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#stephen vuillemin
gebo4482 · 1 year
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"Un Genre de Testament" (A Kind of Testament)
Dir: Stephen Vuillemin
Instagram / Remembers
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moviemosaics · 2 months
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A Kind of Testament
directed by Stephen Vuillemin, 2023
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fidjiefidjie · 2 years
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C’est moi ou ça sent le week end ? 😉
Gif Stephen Vuillemin
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wxttxwxn · 3 months
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(via A Kind of Testament)
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canmom · 10 months
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L'Aventur de Canmom à Annecy - Mercredi 4: WTF 2023
WTF (read 'what the fuck' in a heavy French accent) seems to be a kind of annual collection of weird online shit. Titmouse is involved in some capacity, although I don't think they're necessarily the ones who picked the films. And while I did recognise one selection (umami had a film) most of it was new to me and there were some crazy good ones...
... but most of all the atmosphere of the late night screening was amazing. I got in at the last minute and somehow ended up in a reserved seat for Titmouse, since I guess they didn't show? Which meant I had one of the best views in the house. The theatre was completely packed and full of excitement.
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So then this guy comes out in the skintight purple vest and cape and rainbow stockings. The boss of Titmouse comes on stage and picked up one of the paper planes to invite whoever threw it to come and bite a balloon in half (which would have been a better bit if the person actually did it).
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Then came the directors of the films, mostly to tell jokes ("there's too much business and not enough fucking at Annecy" declared one director, instructing us to have sex tonight). After these guys... some Gobelins instructors came out to throw shirts into the crowd, people went absolutely nuts for these shirts. Then: films.
Actually a bunch of these are available online so... here, watch along x3
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To open we had this stop motion earworm, Du vélo à St-Malo, du kayak à St-Briac. By the second chorus, the audience was singing along. The images are a bit lolrandom but I can't deny it's infectious in its editing.
Next up came the debut of David by Patrick Ward, about a seriously injured footballer confronting his rival framed through the story of David and Goliath. Lots of little visual jokes that made it flow even if the overall thrust of the story remained a little opaque to me.
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Umami's Safe Mode was a natural fit; if you've seen an Umami film you know what to expect. Surreal character designs and a guy with a monotone voice. Looking forward to more of this series.
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The Rubbings of Trajectories by Cheng-Hsu Chung from Taiwan took things in a rather Adventure Time direction in its drawing style, full of wild perspective shifts and morphing. I was a little too caught up in the visuals to take a lot from the voiceover lol.
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Insomnie by Paul Utkay leaned on Stable Diffusion interpolation for its surreal shifting visuals. This was I think the only time, besides the one after this, I've seen AI in the festival, and right now the main use of AI seems to be like this, a visual effect.
Following this came Two Gracious Uncles Smooched To The Beat (currently password locked so I can't embed it) by Jon Dunleavy, a completely frenetic sendup of the whole AI art 事件. Rather than being made by AI it's mostly deliberately janky cgi, rapidfire jokes, and wrong subtitles as an extra layer, which made for a fun watch. The thesis was maybe something like, "this is all a bit silly". As a programming move, putting this right after the AI film was kind of genius.
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A Kind of Testament by Stephen Vuillemin was simply fantastic, absolutely the highlight of this collection. The framing device is that a woman stumbles on a website created by another older woman with the same name as her, consisting of incredibly elaborate animations based on her social media photos. As we watch more, we learn more about this mysterious animator, who died shortly after the protagonist contacted her. Ultimately though this framing device is just a vehicle for some really tight imaginatively grotesque shorts that gradually start to connect up more and more. I hesitate to call it ero-guro because it's not exactly ero, but it definitely put me in mind of e.g. shintaro kago. the framing device works just right, linking the shorts and providing a certain frame for interpretation - the animator is terminally ill, so jokes about foot killing parasites and regrets make sense - without being overbearing. honestly just a really great film, the perfect level of enigmatic. i hope i can show more than the trailer some day.
Internet Gaga by Reinhild Bidner slammed into a much faster pace, a pastiche of Radio Gaga by Queen with the music video consisting mainly of cutout animation and AI deepfake animation of memes. Two minutes was about the right length for this lol. But yeah, haha, the internet, what a mess amirite
Todo está perdido by Carla Pereira Docampo and Juan Francisco Jacinto Prados was a fascinating oddity though. Stop motion, with these wildly distorted models - built in forwards or backwards slants and birdlike eyes. The story concerns a suburban nuclear family where the mother lays eggs, which they mostly eat, but decide to fertilise one one day, resulting in a baby with a wrinkled head hatching. The B plot concerns their other child who gets a rat inside her skin by accident during surgery. As you can imagine it went for the squick reactions. I can't find an online video of this one but here's a previous project by the same directors.
From this point on things got pretty wild. First up we had Uncle Babysitter 2 by Tung Yin Ng aka Tungwood.
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as far as toilet humour goes? This was actually great, just relentless gleeful escalation. I got to chat a bit with Tungwood and his friends after the films, and funnily enough he was very shy and would run up to people saying 'souvenir' and give them a card for the film. It was very funny talking to a group of animators, which in my eyes is like the peak of the world's professions, and have them act impressed when i say I'm a game dev.
Anyway, this was a really fun short about a baby's adventure inside a man's stomach as the man desperately tries to pull him out. The breakneck editing really makes the stupid jokes work, it's kinda Imaishi in that way.
Granny X by DD Sheahan relaxed the pace only barely, telling the story of an old lady in a nursing home having a vivid lesbian fantasy that in the waking world leads to her careening around strangling nurses and stuff. It was fun visually, although the humour seemed generally a little meaner.
Monsterfuckers by the Tohu Animation Collective led by Ori Goldberg was something like a multi animator project with loops contributed by different animators around the vague prompt of monsters having sex. So this one's like, straight up porn but weird porn so it gets to be in here lol. The editing to the music was tight and many of the clips were really creative - but no sign of it online as yet so I can't show you.
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We were really on a roll at this point. The final part was the music video for Cool Party by Simon Medard for a band called Cocaine Piss, which pushed the jank factor to maximum. It didn't do a lot for me but it kept the energy going. After that we spilled out onto the lawn outside Bonlieu and everyone gathered in small groups. Not really wanting to just walk away, I inserted myself into conversations here and there, said some nice things to the showrunner, met Tungwood... and then at last time to go home, packed on the last bus like sardines.
Honestly, even if it could have been a little weirder to be truly 'what the fuck', this event was a blast. I mean you know how much I like this kind of thing lmao.
As for Thursday... haha god it's 2am. I'll write about it tomorrow... or maybe on Saturday... but the very short version is that I saw Art College 1994 (solid, donghua with a realist style and richard linklater energy), Kensuke's Kingdom (impressively elaborate adaptation of a Michael Morpurgo story, had a bit of an Iron Giant feel visually), White Plastic Sky (a very compelling scifi dystopian drama from Hungary in a rotoscoped style similar to A Scanner Darkly), stood in line for two hours for Mars Express and still didn't get in, watched a bit of Perspectives block 1 (mostly bad, it's the block for serious social issues rather than compelling storytelling) and then tried Graduation Films 3 (sadly could not live up to Graduation Films 2). So a bit of an unfortunate end to the day but that's how it be sometimes...
Tomorrow I've got another packed day so I'm gonna end up really behind on these writeups but stand by lol. Annecy is amazing, I don't want it to end...
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promemorie · 5 years
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Stephen Vuillemin 
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gogirblog · 6 years
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animated Boss & Secretary digital artwork by Stephen Vuillemin
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oboypress · 7 years
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7 ARTISTS WE LOVE AT #GOLDENBOYPRESS
<3
ELENA STONAKER
ERIC HURTGEN
JESSIE YIP
STEPHEN VUILLEMIN
TSENG YEN-LAN
CECY YOUNG
ELENI KALORKOTI
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thecathack · 6 years
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(vía WETRANSFER - Stephen Vuillemin)
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laonuba · 6 years
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klubzin · 6 years
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klub zin #3 is up in our store!!
you can buy both parts A and B together or separately: http://klubzin.tictail.com/prod…/klub-zin-3-a-match-and-fire
featuring 36 artists from all over the world, over 200 pages of comics and illustrations!! klub zin #3 is split into two books - A (comics, b&w) and B (illustration, color). you will be getting both! printed in offset on munken print white paper with munken lynx paper cover. format B5 (176x250mm), glued and sewn binding for best enjoyment of comics! klub zin #3A "a match" artists:  Daniel Gutowski, Dario Sostegni, Daylen Seu, Mathieu Larone, 生, Hugo Le Fur, Anka Waćkowska, Helene Jeudy, Paula Puiupo, Olga Wieszczyk, Sylwia Walczowska, Robin Vehrs, Sara Fumaça, Łukasz Roszkowski, Kendra Yee, Sophie Margolin, Jordan Jackson, Stephen Vuillemin cover by Hadeer Ali klub zin #3B "fire" artists: Mateusz Sarzyński, Ema Gaspar, Weronika Banasińska, Alejandro Gaudino, Varvara Nedilska, Flavushh, Jason Murphy, Jake Terrell, William Dereume, Miko, Ivy Atoms, Nou, Paqaru, Fabio Tonetto, Sung Hyun Kim, Teng Yung Han, Hadeer Ali, Martoz cover by Daniel Gutowski
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fidjiefidjie · 2 years
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"C'est officiel, mode week-end activé..." 🍷🐕
Gif de Stephen Vuillemin
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peterschlehmil · 6 years
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animated The Passionate Back to Nature Militant by Stephen Vuillemin for Giphy
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artpornmagazine · 6 years
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Stephen Vuillemin
Artporn Magazine is on Facebook
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kevinlucbert · 6 years
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I did this blue drawing for the book project The Parisianer 2050, Editions 10-18 : theparisianer.fr/the-parisianer-2050/ The Parisianer 2050, 53 international artists, 152 pages, Editions 10-18, available now.
Thomas Baas, Vincent Bergier, Ugo Bienvenu, Wassim Boutaleb J, Marc Boutavant, Jun Cen, Chez Gertrud, Tom Clohosy Cole, Liam Cobb, Charline Collette, Antoine Corbineau, Arnaud Dauptain, Owen Davey, Ensaders, Estocafich, Amélie Falière, Amélie Fontaine, Fräneck, Freak City, Gazhole, Maïté Grandjouan, El don Guillermo, Antony Huchette, Martin Jarrie, Lasse & Russe, Kevin Lucbert, Roxane Lumeret, Pierre-Emmanuel Lyet, Vincent Mahé, François Maumont, Philippe Mignon, Mima, Charlotte Molas, Maxime Mouysset, Studio Axel Pfaender, Julien Phoque, Alain Pilon, Pierre Place, Aurélie Pollet, Clémence Pollet, Charlie Poppins, Michael Prigent, Lou Rihn, Rocco, Lionel Serre, Erwann Surcouf, Sébastien Touache, Stéphane Trapier, Brecht Vandenbroucke, Stephen Vuillemin, Kelsey Wroten, Aline Zalko, Lisa Zordan.
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lifeinmotion · 4 years
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NY State Fair from Elliot Lim on Vimeo.
Director: Elliot Lim Production Company: Not to Scale EP: Eve Strickman Production (NY): Brittany Wimmer Production (London): Sarah Butterworth, Katherina Pang Design: Elliot Lim Cel Animation: Geoff McDowall, Nick Brooks, Stephen Vuillemin, Alex Smith, Kehinde Osimore AE: Rachel Rardin, Elliot Lim, Lisa Ferguson Audio: Sonic Union
Agency: Campbell Ewald Senior Producer: Antonio Burnett Creative Director: Yoko Fujita Art Director: Tyler Emmons Copywriter: Amy Lazo
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