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#specifically the girls who are actually really intelligent
a-s-levynn · 1 year
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The fact that every single time i join a new voicechat someone confuses me for a 16yo boy in the middle of their voice dropping, and the utter bafflement they express when they learn that i'm 28 and a female is never not going to be funny for me.
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franzivonkarma · 2 months
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I desperately need people to understand that Franziska's whipping thing really isn't solely a silly character gimmick. Of course it is to a degree, just like Godot and coffee and Klavier and air guitar in court, but so often I see people dismiss Franziska's whipping trait as an annoying feature that adds nothing to her character and I cannot stand it. This is a bit of a rant and I touch on gender inequality and the way I see a lot of men treat her as a character a decent amount within this because I feel like the fact that she is a woman is actually very important to this element of her character, and her treatment is also a lot of the reason why I feel compelled to talk about this in the first place.
Firstly what you need to understand is that not only is Franziska a woman, she is also laughably young when she becomes a prosecutor. She's a 13 year old girl trying to hold the attention of a courtroom of mostly grown men and be taken seriously. It's no secret that misogyny does exist in the Ace Attorney universe of course (see: Godot), but aside from this, maybe it's just because I've been playing Ace Attorney Investigations recently, but she is just very small all around. It's a running gag in Turnabout Reminiscence that she is short, she's small, she can't see things Edgeworth can - although granted Edgeworth is definitely fairly tall, most estimates I've seen linger around 5'8-5'10 (around 170-180cm). And of course, she is only 13 here, she's not done growing, but it's at this age that she actually did begin to prosecute. Naturally, she'd often be underestimated, and we can see a strong desire to prove herself during Turnabout Reminiscence, even just to her father; I can only imagine that this would extend further into her trials as a young girl. Secondly, she's the daughter of Manfred von Karma, whom she idolises to a godlike status and who teaches her everything she knows about prosecuting, and also a lot about life in general - he's her father. There's a lot I could say about their dynamic, but I feel that much of it doesn't need to be said in this specific post if you're already here dedicated to Franziska enough to bother reading this post.
Manfred's courtroom (and often, regular) behaviour revolves a lot around him taking complete control of the entire courtroom, with him even speaking over the judge, overruling objections he does not like and sustaining his own, and instructing witnesses himself. He also often snaps his fingers to direct attention to himself and his point. Franziska learns this, but how does a literal 13 year old girl follow her father in this regard? Well, by force. Whipping someone is a very clear way to get their attention. Not only the person it hits but the people around - whips cracking are loud, they take up a lot of visual space, and they also obviously cause harm to the person they hit. These are all things you can't really ignore - it forces you to look at her and pay attention to her and gives her control of the room exactly like Manfred. I've also been thinking a lot about the end of Justice For All in relation to this. She's lost to Phoenix multiple times and she couldn't beat him even once just to prove that she was better than Edgeworth as she so desperately wanted to. This brings me to another point about her use of her whip. While I think control is a huge aspect and is my main focus here, I think it falls more under the umbrella of Franziska's own perceived shortcomings. We also know that she doesn't believe she lives up to her father's genius, and that she consistently feels like she's walking in Edgeworth's shadow, she says it herself:
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I think at least some part of the reason her whip is so important is because she believes she could very well be less than equal to others in the room in terms of certain traits. She sees her father as a genius, knows she isn't equal to him, and internalises this (whether she is actually less intelligent or not I personally don't know what I believe, I haven't played Justice For All in over a year and a half and I would have to replay it to decide my thoughts).
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In having to be perfect, there are many expectations she cannot live up to, and this leads to many ways in which she falls short of what she believes she should be. By using her whip, again, she can account for her perceived shortcomings in other areas - control, her intelligence, her ability as a prosecutor. I think this last scene of JFA actually introduces us to the idea that Franziska is somewhat self-doubting in some ways and compares herself a lot with others, not just Manfred, but also Edgeworth, which we see more of in Ace Attorney Investigations during Turnabout Reminiscence, where we see her at 13 attempting to prove that she can "out-logic" Edgeworth for the entire case, and essentially, that she is "more perfect" than he is.
But to come back to her whip, control, and the end of Justice For All.
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She is left with little of who she was before and doesn't know how to move on - everything she was taught to be from the moment she was born, she no longer is. She is 18 here, prosecuting for 5 years already and desperate to be prosecuting for even longer. As far as her life was set out, this was basically it for her - become a perfect prosecutor and prosecute perfectly just like Manfred - the ideal prosecutor in her eyes.
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A Von Karma is perfect, but she is not - she lost, just like Edgeworth, whom she shamed for the same thing. She gives up her whip here, and I feel that it's truly symbolic of how she feels like she's completely lost control of herself, her life, her relationship with her father and most obviously her occupation as a prosecutor. How could she continue being a prosecutor when she no longer lives up to the idea of it that she's had her entire life? What use is her whip if she will not need to hold the court's attention any longer?
I'm sure a million other people have thrown their coin in the pot on this exact topic, and I'm sure many have said the same thing as me and many have said something different, but I needed to write my thoughts out about it because I couldn't stop thinking about her. This is one big reason why I feel like I see a lot of men who don't understand Franziska and see her as very annoying, gimmicky, and my least favourite - a "female Edgeworth." She is a woman who steals attention and space forcibly; both from characters in-game, and also from the player with her animations that take up time in trials and a lot of the visual space. Of course this makes her unpopular with a lot of men. I'm not saying that if you dislike her or the whip it comes from a place of misogyny, I am saying that I think her whipping trait is reduced to a stupid, annoying gimmick more than, say, Godot and his coffee, because a lot of people don't really care to see that there is intention behind it that reveals a lot about her character, just like how Godot's coffee problem is relevant to his backstory.
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astrobaeza · 6 months
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astrology hot-takes 🪩
credit goes to @astrobaeza <3
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DISCLAIMER: these are MY observations :)
🪩 cancer placements are not the crybaby's you think they are. rather than outright emotional, I think cancer placements are super intuitive -- they're in touch with their's and other's emotions and (often) know when to express them or identify them. powerful people, love you guys <3
🪩 aries placements can be so selfish :( it's a combination of the fire and cardinal energy --> super passionate but can also be too forthright with themselves and how they feel, often times coming off as dominant. really competitive as well, with everyone around them
🪩 scorpio men have a distinct "twinkle" in their eye (some call it crazy lol)
🪩 libras and leos both want attention but for different reasons. libras want attention for their relationships while leos want attention in order to have a relationship with them. leos are more upfront about their "me" attitude while libras hide their need for attention through being super social and having a lot of friends.
🪩 12th house placements shine brighter and are more powerful than 10th house placements. this is because 10th house placements are fundmanetally meant to be known for "themselves" -- could be for good or bad. while 12th house stelliums have the power to be known for the impact and influence they have on others, which I think is more powerful.
🪩 tw! : 4th house placements in synastry are not good for people who grew up in abusive homes. when someone's planets fall near your IC (midpoint in the 4th House, opposite the midheaven), it usually indicates familiarity and feeling like home to them or one another. for people who did not grow up in good homes or were abused, this familiarity could develop into a trauma bond! pls be careful.
🪩 fame degrees and placements are not fun -- it's karma. being famous is not always glitter and glamour. though it's still a fortunate position to be in, it's hard (and sometimes even life threatening) to be famous. it is a debt to the public to be (yes, seen and adored) but also scrutinized for who you are. definitely not for the weak.
🪩 geminis are what aquarius' wish they were. aquarius definitely has a complex for wanting to be different, unique, and special. I've definitely seen this play out into superiority complexes and even God complexes. geminis naturally stand out for their wit, charm, and intelligence with everyone that they meet. I feel like Geminis, though they get a bad rep, are the ones that really can talk to anyone.
🪩 saggitarius are the best fire sign. they are the only mutuable fire sign, while Leo is a fixed sign and Aries is cardinal. due to this, they still embody the positives of fire energy -- playfulness, fun, energetic, free-spirited -- but they are also most adaptable relative to the others. Leos and Aries (still) definitely on that selfish streak.
🪩 the real mean girls of the zodiac are sisters --> pisces and virgo. pisces and virgos both use their intuitive, serving nature for harm. they figure out what your weaknesses are by faking care, getting to know you deeply, and use that at a later time to trigger you! also can be hypercritical, emotionally ab*sive, and manipulative.
🪩 the "best" synastry should actually vary zodiac to zodiac, chart to chart. 7th house synastry isn't ideal for everyone --> for example, an aquarius might want more 11th house synastry with their partner due to their friendly nature. definitely have to consider the whole chart, but not everyone's needs or wants in a partnership coincide with the placements in one another's charts. I know couples with no traditional synastry placements that have lasted longer than couples with them!
🪩 taurus placements love being comfy / keeping their comfort items with them. maybe it's because they're Venus-ruled, but taurus placements love cozy sweaters, blankets, and have specific comfort foods. a taurus friend has a specific blanket for different activities! but of course, has great taste in these things and only wants the best. being cozy and attractive is essential for their well-being!
follow @astrobaeza to change your life 🌟
BOOK A READING
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Don't cha wanna dance?
Written for the @steddieholidaydrabbles, day 30/31
Prompt: New year's resolutions
Rated: T
CW: Vague boner references again
Tags: No UD AU; dancer Steve Harrington; good neighbor Eddie Munson; Flirting; Sexual tension
Notes: Continued from day 22. This is for @sourw0lfs and @wormdebut specifically, who very gently bullied talked me into writing more dancer!Steve. 🩰
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Eddie has never understood new year's resolutions. He believes that, if he wanted to change something about himself, he could do it any time. Like quit smoking. Or stop biting his nails. Or be less of a goddamn push-over. 
Okay, so maybe the latter is something he should really, really work on, ‘cause it's gotten him into a whole shitload of unfortunate situations lately. As if chauffeuring Max to her stupid ballet classes wasn't enough. Now he's also helping out at the dancing school’s annual Christmas recital, because he's just such a nice guy, apparently.
While he tries to arrange the lopsided folding chairs into something resembling a neat line, he struggles to remember when he agreed to this shit. For the life of him, he can't recall. His brain was probably flat-lining when Max asked him, as it tends to do around a certain very hot dance teacher and his muscles and his tights and-
“Looking good!” 
He whips his head up. Steve is standing a few paces away. The tights are a pale pink today. Jesus Christ. 
“You too,” Eddie blurts. Steve's eyebrow arches and shit, he wasn't talking about Eddie, was he? “I mean, thanks, I … ow, son of a-”
“Oh, shit!” Steve is next to him in an instant, freeing his hand from the maws of the folding chair. Eddie swears, sucks his throbbing thumb into his mouth. “Sorry, these things are ancient. You need an ice pack? I've got some-” 
“‘m good,” Eddie says. Tries to go for suave. Fails because he's still got his own thumb up his mouth like a fucking two-year-old. “Had worse.” 
Steve’s face is a mask of doubt, but he doesn’t say anything. 
“Anyhow,” he smiles instead, putting the offending chair in line with the rest. “I just wanted to say thanks again. You're probably busy enough around the holidays, but Max insisted you'd be happy to help.” 
“I'm not,” Eddie says. Pauses. Grabs a strand of hair to hide behind. “Busy, I mean. I am happy to help, so … don't sweat it, or whatever.” 
A heartbeat passes in awkward silence. 
“So, what's with the, um …” Eddie says. Watches how Steve tilts his head at him, hair swooshing with the motion. Briefly considers stuffing his thumb back in his mouth to shut himself up. “... with the y’know. The getup.” 
Something flashes across Steve’s face, something dangerously akin to hurt. 
“What?” he asks, doing a hesitant three-sixty. “Something wrong with it?” 
Screw the thumb, Eddie thinks. He needs to find a way to fit his entire hand in there. And Steve, for what it’s worth, needs to stop twirling, or they're about to have a massive fucking problem.
“It’s fine!” he says. Maybe a bit too fast, because he thinks Steve’s mouth curls into a smug smile. “I just mean, um … you’re not … dancing today, are you?” 
Is he? Oh dear God, please no. The place is gonna be swarming with proud parents and relatives, Eddie is not ready for the inevitable consequences of Steve in his pink tights on that stage. Not in the skinny jeans he had to wear today, stupid fucking moron that he is. 
“Huh? No, tonight is all about the girls,” Steve says. Eddie is so busy sighing in relief and nodding that he doesn’t catch the next words.
“Sorry, what?” 
“That other recital I was talking about earlier? You coming to that, too?” Steve repeats, and fuck, what other recital? Eddie really needs to work on his listening skills. If he actually listened instead of staring at the guy like a catatonic caveman every so often, he might be able to maintain a halfway intelligent conversation. 
He’d also probably know why Steve is suddenly coming closer. Eddie tries to take a frantic step backwards and almost crashes into the folding chairs. 
“Oh, erm …,” he stammers. “When was it again?” 
Stever reaches up to run a hand through his hair, boyish and bashful. 
“Um, New Year's Eve,” he says apologetically. “I totally understand if you already have plans, it's just… There's a little get-together after the show, too, with drinks and snacks, and I thought-”
“Sure, I'll be there,” Eddie says. 
See, what did he say? Total push-over. 
The thing is, with the way Steve’s eyes light up, he can't really find it in himself to regret it. 
*
“Ew, what happened to your finger?” Max looks about as disgusted as she sounds. Which is probably fair, because Eddie’s thumb has turned a vibrant purple. 
“These little babies did,” Eddie gestures offhandedly at the chairs they're stacking against the wall. “So be careful.” 
“Were you staring at Steve again?” 
“Fuck off, I wasn't.” 
She pushes the hair that has come loose from its bun out of her eyes so she can give him a deadpan stare. Eddie glowers right back. 
“And even if I was, what's it to you? You can be glad I keep showing up to these gigs. Today, on New Year's Eve, it's really getting-” 
“What are you on about?” Her entire face scrunches up in confusion. “There's no recital on-” 
“Oh no?” Eddie pulls the flier Steve gave him from his pocket and pushes it into her chest. “Then what's this?” 
“That's not our school, dumbass. Check the address.” 
She studies it for a second.
“Huh? What d'you…?” Eddie is already squinting at the letters again. Sure enough, the address doesn't match the one he's been driving Max to. Instead, it's somewhere downtown. “What?” 
“That's the studio Steve goes to,” Max has already returned to stacking chairs. “Super fancy place. He used to be a pro, y’know? Before he tore that muscle?” 
When Eddie doesn’t reply, she tugs the flier from his limp fingers, folds it neatly and puts it into his jacket pocket. 
“Happy new year, doofus. Better wear bulky pants.” 
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All my holiday drabbles
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victimsofyaoipoll · 6 months
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Finals
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Propaganda Under Cut
Sakura Haruno
Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.
My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 
What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.
Misa Amane
she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.
she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!
Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime
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harrowharkwife · 4 months
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thinking thoughts about how nona was so obsessed with crown, and crown specifically- not coronabeth. crown, with her boots and her cargo pants and her guns and her hair tied back, with all her charm and strength, all her rage and determination.
was that really just nona? or, walk with me here- is there a chance that that was actually alecto, too, bleeding through and rising to the surface?
alecto, seeing a kind of kinship in crown- in this big, tall, strong blonde with a sword strapped to her back, hot and lovely and kind and awful and powerful and perfect. this woman who refuses to give up- on her sister, on saving jody, on BOE's resistance. who's unafraid to throw one hell of a tantrum, if it means being listened to, for once. crown, who everyone thinks of as dumb, who everyone underestimates, who no one ever takes as seriously as they should, even though she's clearly capable of plenty of atrocities in her own right. this woman who's been described over and over again as someone who positively radiates life, and energy, and vitality, and strength. this woman who wanted nothing more than the chance to be herself, to be free, to serve as cavalier and guardian and protector, but was instead sentenced at birth to a life of being a princess and wearing dresses and looking pretty and loving less and staying out of the way and keeping her mouth shut and playing second fiddle to a necromancer obsessed with power and glory. familiar, no? this woman who was betrayed, left behind, left alone, and left utterly in the dark by the one person who's supposed to love her the most- only to then be told that being abandoned was in her best interest, really, for her own safety.
thinking about all the times we've seen ianthe insult crown's intelligence and praise her beauty in the same breath. you big dumb bimbo, what can you do? of all the times we've seen ianthe fussing over crown's appearance. thinking of the sister-lyctor makeover-montage ahead of dios apate minor, and how harrow hated every second of it, and how ianthe treated it like nostalgic second nature. thinking about the third house: fucked-up planet gossip-girl with all its betrayal and espionage and flesh magic and debauchery, three for the gleam of a jewel or a smile. thinking about the pressure that must have come with keeping up the double-necromancer ruse, about ianthe having successfully played the part of two necromancers from the age of six. exactly how much practice must that have taken? thinking about the casual, automatic, possessive, offhanded, violating nature of ianthe playing god and giving harrow a full head of fast-growing hair without asking, without even telling her, just to make harrow prettier, just to piss her off, just because she could. how she did it so easily, and without hesitation, almost as though she's maybe done that sort of thing before.
thinking about preservation. about a perfect body frozen in ice for a myriad, about ianthe spending all her downtime on the mithraeum figuring out how long she can keep an apple core in perfect stasis before the rot sets in.
thinking about corpse puppeting: a deceased world leader here, a trusted cavalier and friend you've known from the cradle there. about i picked you to change, and this is how you repay me? about she took babs. and who even cares about babs? babs! she could have taken me!
thinking about alecto, and hollywood hair barbie, and you have made me a hideousness.
thinking about crown, who's by her own admission boobs and hair and talk and a hell of a swordhand.
thinking about something as simple as stud earrings, and about how much grief ianthe gave her for daring to wear them.
nona loved crown.
something tells me that alecto might, too.
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skeletonapricationday · 5 months
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Naughty girl
Warnings: Porn w/o plot, fem reader x nanami, deephthroating, face fucking, angry Kento, use if whore.
18+ minors dni
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Nanami stared as you bent over the desk, looking for your lost pen. You had it five seconds ago, you kept swearing that up and down. It was frustrating because you were distracting him from his work.
Nanami wasn't a very sexual man. He lived to work and go home, that was it. Simple and sweet. Yet he was still a man at the end of the day. Seeing you bend over in that skirt, scrambling all around his office for your pen. It was troubling. He sighs and stands.
"If I promise to help you look will you leave my office?" He says in a gruff. His deep voice echoing off the walls.
"Yes sir-e!" You say excitedly and innocently. "I swear I used it yesterday to help you with that report. Now its missing, like missing missing." You say with a small pout. That cute quiver of your lip catching his vision. He tilts his head away, trying to ignore you.
"Why can't I just give you one of my pens?" He says exasperated.
"Because you also gave me this pen, so it's my favorite pen. No other pen will feel the same!" You shout confidently and annoyingly.
"If you like that one so much because I gave it to you, why not just let me give you a new one? You make no sense." He says logically, as always. Yet this wasn't about logic. He gave you this pen two years ago, when you finally cracked a thin layer of his hard shell. It was a sign of friendship and good faith, you were not going to give up on this.
"Because-because I want this specific pen okay." You say emrbassed. Not at all willing to admit the true reason to the logic king himself.
He nods slowly, like he wasn't going to bother arguing further. Simply scanning a bookshelf, seeing if you mistakenly placed it there. He swears to himself that the intelligent woman yesterday who helped him fill out that report is the same scatterbrain currently looking for her pen. Obliviously showing her body off in several interesting positions.
You slowly get onto your hands and knees, sticking a hand under the couch. Seeing if you can feel anything underneath. When you don't you arch your hips up further to keep yourself from slipping, as you peep your head underneath. "It's dark and dusty under here. I always thought you had too much OCD to not dust under the couch." You tease playfully. Just trying to joke with the serious man, like normal.
"Shut up and stop looking under there." You here the blank reply from behind you.
"No need to get so defensive. Of course this place isn't going to be sparkly clean, you work too much. Yknow I really respect that about-" You squeak as you're cut off. Your ankle being grapped, forcibly pulled from under the couch.
"Did you not hear me the first time?" He asks, using your ankle to flip you onto your back. "Or do I have to shout." The last half is also a question, yet he says it like a statement. His voice always cold and callous, despite his actual kind nature.
You blush at how strong he was. It was juxtaposition to your strength. Enough cursed energy to be a sorcerer compared to normal humans, but so weak you had to be an assistant. "Nanami...this position is a bit...interesting?" You say softly and confused.
"And your last position wasn't?" He drops your ankle. Giving you a chance to slowly rise up, sitting on your knees emrbassed. "If you're going to wear a skirt, please be self aware." He states simply.
Wait, what did he mean by that. Suddenly your whole face flushes, realizing you've been flaunting your ass. Basically putting yourself on display.
Nanami clears his throat, surprisingly loosening his tie a bit. Rubbing the side of his face annoyed and...flushed.
"Look I'm sorry...I just didn't think about it." You say shyly, biting your bottom lip. As much as you dreamed of Nanami lustfully gazing at your backside, you never meant to accidently do it. In your fantasy it was always purposful, taking advantage of his cold demeanor by turning him on. This was not a fantasy, you're right in front of him.
He stares down at you and sighs. "Come on, up off your knees." He says softly. That sentence makes you discretly clench your thighs. Imagining those words in a different scenario. You look at his offered hand and take it, slowly standing with his help.
"You didn't do it on purpose, it's okay." He's say in a coo, almost like he felt bad.
"What if I did?" You ask, surprising even yourself. You didn't do this on purpose, why did you say that? More importantly, why didn't you stop yourself?
"What?" You hear by your side. Looking at his stern face. Waiting for digust to roll in, hell maybe he'll even shout. Tell you to get out of his office, even worse maybe fire you.
Suddenly he laughs. Gripping onto the side of his desk...laughing. "You have alot of nerve." He says walking over to you. Raising a hand to your face. You expect the sting of a slap, but instead he squishes your cheeks together. "Cause then I'd call you an attention seeking whore." He tsks his tongue and smiles. An annoyed grin, faux politeness despite his harsh words.
"I-uhm- sorry I didn't really mean-" The pressure of his grip grows. Stopping you mid sentence.
"I won't hear any of your excuses." He pushes you against his desk, the table digging into the back of your thighs. A small patch of arousal staining your underwear. "In fact I'll reward you."
"What?" You say confused, knitting your brows. He lets out a small cold huff. Slipping his hand from your chin to down your throat. Softly rubbing the side of your neck.
"If your goal was to provoke me- it worked." His other free hand grabs yours. Pressing it against his thigh. You feel his hot throbbing length struggling not to reveal itself. "Do you know how hard it is trying to keep my dick tucked while helping you look around?" He coos to you. His fingers wrap around yours, causing you to the feel the entirety of his girth. "C'mon don't be shy now."
"Is that really...wow." You say breathlessly. The huge thing in your hand really was his cock. Straining against his professional trousers. "Why didn't you say anything?" You say softly. Gripping it curiously with your fingers, earning a soft groan from him.
"Its not exactly professional to hit on your assistant...also a tad too clichéd." He replies honestly. Running the hand on your neck down to your skirt. Flipping it up and letting out a soft pleased sigh. "I'm not one for business and pleasure but, this damned skirt." He chuckles softly. Rubbing your left thigh, watching it jiggle in response. "God it gets me rock hard."
You shiver at his touch. His hands warm against your thigh, but the heat of your aching cunt is hotter. "Nanami..." You whisper his name out softly.
He tsks his tongue in response. "I got my hand up your skirt, call me Kento." He leans in and kisses your neck softly, nibbling at the soft flesh. His hot breath sending goosebumps. "Kay'?" He whispers into your ear.
You nod softly. Letting out small sounds of pleasure as his lips travel across your throat. "Kento please your hand...it can go further than my thigh."You squeak out. Hoping the muscular man gets the message.
"Oh I know...but you've been naughty. Why would I give you what you want?" He coos backing away from you. Even pulling your hand away from his dick. "It be more punishing to leave you a dripping wet needy mess." He says with a smirk. A thing you never expected to see on his face. The pure unbridled joy he has in teasing you. Getting revenge for your two years of oblivious actions.
He smiles at you and sits back down in his desk chair. Going back to reviewing his documents despite your whines of protest. "Kento please.." You say walking behind his chair. Wrapping your arms around him, hands splayed across his chest. Rubbing the hard planes of muscle. "I don't even have to feel good, I just wanna feel you." You tempt into his ear. Kissing underneath it. He huff in response and expertly pulls your hands off his chest.
"I'd stop now. Bad girls get punished." He speaks sternly. Not at all humoring you. You don't listen and walk to the front of his chair, dropping to your knees, rubbing your face against his thigh. He finally lets go of his document. "Do you really want it that bad?" He coos softly. Like a false sense of security.
You nod against his thigh, looking up at him with a lust addled gaze. He gives you an evil smile, one that sends shivers down your spine. He undoes his belt buckle, tugging his pants and boxers to free himself. His huge length standing proudly at attention. "Go on pretty girl." He says brushing his thumb across your bottom lip. "Give it a taste." He says smiling.
You listen excitedly. Falling right into his trap as your lips curl around his cock. Slowly bobbing your head down after swirling your tongue around his tip. A pleasnt salty bead of precum meeting your tongue. You can only fit half of him in your mouth, even without a gag reflex the pure girth was already stretching your jaw. He throws his head back and groans. "Finally...a way to shut you up." He says happily, almost relaxed.
His hand curls into your hair, gripping it at the base. Successfully pulling your hair out of your way. A part of you was about to mention how sweet it was until. He grips hard and slams your head down, painfully making you take the rest of him down your throat. Your nose pressed against the soft curls of his pubes. A small surprised gag leaves your lips. "Oh darling don't you remember. You've been naughty, and naughty girls get what?" He asks you. He looks down at you amused for a second. Using his hand to pull you up and down on him. Small tears pricking the corners of your eyes. "I forgot, can't talk with your mouth full can you?" He laughs and groans. The two sounds like music to your ears.
This was gonna be a harsh night.
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m1ssunderstanding · 17 days
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You know if even Francie is saying it I'm starting to think old Jim Mac may have been slightly abusive, I don't think that's the right word since what happened it was a different time and place etc. But with the way he treated Paul and Mike, especially after Mary's passing and how he expected so much more when his son was one of the most famous musicians in the world, it's just - his whole family to he fair it's like they never really saw him as human and more akin to a musical monkey
Yeah I would actually call it abuse. I think Jim probably had mostly good intentions and genuinely loved his sons, but that doesn't mean his treatment of them was just or didn't have any affect on them. By my definitions, there's emotional as well as physical abuse going on (Paul was expected and pressured from the time they started to realize how intelligent he was to grow up and save his entire family from poverty; Appearances were everything and emotional needs suppressed; There was no financial security; After Mary's death, Paul was extremely patentified, depended on emotionally and materially by the person who was simultaneously physically abusing him)
About the normalization of the physical abuse specifically for a minute, if it was so normal for the time, why is Paul the only one of the four Beatles to have experienced it? My family has always been working class, and my grandparents who are Paul's age were not subjected to the violence that Paul was. Not saying it wasn't more common then and more accepted, but it's also not something you can just pass off as "that's what everyone did in those days".
Also, I wouldn't be surprised at all if even in that one interview where Paul specifically talked about how he got Jim to stop hitting him, he was downplaying. That's what Paul does. We have no way of knowing. But it does fit with Paul's usual story-telling and framing of events that maybe it was more than what he said.
And yeah, the financial abuse started early and clearly continued far into adulthood, maybe up until Jim's death when Paul cut Angie and Ruth off for selling his birth certificate. Paul was trained as a door-to-door salesman for Jim's club as a nine year old in the literal projects. He figured out how to snatch other people's lunch tickets out of the fire at the inny and pass them off as unused. What are we going to do without her money? He first saw John when he was a paper boy and John was buying chips. As soon as the band started making money, he became the head provider of his family (Jim made 10 pounds a week at the cotton brokers while Paul made 15 a week in Hamburg) and when the band wasn't making money, he found whatever work he could to make up for it. Meanwhile, we have no reason to believe Jim wasn't gambling insatiably. As the child of an addict, I know addictions don't just go away and then resurface when they're affordable again, and Jim was certainly an addict. He gambled so much Paul had to buy his house back for him (that he'd bought for him in the first place while Paul himself was living in an attic room like some kind of starving artist at the same time as the rest of the band was buying their mansions).
Paul clearly loved his dad so much and craved Jim's approval, trying to find a girl Jim would approve of after Jane, trying to be a good family man, trying to stay close to his working class roots. You can even see it in his music, from When I'm 64 to A Walk in the Park with Eloise. (I think the 1920s & 30s influence in much of his music came from him genuinely loving it and also from a desire for his dad to appreciate his talent). But he also had no patience for Jim's frailty toward the end, didn't go to the funeral, and didn't write about Jim's death in MYFN.
I really don't know too much about the extended family, anon, but it does seem the case that part of Paul's role in it, from the beginning, was to be a savior and a cash cow, and no one considered his humanity.
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witlesswitnesstm · 22 days
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I am a firm Marvin Gardens BPD/NPD truther, so here’s all my evidence.
This is a very long post, so buckle up.
• Narcissistic Personality Disorder
Let’s go through the symptoms he shows, shall we?
- Has unreasonably high sense of self importance, and requires constant admiration:
Marvin, especially as a child, exhibits a large amount of grandiosity. This is most evident in How Marvin eats his breakfast and My Highschool Sweetheart.
He thinks of himself as above the maid staff and he constantly threatens/accuses them. Then he’s given the role of Columbus, and highly identifies with him to the point where he claims he *is* Columbus. That he’s this grand explorer, who’s the king of the ocean. He believes he’s powerful because of the role.
Then as an adult, Marvin has a constant need for adoration. He needs people (like Whizzer and Trina) to love and want him in songs like Thrill of first love and This had better come to a stop. That might even be a reason he got with Trina in the first place. He wanted to feel needed, without the responsibility of having to love back.
Not to mention the line “Kid. Be my son.” In Father to son. He wants Jason to fulfill the role as his son (and subsequently love him), not really acknowledging he’s his own person. But he still deeply cares about Jason, and wants him to succeed, he just does it through the only lense he understands; himself. Also, I noticed that Marvin literally moves the chess board aside and makes Jason face him during that song, even though he clearly doesn’t want to.
- Believes they deserve special privileges or treatment:
The R of Ms. Goldberg shows Marvin is obsessed with getting what he wants, for no other reason besides the fact that he wants it. It’s also implied that he didn’t even necessarily have the acting skills required to be Columbus, Ms. Goldberg just conceded because he kept pestering her. He believed he deserved it, so he got it.
- Make achievements and talents bigger than they actually are:
Again, Marvin obsessed over being a star actor. He also consistently exaggerates his intelligence with lines like “I can read her like a book” in How Marvin eats his breakfast and “I'm not so rich but hell I'm smart.” In This had better come to a stop.
In I never wanted to love you, Marvin also claims that he’s in demand, when he’s most likely not and is just trying to cover for his ego.
- Preoccupied with fantasies of success, power, brilliance
Oh wow. Ok, so we all know about the metaphor for games at this point. Marvin loves winning, he literally says it’s everything to him. He also says that he wants it all multiple times which is just, really driving home the point that he craves success and power over everything else.
Marvin is also characterized as being rich, which again emphasizes his need for success. I’m thinking he climbed the corporate ladder for the sole objective of looking like he’s successful.
Side note, I think the reason he never acknowledges how rich he is might be because he’s ashamed of being a trust fund baby. He had a whole maid staff as a kid, so it’s implied his parents had mad stacks. He might’ve sought success outside his parents’ money so that it was his own accomplishment, not his family’s.
I want to touch on My chance to survive the night, specifically the line “I played a game. She was as cute as a dime and couldn't spell. I asked her to spell my name. That's it for girls.” Marvin has a history of using games as a basis for breaking up with people because of his insecurity, even before Chess game. He gets a lot better with this in act 2, and this is evident in the racquetball matches. He seems a little unconfident, but he’s not devastated by it in the way he would be before.
I’ve mentioned this in a separate post, but The r of Ms. Goldberg can also be interpreted as a fantasy for power, since Marvin isn’t actually interested in having sex with Ms. Goldberg, and instead just wants to have control over her.
- Is critical and looks down on people they feel aren’t important:
Marvin consistently ignores his sweetheart even when she begs for his attention. When she tries to tell him she’s a person, he calls her ridiculous.
Marvin also just generally acted out as a child because he considered everyone as beneath him.
This trait is especially highlighted In Tight Knit family reprise, where he just straight up talks shit about Mendel, not being able to believe that Trina can love him. It’s also shown in Marvin hits Trina, that he dislikes her platitudes and expects substance from her, and then goes on to again beg for admiration with the line “How could you ever deny what we had?”
- Expects others to do what they ask without question:
This is best shown in This had better come to a stop and Chess game. Marvin expects Whizzer to play the housewife, while not acknowledging that he’s his own person.
This is also displayed in Tight Knit family, where he expects everyone to go along with his perfect vision of what a family should be.
- Has an inability or unwillingness to recognize the needs and feelings of others:
This is most clear with Sweetheart and Trina. As I’ve said, Marvin blatantly ignores sweetheart’s attempts to love him, and completely disregards her. I want to note how he does this in favor of being attached to Ms. Goldberg and playing Columbus which are his power fantasies, essentially.
This trait is also shown in Breakfast over Sugar when Marvin basically tells Trina to shut up and that she’ll get over it when she’s having a a pretty expected emotional outburst to him divorcing her. He completely disregards her feelings, showing no empathy to her.
- Acts arrogantly:
This can just be interpreted as confidence but Marvin says that he loves being himself multiple times over the course of In trousers.
• Borderline Personality Disorder
- A strong fear of abandonment:
This ties into Marvin’s need for admiration, but he constantly asks others for validation, and even doesn’t want Trina to find new partners because he interprets it as abandonment of his family.
There’s also the workshop version of This had better come to a stop, which is all about how Marvin is terrified that Whizzer’s going to leave him again in act 2, but he tries to bury all those feelings down so that he doesn’t appear needy. One of the lines is “I sit here and slowly rot. Wait for Whizzer, wait for answers, and get none.” Which just really nails down this point.
There’s also Unlikely lovers, when Marvin refuses to leave Whizzer’s side in the hospital.
- A pattern of unstable, intense relationships:
I’m sure we all know where this is going.
Marvin has a lot of opinions about Trina. He says that he thinks she’s perfect in I have a family, but that at the same time, he says that he hates her in I swear I won’t ever again.
His wants are contradictory. He wanted Trina to leave him alone when he divorced her, but couldn’t accept that she married Mendel. Also, he fights with Trina consistently, even throughout Act 2.
Onto Whizzer, their relationship is driven solely by chaotic passion. Their relationship is *built* on fighting and making up with hate sex.
Whizzer has no idea how to feel about Marvin because of how unstable he is. Marvin can be gentle, but he expects everything to go his way. He’s affectionate but highly judgemental. (Then again, so is Whizzer.)
- Quick changes in how they view themself:
This is best shown in Your Lips and Me reprise. Marvin goes from hating who he was and what he did to Ms. Goldberg to having a whole ass victory song about how he loves being himself.
This might be sarcasm, but Marvin is also self deprecating in Tight knit family reprise, with the lyric “I'm too damn peeved, self-absorbed, self-deceived. Who knows?”
- Periods of stress related paranoia and loss of contact with reality
This is a stretch, but Marvin’s exes always hovering around him in In trousers might be paranoia about his past manifesting itself. This is especially clear in I can’t sleep and Your lips and Me reprise where they physically interact with him, preventing him from sleeping or reminding him of his past.
- Impulsive/risky behavior:
Bro got multiple STDs, presumably from unsafe sex. Also, it’s implied that he also got HIV after Whizzer.
Hitting Trina could also be seen as impulsive behavior.
- Wide mood swings:
This is where Marvin’s giddy seizures comes in. He has periods of extreme laughter and giddiness, sporadically.
- Inappropriate levels of anger
Marvin hits Trina. I mean, what else do I have to say? This whole song is about Marvin’s anger taking over his actions and causing physical harm because of it. He also shows inappropriate anger when he brings out Whizzer’s belongings after the Chess game.
Ok Jesus Christ that was a lot of words. Keep in mind that these are just my headcanons and you’re allowed to interpret Marvin in any way you want.
Also I don’t have these disorders myself and I’m not a professional psychologist or anything so let me know if I got some things wrong. I just care way too much about the Marvin Trilogy and I’m also interested in becoming a psychologist.
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deadbeat-motel · 2 months
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For my rewrite, I wanted to tie each sinner who's staying at the motel to a specific deadly sin to make it easier to understand what got them in hell and just for the fun of it.
It doesn't apply to the rest of hell to have a specific sin, but I thought it was interesting that the inhabitants of the motel will represent a sin.
Some of these characters are still rough ideas and will be subjected to some changes once i finalize the actual lores for these characters:
First up, Angel Dust is easy to confuse as Lust because most people might assume that since he's a sex worker, its probably what got him in hell right? Though, his sin had nothing to do with being lustful since he didnt become a sex worker until then (plus being a sex worker doesnt warrant someone a tacket straight to hell). Instead what really did him in was Gluttony since it was his appetite for vices that got him into trouble and also inadvertently lead to his death and it was that appettite that lead him to take any and all clients to feed his appetite for angeldust.
Nifty's sin is Lust, though not in the traditional sexual sense that we know. For her sin's sake, Lust is all about an uncontrollable desire that leads one to do horrible acts in order to attain what they've been obsessing over. In the rewrite, I was going to let her be a lot younger (most likely an adolescent-young teen) with a very skewed sense of what romance/love is like and have her lean in more towards a yandere-type character or a crappy creepypasta kid character (think Nina the killer levels of crappypasta). I'm torn between the two ideas at the moment.
[Also fun fact, hearing that nifty was a japanese woman from the 1950's kind of took me off because googling it, she wouldve been a woman who grew up in the middle of world war 2 and lived through a bit of the Post war boom if we assumed she's also american as well. Having someone with a background like that who acts like she's mentally a child makes it feel like Viv did no research at all.]
Husk's sin remains as Greed, as gambling just seems so hard to quit for him, even when his life is on the line, especially when he's cheating death so many times. Maybe it was after he had his first close encounter with death in his youth... or the few couple of times during the war... that he began to think of himself as too lucky to die. Unfortunately for him, he'd have to learn the hard way that whatever force that was trying to save him can't do anything about his own body failing from years of self-destructive alcoholism.
[Husk will literally kill me with all the research I'll have to do from 1910-1970 to get his story straight.]
Alastor is one Prideful mf. As an intelligent serial killer (possibly cannibal), he was able to evade the police whilst keeping the high-profile radio host job he killed others for. He enjoyed leaving clues and slipping little hints around his scene that stumped the entire police department. In the end, getting sloppy because of his own overconfidence in his abilities was what did him in and he was chased down and shot by a hunter in his escape.
Sir Pentious is Envious of the Victorian family and those above the middle class. He believed that he deserved to have the same kind of privileges they have especially since he was a brilliant inventor who believed he could forward Great Britain to a greater future. So he gave up 15 years trying to take over the monarchy by himself and failing miserably. He died due to an invention gone wrong and that was the day Great Britain was rid of its persistent annoyance.
[Some people may read about him in history books and confuse him for an anti-monarchist when this man's entire goal was to replace the monarchy with himself.]
Cherri Bomb grew up as a resentful youth of the Japanese 70's being a sukeban of a delinquent girl gang. Their Wrath was known all across the other local schools in their area and they were known for their sheer brutality. However, Cherri Bomb in particular was also feared by other members of the gang as she was ruthless punishing those who wanted to leave the group. She doesn't ever disclose how she died to others and thus no one is ever really sure how she ended up down here but no one really feels the need to ask.
[I'm extremely unfamiliar with Australian history so Cherri Bomb will have to have grown up in Japanese 70-80's delinquent culture.]
.
There's one sin left.... but since I don't really have anyone in the HH cannon that could realistically fit Sloth, I'm left with two options: Characterizing the blank slate that is Crymini myself or leaving the last resident as a community effort "Build-a-Sinner."
So first poll ive done but....
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itssuppertim3 · 8 months
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Miraak's Reaction to the LDB's Children:
ok it's been years since i adopted in this game and i forgot how cute it was to have kids
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I'll put this plainly: Miraak has never been fond of the creatures (yeah he calls them that).
He seldomly tolerates people in general as it is, so hearing the Dragonborn mention them for the first time came as a great shock to him.
"You're saying... you just let them run around in your home?" "Yes." "Forgive me for ever calling you intelligent."
He claims he's very knowledgeable with child psychology because of the "horror stories" he's read through his duration in Apocrypha.
"Back in my day children were used as sacrifices to please the dragons. I suppose there was one good thing about their rule..."
He gets extremely uneasy at the thought of actually being introduced to them.
He also dislikes when you brag about them: "Sophie made me the prettiest bouquet one morning :)" "Can she recite the alphabet in Dovahzul?" "...No?" "Pathetic."
Keep in mind Miraak is extremely self-centered and still puts himself above anyone who isn't the LDB. But he'll get surprised when a seemingly average child can outwit him.
He becomes tense when he finally does meet them.
He's never been around children and has even forgotten what it felt like to be one.
That being said, he wasn't raised up the same way. Miraak doesn't know what it feels like to have fun or to be freely naive. He simply judges what he can't understand. Being exposed to your children does gradually start to make a change in him, though.
They're obviously frightened of him in the beginning; especially because of the ominousness of his mask. Sadly, he takes it off for no one, so they just have to get used to it.
Sophie is the first to acclimate to his presence. Somehow his demeanor sparks a tiny similarity with her father. He's abrasive, yet silent, and shows affection through actions rather than words.
She quickly grows fond of him and idolizes him as a father of her own.
The next child's personality is also very specific to the orphan you adopted, so I'll leave that for you to decide :): - (Lucia): She's awfully shy of him and prefers to strap herself against your thigh when she's near him. Unlike Sophie, it takes her a bit longer to adapt, but once she does, she's a fiery chatterbox. - (Runa Fair-Shield): She likes to bully him (constantly) and when he threatens to dispose of her she immediately tattles. She's also very good at blackmailing and makes him give her piggyback rides. - (Alesan): He can't say he likes him much; mainly because Miraak's Atmoran genes make him the size of a giant through his eyes. He avoids him more than the rest, but he's also recognized for his smarts, so every now and then Miraak will attempt to teach him something new. - (Blaise): He feels as though he has something to prove to him due to his struggles on the farm. Miraak wordlessly drives him to become more of a man, and Blaise respects him for it. - (Hroar): He has a lot of adoration for Miraak's skill as a master swordsman, and often begs for sparring lessons (perk: you get to see Miraak wave a kiddie wooden sword around).
On another note: - If you only have girls, Miraak is decorated in flower crowns galore 100% of the time and often finds himself falling asleep with the two wrapped under his arms after reading them stories. - If you only have boys, the house is always messy from roughhousing and amateur sword fights. The boys won't be nearly as spoiled as the daughters, and not even Akatosh will stop his wrath if they disrespect you.
Turns out, Miraak loves your kids more than he ever anticipated. He merely hated the idea of children, but never realized just how perfect they are.
((((((he really wants to make a baby now))))))
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I'm melting
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nekropsii · 4 months
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Ask Game Speed Round!!
[For the Unpopular Opinion Ask Game!!]
These are all a bunch of smaller ones I thought would be too cumbersome and spammy to post on their own... Enjoy!!
Content Warning: Long.
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While I do really like Dave's character as it exists in the comic- no clue what version of Dave most of the fandom is talking about, but I don't know him- I kind of like the themes in Davesprite's character more than I do Dave's. It's another Hal situation.
Dave's character tackled a lot of things very personally relatable to me in ways I'd never seen illustrated before, but Davesprite is more interesting to think about, and seems a little more fun to write. Dave was great representation for me, as someone who grew up in a very bad home, but Davesprite just has that extra oomph with his talk of humanity and individuality. Really like that guy.
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@lupinecalibrator
This may come across as crass, or stepping out of my own lane, but I don't think giving them either multiple sets of pronouns, neopronouns, or both actually rids them of the bigotry in their characters. Lipstick on a pig situation. It just seems like a lazy, incurious fix. Yes, trans headcanons are great, but more and more often I see people use it as a cure-all to the issues a character has, either in a Doylist or Watsonian way. Queer friendliness does not eliminate racism. If a character is a bigoted caricature of a specific group of people, then slapping on a leftist layer of paint by saying "actually they're a minority icon in this other way" doesn't actually... Get rid of the problem. It's just kind of... Tone deaf.
We see this often with Transmisogynistic Caricatures getting claimed as Gay Icons, and people just saying that because they've just claimed them as a campy gay queen, the transmisogyny has been nullified- you can't talk about it anymore, they're the real good leftist in the room, you're a killjoy, and they've defeated bigotry. Not how it works.
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Kind of tired of how some act like her only character traits are Silly Ditzy Furry Girl. Jade is an incredibly, incredibly intelligent young girl, an excellent marksman, and so, so deeply lonely. We need to talk about Jade's chronic loneliness more.
Also, I think she's some kind of Psychotic. One of the flavors. It just feels right to me. It feels canon-adjacent. Or, at least, a textually valid way to read her character. I have a whole post about it somewhere. Mituna and Jade shaking hands on the Psychosis.
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Taking this opportunity to defend Aranea. Some people really need to stop acting like she's worse than Vriska. We all know what Aranea did was justified. Maybe not correct, but justified. And fucking awesome to watch.
Like, look. She spent an unfathomable amount of years being shot down and ignored and belittled by people who were supposed to be her friends... Aranea had to literally pay Meenah, her own best friend, to listen to her infodump, and even then Meenah couldn't afford to give her own best friend enough respect to just listen to her talk about something she's passionate about for 5 minutes.
I need you to think to yourself, genuinely. If you spent thousands- and I mean thousands upon thousands- of years getting ignored and walked on by everyone around you, even your own friends... If you spent thousands upon thousands of years getting called boring and a doormat to your face by even your own friends... Wouldn't you go crazy, too? Wouldn't you snap? Wouldn't you want to do something drastic just to get people to look at you? Just to be seen as something other than weak and boring? Just to be seen as worth even an iota of interest, a shred of someone's time? Wouldn't you? Because I think any normal person wouldn't take thousands upon thousands of years. I don't think you would last a decade. I wouldn't either, and I'm a pretty patient person.
Y'all are just jealous you can't play billiards with planets using your mind when you're mad. That shit was so awesome.
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@searedtroutpeacharugula
This is not an Unpopular Opinion, or even an Opinion, I'm just pointing this out. Do you ever think about the fact that we hardly got any conversations between Rose and Jade? I do. This haunts me. This fucks me up so bad. We get plenty between John and Dave, and Dave and Jade, and Dave and Rose, and Rose and John, and Jade and John... But hardly anything between Rose and Jade!! This is so fucked up. We were robbed. I need to watch them hang out.
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Okay, this is less of an Unpopular Opinion, and more of an Unpopular Fact, but... Mituna doesn't just throw slurs at people. That's one of the things people jump to when they're talking about Defanging Mituna- they always say something about how he "calls people slurs every two seconds". He literally doesn't. That is legitimately not a thing he does. If you heard that before and believed it, you were literally lied to. That is straight up demonstrably not true.
Like, if you're trying to think of something Mituna does every two seconds unprompted, it's either sex jokes or apologizing. Slurs aren't a thing he just slings around casually. He said a grand total of one slur... To Meenah... And it's a fake troll slur. And then we get it defined to us... Aaaand it's the troll equivalent to "Cracker". That's it. That's the crime he's committed- calling someone a word that is immediately after defined to us as "Someone who is at the top of and benefits from the furthering of the oppressive Fuchsia-Down power structure, and the Lowbloods that help enforce it." That's the slur he used. That's what made people start declaring that "he would totally say the N Word" with full and complete confidence. Absolutely ridiculous. He's called no one else any kind of genuine slur. He just called Meenah a Wader once, and then she and Kankri got upset about it, because they are both, by definition, Waders.
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Leijon Hot Take Party Pack: If you think Nepeta shipping her friends together is fine, or even adorable, but then sneer at or get grossed out by Meulin doing the same thing, you're a hypocrite. I don't care if you say "Meulin's writing Friend Fic, though, that's weird!!" the problem with Shipping Your Friends and Writing Romantic Fanfiction Of Your Friends is at the same root.
The problem with these things isn't the presence of writing, it's the presence of, you know, shipping your friends? If you're fine with Nepeta doing it, you've gotta be fine with Meulin doing it. Be fine with both or neither. It's the same damn thing. I'm pretty sure both friend groups are fine with it, too, so it's not like this is a boundaries issue or anything. Both or neither. Pick one.
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Observation: I do think it's cool how Jane and Jake are related and have similarly opposing relationships with their gender. Jake's oft presented with Feminine themes and imagery, and Jane with Masculine themes and imagery. Very cool. Wish more people made that correlation.
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Okay, that's all for now!! Thank you for reading, if you did. Have a nice rest of your day. :)
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daeva-agas · 8 months
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Speaking of the Senshi/Shitennou pairs. I was kind of curious why those stones in particular, right. Kunzite and zoisite are so unusual that I think only gemstone aficionados know them, and even though jadeite and nephrite are somewhat more commonly known names IIRC it still made people mess up the mineral names back in the day.
Well, uh, so, it was alleged that Takeuchi-sensei chose them to match the character and personalities of the senshi they're partnered with, so... Excuse me while I go overthink this and have a meltdown in suffering.
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In the first place, supposedly the "inner senshi" are officially meant to be called "guardians"/"guardian deities" (守護 or 守護神). Haven't seen the raws, so I can't confirm, but that's what the JP media says. The term "Shitennou", as many are already aware of, are originally a term used to refer to a set of 4 Buddhist guardian deities.
If true then it just feels like they're all intended to be perfectly matching sets from the start, and it just never made it into the story.
I read that Sailor Moon was originally meant to just end with the Dark Kingdom plot, so maybe sensei intended to have a Romeo and Juliet sad ending where everyone just dies in the end?
These are all based on Japanese gemology guides (same as what I used to research for the Shitennou knight titles), since I imagine it's more likely to be the one Takeuchi-sensei had access to. These may differ from international ones.
(Warning: Long post)
In the manga sensei specified that the zoisite is the blue one, that's also known as "tanzanite". The blue variety of zoisite, among other things, means "calm and intelligence".
The connection to Ami/Mercury's character is very straightforward and obvious.
In terms of romance, a zoisite also means "subdued expressions of love". It really makes me think of how gentle this pair looks in the splash art sensei drew.
Kunzite means "premonition of a lover". It's specifically oh dang when I saw this because Minako was "special" among the senshi in the way that her character vibes are based on "love" (because Venus, goddess of love), rather than the original elemental name attached to the planet. It fits enough to make you pause and wonder if this it truly a coincidence.
The planet venus originally has the element of "gold/metal". The gold is reflected in her design somewhat, but her senshi identity is more related to "love". The other girls' names matches their planets' element names. E.g Jupiter = mokusei = wood, Ki(no) = wood/tree. Mercury = suisei = water, Mizu(no) = water.
Also Venus's relationship with Kunzite ended up being the one who got the most hints actually shown in the manga, so... I do wonder.
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The two jades are less overly specific like this, especially Nephrite, but well.
Jadeite is the native jade from Japan, and has been long used to make magatama since ancient times. As such it's always seen as a deeply spiritual stone, that can protect against and/or ward off evil. A perfect match for Rei, who is a miko. One wonders if sensei chose the stone because of Rei being a miko, or if she made Rei a miko after choosing this name for the one matched with her.
Edit: Japanese Wiki claims Rei being a miko was based on Takeuchi-sensei's personal experience as a part time miko. So then Jadeite had to have been named/chosen to fit her, if this theory is true.
Not to mention that Akuryou Taisan, the evil-banishing spell, is something that she uses quite often.
Nephrite is the most confusing one here, because I'm not really able to find the connection. That's why I initially had strong doubts about the rumour/claim about the gemstone names' connection to the senshi.
In the gemology guide that I referenced, its meaning is "charm of maturity". I suppose Mako has always felt like she's older than the other girls, because her hobbies (cooking and home decor) feels really motherly.
Other than that and the stone being a deep green colour similar to Jupiter's senshi outfit I'm not entirely sure. (in the manga, sensei says nephrites are "always deep green" even though IRL that's not the case)
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Just my additional comments after reading everything that I did:
In terms of colour, I like to think Jadeite is a red jade. Not just to match Rei, but in the manga Jadeite's stone is always coloured the darkest (it's almost all-black). Of all the various jades, red is one of the darker-toned ones.
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The shading can be arbitrary, especially if sensei was just tracing from reference photos. Dark green jadeite also exist, so for all I know this is intended to be green too.
But if I use the logic that the stones are matched with the girls' character, I think red just fits the best. In gemstone language the red jade means "tenacity" and "willpower". Green jades tends to be associated with things like harmony, prosperity, luck, and so on. It doesn't feel very Rei-like.
Also, the nephrite jade being a "soft jade", it's associated with very cuddly meanings such as "warm" or "gentle", which makes me laugh even more than the "wisdom" one.
Unless, again, these words are more attached to the matching girls' character, rather than the guy in question, because yes I think Mako is definitely very warm and gentle and fluffy and very huggable.
Although other-coloured zoisite varieties were said to have different meaning, it looks like blue is the predominant zoisite colour in Japan. A lot of Japanese gem sites tend to automatically just say "it's blue" while describing zoisite, even though there's obviously other colours out there.
Sensei did specify it's "blue zoisite, a.k.a tanzanite" in the manga, so I think she's aware of the other colours having different meanings attached. Some articles also had mentioned Takeuchi-sensei's family runs a jewellery store?
I wonder if this is why Crystal went with the gemstone's healing properties for Zoi's title though, because the gemstone words overlaps too much with Mercury in a very in-the-face way. The other meanings are Hope, Mystery, Pride, and Noble, and maybe those don't make very good title names? Like, the only viable one is probably Hope, though I feel like it would be even more confusing if Crystal said Zoi is the "Knight of Hope" or whatever.
Another thing about Kunzite is that its meaning also include "pure and everlasting love", but the website caveated this that this is a saintly kind of love (for the gem's association with Holy Mother Mary). So it's not necessarily something to get overly excited about in terms of SenShi headcanoning, but, well, it's there.
"Shitennou" in Japanese pop culture is generally used to just mean "4 very important people", so it didn't have to actually mean anything. Like, a few samurai in history had their "shitennou", who are just the best 4 generals serving under them. Most famous being the Tokugawa shitennou, but other samurai lords actually have their own so-called shitennou. It's just that if the senshi are officially named "Guardians", then this changes the context.
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greenerteacups · 13 days
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my heart aches for one Theodore Nott after reading the latest update 😭 GTC, could you tell us more about your thoughts on him, his characterizations, how you manage to write him so poetically and beautifully, and (a shot in the dark, but i'll bite) the role he'll play in books 5, 6 and 7? congrats on another chapter GTC, i love you tons 🩷
Thank you so much, friend. I love talking about Theodore Nott. I'll gladly bite on that question.
To start off, Theodore's middle name might as well be "THE FOIL," because everything about him is tailor-made specifically to Say Things About Draco Malfoy. He practically hands Draco a card saying "I AM YOUR JUNGIAN SHADOW SELF, PLEASE HANDLE WITH CARE" upon introduction. They meet when they're both fresh off the train. (Hermione beats Theo to Draco by a matter of hours; there's a ton of ways this story spins differently if minor details about the first chapters were changed, and that's definitely one of them.) Then Theo and Draco ride in on the boats together. (Admittedly, I was not aiming for subtlety points with this intro. They are literally "in the same boat.") Immediately, Theo is throwing out narrative parallels like he's getting paid for it: they both have a dead parent. Both parents died under weird circumstances. Their fathers were both Death Eaters. Both of them are the sole heirs and only sons of great wizarding houses. Then they go into the Great Hall together, standing in line, but — and @piedrafundamental left a really banger analysis of the Sorting Hat scene in the comments on that chapter, but I'm going to crib just one line — crucially, "M comes before N." Draco's sorted before Theodore is, and he goes into Gryffindor. Immediately after that, Theodore's shunted into Slytherin, and their paths diverge. Call this the prologue of their relationship. They're not actually gonna get to know each other until Book 2 and Book 3, but this is the part where the narrative is basically jumping up and down and waving its arms at you, going "HEY! THIS GUY! IMPORTANT TO THE STORY! GET WORRIED ABOUT WHAT HE'S DOING, OKAY?"
Then we meet him again in Book 2, and just like Draco, a year at Hogwarts has changed him. He's a little more confident, a little more cocky, a little more comfortable, and — hey, look! He's got a weirdly intense friendship with a girl around his age, too! (Surprise, surprise, Draco is with Hermione when he meets Theo again, and who makes her debut in that moment but Pansy Parkinson?) And there's Daphne, the third leg of the Slytherin Trio, the kind of girl Draco probably would end up with in Slytherin — pretty, sociable, cunning, knows his family history (literally cites it to him in their first introduction, like c'mon), is the sister of his canonical wife, etc. etc., we got layers to this shit like lasagna but this post ain't about Daphne so we gotta move on — point being, either way he flips, Draco's going to be the fourth of a quartet. Which is the entree into the Slytherin politics storyline of Book 2, a.k.a. "the temptation of Draco Malfoy," where Theo is — I mean, to be honest, for once he's really not doing anything that sinister; from his perspective, he's kind of just putting his fucking back out trying to make a friend? He's drawing Draco in a regression towards prejudice and comfort, naturally, but that's not how he sees it. But there's a counterpoint between what Theo's offering and what waits for him in Gryffindor.
So that's the starting block of his character. The rest of the work is building a real person out of that; obviously, you can't just go "this is Foil Man, does whatever a Foil Can" and expect people to be interested. Part of what makes Theo interesting, to me, is that the traits he shares with Draco include a lot of what we tend to like about him — he's driven, intelligent, cunning, and brutal in the defense of those he loves — it's just that the people he loves, the people he surrounds himself with, are deeply prejudiced people committed to doing profoundly bad things. He's been trained from birth in the art of making bad people happy, and he's gotten good at it. And he's just enough of a coward (again, pot and kettle) that he can't imagine a world where that's not the case.
And it drives him fucking crazy that Draco won't admit that. Because I think Theo thinks if he can get Draco to admit they're similar people, it'll validate the choices he's made — like, yeah, he's fucked up horribly, but anyone would do the same, if they had to face what he has. Even Saint Draco. And of course, Draco is absolutely unwilling to go there with him, because:
(a) he very much does not want to believe that his years of grueling internal growth and struggle for betterment are just the product of some good luck with a hat; i.e., a suggestion that is not just insulting but terrifying because it suggests how very close he could be to regression at any time; but also:
(b) it is a fundamental tenet of Theo and Draco's dynamic that Draco does not like Theo as much as Theo likes him. Because where Theo sees his mirror in the light, Draco sees his mirror in the dark. And it's an increasingly ugly picture.
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victimsofyaoipoll · 9 months
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Round 2
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Propaganda Under Cut
Annabeth Chase
I feel like fandom is kinda split on her with percabeth shippers loving her but any m/m shipper I've seen does not like her, really. She is my bae tho <3
Percabeth antis grind my gears so much because they never hate Percy, nono, even though he's arguably done more questionable stuff than Annabeth. Not everyone who hates her is doing so because of a mlm ship— the Perachel stans claim that Annabeth is a misogynist. However, basically everyone that isn't trying to ship her boyfriend with Rachel is trying to ship him with Jason, Nico, or her old friend Luke. They make her out to be this horrible abusive girlboss(derogatory) that she's simply... not. She doesn't insult Percy for having ADHD just because she's highly intelligent. She doesn't physically abuse him, and doesn't lay a finger on him outside of training. She's really devoted to him in a non-anti-feminist way. They just hate her for 'getting in the way' of Nico's convoluted attraction to Percy, or Jason's close friendship with him, or Luke's rivalry with him. But those relationships all flourish the way they were intended by the author: non-romantically. It's not Annabeth's fault for being intelligent or capable or jokingly snide or determined or any of those non-stereotypically-feminine qualities. She's just out here existing and people hate her for not being a man. Sorry for the rant.
She's canonically in a relationship with Percy Jackson for most of the books they're in, but he often gets paired in canon with other male characters, such as Nico di Angelo or Jason Grace. In fan fiction (especially yaoi focused ones) she's characterized as being a stuck up know it all, but she gets into plenty of shenanigans in canon and can be pretty goofy and sweet!
Sakura Haruno
Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.
My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 
What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.
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vaniloqu3nce · 1 year
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Yoko Headcanons Pt 3. (this has been in my draft for a while)
Yoko isn’t a big romcom fan but Enid and Divina are so her and Wednesday end up watching them begrudgingly for their girls. That does NOT stop them from complaining though.
Wednesday: Yoko I can feel my brain cells deteriorating.
Yoko: Girl same im getting dumber watching this and I’m already the dumbest person here.
Unlike Enid, Divina helps Yoko study on her own and teaches Yoko little tricks to help her remember things in class. Enid usually just lets her copy.
Though Yoko acts very confident, she does have a lot of insecurities surrounding her intelligence because she’s never been really good at operating in a school setting. Things that don’t immediately capture her attention will often not keep her attention very long.
Yoko can sit and read Wednesday’s books for an hour straight squealing but she cannot take a math test for thirty minutes.
Yoko finds out Wednesday likes Enid (not that she didn’t already guess) because Viper so obviously has a crush on a new character that’s supposed to be Enid.
Enid and Yoko met in their freshmen year, Yoko tried flirting with Enid but Enid wasn’t really interested. Which is how they became best friends.
Young Yoko was a bit more of a menace and much more spoiled due to her wealthy upbringing. She absolutely thought she could have anyone she wanted and Enid was like “I’m not really attracted to you.”
Yoko: Not possible but OKAY.
Enid: Well do you want to be friends?
Yoko: This is literally the most embarrassing day of my life. Yes.
Enid and Yoko are literally inseparable. Yoko is an only child and Enid has only brothers. They’re literally so thankful for each other.
Because of her upbringing, Yoko has a lot of trouble showing and expressing negative emotions. Enid is like a sister to her and is always patient with Yoko when she needs time.
Yoko calls Divina princess, at first it was an insult because she’s stuck up and such, but it grew on both of them. Yoko is very affectionate with Divina when they’re alone, Divina loves it.
Divina: Get up. We have class.
Yoko: Come back to bed, princess. It’s cold.
Divina: Because you’re dead. Get up.
Yoko: You don’t love me.
Divina, rolling her eyes and climbing back into bed with her: You’re right. I hate you.
Yoko: Mhm. :)
Nobody in their right mind besides Enid would believe Yoko is so affectionate and loving because outwardly she is so against relationships and she kicks girls out as soon as they’re done. “I’d call you a cab but you live next door.”
Yoko is in fact only soft for Divina.
I raise you Yoko and Wednesday having a talk about being afraid of emotions.
I raise you Enid and Divina wondering if their girls actually like them because they have those kinds of insecurities and little do they know their girls would die for them without question.
I raise you Wednesday at first being jealous of Yoko until she realizes there couldn’t be anything to be jealous of because all Enid and Yoko do is argue.
Yoko, kicking the door down: Wednesday get your fucking girlfriend shes DOING IT AGAIN
Enid: Babe DONT LISTEN TO HER SHES LYING
Wednesday, sighing: Do you want this chapter done or not, Yoko?
Yoko: with ALL MY HEART MI AMOR
Enid: STOP FLIRTING WITH MY GIRLFRIEND FOR CHAPTERS
Yoko: STOP TELLING MY GIRLFRIEND WHEN I SKIP CLASS
Basically Wednesday was jealous up until she realized they’re basically siblings and they are trying to kill each other at least 90% of the time.
Divina had to win over Enid and Wednesday first. It was like asking for their daughter’s hand in marriage.
Wednesday: What are your intentions with our idiot?
Enid: I will skin you alive if you ever hurt her.
Wednesday: I’m so in love with you.
Thing, Yoko, and Enid have girls nights.
Yoko never liked Tyler either. “He just looks like a card board cut out.”
Yoko actually wants to become a movie director but not many people know that. Specifically horror movies.
Yoko was the kind of kid who would film her own movies on her phone.
Since Yoko has trouble expressing herself, her forms of love come in physical ways. Bumping Enid in the halls, playing with Divina’s fingers in class when she’s distracted, ect.
Wednesday and Yoko actually become amazing friends. They have a lot to bond over. Their love of horror, they both hate Tyler, they both have girlfriends who love them more than anything, they’re both bad at expressing emotions.
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