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#stammi vicino
blended-ice · 10 months
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Let’s leave together, I’m ready now.
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limnsaber · 7 months
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Stammi Vicino and the events of Yuri!!! On Ice are still mind boggling to me. Where’s that post about scarcely-fathomable level of romance.
Stammi Vicino is the first skating sequence in YOI. It is the first full skating routine we are presented with and it’s the choreography we see in the very first moments of the show. Lyrically, Stammi Vicino is about a man calling out for someone to hear him, speaking of intense loneliness and decrying love. The lyrics were written by the creator of YOI, Kubo Mitsurou, and translated into Italian for the composition.
In the first episode of the show, both Yuuri and Victor skate this routine individually. Victor skates it for Worlds, and Yuuri skates it because he wants to get his love for skating back.
Unbeknownst to him, Yuuri’s performance was recorded and uploaded to YouTube, and Victor comes into his life from there (directly because of Yuuri’s SV performance).
Victor sees Yuuri’s performance and comes to meet Yuuri, and that’s the inciting incident of the show. Both of their routines were a calling out into the darkness, and they were answered. (That’s love!) Through the show, we learn that both Victor and Yuuri were in bad places at the time of the routine of the first episode, and we see them grow wonderfully together in their relationship and as people through the series.
Stammi Vicino is also known as Hanarezu Ni Soba Ni Ite in Japanese, or Stay Close to Me. This line is said by both characters throughout the show, perhaps most significantly by Yuuri in their argument in the parking garage in EP 7 (a major turning point for their relationship).
The first time Yuuri sees Victor in the flashback, we get notes of Stammi Vicino underneath the dialogue.
This song is perhaps the musical foundation for the entire show! Every aspect of Victor and Yuuri’s relationship is writ in, from calling out into the darkness to finally coming together— represented in the closing routine of the show, Stammi Vicino: Duetto.
Yuuri skates Stammi Vicino once more as the show’s final episode closes, and this time Victor joins him for a pair skate. The final episode is one where they’ve finally fully come together — they agree on their future and on their future together. It’s a beautiful bookend to the story, and represents, as the skating routines always do, their characters and their relationship.
In Duetto, the verses about condemning love are gone and the piece has two singers instead of one. Verses in both the aria and duetto say “your hands, your legs / my hands, my legs / our heartbeats / are blending together,” referencing — and they were crazy for this honestly — Plato’s theory of soulmates. At the end of the piece, the singers “leave together”.
The creator, Kubo Mitsurou, has stated in the past very explicitly and publicly that Victor and Yuuri are soulmates. Canonically! The first time Yuuri sees Victor in the flashback, we get notes of Stammi Vicino underneath the dialogue. Stammi Vicino is the musical thread of Victor and Yuuri’s relationship.
They’re engaged!! To be married!!! They’re canonically soulmates!!!
The music in YOI is deeply intertwined with the storytelling. Each routine is uniquely representative of a character, who they are as person, and their journey. The relationship between Victor and Yuuri is the core of this show, and Stammi Vicino is perhaps the most important piece representative of their relationship.
Stammi Vicino, the aria and duetto, represent a story about loneliness and calling out for love and that call being answered. That’s the thesis of Yuri on Ice.
“There’s a place you just can’t reach unless you have a dream too big to bear alone. We call everything on the ice ‘love.’”
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My only complaint about #YuriOnIce is that they didn't show us the full gala skate. I could watch Viktor and Yuuri skating together and caressing each other for hours, but they only show us the first 1:20 minutes which is basically 50% of the entire programme.
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herbofthyme · 2 years
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✨ stammi vicino ⛸
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yoi-stardust-zine · 2 years
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🔒Stretch Goal Update🔒
💞Only 20 sales to go before we unlock the Star*Dust enamel pin! 
Our exclusive pin measures 38mm and features beautiful Stammi Vicino art by @clairvuyant!
Once the stretch goal has been reached, all physical orders will include our gorgeous enamel pin!✨
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MY FRIENDS MADE ME POST THIS THERE’S CONTEXT I SWEAR
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ravenonice · 2 years
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Stammi Vicino in Playlist of a Love
Since I didn't want to have giant notes at the end of my chapters, I'm moving some of the rambling here ^^'
Today: The Stammi Vicino program layout in this chapter! :D
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I actually sat down and rewatched the Stammi Vicino scene from ep.1 a lot to write down the layout as we see it there. Luckily there was commentary because I'll die before I can tell apart a flip and a toe loop for some reason... I starred at Yuuri's feet for 5 minutes because I couldn't figure out if there was a change of foot or not in the camel spin...Spoiler alert: there was.
The Layout at the World Championship is as followed:
4Lz
4F
3A
CCSp 4
ChSq
FSSp 4
4S*
3A+2Lo*
StSq4
3Lz*
3F*
4T +3T*
CCoSp4
Combined Base Value: 96.50 points
But I wanted to leave some air on top for improvement, so I modified it a little for Nationals:
4T
4F
3A
CCSp 4
ChSq
FSSp 4
4S*
3A+2Lo*
StSq4
3Lz*
3F*
3S +3T*
CCoSp4
Combined Base Value: 87,10 points
(* = 1.1 multiplier for highlight distribution)
I took out the Quad Lutz and replaced it with a Quad Toe Loop. And I replaced the 4T in combination with a triple Salchow to cut down on 3 quads instead of 4.
Now there's some air for a new world record at worlds :D That's all I have to say about that haha.
If you are confused about what those abbreviations mean or just want to learn more about scoring in YoI you can check out my post about it here ;) (probably very flawed though haha)
See you soon! <3
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mydulcetbrooding · 2 years
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Se potessi vederti dalla speranza nascerà l'eternita
/
If I could see you, eternity would be born from hope
- lyrics from Stammi Vicino, non te ne andare
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arom-antix · 9 months
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The besiyr got new glasses and they had so much swag I needed to make this, ring swag included
THEY MADE ONE TOO GO LOOK GO LOOK IT'S AMAZING
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limnsaber · 1 day
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The last line of Stammi Vicino being “let’s leave together / I’m ready now ” and the final scene of Yuri!!! On Ice being Yuuri and Victor leaving for their future in Russia and in skating together…
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When did Viktor choreograph Stammi Vicino and did he commission the music?
There are some controversies regarding Viktor's free programme and I took the time to look at them in greater detail and pin them down to the likeliest explanation. (some of the things discussed in this post I've mentioned in a discussion I was involved in recently. The rest of this post builds on that.)
Disclaimer: Please note that this is an analysis of the source material. Popular headcanons that have no basis in canon cannot be part of this discussion. This is getting a bit academic. Please bear with me.
1. Did Viktor commission the music for Stammi Vicino?
In an interview, Mitsurou Kubo called the aria a piece of music that exists in the world of YOI, but when we subject the hints in the anime to a close examination, they contradict her statement, making you wonder which is true.
I mean, there’s this (sorry for the crappy screenshot)
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Technically, the YOI creators might just have used footage of this programme because there was no time to animate Viktor skating an entirely different routine, but due to the tight time constraints of 12 episodes that forced the creators to condense the plot to 50% of its initial size, every scene and every image demanded to be filled with meaning. Speaking of time constraints, they could have used a series of pictures that show adult Viktor in different costumes (like those that had been drawn for Yuuri's room), but they didn't do that either, which rules out technical reasons for this choice.
But there’s more.
From a storytelling perspective, it makes no sense to combine these lines with a short scene of Viktor skating Stammi Vicino if it doesn’t apply to this programme. It’s bad storytelling, period. As Viktor’s fan, Yuuri knows which songs Viktor commissioned because skaters love to talk about these things in interviews. Being a skater himself, Yuuri is knowledgeable in all kinds of music genres even if he lets his coach pick the songs for him. Skaters just happen to be exposed to a lot of music.
This scene makes it seem as if Viktor has been commissioning music for his programmes for several seasons at least. While this doesn’t rule out the possibility that he occasionally picked a song that already exists for whichever reason, Stammi Vicino applies to Viktor’s situation at the beginning of the show so neatly that the lyrics must have been tailored to him. The commentator’s words while Viktor is skating his FS furthermore suggest that this programme shows a new and personal side of him. Of course, that could also work for a song that already exists, but how likely is it that such a song 100% matches the vision of a perfectionist? That a genius like Viktor would just roll with that is debatable at least. He’d rather think “Okay, that’s nice. But this verse and that verse don’t match my idea at all. I think I'll call my composer and ask them to write a song for me.”
Stammi Vicino holds unambiguous references to Plato’s Symposium, which the YOI creators have mentioned repeatedly. And while this is neither an argument for or against the song already existing before Viktor even thought about a free programme for the season in question, it seems too coincidental from a storytelling perspective.
To me, all this points to Viktor commissioning Stammi Vicino because taken all facts together, it’s what makes the most sense.
Side note: It’s not entirely uncommon for storytellers to contradict their creation. Sometimes, you forget details, remember them wrong, or didn’t think them through. Or your views simply change. In the case of YOI, we have to factor in the possibility that certain details had to be de-homoed due to protests from parts of the Japanese fandom. The rings that were removed from many official arts that were released during the first year after the show had aired are such an example. In addition, interviews are often heavily edited.
2. When did Viktor choreograph Stammi Vicino?
The first time we see Viktor wearing the Stammi Vicino costume, is right at the beginning of episode 1 at the GPF. While there is no rule against wearing the same costume for different programmes and costumes are expensive, you usually don’t see this in real figure skating. Some figure skaters even get a new costume for the same programme mid-season because matches the purpose better.
The music, the composition and choreography, and costume build the concept of a figure skating programme. The more perfectionist a skater is (and many top skaters actually are), the more specific you can bet they are about the concept. Viktor is a perfectionist who has full authority over his programmes and he can afford having several costumes per programme. Wearing the same costume for several programmes is a breach with his characterisation.
Let’s assume for one moment that Viktor did indeed create Stammi Vicino because of his encounter with Yuuri at the GPF in Sochi. Why would the creators have been so sloppy and put him into the same costume which he wears at Worlds when they even designed costumes the other two GPF winners JJ and Chris?
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Does he wear the same costume because he met Yuuri there? Well, Yuuri approached him at the banquet at the end of the competition and only because he was drunk. Before, Yuuri was to awkward to even talk to Viktor and was, in all likelihood, too busy not freaking out, dealing with having bombed his performance, and Vicchan's death. To reflect Viktor's first actual meeting with Yuuri in a programme, thus choosing a costume that resembles the suit he wore that night would make way more sense.
Some skaters change their programme mid-season. Some switch back to an old programme, other skaters create an entirely new programme. Again, a skater like Viktor could afford this and is skilled enough to bend a new routine to his vision in time for the big competitions. (For reference: Russian Nationals are two weeks after the GPF, which leaves a skater competing in both events one week in between. That’s just enough to pitch the idea to his composer and commission a costume.)
Once Nationals are over and done, Viktor could start working on the new programme and show it at Europeans for the first time. That would leave him about one month to bring it to a level that will win him this competition. Yuuri would now have about two months to create a perfect copy. As he his busy graduating and preparing his move back to Japan, it’s debatable whether this is enough time. That’s the only reasonable timeline for such a scenario. However, since Viktor wore the costume before the banquet, this doesn’t seem likely and the show gives us no clear-cut clue why that could be and I’m loath to speculate wildly.
BUT: Viktor can't have created this programme after Sochi because Yuuri explains to Yuuko that he started practising the programme when the competitions ended [for him, the season itself is not yet over]. For Yuuri, the season ended at Japanese Nationals, which happen to be at the same weekend as Russian Nationals.
Long story short: Everything points to Viktor having created Stammi Vicino at the beginning of the season in which he wins his fifth GPF and world title, respectively. And there’s a beauty in this choice because it gives Viktor an agenda beyond his love interest. Well-crafted characters exist outside of their interactions and relationships with the other characters. Giving them things that belong to them alone adds more depth to their personality and turn them into individuals. Viktor had a life before Yuuri and this life was lonely and his (secret) longing for love was an inherent part of it (I’m preparing a follow-up post that examines the lyrics more closely, so forgive me for not going into the details here).
Especially in a show that is limited to 12 episodes and in which every image is filled with meaning, including details that hint at the characters’ past are beyond precious.
Thanks for reading! <3
If you enjoy my meta, please consider checking out my works on AO3 (link in bio)! My YOI canon works all include my meta musings.
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aroacehanzawa · 11 months
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listening to italian opera like a cultured upper-class heiress (they don't know it's from the soundtrack of a gay ice skating anime)
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altruistic-meme · 2 years
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feeling VERY soft thinking about History Maker 2021 and wilmon tonight
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viktortittiforov · 2 years
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btw i will never get over how fruity all the official yoi art is. ever. like you could literally make smoothies out of that shit. i love it
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