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videoreligion · 4 months

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Darkness: The Vampire Version (1993)

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kinasin · 1 year

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Helldriver

#helldriver #horror #Yoshihiro Nishimura #movies #film #Splatter film #gif

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schlock-luster-video · 1 month

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On March 19, 2020, Guns Akimbo debuted in Singapore.

Here's some new Daniel Radcliffe art!

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brokehorrorfan · 5 months

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The 2016 remake of Blood Feast will be released on 4K Ultra HD and Blu-ray on January 16 via Synapse Films. Herschell Gordon Lewis, director of the original 1963 splatter classic, makes a cameo in the film.

Marcel Walz (Seed 2) directs from a script by Philip Lilienschwarz. Genre favorites Robert Rusler (A Nightmare on Elm Street 2: Freddy's Revenge) and Caroline Williams (The Texas Chainsaw Massacre 2) star with Sophie Monk, Sadie Katz, and Roland Freitag.

Blood Feast is presented in its original uncut form for the first time in the US with Dolby Vision (HDR10 compatible) and DTS-HD MA 5.1 Stereo Surround sound. Special features are listed below.

youtube

Special features:

Making of featurette

Red Carpet Premiere footage

Scare Cam

Indiegogo teaser

Theatrical trailer

"Tonite" music video by Chilli Con Curtis

Reversible artwork

Fuad Ramses and his family have moved from the United States to France, where they run an American-themed diner. Since business is not going well, Fuad also works the graveyard shift in a museum of ancient Egyptian culture. During these long nights, he is repeatedly drawn to a statue representing the seductive goddess, Ishtar. As his fascination with Ishtar grows, she begins speaking to him in visions. One night, Fuad succumbs to her deadly charms and begins a new life of murder and cannibalism. He prepares a lavish feast for Ishtar dripping with the blood, organs and intestines of his victims. As the bodies pile up, Fuad slips further into madness until no one… not even his wife and daughter… is safe from the desires of the bloodthirsty goddess!

Pre-order Blood Feast.

#blood feast #robert rusler #caroline williams #sophie monk #horror #synapse films #dvd #gift #marcel walz #herschell gordon lewis #splatter #splatter film #hg lewis #horror movies #horror film #Youtube

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astraphel · 2 years

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theobsession-ofmany · 7 months

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"Hyperactive."

This baby has more acknowledgment than Lionel himself. A crime against humanity, honestly. I absolutely hate that thing lmao

#brain dead #dead alive #90s horror #90s movies #horror movies #horror #lionel cosgrove #zombie movies #splatter film #digital art #artwork #artist

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thevideodungeon · 9 months

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The Flesh Eaters (1964)

1960s splatter films are an interesting, and often overlooked thing. It was a point in time when the Hays Code was very much still in effect, but filmmakers and theatre owners were finally figuring out that they could literally just circumvent it with direct distribution. And this is a movie that really pushes the blood and gore—for 1964—while still retaining the feeling of a lot of its more goody-two-shoes contemporaries. And that combination makes for an interesting viewing experience. It feels like they knew they could push things without needing to appease a "Totally not censorship" board, but weren't really confident in how far they could take it. Which leads to some very bloody scenes, and some others that are almost comical. It's a kinda weird thing that sits somewhere between "respectable cinema" and Herschell Gordon Lewis.

6/10

#monster movies #splatter film #6/10 #1960s #horror #horror movies #1960s horror #60s horror #island #the flesh eaters

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icollectimages · 2 years

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Tetsuo: The Iron Man (1989)

Country: Japan

Directed by: Shin’ya Tsukamoto

Cinematography by: Tsukamoto & Kei Fujiwara

#Tetsuo: The Iron Man #Tetsuo #Japan #Shin'ya Tsukamoto #Kei Fujiwara #Horror #Sci-Fi #Fantasy #Body Horror #Surrealism #Experimental #Splatter Film #Exploitation Cinema #Arthouse #1980s #Image Entertainment #Nikkatsu #Palisades Tartan

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iamcinema · 2 years

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Burrp! (1996)

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videoreligion · 1 month

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Zombie Bloodbath II (1995)

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gbhbl · 4 days

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Horror Movie Review: Color Me Blood Red (1965)

It’s a Herschell Gordon Lewis movie, so you should know exactly what to expect with Color Me Blood Red. A low budget, badly told, poorly acted, gore-fest with very few redeeming qualities.

It’s a Herschell Gordon Lewis movie, so you should know exactly what to expect with Color Me Blood Red. A low budget, badly told, poorly acted, gore-fest with very few redeeming qualities. Which is pretty much what we get with this film, yet, similarly to Blood Feast two years prior, there is something charming about it. It might not be a good film, but it is memorable. Have you heard the one…

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#Color Me Blood Red #Herschell Gordon Lewis #horror #Horror Movie Review #Horror Review #Splatter Film

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schlock-luster-video · 8 months

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On September 7, 2014, Re-Animator was screened at the B-Movie Underground and Trash Film Festival.

Here's some new Jeffrey Combs art to celebrate!

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izmooi · 1 month

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🎥 izi's Random Movie Reviews 🎞

Nikos the Impaler 👤 dir. Andreas Schnaas

This post contains spoilers.

"There is one scene, though, where Niko's sword makes an airplane sound as it moves through the air - gold star to the sound guy overall."

Alert: Good, bad movie! My friend and I randomized a movie to watch, and we landed on this piece of cinema. This movie is a Z-grade splatter film, meaning it's not that great of a budget, but it sure does have lots of killing in it. The mix of pros and cons of this movie fell to the unexpected end of the spectrum.

I became fond of all of the characters, which typically, with these movies, isn't the case. I thought the main character focus was the two college boys, but it's not; it's the teachers. I didn't grow attached to anyone in a super heartfelt way, but the dynamics among the characters added to the fun of this overtly violent film. The beginning of the movie in the gallery is drawn out for a long time without much going on, but it allows for the characters to bond for survival while yelling at each other for a third of the movie. Nikos, our dear titular star, was a funny character to watch run around and slice through people like butter. He never had any hesitation in making his large, gaited strides toward people and using his comically large sword to smite them where they stood. They don't call him the impaler for nothing.

Some of the audio mixing and music volumes were wild at times. It didn't help that we watched this movie in 144p on YouTube, and everything was shot in the dark so we couldn't see a whole lot. There is one scene, though, where Niko's sword makes an airplane sound as it moves through the air - gold star to the sound guy overall.

As is the case with a low-budget movie, there are occasional scenes that have wild camera cuts. There are lots of tangential headshots, where the tip of the head to the bottom of the chin is the only thing in view. Folks are often standing way too close to the camera. Kudos to them for shooting in the space they reserved for the gallery, which seemed like a tight space to record all of these random shots in.

A common scene in these Z-grade films is the Booby Scene, where a woman gets full-body naked for no reason other than to show boob. This turns into gore porn quickly, and while these scenes are always of bad taste, this one gets an even lower rating for its poor execution in exposition and delivery.

My friend and I were unsure about what the guy sneaking into the backroom to find Nikos' helmet in an unpadded crate had for a goal that led to his resurrection. It was very confusing at the end, too, when Nikos suddenly developed superpowers and summoned Hitler and a low-budget Elvira to serve under him.

Upon researching more about this movie, we discovered that it is meant to be the fourth and last movie of Schnaas' "Violent Shit" movies. If we had watched the previous three, then maybe more would have been explained, and the ending may have been a bit more satisfying. I could imagine the other three films are just like this one, though. Before seeing the movie, we found DVD listings for around the $40 range. After watching, we determined the price tag might be worth it at the risk of it not getting a better resolution.

2/10

Read this review on Letterboxd!

#izi thoughts #izi's random movie reviews #movie review #movies #movie #andreas schnaas #nikos the impaler #random movie #z grade film #z grade #splatter film #letterboxd

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metaforadohomeminvisivel · 2 months

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#splatter film #splatter naked blood #naked blood #Megyaku #Naked Blood #j horror

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thedepartmentofdiscoveries · 4 months

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Colour Me Blood Red 🎨🖌🩸

Color Me Blood Red is a 1965 American splatter film written and directed by Herschell Gordon Lewis about a psychotic painter who murders people and uses their blood as paint. It is the third part of what the director's fans have dubbed "The Blood Trilogy," including Blood Feast (1963) and Two Thousand Maniacs! (1964).

The 1980s alternative rock band 10,000 Maniacs took their name in homage to the film Two Thousand Maniacs! as a way of making them stand out from other bands on the college rock scene. The John Waters film Multiple Maniacs is named in homage to the film, as well.

Two Thousand Maniacs! is a 1964 American horror film written and directed by Herschell Gordon Lewis and starring 1963 Playboy Playmate Connie Mason. It follows a group of Northern tourists who are savagely tortured and murdered during a Confederate celebration of a small Southern community's centennial.

The film has been noted by critics as an early example of hicksploitation in grindhouse films, as well as for its sensationalizing of national perceptions between the North and South. The film was remade in 2005 as 2001 Maniacs. The story of the film was inspired by the 1947 Lerner and Loewe musical Brigadoon.

Blood Feast is a 1963 American splatter film. It was composed, shot, and directed by Herschell Gordon Lewis, written by Allison Louise Downe from an idea by Lewis and David F. Freidman, and stars Mal Arnold, William Kerwin, Connie Mason, and Lyn Bolton. The plot focuses on a psychopathic food caterer named Fuad Ramses (Arnold) who kills women so that he can include their body parts in his meals and perform sacrifices to his "Egyptian goddess" Ishtar.

Blood Feast is considered the first Splatter film, a sub-genre of horror noted for its graphic depictions of on-screen gore. It was highly successful, grossing $4 million against its minuscule $24,500 budget, while receiving poor reviews from critics, who criticized it as amateurish and vulgar. The film was followed by a belated sequel, Blood Feast 2: All U Can Eat, in 2002.

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punk-rockdyke · 4 months

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born to be a 90s teenager working at blockbuster, who recommends customers the weirdest goriest horniest movie they have ever seen. forced to post on letterboxd.

#horror #giallo #80s horror #splatter movie #exploitation film

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