Tumgik
#spoiler tag
ink-ghoul · 6 months
Text
It's all fun and games when the session 1 secret tasks are:
nickname your friends 🥰
write a poem 😍
make a pun😊
Imagine if secret tasks on later sessions would be like:
kill your teammate 😁
3K notes · View notes
ramshackledtrickster · 11 months
Text
This comic deals in heavy spoilers of Across the Spiderverse!! Be careful <:)
Tumblr media Tumblr media Tumblr media Tumblr media
I’m sorry this has been in my head ever since I first left the movie
5K notes · View notes
dumpy4rd · 2 months
Text
Tumblr media
this thought from maomao breaks my heart. to me it implies either she thinks someone like jinshi is so incapable of caring about someone like her to the point of being unable to process the moment or she can't recognize when someone is worried about her. either way it makes me sad
931 notes · View notes
medievallight · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Every moment of her on screen was just something wild
564 notes · View notes
fuckitwebhaal · 8 months
Text
the dark urge
please do not come for me these are just my takes and opinions on the durge route, as someone who has run it through a few times and is pretty familiar with the lore in regards to the previous games. also massive spoilers below. like if you do not want any dark urge spoilers stop reading now.
The Dark Urge (henceforth referred to as DU), whether approached narratively as resisting or as succumbing, is more of a solidly fleshed out origin for a customizable player character compared to Tav. The reason for this is because the DU follows the precedent set by the previous Baldur's Gate games where the main player character is a Bhaalspawn. (If I recall correctly, that was also the intention for BG3, but it was scrapped and the origins split to allow for a fully customizable option).
I'm not going to get into the history of the Bhaalspawn, save to say this much: The protagonist of BG1 & 2, Gorion's Ward, is referenced on rare occasion throughout a DU playthrough and is implied to be dead. (Though they are never named as Abdel Adrian from the TTRPG canon, it is implied that it seems to be following a blend of canon from BG2 and the TTRPG canon). Bhaal, who had split his divine essence into his many children, relied on their deaths and a ritual so that he could return--in a physical sense--to the planes and reclaim his godhood as the Lord of Murder.
You, BG3 DU protag, are crafted purely from Bhaal's divine essence. This was confusing to me at first, because I had believed Bhaal incapable of having any more mortal children (due to not having a physical presence), but it is implied that Bhaal's spiritual and divine essence is strong enough to form you from himself, he is merely lacking the ritual that would return him to physicality. Which is where you come in. And, Orin, I guess.
Because you were crafted from Bhaal, it is implied that any cultural or genetic claim (such as half-elf, dragonborn, or whatever race you choose) is but Bhaal's mimicry of what those stereotypes should be. You're a killer, a Bhaalyn through and through, and you'll be the one to slay the world and slit your own throat on the carcasses left behind to bring about Bhaal's return. The only thing is, you got cocky. Confident. Comfortable. Careless. You got comfortable in your alliance with Gortash and Ketheric. Orin was jealous and wanted your blessing--your place as Bhaal's chosen--, so she struck you down, muddled your mind, and infected you with a mindflayer parasite. That's why you have no memory, and why you ended up on that ship.
So, here you are. You have no memories, but you have a rage and a disgrace and a vengeance you can't quite place. You've got an urge telling you to kill, kill, kill.
Pause. In previous games, the Bhaalspawn protagonist didn't have a "dark urge" that caused you to want to commit violence or murders outside of your control. (Not including Siege of Dragonspear (2016), which does include one uncontrollable murder. This DLC was released as a bridge between BG1 & 2 and came out after the pitches for BG3 had begun). It's implied that this is because of your pure divine creation--think Jesus. Think godspawn. God and mortal. That's what you are, murder incarnate.
The main crux of the DU run, then, becomes this: what do you want to do with this? There are a few paths laid out before you, but the narrative is pretty clear: you are a killer, and you'll always be a killer. This is where I first ran into my concerns with the DU; I was afraid it was going to be an edgelord-y, murderhobo-y playthrough that sacrificed story and companion mechanics for the sake of a bloody kill and edgy narration. I was pleasantly surprised to find that it wasn't the case, because the story unfurls really well no matter which way you go.
A friend of mine played the DU run totally evil; every bad option, every urge indulged, so I asked them what they thought of it. They said it "It definitely involved a lot more violence and death than [their Tav] run, but it's not like [they] murdered everyone [they] came across", and "It did feel a lot like someone very confused with themselves becoming very drunk with the power that comes with the urge".
I played my two DU playthroughs in two parallel ways. The first being Kyr; a DU who wanted to resist his urges and talked a good talk, had a good heart, but at every major moment, he failed to resist and ultimately succumbed back to Bhaal's embrace and became his Chosen.
My other playthrough is Nyris; a cynical, mistrustful bastard, he started out a little rocky, but growing with his companions caused him to reject the evil in his blood despite his other moral shortcomings; in the critical moments, he rejected Bhaal's influence and overcame.
How the DU presents to me, then, is this: nature v nurture. Which will win, which will overcome? By playing Kyr, it felt as though the nature was his driving force. It didn't matter how removed he was or how hard he tried to convince others that he could do better--how hard he could try to convince himself he could do better--he was already doomed by the narrative. Bhaal's manipulations drove him back home, and he didn't even realize that he'd been sucked back into the cult until it was far too late.
But, then, what about Nyris? To him, it felt like nurture. If you remove the cult from him, the indoctrination, what was left? A man struggling to make his own identity, but among those who reaffirmed it every chance that they could. He relied on his own strength and that of those around him to overcome, even if he was unsure, afraid, doubted. It feels like the nurture, or lack thereof, of Bhaal and the Bhaalist cult meant that he was free to grow and learn away from it.
It's something I find further supported in conversations with Jaheira and Minsc, who both talk about "their Bhaalspawn companion", otherwise known as Gorion's Ward from the first two games.
Tumblr media
[ID: Minsc: "If Minsc did not inherit the flaming red hair of his mother, or the bushy red beard of his father, why would the spawn of Bhaal inherit his wickedness?"
Kyrran: "We should talk about nature versus nurture some day."
Minsc: "It is simple. As with all battles, the winner will be the one that carries the bigger sword."]
So, in my opinion, the personal arc of the DU and one that the player must engage with is the idea of nature versus nurture, and how your DU will cope with the revelations of their paths in light of the new memories and friendships that they have forged. That's not to say you can't always swing to one extreme; never indulge or always indulge, it's still digging into that nature versus nurture idea.
There is, also, the more overarching theme of BG3 in regards to breaking cycles of abuse, power, and control. If you lean into the idea of nature v nurture, and you realize that there were originally foster families involved in the upbringing of the DU (before said families were murdered, or the DU stolen away by the Bhaalist cult), you have to consider two things:
1.) Bhaal is comparable to both Shar and Vlaakith as gods that indoctrinate their religious followers, and
2.) Bhaal is comparable to Mystra and Cazador as those who take control of a severe power imbalance to inflict their will.
The narrative informs you, if you accept Bhaal's gift as Chosen, exactly the consequences that will fall upon you. It is the same as the consequences that are so heavily explained to you in regards to Shadowheart, Lae'zel, Gale, and Astarion.
Tumblr media
[ID: *A gift from your god, your Father. An offering of his affection for you, or confirmation that he owns you.*]
Tumblr media
[ID: *For a moment, the brine-pool of your brain clears. To die: to rest, to save the world from yourself. To accept, to become his prophet - in any disobedience, subject to his lash.*]
A lot of people say that the DU run is the "evil" playthrough, and it truly isn't. Just like any of the other decisions you make in this game in regards to your companion quest, it is a question of power and control. Power you give up by rejecting Bhaal is also control that he loses over you. Power you gain in accepting him, to exert over others, is also the control he will take. It's up to you how you will approach the DU, but I think it is shortsighted to say it is the "evil" playthrough if you are not fully engaging with the themes. You can make all of the good options that you can make with Tav--but you are fighting the narrative. The narrative has a plan for you. If you want to resist, you will have to fight for it.
711 notes · View notes
lolli-popples · 4 months
Text
First to die-
Last to die-
Different in so many ways.
But there was something they shared.
Both were entirely...
alone.
283 notes · View notes
thewhalesheart · 3 months
Text
Tumblr media
ch 02 : p 13
the founder
i originally sketched this page back in october, but the art direction has changed a LOT (also i think i've improved a lot since then!) i included the old version for comparison. there were also a ton of dialogue changes! i've added a lot more context as well.
Tumblr media
i hope you all will enjoy this story sequence!!!!
previous / next / first
194 notes · View notes
Tumblr media
i am so sorry.
279 notes · View notes
stickstone · 1 year
Text
Tumblr media
does it qualify as spoilers if it isn’t 100% confirmed yet? going to assume yes. but uh. win for haw! my theory is most likely correct!
969 notes · View notes
Text
3.3 spoilers but I had an awful, silly thought:
"All this talk and you haven't even introduced yourself properly," the tip of your blade rests just under his chin, but the stranger does not seem fazed at all. "And you know Wanderer is not a name."
"If it could get you to ease up, then I suppose I can give you a name." Pulling his hands down from mock surrender, he pinched the tip of the blade to coax it away. "You can call me by my new name...
Babygirl."
"Babygirl," you repeat, carefully pulling your blade from his grasp so as not to nick his finger. He doesn't seem to have that worry though. "First time I've heard of a name like that."
"Yes, it's very... unique."
569 notes · View notes
opponent · 11 months
Text
My favorite aspect of the cliffhanger ending is the final track of the soundtrack Nas Morales featuring the rapper Nas, a well known 90s rapper. The track is heavily inspired by 90s hip hop in it’s sound, meanwhile the rest of the soundtrack is contemporary rap and hip hop. His uncle’s preferred music is new york 90s hip hop (example: listening to Biggie’s Hypnotize in the first film) and it reflects Miles being left in this universe with the alternative uncle. This touch is so specific to those who know hip hop and rap and noticed the subtle change. Metro Boomin did an AMAZING job with this small but impactful detail for the soundtrack
126 notes · View notes
ink-ghoul · 2 months
Text
SNAIL LORE???!
541 notes · View notes
ramshackledtrickster · 11 months
Text
Major major MAJOR across the Spiderverse spoilers under the cut
Just an idea for Spiderverse 3 ,,,
Tumblr media Tumblr media
Ok possible idea for Spiderverse 3: bc the spot is so powerful now what if he can manifest his own dimensions? So he utilizes that to break apart the spiderpeople that try to take him down he sends them into their own pocket dimensions, and Miguel gets trapped in a dimension where everything is right and he has Gabriella.
Miguel in this movie is a well rounded character but he hasn’t undergone major change in thinking or philosophy yet (though hints to towards the end). His major barrier in the film is his refusal to accept anything other than tragedy not only being inevitable but be an absolute defining trait of what makes a hero, even when tragedy can and could be prevented. He’s grieving, he’s guilty, yet refuses to call himself the first anomaly and shoves that title onto miles, and he projects all his grief and loathing out on a fifteen year old that has no control over what happened to him (wow what a hypocrite).
Miles’ unpredictability and limitless potential is in direct conflict with the philosophy that he maintains which gives him purpose, that makes his losses more acceptable.
And Miguel lets that pain completely define and rewrite him, instead of that acknowledging that pain as just a part of him— an essential part, like everyone else’s losses, but not the *only* part. Because the true core of Spider-Man that often comes with that pain is choice. And he has yet to internalize that for himself. Though he’s the leader of the spider society, he himself isn’t a true Spider-Man yet (note how while his suit is polished, his face and skin still carry a sketchy quality,, like construction lines and all that). I believe he should get closure in the third film, and his final design would reflect that.
So, in this pocket dimension, Miles and Gwen and maybe some other spider people have to find Miguel and show him the truth that none of this is real it’s a trap— but the onky person that can truly free him from the prison is himself. Miguel has to remember that while he shouldn’t forget this event or let this happen again, he should recognize life and the future is flexible, and not shut yourself or anyone else off from those chances, despite what the numbers or the canon dictates.
He finally understands, and sees Miles for what he represents— Free will, limitless potential, and the choice that makes a Spider-Man. And he has to follow in his lead to get out.
As the world around this pocket dimension is falling apart as the truth becomes clear though, Miguel is still holding onto Gabriella— and Gabriella, though she’s a simulation, feels so real to him. He senses her fear and confusion and he refuses to let his baby girl go.
But they exchange a few final words.
And miguel promises not to let her memory be in vain.
And she’s gone.
Miguel is alone with his thoughts.
Miles reaches out, offering him another chance to get back up— like Spider-Man always does
And Miguel does so and finally chooses that path.
Now they’re going to do it Miles’ way.
Tumblr media Tumblr media
Alternative images In case Miguel is getting lost in that zone and he’s deteriorating art wise n getting broken down like Spot was if he’s there for too long
Or maybe he stays solid and Gabriella’s the one who degrades! Who knows!
Super tempted to board this out maybe but I’m not particularly good at dialogue so who knows
448 notes · View notes
thunderstomm · 5 months
Text
Anywho guys, WHAT are we calling Manny x Twyla?? BoogeyTaur?? TwyManny? Mannyla?? Need to know this for tagging reasons.
28 notes · View notes
missmahgenta · 6 months
Text
I was aiming at making Taylor Swift a night guard, and looking back now, I also predicted the whole Vanessa Afton thing unintentionally lol
40 notes · View notes
smallestapplin · 1 year
Text
POKÉMON SV
Rika x fem!afab Reader!
🔞CW : daddy kink, Sir, Rika refers to her strap on as ‘her cock’, reader gets called ‘princess, baby, good girl’ 🔞
🔞18+Only!🔞
-
-
-
“Look at the mess you’re making, princess.”
You whimper looking up to the green haired woman above you, her warm brown eyes staring down at your stuffed cunt.
“Fuck, you just keep creaming my cock. What a naughty girl you are.”
She chuckles, smirking at your whorish expression.
Rika lifts your legs, tossing them on her shoulders before leaning forward, pistoning her strap into you. Your tits bouncing with every slap of her hips.
“Fuck! Yeah c’mon, cry for daddy.”
You squeal, gripping the bedsheets below you as your eyes roll back.
“Daddy! Oh f-fuck! Please it’s too much!”
You’ve lost count at how many times she’s made you cum, and she seems dead set at adding to the unknown number.
The blunt tip of her cock slams into your sweet spot, practically kissing your womb with each harsh thrust.
Drool leaking down the side of your mouth, unable to contain your noises.
Rika bites her bottom lip, trying to calm herself and muffle her sounds. Just watching you lose it makes her pussy throb.
“O-oh! Sir please! Please I can’t-!!”
She cuts you off with a growl, reaching between your legs and pinching your clit. You scream, cumming on the fat cock pounding into you.
“Yes! Yes, cum on my cock! Milk my cock, baby.”
Her eyes fixated on watching your pussy squeeze the silicone fucking you.
You whine as her thumb rubs gentle circles on her your abused clit.
You look up at her, tears streaming down your face in sensitivity.
Rika moves her hand away, softly cooing at you. She leans down, making your knees nearly touch your head. She presses her lips to yours, taking what little breath you had away.
She slows her hips to a grind, making sure the harness puts enough pressure on your pulsing nub.
Pulling away from your addicting lips, she licks the drool away.
“You’re so gorgeous, princess. One more? Please, just cum for me one more time.”
Before you can respond, she’s already pulling back, leaving just the tip in, before slamming back into your greedy cunt.
This is going to be a long night.
239 notes · View notes