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Scenes of Napoleonic Switzerland and France by Jean-Antoine Linck
Vue de St. Gervais, de l'Aiguille blance, & du bon homme, 1805 (source)
Vue du Mont-Blanc prise près de Salanche (source)
Vue de l'Aiguille de Varens de la Cascade de Chêde, & du Village de ce même nom, prise Sur la route de Chêde au pont des Chèvres, 1800 (source)
Vue du Lac de Genève, 1801 (source)
Vue de l'Entrée de Cluse, du Mont Vergi, & de l'Aiguille de Varens, 1806 (source)
Vue de Clée, pays de Vaud, 1803 (source)
Vue de Viû en Salas et du Môle, 1802 (source)
Vue de la ville de St. J[e]oire à 5. lieus de Genève, et des Montagnes de Machily, et Fausigny, 1802 (source)
L'Aiguille du Veron, 1805 (source)
Vue du Brezon, pris près de Bonneville, 1806 (source)
All paintings are from Städel Museum, Frankfurt am Main.
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Blinky Palermo, Blue Triangle, [part of Blue Triangle (1/3)], (lithograph), 1969 [Städel Museum / Städelsches Kunstinstitut und Städtische Galerie, Frankfurt am Main. © Blinky Palermo / VG Bild-Kunst, Bonn]
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Barbara Regina Dietzsch (1706-1783)
"Blumengebinde aus Anemonen (Anemona), Tulpe (Tulipa), Mohn(Papaver), Narzisse (Narcissus) und Aurikel (Primula auricula) mit braunem Schmetterling" (c. 1770)
Located in the Städel Museum, Frankfurt, Germany
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Adolf Luther (German, 1912 -1990)
Virtuelles Bild (Spiegelobjekt), 1966 –1967
https://sammlung.staedelmuseum.de/en/work/virtuelles-bild-spiegelobjekt
In 1966 the autodidact Adolf Luther put aside canvas, paint and paintbrush and made use of his actual surroundings and spherical concave mirrors as the material and technique for his artistic praxis. He worked initially with single concave mirror objects. These refract the light, reflect it and thus show to impressive advantage the interplay of transparent space and the immaterial energy of light. From 1970 onwards Luther transferred the atmospheric effect of the concave mirror into the real space in his serially arranged and multi-perspectivally focused integrations.
For the artist, whose vocation came late and who was loosely associated with the Düsseldorf ZERO group, architecture was part of a world that was in constant movement. In his objects and installations, it is expanded by the kinetic potential of light.
© 2023 Städel Museum
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Dog Lying in the Snow - Franz Marc, 1911
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summer 18
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August Macke (German, 1887 – 1914)
Little Walter’s Toys, 1912. Städel Museum
Oil on canvas
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Sehenswürdigkeiten in Frankfurt
Frankfurt ist eine pulsierende und lebendige Stadt, die für viele Besucher viele Sehenswürdigkeiten und Aktivitäten bietet. Von den historischen Gebäuden bis hin zu den malerischen Ufern des Mains, hier sind die Top–Attraktionen in Frankfurt:
1. Römerberg
Römerberg frankfurt
Der Römerberg ist eines der ältesten Viertel Frankfurts und beherbergt einige der bekanntesten Sehenswürdigkeiten der…
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Portraits such as this are of an idealized woman - a neo-Platonic ideal. But could this portrait be an idealization of Simonetta? Perhaps. Although Simonetta died in 1476, at least four years prior to the crafting of this portrait.
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Rubens - Höllensturz (Hellfall)
Franz von Stuck - Pietà
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Barbara Klemm (photograph), Blinky Palermo, Darmstadt, (gelatin silver print, baryta paper), 1970 [Städel Museum / Städelsches Kunstinstitut und Städtische Galerie, Frankfurt am Main. © Barbara Klemm / VG Bild-Kunst, Bonn]
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Georg Flegel (1566-1638)
"Still Life with Bread and Confectionery" (c. 1633-1636)
Oil on beech wood
Located in the Städel, Frankfurt, Germany
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Today I was in Städel museum that exhibits this portrait painting. The day before I visited Goethehaus.
Must I worry about my attraction to this man? I told my friend I find Goethe terribly handsome. 😅
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