Genuwine set of a culture legacy when he released pony
That song is a male thot/male stripper anthem
He did! It still tracks today! It really was! It was even In Magic Mike!
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Riz Gukgak will forever be my special little guy, because in a world where aspec characters are borderline non-existent, he was not just a cool character who happened to be aroace. He also had an incredibly compelling character arc unique to him as an aspec, and the character arc was so iconic it birthed one of the most memed moments in the entire series.
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Harlan Guthrie doesn't add romance to Malevolent because he voices all the characters and he knows that given his repertoire he'd have to make the most juicy wet sloppy immersive kissing noises and he reasonably doesn't want to do that.
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NATALIE WOOD in WEST SIDE STORY (1961)
I never like anybody disparaging anything Natalie did because | think she’s so wonderful in the role and the fact that it ended up not being her [singing] voice, to me made absolutely no difference. - GEORGE CHAKIRIS
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i love how the show made sure 1) to show us that for once boston was extremely reluctant to make sexual advances on someone and atom absolutely did all the work, and then also blamed boston for not wanting to see him again, despite the clearly established boundaries; and 2) to explicitly frame the fact that boston as a gay man (particularly a promiscuous gay man) is seen as predatory by having chueam verbally frame the situation as the classic deeply homophobic "homosexual preying on the young and inexperienced and turning them to the "homosexual lifestyle"" idea (reflected in anything from 1961's "boys beware" short to the current "protect children from drag queens" moral panic), and y'all are STILL somehow saying that boston is at fault here, just because he is a shitty friend and a selfish person. like i'm sorry, but a leap from these honestly regular human traits to literal blackmail and sexual assault is not as obvious and easy as some of you seem to think.
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wei wuxian really put his whole pussy into the donghua yiling patriarch reveal huh
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Every time I speak up against trans/gender ideology, I'm terrified of being harassed and doxed like many other women have been. I'm terrified of being stalked and cyber bullied like countless other women have been for sharing our opinions on our own reality and sex. This is not normal. I and other women should not feel terrified talking about female oppression and biological sex. The fact that we feel this scared in 2023 talking about feminism because it will offend men, blows my mind. Seeing trans people on tumblr and twitter make violent comments like 'shoot a bullet through every terfs pussy' or 'every terf should get raped' or 'women should stfu about oppression because it's terfy' and the fact that no one calls them out and the minute they do, they're instantly doxed and bullied off by being called a bigot? When trans people make comments like this towards women, it's no wonder, we do not want to share our spaces with you people. Our concerns are valid and not born out of bigotry or transphobia like so many claim it to be - it is an exact reaction to the violence shown by tra/trans women. At the end of the day, trans ideology is more about male entitlement, male violence and further oppressing the female sex.
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a few things i appreciated about the much ado about nothing with dt and ct:
very much enjoyed that they both exhibit loser-behaviour. that is, there can be a risk in this play of making beatrice too right and benedick just someone who's gotta level up to deserve her, but this one really allowed both of them to be brilliant as well as stupid, which is fun because it makes both of them more complex and equal to one another + I think it's fun for an actress to be a little silly sometimes and this role really allows for it, and especially an actress like catherine tate to be familiarly hilarious, which makes the parts where she's deadly serious hit all the harder
I feel like with the doctor and donna, yes it's text that they're not sexually or romantically attracted to each other and I am so very into that of course, but I'm just so happy to see proof that they could shift their tension a little to the left and be pretty damn sizzling -- this especially because donna was a couple of years older than rose and martha and I sometimes feel like people who read romantic and/or sexual context into things do so because they're reading a conventional early-20s youthful sexiness to the female characters. so just having them go "we can be very very sexy with each other if we so desire" was fun
several people have pointed out david tennant in a skirt vs catherine tate in a suit, and i will do so as well, specifically because that was so veeeery t4t bisexuality of them, and i feel like there was a deliberate choice in the party scene to make the audience think about femininity and masculinity as it pertains to sexuality and power, specifically through the lens of these two characters and their equal status with one another. it means that when we get to the more direct confession at the failed wedding, when beatrice is wearing a plunging blue dress and benedick is in full uniform, that feels directly juxtaposed -- the costuming deserves its whole own analysis really, and i'm sure someone's done that, but specifically those two scenes make my brain go brrr
the way it moved from comedy to drama and back again so effortlessly. the way it placed emphasis on certain words in order to give sentences new meanings. simply the general feeling of very deep, deliberate engagement with the text
catherine tate's boobs. they did those costumes like that on purpose, you cannot convince me otherwise
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is it too much of a reach to say that zelda being reduced to basically an object to farm items from in totk just kinda adds more salt to the wound of how badly shes treated?
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We appreciate Mariah Carey on black tumblr
The moment movement 1st hits its Mariah Carey season
I do too! She is thee one!!! It will! She has even posted about it recently too! Like a lil countdown. I'm sure she has something up her sleeves this season.
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Kalina is the most interesting character to me because of all she has going on…
she is Cassandra’s familiar, she is simultaneously a pet and a friend and a servant and a family to a goddexx that is simultaneously her owner and friend and creator and parent and her god and reason to be—Kalina’s relationship to Cassandra is hard to put a name or label on (since what does being a familiar even mean?) but the bottomline is that this cat loves her deity enough to put everything and everyone on the line for her…
And adding in that she is a child of divorce. So to speak. I am extremely normal and haven’t been driven mad by the detail that baby itty bitty kitty Kalina was at Cassandra’s wedding to Ankarna and is remembered to have been toddling after her as she walked down the aisle…
Kalina will be the death of me /lh
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i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
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stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
(or, because i personally dislike the official translation,)
"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3
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L. Lawliet is a gifted photographer who believes he has understood the light and its secrets. Light Yagami is a young, unstable and slightly crooked model. Together, they kill time.
I had a bookcover design assignment so obviously I chose @devilinthebox's literary masterpiece of a fanfic Our Bodies, Possessed by Light
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