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#stag brothers
bridgekc · 21 days
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little luffy
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and his doting older brother
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epicmarshmallow · 6 months
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Okay but imagine that Reggie finds out Peter is a spy and that he's going to betray James and Lily. He goes to tell them but it's Halloween and they have no time to run.
So James tells Lilly to take Harry upstairs and hide. She doesn't want to leave them but she knows she has to protect Harry.
They're frantically trying to figure out how to beat one of the strongest wizards of all time. There's a knock at the door.
Reggie opens the door and Peter and Voldemort are faced with a fucking huge stag.
Peter obviously knows it's Prongs but Voldemort is so surprised that Prongs gets the upper hand and just fucking gores him. Like gallops full speed and just rams into him antlers first and then stomps him for good measure.
Reggie full body binds Peter.
The Potters live.
All is well.
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asoiafreadthru · 2 days
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A Game of Thrones, Eddard IV
“I see you have arrived safely, Lord Stark,” Renly said.
“And you as well,” Ned replied.
“You must forgive me, but sometimes you look the very image of your brother Robert.”
“A poor copy,” Renly said with a shrug.
“Though much better dressed,” Littlefinger quipped. “Lord Renly spends more on clothing than half the ladies of the court.”
It was true enough. Lord Renly was in dark green velvet, with a dozen golden stags embroidered on his doublet. A cloth-of-gold half cape was draped casually across one shoulder, fastened with an emerald brooch.
“There are worse crimes,” Renly said with a laugh. “The way you dress, for one.”
Littlefinger ignored the jibe.
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denimbex1986 · 1 month
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'At the start of our interview, Andrew Scott and I are squeezing into a booth in the restaurant at the British Film Institute. It is very similar to the one occupied by Billy Crystal and Meg Ryan's characters in When Harry Met Sally. Quick as a flash, the actor smiles at me and says, “I'll have what she's having.”
Scott goes on to remark that he often dreads reading interviews with actors and hopes this won't be another that he recoils from. “Sometimes talking about acting can be reductive and a bit boring. Of course,” he adds, breaking into a wry, self-mocking grin, “I'm not like that. I'm completely fascinating. Everything I say is a bon mot. It's epigram after epigram. It's like sitting with Oscar Wilde... Although I have better hair!”
Witty. Mischievous. Charming.
These are precisely the qualities that catapulted Scott to stardom as Moriarty in BBC1's worldwide hit drama, Sherlock. People were already talking about him as a striking new talent after his first brief, if completely scene-stealing, 10-minute appearance in Steven Moffat and Mark Gatiss's compelling modern-day reworking of Sir Arthur Conan Doyle's classic detective stories.
His performance as Holmes's dastardly foe – by turns mesmerising and menacing – won Scott the best supporting actor Bafta award last year, beating his co-star Martin Freeman (who plays John Watson in Sherlock) in the process.
It was not exactly an overnight success for Scott – the 37-year-old Irishman had for many years been turning in very creditable, if not such conspicuous performances in dramas such as Lennon Naked (in which he gave a memorable Paul McCartney opposite Christopher Ecclestone's John Lennon), The Hour, John Adams and Band of Brothers.
But Moriarty, who appeared to come to a sticky end at the end of the last series on Sherlock, transformed Scott's profile. Moriarty is the archetypal baddie who has all the best lines, and his popularity meant that the actor was soon being offered leading roles in ITV1 dramas such as The Town and The Scapegoat.
Scott, who was raised in Dublin, where his father worked in an employment agency and his mother was an art teacher, has the volume turned down in real life and has no need to turn the dial up to 11 in the way that Moriarty does. But you can see that he still possesses the same razor-sharp instincts as Sherlock's arch-enemy.
The actor is the first to acknowledge that playing the role of Moriarty has moved his career up several notches. Picking at a croissant, he reflects that: “Sherlock has changed all our careers, and I'm really pleased about that. It gives you the benefit of the doubt because executives like to see recognisable faces.
“It was overwhelming to be on a TV show that is quite so popular. That took me totally by surprise. People had an instant affection for it from the first episode. The reaction was extraordinary. People still come up to me in the street all the time, wanting to talk about it.”
Sherlock fans are known as some of the most passionate in the business, but Scott says they are generally delightful. “There is this impression that the fans are crazy, but they're not – they're very respectful. They don't overstep the mark. I get a lot of fan mail. Of course, some of it is a bit creepy, but mostly it's very moving and creative. People send me drawings and their own versions of Sherlock stories. It's a source of escapism for people and that's great.
“I'm an enthusiast for people, and I don't want them to become the enemy. I've seen that happen to colleagues who are disturbed the whole time, but there's a certain degree of control you can have if you keep yourself to yourself. The kind of actors I admire move through different characters and genres. That's the kind of actor I try to be. If you want that, you have to be circumspect about your private life.”
Scott thinks the character made such an impact because, “Moriarty came as a real surprise to people”. He adds: “He doesn't have to do the conventional villain thing. He is witty, and people like that. He is also a proper match for Sherlock. He's very mercurial, too. I have since been offered to play a lot of different characters, and that's because Moriarty is a lot of different characters. He changes all the time.”
The next legacy of the “Sherlock Effect” is that Scott is starring in a one-off BBC2 drama entitled Legacy. An adaptation by Paula Milne of Alan Judd's bestselling 2001 espionage novel, this is an absorbing contribution to the BBC's “Cold War” season. In this film, set at the height of the conflict between the UK and the USSR in 1974, which goes out on Thursday 28 November, Scott plays Viktor Koslov, a KGB spy.
Charles Thoroughgood (Charlie Cox), a trainee MI6 agent, tries to reconnect with Viktor, an old friend from their Oxford days, in an attempt to “turn” him. However, Victor adroitly turns the tables on Charles with a shocking revelation about the British spy's family. Deliberately shot in Stygian gloom, Legacy captures the murky world of the secret services where cynicism and duplicity are part of the job description. Its tagline could well have been: “Trust no one.”
The film convincingly conjures up the drabness of the 1970s, all three-day weeks, petrol rationing and power cuts. Scott says: “Characters in those days called from phone boxes – whoever does that now? The film fits the era. It has a melancholic tone. It's very brown and downbeat.”
Scott particularly enjoyed playing the ambiguity of Viktor's character. “I like the idea that you don't know who he is. It's important that you feel for Viktor and his predicament. You have to feel he's a human being with a family. But both he and Charles are elusive figures – it's not clear whose side they're on. It's not at all black-and-white, and that's why the film is so shadowy.”
The actor boasts a terrific Russian accent in Legacy. Where did it come from? “There isn't a huge amount of footage of Russians speaking English as a second language, so I started looking at Vladimir Putin videos on YouTube. But then Putin introduced anti-gay legislation this summer – so, being a gay person, I switched to Rudolf Nureyev videos instead. It was another Nureyev defection of sorts!”
Scott is low-key on the subject of his sexuality. “Mercifully, these days people don't see being gay as a character flaw. But nor is it a virtue, like kindness. Or a talent, like playing the banjo. It's just a fact. Of course, it's part of my make-up, but I don't want to trade on it. I am a private person; I think that's important if you're an actor. But there's a difference between privacy and secrecy, and I'm not a secretive person. Really I just want to get on with my job, which is to pretend to be lots of different people. Simple as that.”
Scott is very much getting on with the job at present. He has many intriguing projects in the pipeline, including starring in Jimmy's Hall, the new Ken Loach movie about a political activist expelled from Ireland during the “Red Scare” of the 1930s. He is also appearing with Tom Hardy and Ruth Wilson in Locke, a film about a man whose life is falling apart, and in The Stag, a movie about a stag weekend that goes horribly wrong. In addition, he is headlining alongside Bill Nighy, Dominic West and Imelda Staunton in Matthew Warchus's movie Pride, a true story about an alliance between the mine workers and the lesbian and gay community during the 1984 miners' strike.
If he can possibly find any spare time, Scott is also open to comedy offers. “Everything in life has to have an element of comedy about it. I did Design for Living at the Old Vic in 2010 – Noël Coward was a master of comedy. The audience were convulsing every night. It's such a joyous feeling to hold a pause and wait for the laughter. There is no better high. Forget about drugs!”
But despite the fact that producers are now cold-calling him like overeager mis-sold PPI salesmen, Scott won't be rushing into the first role he's offered. One positive by-product of his success is his ability to be choosy about what he does. He observes: “You have to be brave to turn things down, but there is a certain power to that. I've had offers to do more regular TV series, but I don't regret rejecting them. If money and fame are not your goals, then it becomes easier. American agents use the expression, 'this could be a game-changer'. The implication is that you want the game to change. But I don't. I don't have a plan. I like unpredictability and randomness.
“People get distracted by box-office figures and take jobs because they think it will advance their careers. Of course, it's nice to get a big cheque and be able to buy a massive house, but my view is that we're not here long, so why not do something of value?”
So Scott is very happy with where he's at. “To do all these different things is a dream for me. My idea of a successful actor is not the most recognisable or the richest – it's someone who is able to do a huge amount of different stuff. I don't want to be known for just one thing.”
It's true that Scott is now broadening his career far beyond Moriarty. But I can't resist one final question on the subject: Is there any chance that Moriarty will, like his nemesis, be making a Lazarus-like comeback in the new series of Sherlock? Scott has, after all, been photographed filming scenes for the upcoming third season.
“People ask me that every day. It's a small price to pay for having been in such a wonderful show,” he teases. But he is forbidden from spilling the beans about Moriarty's fate in Sherlock even to close family members.
So has Moriarty played one more dastardly trick on us by faking his own suicide? Or are the scenes the actor has been shooting merely flashbacks? Scott could tell us, but then – like some ruthless Cold War spy – he would have to kill us...'
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crown-and-stallion · 5 months
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A re-design for Hidohebi! I still like my original design, but I wanted to draw her to more closely resemble the description in the book. Some of my prosess is shared as well.
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normalbrothers · 5 months
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[..] it is possible that Artorius has a Celtic origin, being a Latinization of the hypothetical name *Artorījos, derived from the patronym *Arto-rīg-ios, meaning "Son of the Bear/Warrior-King". *Arto-rīg-ios is unattested, but the root, *arto-rīg, "bear/warrior-king", is the source of the Old Irish personal name Artrí, while the similar *Arto-maglos, "bear-prince" [...] x
peaky blinders (2013, 2016, 2022 | tom harper, tim mielants, anthony byrne)
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west1rosi · 10 months
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myrcella will always, always, refer to herself as a baratheon. politically, she and dorn.e are on the same page. blood does not matter here. robert was king and robert named her his daughter, legally and by decree of the king, she is his daughter. someone will end up frustrated with her but she will be strong in her convinction. the reality? vile rumors, nothing more. if anything, she is the modern parallel of rhaeny.ra's children. valaryon on name and spirit only, as she is a baratheon. and like her, what matters is the word of the king, the king names them his trueborn heirs after rhaenyr.a nuff said.
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sweetsmalldog · 1 year
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Girl help I have e1 brainrot again
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ziracona · 5 months
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The green knight halfway through the tourney walking in from the break after his first intense battle to find the yellow knight has thrown his sword embedded six inches into the ground in green section, demanding satisfaction and screaming about challenging green NOW because my little brother and his friend kept booing yellow whenever he came by all night:
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birt-art · 6 months
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I have. A cold. For the first time since last winter and I am UNHAPPY
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myrc3lla · 9 months
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cella always wanted to have sans.a as a sister. back then, she had been so sheltered that didn't saw how sansa was suffering until it was too late ( and when she did notice, she did what she often did when joff was meant to tomm.en and change the subject or take their side against her brother ). she always thought that she would marry robb and sansa would marry joffrey and they would be sisters. then robb was murdered by her family and sansa was abused by hers and the lannis.ters supporters.
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Link
Chapters: 3/3 Fandom: Harry Potter - J. K. Rowling Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Harry Potter & Tom Riddle, Sirius Black & Remus Lupin & Peter Pettigrew & James Potter & Lily Evans Potter & Severus Snape Characters: Harry Potter, Tom Riddle | Voldemort, Abraxas Malfoy, Orion Black, Walburga Black, Charlus Potter, Minerva McGonagall, Augusta Longbottom, Albus Dumbledore, Gellert Grindelwald, Sirius Black, Lily Evans Potter, Remus Lupin, James Potter, Peter Pettigrew, Severus Snape Additional Tags: BAMF Harry Potter, Time Travel, Time Travel Fix-It, Wizard's Duels (Harry Potter) Summary:
In which family is the difference between Tom Riddle and Lord Voldemort.
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ealiyah · 1 year
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tags.
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weaselle · 11 months
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i wanna do a thing where i lay out studies that show things in different primates that show us parts of ourselves as humans. Call it Primates: Through the Looking Glass or The Monkey in the Mirror or something
There are studies and documentaries that show things about Gorillas, Chimpanzees, Bonobos, Baboons, Macaques... that just make sense to me. That if shown right would make sense to a lot of people, i think.
like... they were studying this one group of gorillas --
okay wait. First of all, you know a silverback (the Big Male) of the group is not the leader or in charge or anything, right? He has a role, and it includes a certain amount of control, which i’ll explain briefly, but he’s not, like, in charge.
wait, you know all that Dominance/Alpha theory about wolves is all wrong, right?
wait wait wait, and also that like, the bull or the stag or whatever in a herd is not in charge of anything, right? right?
hold on. the wolves is it’s own post, the herd thing i might get back to, we’re on gorillas, okay. Silverback is basically just the male head of an extended family in which plenty of the leadership is handled by the women of the family.
There are often 2-4 silverbacks, but one, usually the largest, will clearly be senior to the others who are often his sons or brothers. Silverbacks have three main roles
1: defend the group from all physical threats aside from people, these threats are mostly random male gorillas, chimpanzee baby-snatching gangs, and the occasional leopard. Just his alert presence handles most scenarios, and then maybe a few times a year he has to risk his life fulfilling this responsibility. It is this role that provides most of whatever actual power he has over the group, namely this: while he isn’t necessarily the one deciding when and where the group goes on a daily basis, if the most powerful/capable silverback does decide to travel a direction, they pretty much have to go with him, the family isn’t safe without him.
2: make babies. And this is one area where the ladies of the group will sometimes sort of vote with their ovaries, and favor a silverback that isn’t the main one, like “yeah, Frank, you are the biggest, but honestly you’re a dick and we’re going to make sure the next generation of silverbacks isn’t another one of you.” When you see a main large silverback in a group of gorillas, it isn’t, like, his blindly loyal harem, they have to approve of him. Also gorilla females move between groups, and sometimes they take members with them or start new groups and stuff. Anyway i’m getting off track, one of the silverbacks jobs is making babies
3. keep the peace This functions a lot like being in the back seat with your siblings with your parents up front. Basically any disputes within the group have to be handled within a certain parameter of decorum, because if it gets too out of hand HE’s going to come over, and He’ll be upset, which is low-key terrifying because He’s huge, and there’s no telling who He’ll decide is at fault or what he’ll do about it, so letting a situation get out of hand is a losing scenario for everyone involved really. Tho typically he will favor senior females in disputes, in a “don’t you talk that way to your mom” kind of way.
one last thing, silverbacks don’t actually transfer power between silverbacks via battle every time.
Like i was just reading accounts from a multi-generational observational study of some wild gorillas that featured one big silverback just straight up taking over by performing the silverback duties better and becoming preferred by everyone else in the group. There was no fight, it just became, i do the job better, everyone likes me better, kicking my ass can’t change that, and boom, he was the primary silverback. And the other silverback might have been a bit dull, or a bit of a bully, but like us their species’ success is largely dependent on social intelligence; once he saw the writing on the wall, that other, slightly larger sivlerback didn’t even bother trying to change the situation with a physical fight, he understood what had happened.
okay so all that was just to tell you all this story. lol. Here’s what i saw in one documentary:
This very big, getting old silverback, who was hugely popular and successful, with a very large and tightly bonded family group, and a couple of his hulking adult sons backing him up. Everybody in his group seemed to love him a lot, he was particularly calm in that gentle giant sort of way, a safe, emotionally steady presence, happy to help raise his sons and daughters with kindness, and who could become a raging nightmare if pressed by a leopard ... exactly what a band of gorillas wants in a silverback.
But one of his adult sons had plenty of silver on his own back, and was getting itchier and itchier to be main man of the group, and this is where we start our little drama
It seems to be coming to a head, and the observers are nervous about a fight for the position. The silverback and his son are both are huge, probably approaching 400lbs, mostly muscle, with long thick fangs and skulls topped with jaw muscles as big as human biceps to wield those teeth, which nature has given them primarily to fight other gorillas with. 
But then the next day, the old man leads the fam up the mountain.
it’s winter, which is why they have come down the mountain in the first place. But as we discussed, if he goes somewhere, they have to go, so they all follow behind.
up he goes, and then he sits. And waits. It’s cold and there is much less food up here at this time of year. There’s nothing to do but sit hungry in the cold. His size and metabolism makes him the most able to withstand the cold, but even he is pretty uncomfortable. 
And so he sits. And his family, perhaps confused, but loyal, sits around him.
But his son, the other huge silverback, with years of training even as an adult under his wise father, is ready and able to go off on his own. Finally, he stands up, makes clear his intentions to leave this uncomfortable place. A small handful of the other gorillas stand with him -- if he goes down the mountain, then they can safely leave as well. He turns and heads down the mountain. After a moment, a few more gorillas leave the main group to follow. All in all it winds up being nearly half.
The wise older silverback thoughtfully watches his son leave with about half the group. He sits a while longer in the cold, in the company of those most loyal to him, and then takes them along a different path down the mountain
And those two groups still ran into each other sometimes, and were friendly. And sometimes a couple gorillas would change between the two groups. They were still close.
But i just thought that was such an elegant, meaningful way for that gorilla to handle that whole situation. And it makes a completely human sort of sense to me. 
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denimbex1986 · 1 month
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'Andrew Scott was born in Dublin in 1977 and grew up in the suburb of Churchtown. He studied in the private Jesuit-run school, Gonzaga, and went on to study drama in Trinity, but left before graduating to take a job with the Abbey Theatre.
His acting career started early with roles in ads, most famously as the jogging kid in the ad for Flahavan's porridge.
His first film role came in 1996 in the film Korea and that was followed quickly by roles in Saving Private Ryan and Nora and later by Steven Spielberg's Band of Brothers and the BBC drama The Hour.
His career is defined by variety and he keeps fans guessing by switching between film and television and theatre. Scott was most recently seen on Irish screens in John Butler's film The Stag and his next role will be as the priest, Father Seamus, in director Ken Loach's Cannes Film Festival entry Jimmy's Hall.
It will tell the story of the Irish political activist Jimmy Gralton, who was deported from Ireland in the 1930s by Éamon de Valera for alleged communist activity.
Scott currently lives in London.'
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crown-and-stallion · 1 year
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Hidohebi, the Blackwyrm
I'm reading Brothers of the Wind right now, and I'm loving it! Really interesting to see a different perspective of Hakatri and Ineluki. And of course, I really love the dragon.
Here, she's a little different than the description in the book: I wanted her to look really old and big, and to have some similarities to my design for Igjarjuk.
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