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#staged interview
bpdaily · 29 days
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fav jisoo outfits
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fuckyeahgoodomens · 1 month
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David Tennant on The Chris Evans Breakfast Show talking about Staged :D ❤, 15.03.2024 (x)
Chris: For people who don't know, it was you and Michael... was it Michael McIntyre or Barry Sheen you did it with? Oh no, Michael Sheen! You did it with Michael Sheen!
David: Martin Sheen. We like to call him Martin Sheen, he loves that. 
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shakingparadigm · 10 days
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Guardian Urak after ROUND 6 (his fuckass pet that he barely invested in beat another guy's overly-invested in pet)
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quackle · 12 days
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would just like to share that emu was on japanese tv the other day. she got a lil segment. let's give her a hand and a big wonderhoy everyone :)
(link to it is here. skip to 2:01:27)
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thekidsarentalright · 4 months
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literally cannot stop thinking about how pavlove getting put on spotify is so much more than just like a fun, cool thing that’s been a long time coming as a fan. it very much is that, but it also is symbolically so important? like, this is a song that was a bonus track on an album fob felt like they had to ignore and shy away from for nearly 15 years. this was a song that they probably never intended to play live (like much of folie) or release on streaming- until they started seeing just how much fans wanted it. until patrick mentioned wanting to play headfirst slide, and they saw that fans actually wanted that and so they did. and then they kept playing folie songs for the 8 ball songs, pavlove included. and the response to those folie 8 balls was overwhelmingly positive and full of love and encouragement. until fob saw how loved they and folie and pavlove truly are by fob fans now, to the point where they were able to heal from the fear of unhappy fans and a negative response to music they were truly proud of. to the point where they released pavlove on streaming. the thing about fall out boy is that they genuinely love and care about their fans, they show us the love we show them and i sincerely believe this is one of the finest examples of that
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'Shhh'
'Don't you shush me'
'I missed you'
'You missed me?'
'I missed sleeping next to you'
'Mm'
[Kisses]
Loustat in The Ruthless Pursuit of Blood with All a Child's Demanding
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jetskisonyourmoat · 7 months
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It’s crazy how he could be this self deprecating especially after years of people fawning over him and being labelled a sex symbol.
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frimoussette88 · 10 months
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Doing promo about Secret Invasion:
"If you don't mind me asking: did you at any point call Kit Harington to say like 'Dude, is this really a good idea?' or was it like 'No, let's go' ?" (x)
+
Bonus (still laughing at her own joke)
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Lord of the Lost being absolute kings and staying true to their word 🏳️‍🌈
"Yes, I am thankful for living in a country that – other than many other countries in this world – is able to socially catch me and others. With heavy limitations of course, we could now talk in lengths about our health care system or Hartz 4 [German unemployment benefits] for example. I am not someone who will step forward and say 'Fuck the system!', because I know that without this system many here would be lost, me very likely included. At the same time, you won't see me going to ESC with a German flag, swollen with pride. And I would also refuse to run around with a German flag there if anyone were to demand me to do so. I rather hold and will vindicate the mindset that, of course, we will inevitably compete for Germany, because we are from Germany, and the concept of the ESC is to have countries vote for other countries, and somewhere you have to draw lines at such a competition. But these lines, these borders, are man-made, which is why I say that I rather want to compete for those people that are into this kind of music and who were missing – broadly speaking – alternative music at the ESC. That is how I feel about it."
- Chris Harms
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@kajaono @magoriasocrah
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Hot take of the century but when actors have a lot of chemistry it's because they wanna fuck. You can't "to be or not to be on this dick" get outta here with that balderdash
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thatonequeeraunt · 1 year
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like this.. wanna see more ( ͡~ ͜ʖ ͡°)
part 3 i guess
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jbaileyfansite · 4 months
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A little snippet of the Fellow Traveles's interview with On Stage that will air Saturday and Sunday at 7:30 pm [x]
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fuckyeahgoodomens · 2 months
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The Radio Times magazine from the 29 July-04 August 2023 :)
THE SECOND COMING
How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?
For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.
This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.
Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.
Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”
Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).
It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.
A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.
There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.
In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.
"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."
Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.
Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."
He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.
And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.
After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."
While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS
DIVINE DUO
An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise
Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."
Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.
It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."
Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.
Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?
David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!
Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.
There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.
David: Nothing's explicit.
Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.
There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?
David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.
Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?
Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.
David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?
David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.
Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!
David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"
How do you feel about your US peers going on strike?
David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.
Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible
Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?
David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!
Michael: I don't think we were thinking beyond three, were we?
So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?
David: Oh, never say never, will we?
Michael: And it's more Hinge and Bracket.
David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN
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desnaa · 5 months
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Had a great time moderating the Mass Effect reunion panel I organized with @ladytoxie and Tali's VA (Ash Sroka). The cast is such an amazing and fun group of people to interact with, and it was just a very special experience for everyone to be together and talk about a game series we all love so much with some of its characters. As this is the first panel I have moderated EVER, I have also been so moved by the amount of people who have told me they had a wonderful time, including the actors.
Guests from left to right are Courtenay Taylor (Jack), William Salyers (Mordin), me lol, LT, Keythe Farley (Thane), Kimberly Brooks (Ashley but also Jasper yas), Ash Sroka (Tali), and a friend of ours who is cosplaying EDI.
A full video of it will be posted soon!
Photos are also by @catiecat_art on Instagram!
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project-sekai-facts · 4 months
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There are currently only 3 BGM tracks that feature vocals. Two of these tracks are unnamed and unreleased, but sung by main/major characters. Kohane sings a solo song in Kick it up a notch, and Taiga sings a solo song in Light Up the Fire.
One of these tracks is quite unusual. It was featured in the RE:START from Here! event and was released on the first OST under the title Nijiiro Garland (see video at the top of post). The singer is not a named character (it's sung by the idol that inspired Airi when she was a child), and the voice actor also goes uncredited. It's unknown why this is the only instance of an unnamed character singing a BGM track, let alone being the only instance of a vocal BGM track for over two years until the Kohane song was used.
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procrastiel · 12 days
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And remember kids, whatever happens, we’ll always have
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