000 worldwide.

Three tracks from the album went on for use in two anime series. "What's Up, People?!" and "Zetsubō Billy" were used as the opening and ending for episodes 20–37 of Death Note, while the song "Akagi" was used for the anime of the same name. I've decided to add the Death Note intro to this post as well, for The Experience™. :)

"What's Up, People?!" received a total of 55,1% yes votes!

#finished #high votes #high reblog #00s #maximum the hormone #soundtracks

[violetbudd]

#jennifer’s body #horror #2000s films #soundtracks #physical media #horror films #zoom in to see better

[lousolversons]

Soundtracks: The Bear FX (2022 - )

#thebearedit #the bear #the bear fx #soundtracks #tvedit #television #gif #my personal fave moments #such good music on this show

[purplexedhuman]

Good Omens 2 Soundtrack + Songs which make me emotional

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#goodomensedit #goodomenssource #ineffablehusbandsedit #dailygoodomens #goodomensgifs #good omens #usergif #dailyineffablehusbands #good omens 2 #ineffable husbands #ineffable bureaucracy #maggie x nina #aziracrow #david arnold #good omens soundtrack #soundtracks #go2 spoilers #go2 soundtrack #good omens s2 #my posts #my edits #my gifs

[lauralot89]

Main Theme (Jaws)

Hello Zepp (Saw)

Tubular Bells (The Exorcist)

Title (It Follows)

Main Theme (Halloween)

Dueling Banjos (Deliverance)

Main Theme (Psycho)

Reborn (Hereditary)

Night on Bald Mountain (Fantasia)

Torgo's Theme ("Manos" The Hands of Fate)

#music #poll #polls #Tumblr poll #horror #movie scores #film scores #soundtrack #soundtracks

[prokopetz]

I love that thanks to games like Hades and Dead Cells and Blasphemous, acoustic lead guitars in a video game's soundtrack now have a specific meta-genre associated with them, but it kind of makes me sad that Arcanum: Of Steamworks and Magick Obscura ended up having basically no influence upon its genre in spite of its commercial success, because I think I'd enjoy living in a world where Western CRPGs being scored entirely for string quartet was a thing.

#gaming #video games #game development #soundtracks #music #hades #dead cells #blasphemous #arcanum: of steamworks and magick obscura

[jamiegeode]

The mutant mayhem soundtrack song titles are like Percy Jackson chapter names. Just look

Dipshits on a Roof

Murder the Shreks!

What's the Worst That Could Happen?

(The Worst That Could Happen)

Grand Theft Ice Cream Truck

I Just Met You And You Almost Killed Me

Do You Need A Veterinarian

#MMTMNT #Mutant Mayhem #TMNT #soundtracks #AGH. YES

[lightscamerabitchsmileee]

Vote for your fave, Reblog & mention in the tags if you prefer OG or TV and feel free to give your thoughts as well ☺️☺️

Check out my masterpost for the links to the other polls ☺️ today is the last day to vote in the track 17 poll and tracks 18 & 19 plus the other bonus poll Favorite Taylor remix with another artist are still open ☺️☺️

Thank you and have fun ☺️☺️

#taylor swift #taylorswift #soundtracks #movies #hannah montana the movie #hannah montana #the hunger games #valentines day #fearless taylor’s version #red taylor’s version #fifty shades darker #one chance #cats #where the crawdads sing #miss americana #swifties #swiftie for life #tumblr polls #swiftie polls

[riordanness]

what the hell, and i repeat, what. the. HELL did john powell put into the httyd soundtrack bc it’s definitely filled with crack okay

#test drive #httyd #how to train your dragon #john powell #spotify #soundtracks #httyd soundtrack

[doyoulikethissong-poll]

Soggy Bottom Boys - I Am a Man of Constant Sorrow 2000

"I Am a Man of Constant Sorrow" is a traditional American folk song first recorded by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titles "Farewell Song" when printed in a Richard Burnett songbook in 1913. Burnett recorded the song in 1927 but this version was unreleased and the master recording destroyed. The first commercially released record was by Emry Arthur in 1928, and which gave the song its current title.

It's been covered plenty of times during the years with lyrical tweaks, but the biggest impact worldwide happened with the release of the 2000 film O Brother, Where Art Thou?, where it plays a central role in the plot, earning the three runaway protagonists public recognition as the Soggy Bottom Boys. The song had lead vocals by Dan Tyminski, who also was the vocalist on Avicii's 2013 hit "Hey Brother". "I Am a Man of Constant Sorrow" received a CMA Award for "Single of the Year" in 2001 and a Grammy for "Best Country Collaboration with Vocals" in 2002, and also named Song of the Year by the International Bluegrass Music Association in 2001. It earned a total of 70,4% total yes votes here.

If you love great movies with amazing music, please do check this one out! :D <3

#finished #high votes #high yes #high reblog #soggy bottom boys #dan tyminski #00s #1920s #soundtracks

[violetbudd]

#ginger snaps 2000 #ginger snaps #horror #soundtracks #physical media #my scans #do not repost

[lousolversons]

Soundtracks - Fargo FX - Season 5

#fargoedit #fargofxedit #fargo fx #fargo #television #gif #soundtracks #absolute bops this season

[jajatoc]

Yume Nikki, Silent Hill and Little Nightmares ost fans (me) when instead of music I make them listen to factory sounds (they love the grating of metal and weird clangs and creaks more than anything)

#yume nikki #silent hill #little nightmares #little nightmares 2 #silent hill 2 #silent hill 3 #soundtracks #lara rambles #i love these osts so much it's insane #what do you need to smoke to compose like that #kikiyama🤝akira yamaoka🤝tobias lilja🤝making weird ass osts that are insane bangers

[spockvarietyhour]

#soundtracks #movies #didn't make the cut: star trek 2009. sphere. Mission Impossible Fallout. Heat. #music #polls #(lumping blade runner/blade runner 2049. why yes I have chosen violence)

[machetelanding]

John Berkey poster originally included with the Star Wars soundtrack vinyl release in 1977.

#star wars #artwork #posters #science fiction #fantasy #movies #soundtracks #film scores #20th century records #vintage #1970s

[thewormformerlyknownasletojrjr]

Sometimes self care is rewatching Dune (2021) and going on and on about ‘the symbolism of this or that’ or how ‘something here is a nod to the sequels’ or ‘look how the casting characterizes the house atreides’ or ‘the music here is phenomenal, it foreshadows gurney’s fate later on’ or ‘I think the difference in the vocalizing in the soundtrack here is deliberate’ until whoever you’re watching it with is ready to commit murder to shut you up.

But it’s just so phenomenal that you can watch it and catch new things each time, the visual and auditory storytelling in the background gives you so much! All these little things that go unnoticed until you see and want to jump out of your seat at them, let’s talk about that.

Let’s talk about how Jessica is always hooded when her scenes are associated with her Bene Gesserit powers and upbringing, how you can literally watch her out her hood down or up mid scene as she transitions from mother and concubine to an obedient disciple, how it foreshadows her struggle in the books all the way through Children of Dune.

Let’s talk about how well done the foreshadowing of the jihad is, how even this early on we can see the start of what is integral to Paul’s conflict in Messiah, how that feeling of helplessness about a destiny he doesn’t want will keep him frozen and unable to stop what’s in motion, how Messiah is such an incredible book because it ties into the dystopian trope wherein revolutionaries become like those they once revolted against, but how it’s so much more fascinating than some of the ways we see it in modern dystopias, because it’s the main characters who are following the pattern, not just watching in horror as those they fought with change for the worse, but actually experiencing it, horrified at what they’ve done and what they will continue to do, frozen and so unable or unwilling to do what needs to be done to stop it, how the movie is still in the stage where they are noble and valiant, but it makes sure to show the dread of what it coming, how it does such a good job of showing the burden of foresight that is so integral to Dune, the way that even as they see the future and can attempt to change it, they know that no matter their decisions, horrible things will come, how it shows Paul as scared hating the power he was given and blaming his mother and her aspirations, how the atreides family never wanted to be great, they wanted to be good, how Paul is coming to see that great and good cannot always coexist, how you look at this boy and you can genuinely see how he will become the man saying ‘Believers, all of them’ how Dune is such a hard story to get right because you watch someone devolve and stand by why horrible things are done without seeing him as a terrible person from the start, without the boy and the man seeming irreconcilable from one another, how the movie actually is on the right track even though the end result is unpalatable to the majority of society, how they are showing the white savior trope in a way that is thus far complaint with how it is deconstructed later on, how they have the epic notes of the beginning without going in a direction that makes the ending impossible.

Let’s talk about how they cast the Atreides family as beautiful people, but not soft, not tamed to modern standards, aristocratic in their looks in such a way that you believe they have been nobility for centuries, maybe millennia, slightly untouchable, dangerous, like those in power during the Italian Renaissance, how Paul looks young but also ethereal and formal, the balance between boy and duke and messiah in his appearance, how Leto’s hair and beard make him not only regal but worn by politics, cold and formal yet fatherly all at once, how Jessica’s ghostly pale complexion nods to her Harkonnen ancestry in the books and how she is beautiful in a way that seems not entirely human, how the other members of the Atreides house are each unique and full of character, not designed to fit a palette or aesthetic, whereas the Harkonnens have an eerie similarity that shows how little they value free will, how the Harkonnens are not dramatized to emphasize their characterization but rather understated, devoid of emotion save for rare explosive moments, how they echoed this in their design, making them blank slates, taking away rather than adding, leaving them almost human, but not quite, enough to trigger that ancient animal instinct in a person that says ‘something is wrong here, something is dangerous’ rather than making them fit in with the conventions of a time period or trend as to how to look evil.

Let’s talk about the soundtrack, how the epic music playing when House Atreides lands on Arrakis is echoed as Gurney and his men charge at the Harkonnens who so greatly outnumber them, how this not only ties you emotionally to the battle, hearing this dying cry of the Atreides, more so than the music continuing to be dark and foreboding through it all, but also how it foreshadows the survival of Gurney and the small group of men with him, living to reunite with Paul later on.

Let’s talk about how throughout the soundtrack we have women vocalizing, the emphasis on the power of the Bene Gesserit and how in Leto’s death scene we diverge from this trend, how he was so powerless against all these grand plans but he still took a stand, still ended things on his own terms.

Let’s talk about how Jessica doesn’t answer when Leto asks her to protect Paul as a Bene Gesserit. Let’s talk about the bull and the matador, the symbolism there. Let’s talk about the emphasis on medieval and renaissance headdresses on the Bene Gesserit, the significance of choosing attire from a time when the Catholic Church was in the peak of its power. Let’s talk about the nods to Gurney’s music. Just, look at all this stuff in the movie that you barely even notice, the first time. All the planning that went into it, how to fit in all these little nods, how to stay true to who the characters are in the present while also beginning to show who they will become. Let’s talk about it.

Though maybe not to the people I was watching the movie with. I don’t actually have a death wish.

#dune #dune frank herbert #paul atreides #children of dune #dune messiah #lady jessica #leto atreides #dune 2021 #visual storytelling #soundtracks #movie appreciation #wow this got long #that part in messiah when he says ‘believers’ hits me like a punch in the gut