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#spn 11x04
sunglassesmish · 4 months
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a whole minute of dean fighting off the supposed were-pire later:
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bloodydeanwinchester · 3 months
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✨💖 HE’S 45 DUDE! 💖✨
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2sw · 11 months
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Sam's eyes
Supernatural S6E22 The Man Who Knew Too Much Supernatural S11E04 Baby
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monstersandbrothers · 1 month
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[overwhelmed with Tasks] I think I must rewatch cw supernatural season eleven episode four, entitled “baby.” This and this only will cure me. of the Tasks
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captainchilly · 7 months
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One Castiel Quote per Episode 79/136 → 11.04 “BABY”
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arcanespillo · 7 months
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“Baby”
Supernatural S11E04
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humnooshop · 2 months
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You wouldn't steal the Impala
Redbubble
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random-fandom-whump · 2 years
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Supernatural S11E04 ↳ RFW's Favorite SPN Whump Moments
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sunglassesmish · 4 months
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what bench 😭
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bloodydeanwinchester · 7 months
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random shots of dean’s tongue - 26/ ∞
11x04 || baby
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2sw · 11 months
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Probably nothing, right?
Supernatural S11E04 Baby
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nobodymitskigabriel · 3 months
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Something about Lucifer reaching out to Sam in 11x04 Baby almost right after he finally has sex for the first time years.
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eileenguy · 2 years
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click for better quality
inspired from this post by @clairewolf
+the actual edits (again, click to see them in better image quality<3)
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arcanespillo · 10 months
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what the fuck is this show
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Baby (11x04)
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Okay, so this is my favorite episode out of all 327 episodes of Supernatural, and here's why...
The cold open is a perfect teaser. There's no score or music playing, it's just the ambient sound of what seems to be a train passing nearby. We get all those wonderful details that were called out in Chuck's narration/monologue from Swan Song (5x22), the ashtray with the little, green, plastic soldier jammed into it, the legos in the heating vent, Sam and Dean's initials carved into the panel back by the rear window. But there's also so much broken glass and blood, and Dean unconscious and handcuffed in the backseat.
The lack of a musical score (non-diegetic sound) is actually a feature of the entire episode, the only songs heard are ones that are actually being played within the universe of the show (diegetic sound), either on Baby's radio or from nearby, as is the case, I believe, in the beginning of Act 1 where Sam joins Dean in washing Baby in the bunker's garage and Dean is listening to "The Guitar Man" by Bread. But while normally the lack of music would make it feel like something was missing, the ambient sounds in this episode are so rich and detailed, they just pop so beautifully and it adds to the feeling that you are in the car.
While the case in the episode is interesting and gives us a new kind of monster to add to the show's lore, what really makes the story great are all of the casual interactions we are given between the brothers. The quiet little glimpses of "normal" life in the Impala. The boys at ease with one another and there are lots of comfortable little moments that give a day-in-the-life quality to the episode. Sam having green smoothies in the green cooler instead of it being just stocked with beer. The great roadhouse scene that has Dean going into the bar at night and then coming back out in the morning only to happily find that Sam had hooked up with a waitress named Piper in the backseat over night. I love that they had obviously not only had sex in the backseat right in front of the bar, but had fallen asleep naked back there. But we also get, a little later in the episode, a glimpse of Sam flirting with a cashier while he's looking for old pennies and having two scenes involving a flirty, smiling Sam is a precious gift indeed. We get laughing, smiling Sam and Dean, just enjoying each other's company, such a rare treat. The episode also gives us the return of Matt Cohen playing young John Winchester, sort of, which is sweetly ominous, not a common combination. The "Winchester Hotel" scene of the boys spending the night in the car is great, giving us a heart-to-heart talk with some new background details about their lives, and an iconic shot of them laying down, Dean across the front seat and Sam across the back, that begs the obvious question of where are their lower legs and how do they fit in the, admittedly roomie, interior of the car like that?
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We even get to see Baby have a little adventure away from the boys, courtesy of Jessie the valet, who picks up a friend and takes the car on a brief joyride before returning her to Dean. Piper and Jessie's presence in the car introduce props that become instrumental in the plot, an element that I love, from Piper's hairpin that allows Dean to escape the cuffs we saw him in during the cold open, to the pennies that Dean finds in Jessie's joyride friend's lost purse. If these other characters hadn't been in the car, Dean likely would have met a gruesome death, and we wouldn't have been given the phenomenal fight sequence in the car or the following Sexiest Scene Ever™️ of Jensen doing a perfect reverse 180 as Dean drives Baby away from where she'd crashed. Finally, a bloody and battered Sam is retrieved, equally beat up as Dean and the car both are, and he declares the car as home.
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For having been shot entirely from within the confines of the car, as roomy as she may be, the episode never feels small or claustrophobic. We feel like we've had an adventure, been on the adventure with Sam and Dean, met some new characters that broadened the overall world of the show, while getting to touch base with old friends (Cas' phone calls are wonderfully and hilariously done). And while I do wish that we'd gotten more of these sorts of little, mundane aspects of Sam and Dean's life, this entire episode feels like a goddamn gift that was wrapped with utmost care and exquisite skill. Seriously, the cast and crew of Supernatural were/are insanely talented and Baby, directed by Thomas J. Wright, is just a masterpiece.
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