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#spn 14x13
xofemeraldstars · 3 months
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SUPERNATURAL -> 14x13 ❝ lebanon ❞    
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sunglassesmish · 2 months
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jensen whenever the opportunity to get choked reveals itself: yeah this is definitely meant to happen
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2sw · 6 months
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So proud of you, Sam.
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disabled-dean · 6 months
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[Update: CURRENTLY writing a coda for Lebanon where....] and you can follow @lebanon-wip for spoilers/updates 😇
Physically restraining myself from writing a coda fic for Lebanon, where John stays over at the bunker, Cas comes home in the middle of the night & there's tension between him and Dean over whether or not they will still share a room, and then 27-year-old Mary has to sit through Thee most homophobic breakfast with her dead ex-husband, closeted son, and his common law married, ancient eldrich boyfriend.
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captainchilly · 5 months
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One Castiel Quote per Episode 117/136 → 14.13 “LEBANON"
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torturedpoetemotions · 7 months
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People miss the point about Dean's interaction with Marta the post office lady in 14x13 so hard and it's FRUSTRATING.
No, it's not a reversal of the running gag about older women finding Sam attractive (which is gross anyway because it usually involves playing his obvious discomfort at being touched without consent for laughs). It is also not just Dean trading on his looks and flirting to get what he wants.
The point is to illustrate a significant difference between the brothers!
Specifically how they interact with the community of Lebanon, and what that says about their characters.
At this point in the show, Sam and Dean have now lived in Lebanon for like, six and a half years. And yet Sam approaches this woman like he would approach any stranger or witness in any random town in the country. And she reacts to him like any witness would to a strange man asking questions--with caution and some level of suspicion. It is incredibly clear that they don't know each other at all, despite how long they've been living in the same community.
But Dean knows her! And not just by sight and in passing. He's on a first name basis with her! He asks about her grandson and she readily answers! She knows his first name, too! They very clearly have an established report and have talked many times, enough times for her to have complained to him about her "spoiled little jerk" of a grandson!
This scene establishes that Dean is a known entity to at least some of the people of Lebanon. A known and LIKED entity. Trusted, even! He has truly put down roots there in a way that Sam has not, despite them living there for the same amount of time. He's bonded with people he sees regularly. He has little interactions with them offscreen all the time. That tells us something about Dean as a character!
And if it's a reversal or play off of anything, it's 1x11 (Scarecrow) when Dean fails to convince a couple who is in danger to let him fix their car so they can leave town sooner. Dean assumes (incorrectly IMO) that it's because HE specifically comes off to "normal people" as abnormal and dangerous, whereas Sam would be able to convince them with just a sincere look. In reality, of course, it probably has more to do with Dean being a total stranger, with no obvious credentials for car-fixing other than his word, in an unfamiliar place, than it does any inherent quality of Dean himself.
Because the key is, Dean isn't putting in any special effort in either scene. The way he approaches the couple is a contrast to how he usually handles cases. There's no costume, no subterfuge, and no alias. He isn't trying to fool either the couple in 1x11 or Marta in 14x13 into liking and trusting him. He's just being himself and telling the truth in both scenes (maybe not ALL the truth, but the essential basics). It works on Marta because she already knows and likes him. It doesn't work on the couple because he's a stranger to them.
So in 14x13 (and at other times in the show too) we see that Sam is not any better with people than Dean, especially when he makes no effort. He in fact gives off somewhat alarming vibes to strangers when he doesn't present with some kind of subterfuge that engenders immediate trust (i.e. being an FBI or insurance agent). (Think of Amelia's initial reaction to him in season 8 for example.) And this is true even for people who have almost certainly seen him around before, in the town he's lived in for over half a decade.
And the fact that he has made no effort to get to know his neighbors is telling in itself. Sam isn't any more automatically trustworthy to regular people than Dean unless he puts in specific effort to be. Costumes and aliases, fake credentials, even that specific face and voice he uses to talk to witnesses are all effort he has to put in. And that effort is not something that comes naturally to him or occurs to him outside of the context of a case. (I think we also see in season 6 exactly how much conscious effort those things require of him, given that without a soul he not only lacks personability but is downright impatient with and insulting to people.)
It's actually Dean who's good at building bonds, establishing casual report, and eliciting trust from people. And moreover, it's Dean who thinks to make the effort to do so. Sam is better at leading hunters specifically, but that's a whole different story and meta.
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sirlancenotalot · 4 days
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casdeans-pie · 4 months
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Never not getting emotional over this moment - the coat, the backwards tie, the wings.... he's back babey
"He tries to kill Sam and Dean"
This ain't about them
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redmyeyes · 4 months
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SPN parallels
↳ 2x22 ❝ All Hell Breaks Loose II ❞ // 14x13 ❝ Lebanon ❞
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🩸Bloody Dean Every Episode🩸- 14x13 Lebanon
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soullessjack · 6 months
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pouring out a cold one for steve yockey for trying his best to make jack an actual person and nobody else in the writers room or the fandom picking up on it . I understand you girl
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xofemeraldstars · 29 days
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SUPERNATURAL 14x13 ❝ lebanon ❞
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hahahahahangst · 6 months
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2sw · 4 months
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What are the threads that are unwoven which this work of untying bears upon? Freud spoke of 'memories' and 'expectations' attaching us to the other. What he doesn't take account of, but which is rarely absent―precisely in the fabric, the context of those memories and expectations―is the place for the message of the other. For the person in mourning, that message has never been adequately understood, never listened to enough. Mourning is hardly ever without the question: what would he be saying now? What would he have said? hardly ever without regret or remorse for not having been able to speak with the other enough, for not having heard what he had to say. Jean Laplanche, Essays On Otherness
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m-artsoul · 1 year
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02/02/23
i told dad i'm queer. he said he really wanted grandchildren. once, i really wanted a father.
— anita jeffries, "my miracle now"
NOTE : this one is very much inspired by a post by enochianspells (link in the replies). the jackting joices in 14x13 are everything to me. 
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john’s “i guess i had hoped eventually you’d get yourself a normal life, a peaceful life, a family” being greeted by dean’s “i have a family” is so insane.
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captainchilly · 5 months
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TIMESTAMP ROULETTE - SUPERNATURAL (3/327) ↳ 14.13 - LEBANON
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