recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.
like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.
and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.
for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).
eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.
this is also not the story they're telling with buck.
(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).
so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.
friends. this is the story they've always needed to tell.
and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.
and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.
and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.
so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.
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thinking about merlin's "I'm happy to be your servant, til the day I die" and merlin's immortality.
so this is the thing.
merlin never thought to outlive arthur. he never thought he'd see arthur die, he never thought he would be the one to burn arthur's body.
merlin was always scared of losing arthur. scared he wouldnt be there to save him. scared he wouldnt be fast enough quick enough powerful enough never enough never enough never enough am I enough this time what do i do this time it's not enough.
merlin was always fast enough.
he would be there to distract the enemies, to throw them away. he would be there, working in the shadows, protecting his king, his friend, his half.
he would be there, ready to sacrifice himself.
(and there is something about merlin and arthur's talking when they have to defeat the dorocha, there is something about both of them saying goodbye, about both of them ready to throw their life away, thinking: this is when i die. and merlin always had the upper hand. and then they don't die, neither of them, and merlin wasnt enough to save a friend but was enough to save arthur, again, again.)
merlin says: im happy to be your servant til the day I die
and merlin means: id stay by your side forever, I chose you, i choose you, I'll choose you, always and forever, until the rivers run dry and the stars fall down and the earth turns into dust.
merlin says "til the day I die" and merlin means "I'd gladly die for you" and never thinks "i'll watch you die a thousand million times".
because merlin was always fast enough.
merlin always thought he'd never have to watch arthur die.
and yet.
(and yet.)
arthur is in his arms and merlin thinks, it wasnt supposed to be like this, and merlin says, you're not going to say goodbye, and arthur says, thank you, and merlin says, stay with me, and merlin says, i cant lose him.
merlin says, i've failed?
and merlin thinks, i wasnt fast enough.
and there is a lifetime of merlin running after arthur, of merlin defeating beast after beast, of merlin reaching out just in time, of merlin making it, of arthur rolling his eyes at him.
a lifetime of merlin telling arthur, "together we will defeat the dorocha", of "if I need a servant in the next life..." "...don't ask me", of "i willingly give my life for arthur's", of merlin following arthur everywhere, at his side, always at his side, and behind his back at the same time, the shadow and the light.
a lifetime of "I'm happy to be your servant til the day I die".
because merlin never thought arthur would die before him.
because merlin always thought he'd die next to arthur, side by side, in a patrol gone wrong against ancient beasts surprised by assassins in a battle in war of old age, when the bones are tired and the eyes are heavy and the hearts are full and the secrets under the sun.
(he doesn't want to be without arthur. he wont allow it.)
so merlin says, ive failed?, but the dragon says, he will raise again, and merlin just understands.
merlin knows his pledge like the back of his hand, like the pulsing of his magic, like the voice of his mother, like his name in arthur's mouth.
merlin promised to be arthur's servant.
until the day he died.
so he roams the earth and walks the fields and crosses the seas and climbs the mountains, and he tells the story of a king so just and kind, a king that was courage, a king that loved his people and that was loved, so loved.
he tells the story of the king's quests and all the knights, he weaves tales about equality and love and freedom and ideals.
he calls him, the once and future king.
and he waits, and works, and waits, and spreads the word, and watches as arthur's life lights a fire in the losts, in the wanderers.
because merlin is arthur's servant.
until the rivers run dry and the stars fall down and the earth turns into dust.
(and, when the days are just on the brighter shade of gold, merlin thinks that arthur never died, because his memory lives, and merlin will carry it on, always and forever.
arthur lives in those that trust in justice and courage and equality and freedom.
arthur lives and is reborn when the wanderer gets back home, whenever someone holds their hand out to those in need, when the weak are protected, when the right is done.
arthur lives in the eyes of those that have faith.)
(on a distant shore of a distant lake, in a time when magic is both everywhere and nowhere, in a time so far and so close, merlin says, "if only they knew you were such a dollop-head" and he smiles and he waits.)
(how many lives you touched, arthur, he thinks. how many lives your dreams have reached.)
because arthur is the once and future king and merlin is loyal servant and he won't allow arthur to die before him.
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I came here from AO3 because I went to re-read Standing on the Precipice for like the fifth time, and was horribly dismayed to see it wasn't there (I may have started crying). I get why you decided to hide some of your works though, people are just honestly being dicks. I mean yeah, technically people can write whatever they want in their bookmarks. But without you, the author, there wouldn't be anything to bookmark. And literally all you're asking is for people not to act like complete assholes. I'm sorry that not everyone appreciates the massive amount of work and heart you put into your writing. ❤️❤️❤️
Apologies, darling. It's not deleted. It's in a collection i created for a moment as I figure out if I can finish it. That post was... heart breaking, how many other authors experienced cruelty, but also just incredibly frustrating at how many people defended their right to BE cruel.
But there are other personal things surrounding that fic that made it very, very hard to deal with. The hurt from that wasn't from that post, not specifically. I'm taking a break from writing at all, mostly knitting. Bit of cross stitch. Left the Witcher fandom.
I'm feeling better. I'm still deciding if I will finish it, or mark it as complete with an apology and the rest of my outline.
Thank you for your kindness. I do not want anyone to be unhappy at the fic being taken down- but it hasn't been forgotten. The next chapter has been half written for ... months, really. Please just give me a little more patience.
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