ok FINE, some things about my half-orc cleric tav whom i love so very much
Lash grew up with her trying-his-best dad in Baldur's Gate (mom stayed with her orc clan). she had no lucrative skills and no exceptional cunning--between this and the default perspective of her as barbaric, she internalized a bunch of stuff, joined up somewhere, Saw Some Action, got good at killing people. like, really good. "her services were instrumental in leveling several towns including civilians and she got a commendation for it" good.
this did not feel good, and mid-personal-crisis about murdering strangers on someone else's orders, she deserts and saves one goddamn monk and ilmater calls her to his service. she regards this as a baffling mistake on his part.
illmater is a god of compassion, gentleness, self-sacrifice. his clerics are basically non-combatants, known to only use violence as last resort. goblins etc. see a cleric of illmater on the battlefield and avoid hurting them, because they know they are willing to heal both sides if they can.
lash is not like this. lash starts as a blunt instrument who is only good at violence. but she wants to do good in the world, finally, and if ilmater wants to throw away his famed gentleness to compromise on someone like her, who is she to argue?
she spends her first years training in a temple, but she doesn't have the head for scripture. neither does she have the conviction or creativity for complete non-violence, instead developing a world-weary acceptance of it as a tool to reduce suffering.
she's sent on dangerous pilgrimages repeatedly instead of being assigned to minister to ilmater’s followers, confirming to herself that her calling is a compromise on ilmater’s part: he needs a blunt instrument so that others can carry on the work of being gentle.
what she doesn't realize in this time period is that she is slowly becoming gentle. moreover, becoming wise. clergy and laypersons approach her for advice on a world they are sheltered from. she has a way of speaking that cuts to the heart of things, and she's a comfort in quiet moments. she is rarely misled by self-serving justifications and moralizing. her kind of wisdom is drawn from her knowledge of the world and its flaws instead of from scripture.
she still kills. she's still blunt, and quietly sarcastic, and not entirely at ease with her god. but gods, she wants to be kind.
i think that astarion seriously considered seducing someone else for his plan in act 1 (wyll or something lmao) because, based on a "clerics with wooden stakes" comment he makes at camp at some point, he thought letting a good-aligned cleric guess his nature would be extremely dangerous for him. he especially has a bunch of anger towards the god of compassion, because he "prayed to every god" and nobody saved him.
but it's hard for him to see lash as a cleric? i mean, yes, she has a way of staring at you that makes you squirm and feel Too Known, and she's stupidly self-sacrificing, and she's hilariously incapable of trickery.
but she's funny, in her own reserved way. she's a world-weary soldier, good with a story, disgustingly rustic, a good cook, with the habit of cussing out her own god without getting in trouble for it somehow. and she mostly says the right type of kind thing, not the type of kind thing that make him want to curl up somewhere and grow spikes. and...maybe it's not terrible, feeling like someone Gets your deal instinctively? someone quiet but self-assured, who doesn't push for more?
(and, like, she's hot? she's strong and a little distant. devious plan aside, he finds that hot)
i am only in act one. i think, in her "worst" (but also kind of sexiest) moments, she thinks of herself as a mechanism, and even frames it as such out loud: if someone has committed unspeakable cruelty, she's here to end them for it. action and reaction. no hesitation, no mercy, because her being brutal allows everyone else to be kind. a necessary evil.
but she's in the midst of a years-long process of learning to see herself in a...kinder light. and as their relationship develops i think astarion will prod her a lot about how she makes more complicated ("and fun!") choices than that all the time, you idiot. why else would she be traveling with such a bunch of assholes?? why else would she be good to him?
17 notes
·
View notes
just browsing through the willow tag and I find it interesting that the general consensus seems to be accepting that kit’s right, that madmartigan and sorsha chose elora over her, when I don’t think they did - at least, not in the way that kit believes
if elora has ever been chosen it’s as ‘elora danan’, the symbol, the saviour of the realm, because keeping her safe keeps the whole realm and everyone in it safe - I think it’s telling that she’s mostly referred to as elora danan rather than just as elora, and that allagash told kit that elora danan is what is more important and not who - rather than elora the person being chosen or loved more than kit is, which is I think how kit has internalised it
she had constructed this narrative for herself that madmartigan left with elora and gone into hiding with her, was raising her somewhere, being a father to her where he wasn’t to kit or airk, and even after learning that elora was also left behind and that madmartigan was searching for the cuirass and intended to return she’s held on to that idea of elora being loved more and interprets every act done to protect elora as an act of love for elora
which isn’t to say that madmartigan and sorsha don’t love elora, but they are also primarily acting out of concern for the entire realm
and the reality is, as much as I would like to believe that they think of elora as another daughter, they really haven’t treated elora that way; she has no personal relationship with either of them, she grew up as a servant (which involves doing a lot of hard work and manual labour), with no family, wondering who she was and where she was really from, given a new name and made to dye her hair from her earliest years and kept from her training as a sorceress to the point that she could have lost the ability to use magic entirely - and all of this with apparently no intention of her ever finding out the truth, but neither being allowed to leave the palace
(like, I seriously wonder what sorsha’s plan was if ballantine hadn’t been corrupted and had managed to bring elora back to tir asleen. would she finally have told her? would she have come up with another reason why elora couldn’t go? would she have locked elora up to keep her in the palace?)
I can’t imagine any of that feels like being ‘chosen’ to elora, and even if it was done out of love she has never felt loved or wanted
it’s implied that she’s struggling with a kind of imposter syndrome and I think part of that is feeling that there’s nothing really special about her and that everyone around her is only interested in her because of the prophecy rather than because of her as a person - I’d argue part of the reason she’s clinging so hard to the idea of airk is because he’s the only person she knows who wanted her as dove, who seemingly cared about who she is and not about the fact that she’s ‘elora danan, the last best hope’
so she lets kit insult her and shout at her, I think both because she recognises that kit needs to let a lot of her repressed pain out but also because outside of her cooking skills her self-esteem isn’t that high and it’s been further shot by suddenly having the weight of the world put on her shoulders, struggling with her magic while being constantly reminded that everyone needs to learn to use it quickly, and the survivor’s guilt from seeing the vision of her mother and from watching the woodswomen die for her - so she’s in a place where she will very readily and easily believe that everything is her fault, including kit’s pain, and that she’s going to get everyone killed, but I don’t think she’d agree that anyone has really chosen her, elora, the girl
all of which is to say, I hope elora has a chance to get angry and throw hands before the end of the series because she deserves it
39 notes
·
View notes