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#spectral souls
euphorictruths · 2 years
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Big Thinker Contemplating The Light- Adrian Cox; 2018
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art-emis99 · 26 days
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missed drawing all the sillies together so i did that again,,
like half of the characters are @moongo101 's!! our silly dergons,,
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kainissoable · 1 month
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A thought. Because new Pillar Guardians are chosen at birth and we know that in Nosgoth souls are physically real and tied to the workings of the Pillar and Reaver, would that mean that in the LoK universe a soul enters the body at birth? Maybe at first breath like some real world faiths believe?
That would tie in nicely with Kain's speech in Soul Reaver 2, "As Ariel dies, I am being born to take her place" and how as a result he was corrupted at the moment of his first cry.
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thesoulspulse · 7 months
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Can't sleep atm so I threw together some digital art of my oc Whisper getting ready to explore a cave in the Ghost Zone after her wisps scouted ahead for her a little bit just in case someone or something dangerous lives in there, but they're all pretty curious about what else might be hidden deep inside. Plus it gave me an excuse to draw her spectral tail which is also like a will o the wisp flame or misty.
Concept Doodle:
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withoutatrace-pkmn · 7 months
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do you think Pokémon which evolve into ghost types ever feel existential over having become like. quasi-dead
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cultoftheworm · 8 months
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Soul Cluster Nebulae: Spectral Cosmic Behemoths
In the aftermath of apocalyptic events that ravage worlds, a haunting phenomenon unfolds as the ethereal essence of countless spirits, their once vibrant and diverse lives extinguished, drifts through the cosmic expanse. These intangible remnants, uncountable in number, converge and intertwine, coalescing into mesmerizing gaseous nebulae that defy conventional comprehension. Within these titanic celestial specters, the condensed energy of shattered civilizations flickers with ethereal luminescence, creating an otherworldly aura that permeates the cosmic tapestry. These cosmic ghosts, born from the remnants of shattered worlds, serve as a poignant reminder of the profound losses endured by once-thriving realms, eternal echoes of a tragic past imbued with a mysterious beauty that captivates the imagination of all who dare to witness their spectral presence.
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flowering-darkness · 6 days
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hi ari i do have a question - how do u imagine the giratina wings would work .. like would they be solid .. trying to imagine lunadri cuddling with the wings in the way
Hello friend!!! Thank you very much for this question ^-^ (I apologise for how long my answer ended up becoming ;w;)
To answer your questions/comments succinctly:
The wings work a bit weirdly because they're to do with the original Giratina, which I'm saying was Reborn-Shiny because so is the Arceus (I think). ..Don't ask me how she got tied up with it in the first place.
They are more spectral than properly solid, but you can still feel them (putting your hand through them will make it feel numb though, and it also feels weird to Adriana, so perhaps don't do that). They look more solid when she's in a New World.
We can work around them! It basically just means Luna can't hug Adriana from behind without needing to take them into account, but.. everything else is theoretically on the table. So, I like to think that works out ^-^
Okay, now for my actual initial very long-winded response to this.
Hmm.. I will admit that I hadn’t considered this. I think it would make sense if Adriana’s wings were at least somewhat non-solid, in that, like.. most things can pass through them, but with some resistance, to the point that you can probably push something through them quite easily, but if you just sort of threw something at them then it would probably just lose too much momentum and fall. Adriana will feel it if something goes into or through her wings, though (at least after they become fully apparent, which happens after the Giratina quest in postgame. Specifically:
Only Anna is able to see Adriana's wings to begin with, similarly to the other traits she perceives others as having (like Taka's own wings or Cain's pitch-black eyes), and Adriana cannot see or sense them whatsoever. However, Anna never properly specifies what they actually look like, just insists that she has them.
After becoming void-kissed (so, after the Glass Workstation), Adri starts very vaguely being able to sense her wings occasionally, and they also start sometimes appearing in glimpses in her shadow. Other than that, no-one else can see or sense them, though Luna definitely does her best to accommodate them from here on out, regardless. It still isn't clear what type of wings they are. (Note that it's after becoming void-kissed that Adriana starts being able to perceive others as Anna does, so this means that this occurs with the exception of herself.)
Whenever she is confronting Umbral Trainers or Anomalies, Adriana becomes more aware of the presence of her wings, but is generally too caught up with what is going on in the moment to properly dwell on it like she wants to - and most New World areas are so shadowy that she can't really tell if they're constantly there in her shadow or not.
The moment her wings finally become visible and tangible to everyone is the same moment in which Anna starts mistaking her for a doll of Lin's - after she catches the original, Reborn-Shiny, Giratina that Zina sealed beneath Byxbysion. A comparison of this false perception versus the new truth is given below:
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From this point onwards (which.. admittedly isn't that much more of the story, but still), Adriana's wings are spectral in the normal world, but fully-formed and solid whenever she's in a New World space. This is going to be my explanation for why they appeared solid during those old grand finale renders I made ages ago, but fade out on her other sprites and renders.)
It’s probably quite a strange sensation, both to Adriana and to someone else if they stuck their hand through them; I quite like the idea of anything that goes into or through the wings feeling very numb, rather than necessarily hurting or anything. They feel more solid, and the sensation is more intense, as you move closer to the part of her back where they look like they emanate from. I like to think the wings are solid enough (to Adriana at least) that she tries to take them into account when moving around, but also intangible enough that nothing can really affect them, necessarily - so, like, you couldn't grab them and use them to pull her towards you or anything, and she would also be able to put her back against a wall without too much issue (it might just feel odd to her). They also don't interfere with her clothing, thankfully. Such are the conveniences of spectral energy.
So, with all that said.. I do think that Adri’s wings would need to be taken into account to at least some extent when cuddling with Luna. However, it is not as much of a big consideration as it could be, simply because the two of us are already used to considering things when we cuddle, like making sure we don’t scrunch up our skirts for example. Adriana can also curl her wings fairly freely after they become fully apparent, so that helps, and they aren't that big to begin with (smaller than the ones Anna sees Taka as having, certainly), so that also helps. For example, I like to think that she would be able to lift them both so that Luna is underneath them, if we were both on our sides ^-^
Sorry for going on such a tangent there, oops ;w; I hope that this is still alright as an answer for you, friend! Thank you so much again for sending this in, it really means a lot~
#I think it could alternatively be interesting if the wings were only present when adriana’s pokémon are present or something#like how some pokémon (marshadow/xerneas/etc.) have in-battle and out-of-battle formes that are cosmetically different#as that would be a decent explanation for why they aren't on her overworld sprites but are on her VS and trainer sprites =P#plus I think it would be fun to sort of.. see her out in town somewhere and not think she seems like too overpowered of a trainer#and then you make it through charous hall. and the champion's busy. so you get to face the shadow champion. don't worry it still counts#and all of a sudden as the battle begins she gains a presence you would expect from a powerful champion but had yet to sense from *her*-#and you suddenly spot these spectral *legendary* wings behind her. which.. were always there? surely? yet only *now* do you *see* them#that sort of vibe perhaps~ where it's not really clear whether or not they *are* there all the time or not#anyway sorry that was a tangent#heart of the void#selfshipping#love: dark dreamer (luna)#..vaguely#selfship: void‑kissed (luna/adriana)#and most prominently (because I *keep finding things to say about her apparently*)#self‑insert: soul‑touched (adriana)#of a city reborn (pokémon reborn)#out of the inbox#selfship asks#clara tag!#info posts#i tried to work on this about four separate times today#but because i had such bad signal it just kept deleting the progress i made#so.. now that i'm back home it can hopefully sort itself out
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Blue my friend it is fortunate that you have so many skyrim OCs as I have an interesting idea
what if one of your skyrim OCs got sent from their world into the world of another one of your OCs?
like say Jokir wound up in Naythaa's world somehow all by himself
now mind you in this hypothetical situation both Jokir and Naythaa would exist in Naythaa's world with Jokir just ending up arriving through a mysterious portal in front of Naythaa.
How would Jokir (or whichever OC) react and deal with being in this new world where they are confronted with familiar, yet new people?
I used Jokir and Naythaa as an example but this is valid for any/all combinations you want to do
Just realize I barely draw my OCs interact with each other. They've been friends in my head for so long I forgot I actually didn't draw them doing things together.
In short, all of my OCs live in the same world.
Take my dragonborn for example. They occasionally have dinner together, do some bounty job, hang around in college or something.
Sometimes they will received some letters addressed to "the Dragonborn", but the other individual didn't know there are three dragonborn in Skyrim. So when they meet they'll exchange letters like: "I think this is for you. You were in Solitude last month, right?"
It's also a problem when they sent dinner invitation to others, the courier be like: "What do you mean other dragonborn?!" and you have to tell them to find "a short dunmer" or "big orc" or "generic looking nord".
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They'll say it's illegal to have this many dragonborn at the same time.
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umcaniusethisusername · 8 months
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Pups!
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bullard90kendall · 3 months
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In the quiet hum of a city morning, there's a woman, a wisp of a figure wrapped in layers of warmth that look as though they've absorbed countless stories, each thread a silent witness to moments both tender and tempestuous. Her coat, long and battered by the winds of fate, hangs with the kind of dignity that only aged garments possess, their longevity a testament to their unseen resilience. Tucked beneath it, the soft folds of a scarf, patterned and patient, bearing the brunt of the crisp air as it nestles around her slender neck like a loving safeguard.
She stands there, a solitary symphony in a landscape of steel and smog. There's something almost spectral about her presence; her gaze, distant and filled with a pensive gravity as if she holds conversations with phantoms of the past, or maybe with the promise of the future. Her hair, dark with the midnight memories of forgotten dreams, falls around her porcelain face—the kind artists spend lifetimes trying to capture, with the whispered secrets of every brush and chisel stroke.
The city sprawls behind her, indifferent, yet she imparts a gentle stillness amidst the rush. Brown laced boots, sturdy and unyielding, anchor her to the earth, to the present, the here and now. She might wander, yes, but always in her wandering, there seems a purpose, a path that she follows—a trail laced with the echoes of her own rhythm.
And though she's just one heart, one solitary heart among millions, you get the sense that in her quietude, there lies an ocean vast with hope and complexities, enough to flood the alleys and boulevards and make them flower. In this moment, the world whirls invisibly around her still form, waiting, perhaps, for the poetry carried in her soul to spill over and baptize the mundane with meaning once again.
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thethcministry · 1 year
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art-emis99 · 5 days
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for the wip game, based on a true story (and maybe a little more than that) ? im interested :DD
yesss that one!!! unsure if im keeping the name but it's currently the main fic im working on (which is also why the next wilted rose chapter is late again,,), it's also the most self-indulgent thing ever
so it's a social media au that will eventually also use cool work skins n stuff, and it's literally just about mine n @moongo101 's wof ocs in our shared story for them,,,
basically I thought of a really silly idea where after everything died down and the characters have grown up one of the characters decide to write a book explaining all the shit they went through. except she decided it would be funny to market it as fiction instead and let the internet figure it out themselves (also I decided they have internet despite being dragons idk they have it because its funny lol)
it is currently 3k words and still growing and I haven't even started putting it in the workskin,,
as for a lil snippet of it...
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writingwithcolor · 4 months
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How can non-Jewish writers include Jewish characters in supernatural stories without erasing their religion in the process?
Anonymous asked:
I have a short story planned revolving around the supernatural with a Jewish character named Danielle (who uses they/them pronouns). Danielle will be one of a trio who will be solving the mystery of two brides' deaths on the day of their wedding. My concern with this is the possibility of accidentally invalidating Danielle's religion by focusing on a secular view of the afterlife. At the same time, I don't want to assume that Jewish people can't exist in paranormal stories, nor do I want to use cultural elements that don't belong to me. So, how do I make sure that Danielle is included in the plot without erasing their Jewishness?
Okay so to start with I think we need to ask a question about the premise: what is a secular afterlife? I’m not asking this to nitpick or be petty, but to offer you expanded ways of thinking through this issue and maybe others as well.
A Secular Afterlife
What is a secular afterlife? To begin with, I get what you mean. The idea of an afterlife we see in pop culture entities like ghost media owes more to a mixture of 19th-century spiritualist tropes drawn from titillating gothic novels than to anything preached from the pulpit of an organized house of worship. Yet those tropes--the ominous knocking noises from beyond, the spectral presences on daguerrotype prints, the sudden chill and the eerie glow, all of those rely on the idea of there being something beyond this life, some continuation of the spirit when the body has ceased to breathe. For that, you need to discount the ideas that the consciousness has moved on to another physical body and is currently living elsewhere, and that it was never separate from the body and has now ceased to exist. Can we say that this is secular?
More so: Gothic literature, as the name suggests, draws heavily on Catholic imagery, even when it avoids explicit references to Catholicism. Aside from the architectural imagery, Catholic religious symbols permeate the genre, as well as the larger horror and supernatural media genres that grew from it: Dracula flinches from a crucifix, priests expel demons from human bodies, Marley’s Ghost haunts Ebenezer Scrooge in chains. The concepts of heaven and hell, and nonhuman beings who dwell in those places, are critical to making the narratives work. 
The basis also draws from a biblical story, that of the Witch of Endor. The main tropes of Victorian spiritualism are present: Saul never sees the ghost of Samuel, only the Witch of Endor is able to see “A divine being rising” from wherever he rises from, and her vague description, “I see an old man rising, wearing a robe,” evokes the cold readings of charlatan mediums into the present (Indeed, some rabbinic sources commenting on this assert that this is exactly what was going on).
While neither of these views of its origin define the genre as the sole property of Catholicism--or of Judaism for that matter--it would be hard exactly to categorize them as secular.
A Jewish Perspective on ghosts
However, it’s not the case that ghost media is incompatible with Jewishness, assuming that it doesn’t commit to a view of heaven and hell duality that specifically embraces a Christian spiritual framework. 
Jewish theology is noncommittal on the subject of the afterlife. The idea of a division between body and soul in the first place is found in ancient Egypt, for instance, earlier than the earliest Jewish texts. In Jewish text it’s present in narratives like the creation story, in which God crafts a human body out of earth and then breathes life into it once it’s complete. It also appears in our liturgy: the blessings prescribed to be recited at the beginning of the day juxtapose Elohai Neshama, a blessing for the soul, with Asher Yatzar, expressing gratitude for the body, recited by many after successfully using the bathroom. 
Yet it’s not clear that this life-force is something separate than the body that lives beyond it, until the apparition of the Witch of Endor. The words we use to describe it, whatever it is, evoke the process of breathing rather than that of eternal life: either ruach (spirit, or wind) or neshama (soul, or breath): neither is a commitment to the idea that it does--or that it doesn’t--go somewhere else when the body returns to the earth. 
Jewish folklore, however, leans into the idea of ghosts and other spiritual beings inhabiting the earthly plane (and others). Perhaps most famous is the 1937 movie The Dybbuk, in which a young scholar engaging in kabbalistic practices calls upon dark forces to unite him and his fated love, only to find himself possessing her body as a dybbuk. It appears that he is about to be successfully exorcized, but ultimately when his soul leaves her body, hers does as well. 
More relevantly to your story, a Jewish folktale inspired the movie The Corpse Bride. In the folktale version, a newly-engaged man jokingly recites the legal formula he will soon recite at his wedding, and places his ring on the finger of a nearby corpse--a reference to a time when antisemitic violence is said to have gotten worse not only at Jewish and Christian holidays as it does still to this day, but around Jewish weddings as well. The murdered bride stands up, a corpse reanimated complete with consciousness, and demands that the bridegroom honor his legal obligation. 
In the movie, the bride gives up her demand willingly: her claim on him is emotional rather than legal, and she finally accepts that he has an emotional connection with another person, that he doesn’t love her. In the folk tale, the dead woman takes him to court to decide whether their marriage is legal, since he spoke the legal words to her in front of witnesses as is required, and the court rules that the dead do not have the right to make legal demands on the living. In this version, the moral of the story is that a legal formula is an obligation; that when he jokingly bound himself to the corpse, he not only disrespected the dead but also the legal framework that structures society, and by so doing risked being obligated to keep his side of a contract he never intended to enact. 
This speaks to the ways that a Jewish outlook can differ from a Christian-influenced “secular” one. Christian-influenced cultural ideas can often focus around feeling the right thing, while Jewish stories will often center on doing the right thing. Does the Corpse Bride leave because she realizes she is not the one he loves? Because she--or he--learned a valuable lesson? Or because she loses her court case? It’s not that the boy’s emotions are irrelevant to the story--the tension, the suspense, the horror of the story takes place primarily within the boy’s emotional landscape--but emotions on their own are not a solution. The question “should he marry her” can be answered emotionally, but “has he married her” can only be answered by a legal expert, and once it has been the deceased bride may not have changed her emotional attachment to him, but she no longer has legal standing to pursue her claim. 
Centering legal rectitude over emotional catharsis isn’t a requirement for having Jewish characters in your story, but it’s worth thinking about what is and isn’t universal, what is and isn’t actually all that secular. 
Meanwhile, back at the topic:
Where does any of this place Danielle?
Well, unless you’re positing a universe in which Christian or other deities or cosmologies are confirmed to exist (See Jewish characters in a universe with author-created fictional pantheons for more on that topic), there’s no reason why they shouldn’t be perfectly fine interacting with whatever the setting you’re building throws at them. 
My wishlist for this character and setting runs more to the general things to consider when writing fantasy settings with Jewish characters: 
Don’t confirm or imply that Jesus is a divine being. That means no supernatural items like splinters of the cross, grails, nails, veils, etc. There’s nothing particularly powerful or empowering about this one guy who lived and died like so many others.
Don’t show God’s body and especially not God’s face, or confirm that any other gods or deities exist, whether that’s Jesus, Aphrodite, or Anubis, or someone you made up for the context. 
Don’t put Danielle in a position where they’re going to play into an antisemitic trope like child murder, blood drinking, world domination, or financial greed. If you have to, name it and let Danielle express discomfort with or distaste for those actions both because Jewish values explicitly oppose all of those things but also because Danielle as a Jewish character would be painfully aware of these stereotypes as present and historical excuses for antisemitic violence. 
Do consider what Danielle’s personal practice might look like. What does Danielle do on Shabbat? What do they eat or refrain from eating? What are their memories of Jewish holidays and how is their current holiday observance different than their childhood? I know I say “Jewishness is diverse” on every ask, but it is, and these questions--which also underscore how very much Judaism is rooted in one’s actions during this life--will help you develop how Judaism actually functions to inform Danielle’s character, even if you don’t spell out the answers to each of these questions in text. 
Do let Danielle find joy, comfort, and identity in their Jewishness not just in contrast with Christianity but simply because it’s part of the wholeness of their character. I know the primary representation of Jewishness is a snappy one-liner in a Christmas episode followed by the Jewish character joining in the Christmas spirit, blue edition, but make room for Jewishness to inform how Danielle approaches the events of your story, or why they decide to get or stay involved.  
-Meir
Hi it’s Shira with some Jewish ghost story recs written from inside–
When The Angels Left the Old Country by Sacha Lamb (deliriously good queer YA Jewish paranormal, mainstream enough that it’s got a good chance of being at your local library and won all kinds of awards)
The Dyke and the Dybbuk by Ellen Galford (sorry for the slur, warning for a paragraph of biphobia in the book but it’s an older book. I read this right before my divorce so my memories are super fuzzy but it’s about this modern day lesbian who gets possessed by the ghost of a different lesbian from hundreds of years earlier in Jewish history.) Nine of Swords Reversed by Xan West z’L of blessed memory - another queer Jewish paranormal.
The general plot is that two partners are struggling with how to be honest with each other about the effect disability is having on them. It’s got a very warm and fuzzy cozy vibe but kink culture is central to the worldbuilding so if that isn’t your vibe I didn’t want you to go in unaware.
The Dybbuk in Love by Sonya Taaffe. I don’t remember the details but I remember loving it, it’s m/f and romance between possessor and possessed.
I wrote a really short one called A Man of Taste where a gentile vampire woman and a Jewish ghost/dybbuk get together.
~S
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thesoulspulse · 2 years
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Danny Phantom Randomness (The Way of the Ninja)
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“Infinite Realms” is a really interesting episode despite being from Season 3 since it gave us a lot of cool concepts like Blood Blossoms, Frostbite & the Far Frozen, and the Infimap. And in the most recent chapter of my fanfic “Nevermore” I wanted to come up with a way to get Danny and the gang to Salem and figured why not use the Infimap since Vlad wasn’t there to steal it in this timeline? Still, this one scene where Danny was a Ninja always stood out to me for some reason and now I think I know why...
On the surface it looks like he staged this dramatic entrance but what if there was a bit more to it than that? What if the timing was a little off and Danny, Sam, and Tucker got there a bit earlier than Vlad and Danny actually trained with someone in the Ninja ways? Say, a guardian spirit he warned about Vlad trying to take over the kingdom?
To be fair, Danny’s a fast learner so picking up sword fighting probably wouldn’t take too long. And better yet, it would explain how Danny managed to blend in so well in this scene because I’d like to think that if Vlad didn’t already KNOW it was him, Danny learned how to mask his ghost signature Ninja style.
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Compared to when he tried to look like he was fighting like a Ninja early on you can see a huge difference. They grow up so fast and obviously Danny’s a lot stronger than he used to be, not to mention confident.
Personally I like the idea that whoever trained Danny lent him that sword which is why it could withstand blows from Vlad’s ecto-energy one. I mean, it makes sense right since we don’t know how even the sturdiest of man-made swords would do in a fair fight against a ghost unless it had some kind of anti-ghost properties imbued into the metal.
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Also, bonus idea!
While I get Vlad’s frustration that Danny kept showing up wherever he tried to take over, what if afterwords it finally clicked WHY that happened? Frostbite even says “...The map is mysterious. Though it can take you where you wish to go, it sometimes take users to where it feels they need to go.”  the key word being NEED.
Translation, Danny will always be a part of Vlad’s destiny for better or worse so once Vlad realizes that maybe he’d double down on trying to get Danny on his side no matter the cost when before he had given up on that which is why he attempted to clone Danny. Honestly, I’m shocked Vlad never tried any of the other classic forced-evil-underling routes like brainwashing, blackmail, hypnosis, or ironically time travel to change the past so Danny never found out about his plans to humiliate Jack at the college reunion or that he was half-ghost until the circumstances were better and Vlad could play the hero and save Danny while he’s still weak and inexperienced. You know, things like that.
Anyways, that’s all I wanted to share so I hope you enjoyed reading!
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dewdropdinosaur · 19 days
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Fixer Upper
ALASTOR x (F)READER
Summary: Someone dared to break Alastor's precious radio and his wrath is inconsolable. But turns out you may have some small tricks up your sleeve.
Warnings: NONE
For the dearest @anon-of-the-void. My darling, it is a pleasure as always to write these for you.
In the bustling chaos of the Hazbin Hotel, where demons sought redemption amidst the fiery chaos of Hell, an unlikely friendship blossomed. Alastor, the infamous Radio Demon, found solace in the presence of Y/N, an inventive soul from the Victorian Era who had found herself amidst the peculiar denizens of the underworld.
Y/N was a tinkerer, always tinkering away in her workshop, concocting gadgets and gizmos that would make even the most adept engineers marvel. Alastor, with his vintage charm and macabre wit, found her creations fascinating, and the two formed an unusual bond over their shared love for innovation.
One fateful day, disaster struck when Alastor's beloved old-time radio, his prized possession from his living days, broke down. The demon was devastated, his usual jovial demeanor clouded by a rare display of anger. The residents of the hotel trembled in fear, knowing the havoc that could be unleashed if the Radio Demon's rage remained unchecked.
Alastor's crimson eyes blazed with fury as he prowled the halls of the Hazbin Hotel, his usual jovial smile replaced by a menacing snarl. The residents cowered in fear, whispering among themselves as they caught glimpses of the Radio Demon's wrathful form.
"You there!" Alastor's voice boomed, sending shivers down the spines of those unfortunate enough to cross his path. "Do you have any idea of the inconvenience of my beloved radio breaking? The nerve, the audacity!"
Niffty, the hyperactive cleaner demon, spoke with a frantic passion as she viewed the mangled radio."Alastor! I'll do it! Let me clean it please!"
Alastor's laughter rang out like a chilling melody, sending a chill through the air. "Oh, my dear Nifty, no thank you. This requires some…interrogation but feel free to clean up the aftermath."
Angel Dust, lounging lazily on a nearby couch, scoffed, "Oh, lighten up, Al, it's just a stupid radio. Besides, it's not like anyone listens to your old-timey tunes anyway."
The room fell silent as Alastor's gaze bore into Angel Dust, his smile twisting into a sinister grin. "Is that so, my dear Angel? Perhaps I should demonstrate the consequences of underestimating the power of music."
With a snap of his fingers, Alastor summoned a spectral microphone, its ethereal glow casting eerie shadows across the room. "Now, let's see who's laughing when I unleash the full force of my wrath upon this wretched offender!"
The residents of the Hazbin Hotel trembled as Alastor's menacing laughter echoed through the halls, knowing all too well that when the Radio Demon was in a foul mood, no one was safe from his terrifying fury.
As fear spread throughout the hotel, Y/N knew she had to act swiftly to quell the storm brewing within Alastor's heart. Ignoring the warnings of her peers, she clandestinely snatched the broken radio and retreated to her workshop, determined to restore it to its former glory.Under the cover of night, she stealthily crept into Alastor's room, her pockets filled with tools and determination. With deft hands, she dismantled the broken radio, each cog and wire familiar to her skilled touch.
Hour after hour, Y/N toiled away, her nimble fingers dancing across the delicate machinery. With each adjustment and tweak, the radio gradually came back to life, its familiar crackle filling the air once more. But as the night wore on,  fatigue gnawed at Y/N's bones, her eyelids growing heavy with exhaustion. But she pressed on, fueled by determination and a desire to see her friend smile once more.
Finally, with a soft click, the radio sprang to life, emitting a crackling sound before filling the room with the familiar strains of vintage jazz. Y/N let out a sigh of relief, a triumphant smile gracing her lips as she admired her handiwork.
But as she stood there basking in her success, fatigue finally caught up with her. With a yawn, she sank into a nearby chair, her eyes fluttering closed as sleep claimed her.
Unbeknownst to her, Alastor had been silently watching from the shadows, his expression unreadable as he observed Y/N's tireless efforts to fix his broken radio. When he saw her succumb to exhaustion, a pang of concern tugged at his heart, softening the edges of his usually stoic demeanor.
Quietly, he approached her slumbering form, his footsteps barely audible against the creaking floorboards. Gently, he brushed a stray lock of hair from her face, his touch light as a feather.
"My dear Y/N," he whispered, his voice barely above a murmur. "Such devotion, such selflessness. You truly are a marvel."
A warmth blossomed in Alastor's chest as he watched her sleep, a feeling he couldn't quite put into words. For the first time in centuries, he felt something akin to tenderness stirring within him—a feeling he realized with a start was nothing short of admiration.
With a soft sigh, Alastor leaned in closer, pressing a gentle kiss to Y/N's forehead before picking up her form and striding over to his bed; tucking her in with the utmost care. As he stood there in the dimly lit room, surrounded by the quiet hum of the fixed radio and the soft breathing of his friend, he knew at that moment that he was irrevocably touched by her kindness.
And as the first light of dawn painted the sky, Alastor silently vowed to cherish and protect Y/N, for she had not only fixed his broken radio but had also managed to mend something far more precious—his wounded heart.
The next morning dawned upon the Hazbin Hotel, the air tinged with a sense of relief as the residents basked in the knowledge that Alastor's beloved radio had been fixed. Alastor strode into the lobby with a confident swagger, his usual grin plastered on his face. With a flick of his wrist, he turned on the radio, the familiar crackle of static filling the air before giving way to the melodic strains of love songs from a bygone era.
The residents exchanged puzzled glances, their confusion evident as they listened to the unexpected playlist. Angel Dust raised an eyebrow, a mischievous smirk playing on his lips. "Well, well, looks like someone's feeling a bit sentimental today."
Alastor's grin widened, though there was a hint of something softer lurking beneath the surface. "Ah, my dear Angel, music has a way of stirring the soul, don't you think?"
As the love songs continued to play, the other residents couldn't help but feel a sense of warmth wash over them. Even the gruffest demons found themselves tapping their claws to the beat, caught up in the unexpected romance of it all.
But as Alastor's gaze lingered on Y/N, who stood among the crowd with a shy smile, a wave of realization washed over him. It wasn't just any love songs he was playing—it was a silent declaration of his growing affection for the inventive soul who had captured his heart.
And as the music filled the room with its sweet melody, Alastor couldn't help but feel a surge of hope coursing through him. Perhaps, in the midst of Hell's chaos, there was still room for love to blossom—a love that transcended time and defied all odds.
With a soft chuckle, Alastor stole a glance at Y/N, his heart swelling with newfound courage. For in that moment, amidst the gentle strains of love songs and the soft glow of morning light, he knew that he was falling—falling head over heels for the one who had fixed not only his broken radio but also the shattered pieces of his soul.
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call-me-strega · 6 months
Text
Dc x Dp Prompt #6: A Mother’s Love
Gotham still remembers when she was just a young Neverborn. When her bay was first discovered and settlements were newly established. Her consciousness like the budding town was growing slowly but surely. By the 1800s she was almost fully grown and by the 1900s she knew her name. She knew who she was.
She was Lady Gotham: Queen of the City of Corruption, Mistress of the Den of Madness, Ruler of No Man's Land, Mother of Poor Souls.
She was a Neverborn Spirit of the Infinite Realms who was well acquainted with disaster and misery. She was the sovereign of her own haunt and territory, and vassal under the king. (A king to whom she swore no loyalty)
She knew her flaws and she knew the flaws of those who were Hers but she loved them nonetheless. When she was still young she spent her energy trying to nourish her people, unfortunately, she was but a reflection of her mortal haunt. There was little she could do aside from slightly bending the rules to exert control over the physical aspects of her haunt or to extend her power to those who would need it most. As she grew older she also had to divide her care among the ghosts in her spectral haunt, for they were Hers too, now within her grasp.
She remembers when the Clown first arrived. He was horrible, an outsider, an interloper, and a scourge to her haunt. He was not Hers and she refused to claim him despite his fancy to call himself the Clown Prince of Gotham. No, he was more a Fool than anything else. She made it known within the realms to all those living in her spectral haunt that should the Fool ever make it to the realms than his fate would be up to her (Perhaps her former paramour would grant her a boon and keep him trapped in an eternal nightmare).
She remembers when her Dark Knight first arrived in her defense. She was struck to see him, for he had been one of Hers. He had been gone for many years but returned to her and he wished to help her, to protect her. She accepted him as her Knight, extending her power on occasion to cloak him in shadows and fear. Though she cherished her Knight she wished he was capable of more. (She wished he would cross lines she could not, but she knew he wouldn't because he could not either).
She remembers the first little Squire her Knight took in. He was not of her but she would claim him as Hers too. He was eager to help her and those who were Hers. He was the first bit of Wonder she and Hers had had in a long time. He cared for her too but eventually, he would grow to be more than a Squire and would leave her too. Though he was gone, he still had a place in the city as one of her Knights.
She remembers the second little Squire. Her very own homegrown Hope. Sure he was a bit more rough and decisive but he cared. He was so deeply and truly Hers. He grew up in her streets and he understood her and Hers better than any of her knights so far. He was young, full of life and a desire to help, and he believed he could be magic. She was devastated when he left, lured away by the promise of a mother, then tricked and fallen into the hands of the Fool. She was devastated when he returned to her broken and mangled.
In her distress she remembered that the Tyrant had been overthrown recently. There was a new king, one who had not even reached his majority yet. The Boy King, The Benevolent King, The Protector, The Peace Maker, The One with the Cloak of Stars and the Crown of Frozen Light, The Perfect Balance.
He had not yet risen to full power but he had united the Counsel of Ancients. She could appeal to them and to him. She could swear her loyalty in exchange for borrowed power. Even if he refused, it would not stop her. His help would prevent her from growing too weak but his refusal would mean nothing to her.
True to his title, the Benevolent King granted her a boon, her loyalty and support for a temporary amplification of her own power and permission to cross over. She thanked the Boy King for his Kindness and fled back to her haunt, ready to manifest onto the mortal plane for the first time in centuries.
When she found him she was overwhelmed with grief. Her voice echoed like sirens in the wind. Her fingernails elongated as she reached out. Her appearance grew more haggard as spectral winds swirled around her. She cried black tears over his grave summoning her power to channel his soul.
If the boy wanted to help he could help those in her spectral haunt.
If the boy wanted to make a difference, he could help her exert her power over her mortal haunt.
If the boy wanted a family, then she would be his Mother.
If the boy wanted to live, he could live in the Realms with Her.
Her form flickered vanishing from the mortal plane. Back in her spectral haunt, she held a young figure in her arms. She overflowed with gratefulness promising herself she would introduce the young boy to the King when she got the chance. He deserved to see how much he'd done for her. She gathered up her presence and made a declaration to the realm:
Here was the heir to her power
Here was the being that was most truly Hers
Here was the true Son
Her very own Little Prince of Gotham.
~~~
Okay a couple of things:
Did I imply the Joker is not a Gotham Native? Yes, I did. I also implied that if he ever became a ghost it would be on sight for him by Lady Gotham.
Did I imply that Lady Gotham has two haunts? Yes, I did. She has actual Gotham and then the ghost version in the Infinite Realms where a lot of the ghosts of people who died in Gotham live.
Did I imply that Lady Gotham and Fright Knight were romantically involved at one point? Yes, I did.
The goal of this was to literally make Jason the "Son of Gotham", a term I've seen thrown around before. I feel like Lady Gotham would love to be a mom and finally give Jason a decent parent, albeit one that treads the line between creepy and Eldritch Horror.
I included Danny as the new Ghost King even though he's not technically ruling yet. He has the Council of Ancients running things and he has a regent but idk who yet. He's still involved in the decision-making process bc a.) He's super powerful, b.) he's still technically ruler, and c.) it's a good way for him to learn about ruling which he will have to do eventually.
Yes, it is my intention to have Jason and Danny meet in the Ghost Zone later. Give some good bonding and friendship (eventually crushes on each other).
I have a couple ideas for things that may happen in this au but if anyone gets their own ideas or wants to write this then feel free to share or ask about it.
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